51 products were found matching your search for blaue in 4 shops:

Unread book in perfect condition.

Add a touch of artistry to your finger with this delicate ring from Charlotte Chesnais. Crafted from silver and vermeil, this precious jewel is perfect for everyday wear or special occasions. Made in France, the ring features unique contours and is available in a multicolored vermeil and silver finish. Dimensions: Width: 1. Height: 3. Length: 5. Material: 100% Argent 925 Plaque OR 18 Ct.. Fabric details: 100% Silver 18K Gold Plated.

Buy with confidence! Book is in new, never-used condition 0.57

Documentary edition and introduction by Klaus Lankheit. Simulates original format, with nearly 150 illustrations and its documentary apparatus, including letters between the editors, the first drafts of prefaces, and musical examples. Nearly 150 reproductions. Extensive critical and bibliographic introduction. 296p. Index.

Buy with confidence! Book is in new, never-used condition 0.88

The Blaue Reiter (Blue Rider) art movement was founded in 1911, by the young painters Wassily Kandinsky and Franz Marc, and remained active in Europe until 1914. Originally published in "Munich", in 1912, and edited by Kandinsky and Marc, "The Blaue Reiter Almanac" presented the movement's synthesis of international culture to the European avant-garde at large. In both the selection of the essays and its innovative interplay of word and image, the Almanac remains one of the most critically important works on artistic theory and culture of the twentieth century. This edition, long unavailable in English and indispensable to any student of modernism, includes the original documents and musical notations, as well as essays by Kandinsky, Schonberg, Marc, and others, and an extensive critical introduction, placing the "Blaue Reiter" in context for contemporary readers. Nearly 150 illustrations, from ancient, primitive, and contemporary sources, capture the wide-ranging passions that inspired Kandinsky's attempt to make modernism accessible across national and chronological boundaries.

432 Seiten Sprache: Deutsch Gewicht in Gramm: 536 13,0 x 3,7 x 20,8 cm, Gebundene Ausgabe

Unread book in perfect condition.

Former University library book, withdrawn from circulation. Library sticker on spine and inside front cover. University name stamped on edge of pages. Checkout page on inside front cover.

This catalogue accompanies a major exhibition devoted to Vasily Kandinsky. It explores the evolution of his work from the Blaue Reiter to the Bauhaus years. During this period, Kandinsky developed his revolutionary abstract style and began to move beyond conventional easel painting. As master of the mural workshop at the Bauhaus, Kandinsky was able to put his ambition to create large-scale art environments into practice, particularly in his mural designs for the 1922 Juryfreie exhibition in Berlin and later in his decorations for the Salon de Musique in 1931. At this time, he developed a strong interest in the Wagnerian concept of the Gesamtkunstwerk, or total work of art. Embracing the principles of synesthesia, Kandinsky focused on the relationship between art and music, pushing the boundaries of the medium.Vasily Kandinsky (1866–1944) began painting at the age of 30, after putting aside a highly successful career in law. After studying at the Academy of Fine Arts in Munich, he returned to his native Moscow just after the outbreak of World War I. Uninspired by the prevalent Suprematist and Futurist art there, he returned to Germany in 1921, teaching at the Bauhaus until the school was closed by the Nazis. He then moved to France, where he lived until his death in 1944.

This catalogue accompanies a major exhibition devoted to Vasily Kandinsky. It explores the evolution of his work from the Blaue Reiter to the Bauhaus years. During this period, Kandinsky developed his revolutionary abstract style and began to move beyond conventional easel painting. As master of the mural workshop at the Bauhaus, Kandinsky was able to put his ambition to create large-scale art environments into practice, particularly in his mural designs for the 1922 Juryfreie exhibition in Berlin and later in his decorations for the Salon de Musique in 1931. At this time, he developed a strong interest in the Wagnerian concept of the Gesamtkunstwerk, or total work of art. Embracing the principles of synesthesia, Kandinsky focused on the relationship between art and music, pushing the boundaries of the medium.Vasily Kandinsky (1866–1944) began painting at the age of 30, after putting aside a highly successful career in law. After studying at the Academy of Fine Arts in Munich, he returned to his native Moscow just after the outbreak of World War I. Uninspired by the prevalent Suprematist and Futurist art there, he returned to Germany in 1921, teaching at the Bauhaus until the school was closed by the Nazis. He then moved to France, where he lived until his death in 1944.

A reappraisal of the Blue Rider group in the context of their legendary almanacFor just a few years at the beginning of the 20th century, Munich was the hot spot of Germany‘s artistic avant-garde. Russian painter Wassily Kandinsky and Franz Marc’s initiative as founding editors of the almanac Der Blaue Reiter (The Blue Rider) was a catalyst for the arts. The journal and the 1911 exhibition of the same name created international waves and heralded the start of the modern era in Germany before the First World War. Today, the names of the movement’s key players Franz Marc, Gabriele Münter, Alexej von Jawlensky and Paul Klee stand for a pivotal chapter in the international history of art, marked by the transition of painting into a vibrant, colorful and transcendental form of abstraction. This volume surveys their accomplishments.The Blaue Reiter was an art movement that lasted from 1911 to 1914 and was fundamental to Expressionism. Founded by Russian emigrants in Munich including Wassily Kandinsky, Alexej von Jawlensky, Marianne von Werefkin, along with native German artists Franz Marc, August Macke and Gabriele Münter, the group's unified goal was to express spiritual truths through art--largely through a spontaneous, intuitive approach to painting, which, for many group members, took the form of abstraction. The group organized touring exhibitions before disbanding around the outbreak of the First World War in 1914.

A reappraisal of the Blue Rider group in the context of their legendary almanacFor just a few years at the beginning of the 20th century, Munich was the hot spot of Germany‘s artistic avant-garde. Russian painter Wassily Kandinsky and Franz Marc’s initiative as founding editors of the almanac Der Blaue Reiter (The Blue Rider) was a catalyst for the arts. The journal and the 1911 exhibition of the same name created international waves and heralded the start of the modern era in Germany before the First World War. Today, the names of the movement’s key players Franz Marc, Gabriele Münter, Alexej von Jawlensky and Paul Klee stand for a pivotal chapter in the international history of art, marked by the transition of painting into a vibrant, colorful and transcendental form of abstraction. This volume surveys their accomplishments.The Blaue Reiter was an art movement that lasted from 1911 to 1914 and was fundamental to Expressionism. Founded by Russian emigrants in Munich including Wassily Kandinsky, Alexej von Jawlensky, Marianne von Werefkin, along with native German artists Franz Marc, August Macke and Gabriele Münter, the group's unified goal was to express spiritual truths through art--largely through a spontaneous, intuitive approach to painting, which, for many group members, took the form of abstraction. The group organized touring exhibitions before disbanding around the outbreak of the First World War in 1914.

The Blaue Reiter (Blue Rider)--art movement was founded in 1911 by the young painters Wassily Kandinsky and Franz Marc, and was active in Europe until 1914. Originally published in Munich in 1912 and edited by Kandinsky and Marc-- the movements's almanac presented their synthesis of international culture to the European avant-garde at large. In both the selection of essays and its innovative interplay of word and image, The Blaue Reiter Almanac remains one of our most critically important works of literature on the art theory and culture of the 20th century. This edition, long unavailable in English and indispensable to any student of modernism, simulates the original German format, and includes documents, and musical notations, as well as seminal essays by Kandinsky, Schoenberg, Marc, and others. Nearly 150 illustrations, from ancient and contemporary sources, capture the wide-ranging interests and passions that inspired Kandinsky's and Marc's programmatic attempt to make modernism accessible across national and chronological boundaries. Also included is Klaus Lankheit's extensive critical introduction, which places the Blaue Reiter in context for contemporary readers."The almanac remains unique among European writings on art; no other country produced a comparable work capturing the excitement and tension of the years before World War I." (Will Grohmann)

“We invented the Blaue Reiter while sitting at the coffee table ... both of us loved blue. Franz Marc, the horses; I liked the riders. So the name arose spontaneously,” recalled Wassily Kandinsky. They both wanted to break with the old, academic painting traditions, create a platform for a new stylistic vocabulary that would offer room for multifaceted forms of expression, based on their shared belief in a “spiritual” dimension of art. In 1912 they assembled a programmatic volume: Der Blaue Reiter Almanach (The Blue Rider Almanac). It gathered texts and images from a variety of cultures, by various artists. Woodcuts from Borneo were included, as was Russian folk art, along with naïve and abstract contemporary art. Starting with the written work, which served as the foundation for Kandinsky’s and Marc’s oeuvres, this exquisite volume presents key works by both founding fathers, together with historical photographs.Exhibition: Fondation Beyeler, Riehen/basel 4.9.2016–22.1.2017

Unread book in perfect condition.

100% Satisfaction is Guaranteed! For New condition books in our store; You will be the first user. You will be the first to open the book cover. For Used condition books in our store; It shows signs of wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact , but may have aesthetic issues such as price clipping, nicks, scratches, and scuffs. Pages may include some notes and highlighting. For all our books; Cargo will be delivered in the required time. There are no problems in page content and in the paper. There are no problems except minor faults.

Known for his modern take on classic Austrian cuisine, Chef Kurt Gutenbrunner shares his favorite contemporary and traditional recipes, and the cultural heritage that has inspired him. Internationally acclaimed Austrian chef Kurt Gutenbrunner, whose New York City restaurants include Cafe Sabarsky, Wallse, and Blaue Gans, brings to the home kitchen the fascinating Viennese cafe and restaurant traditions from the fin de siecle to today. Neue Cuisine is one of the first publications to feature not only Austrian cooking but also art and design. More than 100 recipes cover Viennese specialties, such as apple strudel and Wiener Schnitzel, as well as modern dishes using fresh-from-the-market ingredients, such as pea soup with pineapple mint; spatzle with white corn, Brussels sprouts, mushrooms, and tarragon; and lobster with cherries, fava beans, and Bearnaise sauce. Photographed with period tabletop accessories and art from the Neue Galerie to capture the elegance of Vienna in 1900, these easy-to-prepare dishes are perfect for a variety of occasions.       

Known for his modern take on classic Austrian cuisine, Chef Kurt Gutenbrunner shares his favorite contemporary and traditional recipes, and the cultural heritage that has inspired him. Internationally acclaimed Austrian chef Kurt Gutenbrunner, whose New York City restaurants include Cafe Sabarsky, Wallse, and Blaue Gans, brings to the home kitchen the fascinating Viennese cafe and restaurant traditions from the fin de siecle to today. Neue Cuisine is one of the first publications to feature not only Austrian cooking but also art and design. More than 100 recipes cover Viennese specialties, such as apple strudel and Wiener Schnitzel, as well as modern dishes using fresh-from-the-market ingredients, such as pea soup with pineapple mint; spatzle with white corn, Brussels sprouts, mushrooms, and tarragon; and lobster with cherries, fava beans, and Bearnaise sauce. Photographed with period tabletop accessories and art from the Neue Galerie to capture the elegance of Vienna in 1900, these easy-to-prepare dishes are perfect for a variety of occasions.       

Directed by George Cukor. Starring Elizabeth Taylor, Cicely Tyson, Ava Gardner.