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Benvenuto Cellini was a celebrated Renaissance sculptor and goldsmith - a passionate craftsman who was admired and resented by the most powerful political and artistic personalities in sixteenth-century Florence, Rome and Paris. He was also a murderer and a braggart, a shameless adventurer who at different times experienced both papal persecution and imprisonment, and the adulation of the royal court. Inn-keepers and prostitutes, kings and cardinals, artists and soldiers rub shoulders in the pages of his notorious autobiography: a vivid portrait of the manners and morals of both the rulers of the day and of their subjects. Written with supreme powers of invective and an irrepressible sense of humour, this is an unrivalled glimpse into the palaces and prisons of the Italy of Michelangelo and the Medici.

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Benvenuto Cellini (1500 -1571) was an Italian goldsmith, sculptor, draftsman, soldier, musician, and artist. He started his autobiography in the year 1558 and ended around the year 1563. The memoirs give a detailed account of his singular career, as well as his numerous passions and delights. It has been considered a classic and commonly regarded as one of the most colorful autobiographies.

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Benvenuto Cellini is an artist-craftsman, one of the greatest sculptors in the renaissance, passionately devoted to art, the worshipper and frequenter of the great men of his time, the 'divine' Michelangelo, who came to his studio, the 'marvellous' Titian (the adjectives are Cellini's ). He loathed the sculptor Torregiano because he had broken Michelangelo's nose.His autobiography gives a quite extraordinarily vivid account of daily life in Renaissance Florence and Rome, its studios, its taverns, its violence, his loves, the kings, cardinals and popes who commission his works. At 27 he helps direct the defence of the castello San Angelo; his account of his imprisonment there under a mad castellan (who thought he was a bat), his escape by an improvised rope, his recapture, his confinement in 'a cell of tarantulas and venomous worms' is a chapter of adventure equal to any in fact or fiction. Later he describes burning all his furniture to achieve sufficient heat to cast of one of his most famous works, Perseus and the Head of Medusa. Cellini's Life was translated by Goethe into German. The Everyman translation by Anne Macdonell (1903) is widely recognised as the most faithful to the energy and spirit of the original.

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Tommaso Cellini, celebrated ruler of Cadenza, is dead. For Carlo Mazzoni, an aspiring poet, it is the worst possible moment to arrive at the city gates, his dreams of literary fame turning to disappointment and disgrace. For Vittoria – known to all but a handful as the notorious ink maid Hypatia – Tommaso’s death is overshadowed by the disappearance of her creative spark, while Vittoria’s impulsive sister Maddelina seeks to make her own name with a daring conspiracy. As Cadenza descends into anarchy amid rumours of war with its rival Venice, Carlo and the two sisters become entangled in intrigue, murder and revolution.

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A rich and comic portrait of the radical changes in American life and the literary world over the last eighty years. An autobiography usually requires a justification. The great autobiographies--those by Benvenuto Cellini, Jean-Jacques Rousseau, Benjamin Franklin, and Henry Brooks Adams--were justified by their authors living in interesting times, harboring radically new ideas, or participating in great events. Joseph Epstein qualifies on none of these counts. His life has been quiet, lucky in numerous ways, and far from dramatic. But it has also been emblematic of the great changes in our country since World War II. He grew up in a petit-bourgeois, Midwestern milieu, and the city of Chicago looms large in his life. He drew a lucky ticket in the parent lottery and his was a happy boyhood spent on playgrounds and hanging around drug stores. At high school dances, he was the rhumba king and at drive-in movies he was never allowed to go as far with girls as he so ardently desired. At twenty-six, after two years in the army, he found himself married, the father or stepfather of four children, and living in New York on the meager salary of a magazine subeditor. He was ablaze with ambition and fettered by frustration. He broke out by moving to Little Rock, Arkansas, to direct the city's anti-poverty program at the height of the Civil Rights movement. His writing career blossomed, he began teaching at Northwestern University, and, for twenty-five years, edited one of great intellectual magazines. Never Say You've Had a Lucky Life is an intimate look at one life steeped in radical change: from a traditionally moral culture to a therapeutic one, from an era when the extended family was strong to its current diminished status, from print to digital life featuring the war of pixel on print, and on. But for all the seriousness of Epstein's themes, this book is memorable for its comic point of view and the constant reminder of how unpredictable, various, and wondrously rich life can be.

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Style. Beauty. Passion. Vision.These are just a few of the words often used to describe the films of the single most celebrated director in Italy, and one of the most important directors the world has ever known,Federico Fellini. Fifty years since their initial releases, his films of the 1960s still inspire, shock, and delight. More than just encapsulating the '60s, these films also helped define the style of the decade. With a staggering twelve Academy Award nominations between his four feature films during this period, Fellini reached the heights of fame, film artistry, and worldwide prominence. Studied, analyzed, and re-released over the years, these films continue to amaze each new generation that discovers them. Their impeccable style makes them timeless. Their images make them unforgettable. Their passion brings them to life. And their singular vision makes them unique in all of cinema. Fellini: The Sixties is a stunning photographic journey through the director's most iconic classics: La Dolce Vita , 8½ , Juliet of the Spirits , and Fellini Satyricon . Carefully selected imagery from the Independent Visions photographic archive, many published here for the first time, illuminate these films as they have never been seen before, and reveal fascinating details of the director's working style and ebullient personality. With more than 150 photographs struck from original negatives, these images spring to life from the page with the depth and quality of the films themselves. Complemented with insightful essays from contemporary writers, Fellini: The Sixties is a true testament to the man and his work, a remarkable compendium of the legendary filmmaker's greatest achievements.About TCM:Turner Classic Movies is the definitive resource for the greatest movies of all time. It engages, entertains, and enlightens to show how the entire spectrum of classic movies, movie history, and movie-making touches us all and influences how we think and live today.

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Trilogy of war dramas directed by Roberto Rossellini. 'Rome, Open City' (1945) takes place during the last days of the Nazi occupation of Italy during World War II. Resistance leader Giorgio Manfredi (Marcello Pagliero) flees the Gestapo and seeks a place to hide with the help of his friend Francesco (Francesco Grandjacquet), his pregnant fiancée Pina (Anna Magnani) and the priest who is due to marry them, Don Pietro Pellegrini (Aldo Fabrizi). Giorgio's ex-girlfriend Marina (Maria Michi) betrays him and his fellow fighters to the Gestapo in order to get her hands on some luxury items and it's not long before the Nazis and the local police find him and Don Pietro. They are captured and tortured but will they crack under the pain or be executed for their silence? 'Paisà' (1946) is Rossellini's account of the liberation of Italy during World War II, told in six chapters. In each chapter a different view of the liberation is given as it spreads across the country. Different characters are also followed in each segment including American chaplains, soldiers, monks and prostitutes. Finally, 'Germany Year Zero' (1948) is Roberto Rossellini's moving account of life in post-war Germany telling the story of a 13-year old black marketeer who poisons his ailing father out of pity and necessity.

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Article number: 0190295629755Artist: Didonato JoyceBarcode: 0190295629755Distributor: Warner MusicLabel: PLG UK CLASSMedia: Musik Blu-rayRelease date: 2018-11-16Tracks: 1. NORMA[komma] ACT 12. NORMA[komma] ACT 2Units in packaging: 1

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