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Fyodor Dostoyevsky was born on 11th November 1821. He was introduced to literature very early. At age three, it was heroic sagas, fairy tales and legends. At four his mother used the Bible to teach him to read and write. His immersion in literature was wide and varied. His imagination, he later recalled, was brought to life by his parents' nightly readings. On 27th September 1837 tragedy struck. Dostoyevsky's mother died of tuberculosis. Dostoyevsky and his brother were now enrolled at the Nikolayev Military Engineering Institute, their academic studies abandoned for military careers. Dostoyevsky disliked the academy, his interests were drawing and architecture. His father died on 16th June 1839 and perhaps triggered Dostoyevsky's epilepsy. However, he continued his studies, passed his exams and obtained the rank of engineer cadet. Dostoyevsky's first completed work was a translation of Honor de Balzac's novel Eug nie Grandet, published in 1843. It was not successful. He believed his financial difficulties could be overcome by writing his own novel. The result was 'Poor Folk', published in 1846, and a commercial success. His next novel, 'The Double', appeared in January 1846. Dostoyevsky now became immersed in socialism. However, 'The Double' received bad reviews and he now had more frequent seizures. With debts mounting he joined the utopian socialist Betekov circle, which helped him to survive. When that dissolved he joined the Petrashevsky Circle, which proposed social reforms. The Petrashevsky Circle was then denounced and Dostoyevsky accused of reading and distributing banned works. Arrests took place in late April 1849 and its members sentenced to death by firing squad. The Tsar commuted the sentence to four years of exile with hard labour in Siberia. His writings on these prison experiences, 'The House of the Dead' were published in 1861. In Saint Petersburg that September he promised his editor he would deliver 'The Gambler', a novella on gambling addiction, by November, although work had yet to begin. It was completed in a mere 26 days. Other works followed but a different approach helped immensely. In 1873 'Demons' was published by the "Dostoyevsky Publishing Company". Only payment in cash was accepted and the bookshop was the family apartment. It sold around 3,000 copies. However, Dostoyevsky's health continued to decline, and in March 1877 he had four epileptic seizures. In August 1879 he was diagnosed with early-stage pulmonary emphysema. He was told it could be managed, but not cured. On 26th January 1881 Dostoyevsky suffered a pulmonary haemorrhage. After the second the doctors gave a poor prognosis. A third haemorrhage followed shortly afterwards. Fyodor Dostoyevsky died on 9th February, 1881.

BBC radio productions of Dostoevsky's masterpieces, plus selected shorter fiction and bonus programmes exploring his life and workOne of the most important and influential Russian writers of the 19th Century, Fyodor Dostoevsky is admired worldwide for his great realist novels, exploring questions of morality, philosophy and the nature of existence. This compilation contains the BBC radio productions of his four most famous novels - as well as three lesser-known works and two bonus documentaries - collected together for the first time.Crime and Punishment - When he tests out a horrific theory, young Raskolnikov finds himself pursued by the cunning investigator Porfiry Petrovich. This thrilling tale of guilt and redemption stars Barnaby Kay and Jim Norton.The Idiot - Arriving back in Russia after years spent abroad treating his epilepsy, Prince Mishkin learns the story of the woman who will dominate his life - the spoilt but captivating Nastasya... Dostoevsky's most personal novel stars Paul Rhys, Roger Allam and Lia Williams.Devils - Idealism curdles into murderous anarchy in this fresh, contemporary 3-part adaptation of Dostoevsky's terrifying masterpiece, starring Gary Lilburn, Jane Whittenshaw, Joseph Arkley and Jonathan Forbes.The Brothers Karamazov- The Karamazov family reunite for a meeting with their father to discuss Dmitry's inheritance. But the unpredictable Fyodor seems unwilling to play the game.... Stars Roy Marsden, Paul Hilton and Nicholas Boulton.The Friend of the Family - Russia, 1859, and the Manor of Stephanchikovo is thrown into chaos when a former sergeant sets himself up as an arbiter of morals and taste. David Suchet and Clive Merrison star in this farcical comedy.Bobok - Loitering in the cemetery after a funeral, a drunken writer overhears the conversations of the recently deceased corpses... This blackly comic short story is performed by Boris Isarov.Dream of a Ridiculous Man - A study in music and words of Dostoevsky's vision of an idyllic, prelapsarian world. Read by Ronald Pickup.Dostoevsky and Dangerous Ideas - John Gray reflects on the lessons Dostoevsky's novels teach us about the perils of misguided idealism.Dr Rowan Williams on Dostoevsky - The onetime Archbishop of Canterbury joins Susan Hitch to consider conflicting ideas about spiritual regeneration and existentialism, as embodied in Dostoevsky's characters.First published 1859 (The Friend of the Family), 1866 (Crime and Punishment), 1869 (The Idiot), 1872 (Demons), 1873 ('Bobok'), 1877 ('The Dream of a Ridiculous Man'), 1880 (The Brothers Karamazov)

Translated by Constance Garnett with an Introduction by A.D.P. Briggs. In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave a small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils , a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time. The satirical portraits of the revolutionaries, with their naivety, ludicrous single-mindedness and readiness for murder and destruction, might seem exaggerated - until we consider their all-too-recognisable descendants in the real world ever since. The key figure in the novel, however, is beyond politics. Nikolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly sexual crime - in a chapter long suppressed by the censor. This prophetic account of modern morals and politics, with its fifty-odd characters, amazing events and challenging ideas, is seen by some critics as Dostoevsky's masterpiece.

After an uncomfortable and embarrassing evening at a party, the unsociable Golyadkin meets his double and soon discovers that this more charming and successful version of himself intends to take over his life and drive him to the edge of sanity.

Devils, also known in English as The Possessed and The Demons, was first published in 1871-2. The third of Dostoevsky's five major novels, it is at once a powerful political tract and a profound study of atheism, depicting the disarray which follows the appearance of a band of modish radicals in a small provincial town. Dostoevsky compares infectious radicalism to the devils that drove the Gadarene swine over the precipice in his vision of a society possessed by demonic creatures that produce devastating delusions of rationality. Dostoevsky is at his most imaginatively humorous in Devils: the novel is full of buffoonery and grotesque comedy. The plot is loosely based on the details of a notorious case of political murder, but Dostoevsky weaves suicide, rape, and a multiplicity of scandals into a compelling story of political evil. _ This new translation also includes the chapter `Stavrogin's Confession', which was initially considered to be too shocking to print. In this edition it appears where the author originally intended it. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. _ _

Demons , also known as The Possessed or The Devils , is a dark masterpiece that evokes a world where the lines between and good and evil long ago became blurred. This Penguin Classics edition of Fyodor Dostoyevsky's Demons is translated by Robert A. Maguire and edited by Ronald Meyer, with an introduction by Robert L. Belknap. Pyotr Verkhovensky and Nikolai Stavrogin are the leaders of a Russian revolutionary cell. Their aim is to overthrow the Tsar, destroy society and seize power for themselves. Together they train terrorists who are willing to go to any lengths to achieve their goals - even if the mission means suicide. But when it seems their motley group is about to be discovered, will their recruits be willing to kill one of their own circle in order to cover their tracks? As the ensuing investigation and trial reveal the true identity of the murderer, Dostoyevsky's and everyone's faith in humanity is tested. Partly based on the real-life case of a student murdered by his fellow revolutionaries, Dostoyevsky's sprawling novel is a powerful and prophetic, yet lively and often comic depiction of nineteenth-century Russia, and a savage indictment of the madness and nihilism of those who use violence to serve their beliefs. Robert A. Maguire's superb translation captures Dostoyevsky's vigorous prose. In his introduction, Robert L. Belknap discusses Dostoyevsky's own revolutionary activities, his narrative technique and use of different genres, and the background of Radicalism in Imperial Russia. Edited by Ronald Meyer, this volume also includes a chronology, further reading, notes and a glossary. Fyodor Mikhailovich Dostoyevsky (1821-1881) was born in Moscow. From 1849-54 he lived in a convict prison, and in later years his passion for gambling led him deeply into debt. His other works available in Penguin Classics include Crime & Punishment , The Idiot and Demons . If you enjoyed Demons , you might like Joris-Karl Huysmans' The Damned (Là-Bas) , also available in Penguin Classics.

As seen in The Guardian, House & Garden and designboom Dachas – countryside houses, built from wood – are largely unknown outside the post-Soviet states. Photographer Fyodor Savintsev has documented these important architectural forms, creating a unique record of a vanishing world. A ‘dacha’ is a country house, made of wood, used by Soviet citizens to escape the rigors of the city for rural idyll. Widespread in the countries of the former USSR, this important cultural and architectural form has been largely ignored academically. In Dacha Fyodor Savintsev documents this particularly Russian phenomenon, his photographs constitute a unique record of a rapidly vanishing fairytale wooden world. The word ‘dacha’ has been used to describe constructions ranging from grand imperial villas to small sheds. Originally bestowed by the Tsar to reward courtiers, this custom continued following the revolution, with Soviet cooperatives building dachas for their members. Supposedly for the benefit of labourers, in reality they were destined for those favoured by the State, including famous writers, architects and artists – from Pasternak to Prokofiev. The fall of the Soviet Union accelerated their use, as economic uncertainty forced city dwellers towards self-sufficiency. The dacha tradition has survived Revolution, war and the collapse of Communism, becoming an integral part of life in the process. Using contemporary photographs to showcase these uniquely individual buildings for the first time, alongside an introduction explaining their historical and cultural context, Dacha is the only publication of its kind.

'The most innovative and challenging writer of fiction in his generation in Russia' Guardian Based on a real-life crime which horrified Russia in 1869, Dostoevsky intended his novel to castigate the fanaticism of his country's new political reformers, particularly those known as Nihilists. Blackly funny, grotesque and shocking, Demons is a disturbing portrait of five young men saturated in ideology and bent on destruction, and a compelling study of terrorism. 'Marvellous...a fluid and well-paced translation' Observer

Russian author Fyodor Dostoyevsky is regarded by scholars and critics as one of the most important writers of the nineteenth century. His deeply philosophical novels present a nuanced look at some of the psychological struggles that men and women face. This novel, set against the backdrop of the initial rumblings of revolution in Imperial Russia, delves into the motivations that inspire extreme political ideologies.

Constantly rebuffed from the social circles he aspires to frequent, the timid clerk Golyadkin is confronted by the sudden appearance of his double, a more brazen, confident and socially successful version of himself, who abuses and victimizes the original. As he is increasingly persecuted, Golyadkin finds his social, romantic and professional life unravelling, in a spiral that leads to a catastrophic denouement. The Double, Dostoevsky's second published work of fiction, which foreshadows in its themes many of his mature novels, is the surreal and hallucinatory tale of an unfortunate anti-hero, at once chilling in its depiction of the dark sides of human nature and exuberantly comical.

The Idiot is a novel by the Russian author Fyodor Dostoevsky, first published in 1869. It is one of Dostoevsky's major works and a profound exploration of human psychology, morality, and society. The novel centers on Prince Lev Nikolayevich Myshkin, a young man whose innocence, honesty, and kindness are seen as foolishness by the world around him, hence the title "The Idiot." The novel is characterized by Dostoevsky's deep psychological insight and exploration of philosophical and theological issues. The narrative is rich in dialogue and internal monologues, delving into the minds of the characters to reveal their inner conflicts and motivations. The Idiot has been regarded as one of Dostoevsky's most complex works. While it was not as commercially successful as some of his other novels during his lifetime, it is now considered one of the greatest novels ever written. It influenced later existential and psychological literature and continues to be studied for its philosophical depth.

The Idiot is a thought-provoking and psychologically intense novel that delves into the complexities of human nature and societal norms. The story revolves around Prince Myshkin, a compassionate and innocent man who is deemed an "idiot" due to his naivety and unconventional behavior. Set in nineteenth-century Russia, the narrative explores themes of love, morality, and the clash between innocence and corruption. Dostoevsky's masterful characterization brings to life a cast of vivid and troubled individuals, highlighting the dark undercurrents of Russian society. The Idiot is an exploration of human vulnerability and the struggle to maintain goodness in a world of moral ambiguity. An exploration of innocence and societal corruption. Compelling portrayal of Prince Myshkin, an unconventional and compassionate character. Unforgettable characters grappling with love, morality, and personal demons. A thought-provoking journey into the complexities of human nature. Unveiling the clash between purity and corruption in nineteenth-century Russia.

In an age before psychology was a modern scientific field, Fyodor Dostoyevsky (November 11, 1821 - February 9, 1881) was a Russian writer of realist fiction and essays that explored the depths of the human psyche. Known for acclaimed novels Crime and Punishment, The Idiot and The Brothers Karamazov, Dostoyevsky's work discusses the human mind in a world full of political and social upheaval in 19th century Russia, becoming the forerunner of existentialism.

Film adaptations have been made by Italian director Luchino Visconti (Le notti bianche), by French director Robert Bresson (as Four Nights of a Dreamer), by Iranian director Farzad Motamen (as Shabhaye Roshan) by Indian film directors Manmohan Desai (Chhalia (1960)), Shivam Nair (Ahista Ahista), Sanjay Leela Bhansali (Saawariya), and Jananadhan (Iyarkai) and into the American film Two Lovers.

Fyodor Mikhailovich Dostoyevsky (11 November 1821 - 9 February 1881), sometimes transliterated Dostoevsky, was a Russian novelist, short story writer, essayist, journalist and philosopher. Dostoyevsky's literary works explore human psychology in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of realistic philosophical and religious themes.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Regarded as one of world literature's foremost novelists, Fyodor Dostoevsky's short stories are also some of the best ever written. 'White Nights' tells of love and loss on the streets of St. Petersburg, 'A Nasty Business' presents the hilarious tale of a general dropping in on the wedding of a subordinate, while 'The Meek One' is an existentialist tale of marriage and tragedy.

The narrator and protagonist of Dostoevsky's novel The Adolescent (first published in English as A Raw Youth ) is Arkady Dolgoruky, a na-ve 19-year-old boy bursting with ambition and opinions. The illegitimate son of a dissipated landowner, he is torn between his desire to expose his father's wrongdoing and the desire to win his love. He travels to St. Petersburg to confront the father he barely knows, inspired by an inchoate dream of communion and armed with a mysterious document that he believes gives him power over others. This new English version by the most acclaimed of Dostoevsky's translators is a masterpiece of pathos and high comedy.

Fyodor Dostoyevsky's The Idiot is an immaculate portrait of innocence tainted by the brutal reality of human greed. This Penguin Classics edition is translated from the Russian by David McDuff, with an introduction by William Mills Todd III. Returning to St Petersburg from a Swiss sanatorium, the gentle and naïve epileptic Prince Myshkin - the titular 'idiot' - pays a visit to his distant relative General Yepanchin and proceeds to charm the General, his wife, and his three daughters. But his life is thrown into turmoil when he chances on a photograph of the beautiful Nastasya Filippovna. Utterly infatuated with her, he soon finds himself caught up in a love triangle and drawn into a web of blackmail, betrayal, and finally, murder. Inspired by an image of Christ's suffering Dostoyevsky sought to portray in Prince Myshkin the purity of a 'truly beautiful soul' and explore the perils that innocence and goodness face in a corrupt world. David McDuff's new translation brilliantly captures the novel's idiosyncratic and dream-like language and the nervous, elliptic flow of the narrative. This edition also contains a new introduction by William Mills Todd III, which is a fascinating examination of the pressures on Dostoyevsky as he wrote the story of his Christ-like hero. Fyodor Mikhailovich Dostoyevsky (1821-1881) was born in Moscow. From 1849-54 he lived in a convict prison, and in later years his passion for gambling led him deeply into debt. His other works available in Penguin Classics include Crime & Punishment , The Idiot and Demons . If you enjoyed The Idiot , you might like Anton Chekhov's Ward No. 6 and Other Stories , also available in Penguin Classics. 'McDuff's language is rich and alive' The New York Times Book Review '[ The Idiot 's] ... narrative is so compelling' Rowan Williams, Archbishop of Canterbury

A classic by a Russian master Prince Myshkin, the idiot, is an almost comically innocent Christ figure in a land of sinners, one whose faith in beauty contrasts sharply with that of his society's.