Der blev fundet 604 produkter som matchede din søgning efter shakespeare i 3 butikker:

Waders

Julius Caesar is set in Rome. The action begins on February 15, 44 BC the day of the feast of Lupercal, a Roman festival. A fortune-teller is warning Roman ruler Julius Caesar to "beware the ides of March," the 15th. While he dismisses the fortune-teller as just a dreamer, the men who oppose Caesar, because of his ambition to be king, discuss killing him. Caesar has just returned home in triumph after having defeated his rival, Pompey. The people have taken the day off from work to celebrate.

An NYRB Classics Original Shakespeare, Nietzsche wrote, was Montaigne's best reader--a typically brilliant Nietzschean insight, capturing the intimate relationship between Montaigne's ever-changing record of the self and Shakespeare's kaleidoscopic register of human character. And there is no doubt that Shakespeare read Montaigne--though how extensively remains a matter of debate--and that the translation he read him in was that of John Florio, a fascinating polymath, man-about-town, and dazzlingly inventive writer himself. Florio's Montaigne is in fact one of the masterpieces of English prose, with a stylistic range and felicity and passages of deep lingering music that make it comparable to Sir Robert Burton's Anatomy of Melancholy and the works of Sir Thomas Browne. This new edition of this seminal work, edited by Stephen Greenblatt and Peter G. Platt, features an adroitly modernized text, an essay in which Greenblatt discusses both the resemblances and real tensions between Montaigne's and Shakespeare's visions of the world, and Platt's introduction to the life and times of the extraordinary Florio. Altogether, this book provides a remarkable new experience of not just two but three great writers who ushered in the modern world.

Waders

Waders

Explore the life and times of Shakespeare and trace his journey from a little boy reluctant to go to school to becoming the famous bard. Travel back to his birthplace in the small town of Stratford-upon-Avon before accompanying the legendary storyteller through the theatres and playhouses of 16th-century London. Learn where Shakespeare found his inspiration, pay a visit to the famous Globe, and discover why his romances, comedies, and tragedies still captivate readers and audiences more than 500 years later. This one-stop shop for Shakespeare encourages younger readers to experience his life and times firsthand with stunning illustrations, fascinating stories, and revealing content providing both education and entertainment. The updated edition has new infographics, statistics, facts, and timelines to engage and enlighten. A giant fold-out wall chart will put the Bard up where he belongs on your bedroom or classroom wall. And who knows? Eyewitness Shakespeare may inspire you to put pen to paper!

The first-ever illustrated children's edition of William Shakespeare's First Folio, published to celebrate its 400th anniversary - a sumptuous gift book to treasure for ever. Published in association with the Shakespeare Birthplace Trust, Shakespeare's Plays is the first-ever illustrated children's edition of the First Folio, one of the greatest books ever published which celebrates its 400th anniversary in 2023. The sumptuously illustrated book, with luminous and detailed artwork by Emily Sutton, includes all 36 plays in the original volume, in the same order. The plays preserve Shakespeare's original dramatic language, but have been abridged so they can be performed by a minimum of eight children in under twenty minutes. The perfect accessible introduction to Shakespeare in his own words for a child, this is a very special gift book that will be returned to time and time again. "What a lovely treasure! A wonderful introduction to Shakespeare's timeless plays." Greg Jenner, You're Dead to Me

Analysing Shakespeare's historical background and craft, Spencer's 1943 study investigates the intellectual debates of Shakespeare's age, and the effect these had on the drama of the time. The book outlines the key conflict present in the sixteenth century - the optimistic ideal of man's place in the universe, as presented by the theorists of the time, set against the indisputable and ever-present fact of original sin. This conflict about the nature of man, argues Spencer, is perhaps the deepest underlying cause for the emergence of great Renaissance drama. With detailed reference to Shakespeare's great tragedies, the book demonstrates how Shakespeare presents the fact of evil masked by the appearance of good. Shakespeare's last plays, especially The Winter's Tale and The Tempest, are also analysed in detail to show how they embody a different view from the tragedies, and the discussion is related to the larger perspective of general human experience.

Celebrating the 400th Anniversary of the publication of Shakespeare's First Folio This is the biography of a book: the first collected edition of Shakespeare's plays printed in 1623 and known as the First Folio. It begins with the story of its first purchaser in London in December 1623, and goes on to explore the ways people have interacted with this iconic book over the four hundred years of its history. Throughout the stress is on what we can learn from individual copies now spread around the world about their eventful lives. From ink blots to pet paws, from annotations to wineglass rings, First Folios teem with evidence of their place in different contexts with different priorities. This study offers new ways to understand Shakespeare's reception and the history of the book. Unlike previous scholarly investigations of the First Folio, it is not concerned with the discussions of how the book came into being, the provenance of its texts, or the technicalities of its production. Instead, it reanimates, in narrative style, the histories of this book, paying close attention to the details of individual copies now located around the world - their bindings, marginalia, general condition, sales history, and location - to discuss five major themes: owning, reading, decoding, performing, and perfecting. This is a history of the book that consolidated Shakespeare's posthumous reputation: a reception history and a study of interactions between owners, readers, forgers, collectors, actors, scholars, booksellers, and the book through which we understand and recognize Shakespeare.

"The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic-and ultimate authority on the western literary tradition, Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.

This is the first comprehensive account of the relationship between Shakespeare and his favourite poet, Ovid. Jonathan Bate examines the full range of Shakespeare's work, identifying Ovid's presence not only in the narrative poems and pastoral comedies, but also in the Sonnets and mature tragedies. He shows how profoundly creative Ovid's influence was, from the raped Lavinia's turning of the pages of the Metamorphoses in Titus Andronicus, and the staging of Pyramus and Thisbe in A Midsummer Night's Dream, to the reanimation of Hermione's statue in The Winter's Tale and Prospero's renunciation of his magic in The Tempest. The Heroides are shown to have been vital to Shakespeare's female characters, but it is the Metamorphoses which animate Professor Bate's book, just as they animated the whole of Shakespeare's career. This original and elegantly written book reveals Shakespeare as an extraordinarily sophisticated reader of Ovidian myth and as a metamorphic artist as fluid and nimble as his classical original. From reviews of the hardback: 'Jonathan Bate has written the first comprehensive account of Shakespeare's relationship with the poet who influenced him most deeply . . . His book is a fine example of scholarship put at the service of Shakespeare.' Sunday Telegraph 'Bate's choice of Ovid as affording a means of returning to the idea of literature as transcending history seems to me both correct and very cunning . . . Bate is, again and again, brilliant.' London Review of Books 'excellent study . . . he brilliantly demonstrates the fructifying presence of Ovid, overtly in the early and late work but also as a subtler "underpresence" in the mature tragedies.' Shakespeare Survey

This collection contains more than 80% of the sonnets, including all the famous ones. In addition, there are substantial extracts from the longer narrative poems Shakespeare wrote in his youth, songs from the plays, and celebrated soliloquies from HAMLET, ROMEO AND JULIET, KING LEAR, HENRY V, THE MERCHANT OF VENICE, etc. Together, these verses give a comprehensive view of shakespeare the poet by assembling all the well-known passages together with less familiar but equally powerful extracts.

Hamlet er bygget op omkring en kriminalintrige, og stykkets centrale plot er kriminalromanens – blot henlagt til royale omgivelser: En konge er blevet myrdet - og hans søn påtager sig rollen som detektiv for at finde ud af, hvem der har gjort det. Men Hamlet er andet og langt mere end en krimi. Parallelt med historien om opklaringen af kongemordet afdækkes nemlig et intrigant magtspil, hvor både mænd og kvinder, levende og døde, løgn og forstillelse, venskab og ægteskab, ydelser og modydelser, overvågning og mistillid væves ind i hinanden og gør alle personerne til brikker i et spil, ingen helt kan overskue. – Måske med undtagelse af læseren? Men Hamlet er ikke for fastholdere. Mange tolkningsmuligheder byder sig til: Er Hamlet den noble prins i en korrupt verden? Er han selv den dødsinficerede kilde til råddenskaben i Helsingør? - Eller er han og alle de andre ofre for en verden, der ikke levner plads til et godt og meningsfuldt liv?

‘A lively picture of multiple operators scrambling to steal a march on the competition . . . Lavishly detailed’ FINANCIAL TIMES ‘This is Shakespearean scholarship at its best, brilliantly researched yet compulsively readable. It's a book for our times, enduringly fascinating and appealing to both enthusiasts and the general reader. Highly recommended!’ ALISON WEIR FINANCIAL TIMES BOOK OF THE SUMMER A BBC HISTORY MAGAZINE BOOK OF THE YEAR 2023 A BBC RADIO 4 FRONT ROW NON-FICTION BOOK OF THE YEAR 2023 AN AUSTRALIAN BOOK REVIEW BOOK OF THE YEAR 2023 The year 2023 marks the 400th anniversary of Mr William Shakespeare’s Comedies, Histories, & Tragedies , known today simply as the First Folio. It is difficult to imagine a world without The Tempest, Twelfth Night, Antony and Cleopatra, The Winter’s Tale and Macbeth , but these are just some of the plays that were only preserved thanks to the astounding labour of love that went into creating the first collection. Shakespeare’s Book: The Intertwined Lives Behind the First Folio charts, for the first time, the manufacture of the First Folio against a turbulent backdrop of seismic political events and international tensions that intersected with the lives of its creators. Shakespeare scholar Dr Chris Laoutaris uncovers the friendships, bonds, social ties and professional networks that facilitated the production of Shakespeare ’ s book, as well as the personal challenges, tragedies and dangers that threatened its completion. And he considers how Shakespeare himself, before his death, may have influenced the ways in which his own public identity would come to be enshrined in the First Folio, shaping the transmission of his legacy to future generations and determining how the world would remember him ‘not of an age, but for all time’. ‘Beautifully written and utterly compelling… comprises all the drama, intrigue and surprises of a Shakespeare play' Tracy Borman

Shakespeare for CSEC is designed to enhance students' knowledge, understanding and response. Produced specifically for students working towards the English B for CSEC examination, it contains a range of valuable features to enable a deeper understanding and appreciation of the text. Introductory essays provide social, cultural and historical context, and CSEC examination-style questions provide valuable practice, building students' confidence ahead of the assessment.

A bestselling, beautifully designed edition of William Shakespeare's sonnets and poems, complete with valuable tools for educators. The authoritative edition of Shakespeare's Sonnets and Poems from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Full explanatory notes conveniently linked to the text of each sonnet and poem -A brief introduction to each sonnet and poem, providing insight into its possible meaning -An index of first lines -Illustrations from the Folger Shakespeare Library's vast holdings of rare books -An essay by a leading Shakespeare scholar providing a modern perspective on the sonnets The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Who will you be? Caesar? Brutus? The spooky soothsayer?! Julius Caesar like you have never experienced it before: quick, fun, and easy to understand. Designed for 5-17+ actors, kids, families, or anyone who wants to enjoy and perform Shakespeare's classic play. Julius Caesar for Kids is a play versatile enough for sibling fun, classes, drama groups, homeschool groups, or backyard performances. It's appropriate and fun for all ages! Plays range from 15 to 25 minutes. Which character your kids be?! What you will get: Fun! 3 hilarious modifications for group sizes: 5-9+ 8-12+ 12-17+ Actual lines from Shakespeare's play highlighted for easy identification Creatively funny and witty telling of the remaining script A delightfully funny rendition that is easy for ADULTS to understand too! A kid who loves Shakespeare! This mini-melodramatic masterpiece is sure to spark a love of Shakespeare. Shakespeare is difficult enough in class or watching onstage, let alone trying to teach the stories to children, but as the author's mantra states in the book, "there is no better way to learn than to have fun! "Kids who have read this have also eventually purchased the entire Shakespeare works, and have completed 'hero' reports on Shakespeare at school. Guaranteed to have you coming back for more!

"A close reading of the plays that tries to map the creases and folds in Shakespeare's mysterious, elusive brain."— New York Times Book Review A. D. Nuttall’s study of Shakespeare’s intellectual preoccupations is a literary tour de force and comes to crown the distinguished career of a Shakespeare scholar. Certain questions engross Shakespeare from his early plays to the late romances: the nature of motive, cause, personal identity and relation, the proper status of imagination, ethics and subjectivity, language and its capacity to occlude and to communicate.Yet Shakespeare’s thought, Nuttall demonstrates, is anything but static. The plays keep returning to, modifying, and complicating his creative preoccupations. Nuttall allows us to hear and appreciate the emergent cathedral choir of play speaking to play. By the later stages of Nuttall’s book this choir is nearly overwhelming in its power and dimensions. The author does not limit discussion to moments of crucial intellection but gives himself ample space in which to get at the distinctive essence of each work. Much recent historicist criticism has tended to “flatten” Shakespeare by confining him to the thought-clichés of his time, and this in its turn has led to an implicitly patronizing view of him as unthinkingly racist, sexist, and so on. Nuttall shows us that, on the contrary, Shakespeare proves again and again to be more intelligent and perceptive than his 21st-century readers. This book challenges us to reconsider the relation of great literature to its social and historical matrix. It is also, perhaps, the best guide to Shakespeare’s plays available in English.

William Shakespeare (1564–1616), long considered the greatest of English writers, left few traces of his handwriting. The banned play Sir Thomas More (1595) was written and revised by five different playwrights, of whom scholars now believe Shakespeare to be one. The handwritten manuscript on this Paperblanks journal cover portrays his passionate defence of refugees and displaced people.

Paul A. Cantor first probed Shakespeare's Roman plays Coriolanus, Julius Caeser, and Antony and Cleopatra in his landmark Shakespeare's Rome (1976). With Shakespeare's Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community. Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds. More broadly, Cantor places Shakespeare's plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare's works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare's Roman Trilogy reveals the true profundity of the Roman Plays.