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Min første gåbil i rødMin første gåbil er fremstillet helt i genbrugsplast, og kommer med smart opbevaringsrum under sædet. Min første gåbil er god til barnets første skridt og kan bruges til at suse afsted i stuen. God og solid gåbil der kan bruges til børn fra 1 år.* Bilen måler52 x 33 cm.* Sædehøjden er 24 cm.* Styrhøjden er 33 cm.* Bilen er i rød farve* Smart rum under sædet til opbevaring* Bilen kan bruges fra ca. 1 årMin første gåbil er fremstillet i solidt genbrugsplast.

Virtually every problem with the modern American mode of living stems from three major cultural characteristics: a pathological attachment to the automobile, a horrifying apathy toward the obesity epidemic, and a deeply engrained fetishization of employment. This should be plain to anyone paying attention, but it's especially clear if you sell your car and spend six gruelling months riding public transit in Dallas, Texas, arguably the nation's most regrettable example of urban dysfunction. For half a year, I got on the train in one of the biggest cities in the wealthiest nation of all time, only to find myself surrounded by people who are either homeless or commuting to a job that hardly keeps them above the poverty line. Most of them are morbidly obese, and those who aren't are only slim because of heroin or some other destructive analgesic. This country is in shambles for reasons that are material and obvious, but if you turn on the TV, the only issues our political and media intelligentsia find time to talk about are drag queens, QAnon crackpots, the sexual misadventures of partisan pseudo-celebrities, and other such sparkly hysterias. It's all ludicrous political stagecraft that has absolutely nothing to do with the lives of normal Americans, to say nothing of the weakest and most miserable. These conditions, which constitute a clear cultural disease, are so ugly and glaring that a diagnostic report like this really shouldn't be necessary.

Mit første kameraMit første kamera er fremstillet i naturtræ og har indbygget kalejdoskop i linsen. Barnet kan trykke på den røde knap og lade som om der tages billeder.* Fremstillet i træ* Håndmalet* Anbefales fra ca. 10 måneder* Måler 9,8 x 6,5 x 4,9 cm.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. This Dorothy, my aunt, grew up a most incomparable beauty, the equal of whom was not to be seen anywhere in the county. In those days, and until the death of Ferdinando, there was open house kept at Bamborough, with so much company and such prodigality and lavishing of good things as no other house in the county could show. It was ever a distinction between the Forsters of Etherston and those of Bamborough, that the former were quiet gentlemen, lovers of home, and not profuse of expenditure; while the latter were large-handed, hospitable, and never so happy as when they were spending money with open hands and both hands. True, they had a great estate; but there is no estate, not even his who owns Potosi or G-olconda, but requires care in the spending. Sir William first, and his sons afterwards, lived as freely as if they had an endless revenue. They were not spendthrifts, nor did they throw money away in riotous living, like him who was reduced to feed with the pigs; but tbey lived at a great rate: their house was always open for anyone who chose; their stables were full of horses; their cellars full of wine; their rooms full of company; grooms and varlets in plenty lived upon them; they even went to London. Madam, I remember, was for ever wondering how the Bamborough people could afford, even with their means, this great expense, and looking forward to a sudden end. But she was one of those women who rejoice to play the part of the Trojan Princess, constantly foretell disaster, concern themselves continually with the affairs of other people, and are never so well pleased as when they have some fresh misfortune to discuss, or some certain calamity to predict. To the beautiful Dorothy the coming and going of fresh company meant the arrival and dismissal of so many lovers, for all men fell in love with her at first sight. Those who were too old lamented their youth; those who were married wished they were single for her sake; those who were rich trusted in their acres; those who were poor hoped she would accept their poverty. In a word, they all with one consent began to ask her in marriage before she was seventeen years of age. But she would have none of them; not from pride, nor from a desire to make a great match (because, being a Forster, she knew that she could marry no one better than a plain Northumberland gentleman), but because she was young and happy, contented to wait single for a while, and because of all the lovers there was none who touched her heart.

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Klassiker af E.M. Forster. „En exceptionel kunstners værk – skabt på hans kreative højdepunkt“ THE NEW YORK TIMES. Maurice udspiller sig på det elegante Cambridge, hvor mesterforfatteren E.M. Forster introducerer os for den fjortenårige Maurice Hall. Vi følger Maurice gennem skolen og Cambridge og videre ind i faderens firma, Hill & Hall, Børsmæglere. I et meget struktureret samfund er Maurice en konventionel ung mand på næsten alle måder, og han påtager sig den rolle, England forventer af ham. Altså lige bortset fra, at han er homoseksuel. Bogen er skrevet i løbet af 1913 og 1914, umiddelbart efter Forsters storværk Howards End, men den blev ikke udgivet før 1971. Maurice var forud for sin tid i sit tema og i sin bekræftelse af, at kærlighed mellem mænd kan være lykkelig. „Lykke,“ skrev Forster, „er grundtonen i Maurice. Jeg har forsøgt at skabe en figur, der stod helt i modsætning til mig selv, eller hvad jeg syntes om mig selv: smuk, sund, tiltrækkende, mentalt dorsk, en ikke dårlig forretningsmand og en temmelig udtalt snob. I denne blanding har jeg så tilført en ingrediens, der forvirrer ham, vækker ham, plager ham og til sidst redder ham.“ Maurice har ikke tidligere været oversat til dansk. E.M Forster var en af de vigtigste romanforfattere i den første halvdel af det tyvende århundrede. Han blev født i 1879 og uddannet på Cambridge. Hans andre romaner inkluderer Værelse med udsigt, Howards End, og Vejen til Indien – alle udkommet på Rosenkilde & Bahnhof. Han døde i 1970. Fil størrelse: 2644 KB

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Gripping story of dark family secrets, and the price of money, privilege and fame. Bestselling author Kate Forster delivers another escapist and twisty unmissable read.Wealth and privilege can't buy you love... or keep your secrets safe. The de Santoval sisters are heiresses to a glamorous fashion house, and the darlings of LA society. Violetta is the hottest reality TV star of the moment, with a fierce press interest to rival Hollywood's A-list. Carlotta is an exclusive horse trainer, as wild as the stallions she breaks in. Fine-arts consultant Grace is hiding a dark secret she must keep hidden at all costs. Their mother, wealthy fashion maven Birdie De Santoval, lies unconscious following a mysterious accident. Blame soon falls on their powerful but ruthless tycoon father, the missing Leon De Santoval. Beneath the ritzy fa ade of the de Santoval family lies a web of deceit and betrayal that hides a secret that threatens to destroy them all... ***Readers love Kate Forster!'This beautifully descriptive and touching story about love and hope is fabulous sunshine reading' Closer. 'A lovely get-away-from-it-all read' Red. 'Enticing and addictive. I loved it' I heart Chick Lit. 'A fun-filled, feel-good holiday read which is ideal just to put a big smile on your face' Reviewed the Book. 'Forster takes us on an enjoyable and emotional roller coaster ride in this captivating story about the price of fame' Blackpool Gazette.

An astonishingly frank and deeply autobiographical account of homosexual relationships in an era when love between men was not only stigmatised, but also illegal, E.M. Forster's Maurice is edited by P.N. Furbank with an introduction by David Leavitt in Penguin Classics. Maurice Hall is a young man who grows up confident in his privileged status and well aware of his role in society. Modest and generally conformist, he nevertheless finds himself increasingly attracted to his own sex. Through Clive, whom he encounters at Cambridge, and through Alec, the gamekeeper on Clive's country estate, Maurice gradually experiences a profound emotional and sexual awakening. A tale of passion, bravery and defiance, this intensely personal novel was completed in 1914 but remained unpublished until after Forster's death in 1970. Compellingly honest and beautifully written, it offers a powerful condemnation of the repressive attitudes of British society, and is at once a moving love story and an intimate tale of one man's erotic and political self-discovery. In his introduction, David Leavitt explores the significance of the novel in relation to Forster's own life and as a founding work of modern gay literature. This edition reproduces the Abinger text of the novel, and includes new notes, a chronology and further reading. E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centred on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971. If you enjoyed Maurice , you might like Forster's A Room With a View , also available in Penguin Classics.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist intersect at an estate called Howards End. There, the lives of three families become entangled. The Wilcoxes, who own the estate, are a wealthy family who made their fortune in the American colonies. The Schlegel siblings-Margaret, Helen, and Tibby-are lively socialites whose spirited and active lifestyles are representative of the intellectual bourgeoisie. And the Basts are a young couple from a lower-class background who are struggling to survive. As chance brings them together, societal conventions come into question as does the ownership of Howards End. Through the fate of the estate-as well as the lives of the families who are affiliated with it-Forster creates a brilliant parallel to the fate of English society itself.

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BOOK OF THE YEAR 2017 - MOJO MAGAZINE & UNCUT MAGAZINE "In early '77 I asked Grant if he'd form a band with me. `No,' was his blunt reply." Grant McLennan didn't want to be in a band. He couldn't play an instrument; Charlie Chaplin was his hero du jour. And yet, when Robert Forster wrote Hemingway, Genet, Chandler and Joyce into his lyrics, McLennan couldn't resist a second invitation to become 80s indie sensation The Go Betweens. The friends would collaborate for three decades, until Grant's premature death in 2006. Beautifully written - like lyrics, like prose - Grant & I is a rock memoir akin to no other. Part `making of', part music industry expose, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour, Robert Forster pays tribute to a band who found huge success in the margins, having friendship at its heart.

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Written in 1914 by the Nobel Prize–nominated author of Howard’s End, this intimate portrait of homosexual desire “seems as relevant as ever” (The Guardian). From early adolescence to his college years at Cambridge and into professional life at his father’s firm, Maurice Hall plays the part of the conventional Englishman. All the while, he harbors a secret wish to lose himself from society and embrace who he truly is. Maurice’s first love, Clive Durham, introduces him to the ancient Greeks who embraced same-sex attraction. But when Clive marries a woman, Maurice is distraught enough to seek a hypnotist who might “cure” him of his homosexuality. In his quest to accept his true self, Maurice must ultimately go against the grain of society’s unspoken rules of class, wealth, and politics. Though Forster completed Maurice in 1914, he left instructions for it be published only after his death. Since its release in 1971, Maurice has been widely praised and adapted for major stage productions as well as the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby. “The work of an exceptional artist working close to the peak of his powers.” —The New York Times

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