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The popular actor and comedian highlights the work of more than thirty Chicano artists in a volume that showcases Marin's own personal art collection and includes essays by leading scholars on the history and development of Chicano art. 12,000 first printing.

Chicano Rap Bangers, Vol. 4 Various Artists - CD 809367209725

The Mexican and Chicana/o residents of San Diego have a long, complicated, and rich history that has been largely ignored. This collection of essays shows how the Spanish-speaking people of this border city have created their own cultural spaces. Sensitive to issues of gender—and paying special attention to political, economic, and cultural figures and events—the contributors explore what is unique about San Diego’s Mexican American history.In chronologically ordered chapters, scholars discuss how Mexican and Chicana/o people have resisted and accommodated the increasingly Anglo-oriented culture of the region. The book’s early chapters recount the historical origins of San Diego and its development through the mid-nineteenth century, describe the “American colonization” that followed, and include examples of Latino resistance that span the twentieth century—from early workers’ strikes to the United Farm Workers movement of the 1960s. Later chapters trace the Chicana/o Movement in the community and in the arts; the struggle against the gentrification of the barrio; and the growth of community organizing (especially around immigrants’ rights) from the perspective of a community organizer.To tell this sweeping story, the contributors use a variety of approaches. Testimonios retell individual lives, ethnographies relate the stories of communities, and historical narratives uncover what has previously been ignored or discounted. The result is a unique portrait of a marginalized population that has played an important but neglected role in the development of a major American border city.

Paper edition of a collection of essays originally published by Garland in 1991. Contains 22 contributions to the subfield of Chicano film criticism that is emerging within both Chicano and film studies. Annotation copyright Book News, Inc. Portland, Or.

Mirandé offers a detailed examination of Chicano social history and culture that includes studies of: Chicano labor and the economy; the Mexican immigrant and the U.S.-Mexico border conflict; the evolution of Chicano criminality; the American educational system and its impact on Chicano culture; the tensions between the institutional Church and Chicanos; and the myths and misconceptions of "machismo."

"By joining in the struggle for socialism, Chicanos will not only be better able to further the liberation of their people; they will be making the greatest contribution possible to the liberation of all of the oppressed peoples of the world from racism, capitalism, and imperialism."--Miguel Pendas

Although Diego's family has no money for Christmas presents, a Chicano Santa Claus mysteriously leaves gifts for everyone.

Book is in NEW condition. 1.59

Great historical book for research, study, or review!

In 2007, Ruben Molina published the first-ever history of Mexican-American soul and R&B music in his book, Chicano Soul: Recordings and History of an American Culture. Ten years later, Chicano Soul remains an important and oft-referenced study of this vital but often overlooked chapter of the greater American musical experience. Chicano soul music of the 1950s and 1960s still reverberates today, both within Chicano communities and throughout many musical genres. Molina tells the story of the roots of Chicano soul, its evolution, and its enduring cultural influence. "Brown-eyed soul" music draws on 1950s era jazz, blues, jump blues, rock 'n' roll, Latin jazz, and traditional Mexican music such as ranchera, norteo, and conjunto music. With its rare and gorgeous photos, record scans, concert bills, and impressive updated discography (to say nothing of its rich oral histories and interviews), it is one of those rare works that speaks to both general and academic audiences.

Thirteen Mexican-American scholars define the Chicano Movement and draw on personal philosophies and experiences to probe the lifestyles, ambitions, ethnic identity, and social status of the Chicano

Book by Shifra M. Goldman, Marcos Sanchez-Tranquilino, David R. Maciel, Harry Gamboa, Amalia Mesa-Bains, Victor A. Sorell, Jacinto Quirarte

Used. Very Good conditions. May have soft reading marks and name of the previous owner.

For almost a decade Peter Quezada, a prolific self-taught artist, painted murals and lettering on buildings and retaining walls in neighborhoods northeast of downtown Los Angeles. He refers to his work as a “graffiti deterrent” or a “substitute for graffiti,” and he targets sites that are favorites of taggers and gang graffiti writers. Often he enlists their assistance and designs his murals to appeal to these youths as well as to discourage them from participating in antisocial behavior. Highlighting the interplay of contemporary life, mass-media images that confront the public, and the use of physical space in the city landscape, Chicano Graffiti and Murals shows how such art as Quezada's has become the signature of modern urban culture.

Chicano Studies is a comparatively new academic discipline. Unlike well-established fields of study that long ago codified their canons and curricula, the departments of Chicano Studies that exist today on U.S. college and university campuses are less than four decades old. In this edifying and frequently eye-opening book, a career member of the discipline examines its foundations and early years. Based on an extraordinary range of sources and cognizant of infighting and the importance of personalities, Chicano Studies is the first history of the discipline.What are the assumptions, models, theories, and practices of the academic discipline now known as Chicano Studies? Like most scholars working in the field, Michael Soldatenko didn't know the answers to these questions even though he had been teaching for many years. Intensely curious, he set out to find the answers, and this book is the result of his labors. Here readers will discover how the discipline came into existence in the late 1960s and how it matured during the next fifteen years-from an often confrontational protest of dissatisfied Chicana/o college students into a univocal scholarly voice (or so it appears to outsiders).Part intellectual history, part social criticism, and part personal meditation, Chicano Studies attempts to make sense of the collision (and occasional wreckage) of politics, culture, scholarship, ideology, and philosophy that created a new academic discipline. Along the way, it identifies a remarkable cast of scholars and administrators who added considerable zest to the drama.

In the 1930s and 1940s the early roots of the Chicano Movement took shape. Activists like Jesús Cruz, and later Ralph Cuarón, sought justice for miserable working conditions and the poor treatment of Mexican Americans and immigrants through protests and sit-ins. Lesser known is the influence that Communism and socialism had on the early roots of the Chicano Movement, a legacy that continues today. Examining the role of Mexican American working-class and radical labor activism in American history, Enrique M. Buelna focuses on the work of the radical Left, particularly the Communist Party (CP) USA. Buelna delves into the experiences of Cuarón, in particular, as well as those of his family. He writes about the family’s migration from Mexico; work in the mines in Morenci, Arizona; move to Los Angeles during the Great Depression; service in World War II; and experiences during the Cold War as a background to exploring the experiences of many Mexican Americans during this time period. The author follows the thread of radical activism and the depth of its influence on Mexican Americans struggling to achieve social justice and equality. The legacy of Cuarón and his comrades is significant to the Chicano Movement and in understanding the development of the labor and civil rights movements in the United States. Their contributions, in particular during the 1960s and 1970s, informed a new generation to demand an end to the Vietnam War and to expose educational inequality, poverty, civil rights abuses, and police brutality.  

Chicano Education in the Era of Segregation analyzes the socioeconomic origins of the theory and practice of segregated schooling for Mexican-Americans from 1910 to 1950. Gilbert G. Gonzalez links the various aspects of the segregated school experience, discussing Americanization, testing, tracking, industrial education, and migrant education as parts of a single system designed for the processing of the Mexican child as a source of cheap labor. The movement for integration began slowly, reaching a peak in the 1940s and 1950s. The 1947 Mendez v. Westminster case was the first federal court decision and the first application of the Fourteenth Amendment to overturn segregation based on the “separate but equal” doctrine. This paperback features an extensive new Preface by the author discussing new developments in the history of segregated schooling.

In shrink wrap! Looks like an interesting title!

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 1.7

Details the struggles of the Mexican American community for social and legal equality and political and cultural identity