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Courthouse Steps: Welcome to Tyler by Chambers, Ginger

Abstract Courthouse Wall Art by Steven A. Heller Measures 14in x 18in x .75in MDF Frame Printed Made in the USA

A County Courthouse stands not only as the center of government but as the center of civic pride. Some with stately towers and arched doors or windows, some with high brick chimneys and Mansard roofs, some in modern concrete and glass, the 254 courthouses of Texas stand as an invitation to public life, a testament to the ideal of justice, and an introduction to period architecture.It is no wonder, then, that many tourists each year visit these edifices. This full-color guide - a true collector's item for Texas history fans - will help travelers choose which ones they want to add to their trips and to view them knowledgeably. For each county a color photograph pictures the courthouse and an account sketches the sequence of the seats of government, the location and style of the current building, and tidbits of fascinating lore about county and county seat names and history.Courthouses and the "squares" around many of them offer a bonanza for history buffs, antique collectors, genealogists, architecture enthusiasts, and photographers. Many of them house or are near local history museums, and many display historical markers that introduce the area to visitors. Especially in many smaller county seats, the courthouse square offers a genre scene of some moment in Texas' life.For all those who travel to see courthouses, and all those who in their travels for other reasons enjoy detours into the heritage and pride of a people, this beautiful and informative book opens the way.

Court day in early Virginia transformed crossroads towns into forums for citizens of all social classes to transact a variety of business, from legal cases heard before the county magistrates to horse races, ballgames, and the sale and barter of produce, clothing, food, and drink. As marketplace, playing field, social center, and administrative and judicial county seat, the courthouse grounds gave rise to an array of public and private buildings. The Courthouses of Early Virginia is the first comprehensive history of the public buildings that formed the nucleus of this space and the important private buildings that grew up around them.Carl R. Lounsbury surveys the architectural history of these buildings, from their undifferentiated forms in 1650 to 1800, when they had developed into specialized structures that reflected the growth of a wealthy agricultural society built on slave labor. After setting the context of legal and social affairs that conditioned the design, construction, and function of county government buildings, he examines the example of Yorktown. He then proceeds with a thematic exploration of issues including the rise of courthouses of greater civic aspiration and aesthetic ambition, the public building process, attitudes toward punishment and prisons, and the role of taverns and clerk's offices in the legal process. He concludes with a discussion of the evolution of the courthouse grounds into the broader civic squares that characterized many Virginia cities and towns by the early nineteenth century.With abundant drawings, photographs, and maps and a checklist of important public buildings in early Virginia, Lounsbury's study will fascinate and delight architectural historians, architects, students, and Virginians involved in law and government.Colonial Williamsburg Studies in Chesapeake History and Culture

Court day in early Virginia transformed crossroads towns into forums for citizens of all social classes to transact a variety of business, from legal cases heard before the county magistrates to horse races, ballgames, and the sale and barter of produce, clothing, food, and drink. As marketplace, playing field, social center, and administrative and judicial county seat, the courthouse grounds gave rise to an array of public and private buildings. The Courthouses of Early Virginia is the first comprehensive history of the public buildings that formed the nucleus of this space and the important private buildings that grew up around them.Carl R. Lounsbury surveys the architectural history of these buildings, from their undifferentiated forms in 1650 to 1800, when they had developed into specialized structures that reflected the growth of a wealthy agricultural society built on slave labor. After setting the context of legal and social affairs that conditioned the design, construction, and function of county government buildings, he examines the example of Yorktown. He then proceeds with a thematic exploration of issues including the rise of courthouses of greater civic aspiration and aesthetic ambition, the public building process, attitudes toward punishment and prisons, and the role of taverns and clerk's offices in the legal process. He concludes with a discussion of the evolution of the courthouse grounds into the broader civic squares that characterized many Virginia cities and towns by the early nineteenth century.With abundant drawings, photographs, and maps and a checklist of important public buildings in early Virginia, Lounsbury's study will fascinate and delight architectural historians, architects, students, and Virginians involved in law and government.Colonial Williamsburg Studies in Chesapeake History and Culture

The first section discusses five types of courthouses and two types of jails designed by Mill's, district buildings by William Jay (the architect of Savannah mansions), Mill's public and private buildings that are similar to his courthouses and jails, and buildings influenced by Mill's designs. An appendix discusses the courthouses and jails in each district between 1800 and 1865, and another appendix prints samples of contemporary architectural documents.

Finally--the only guidebook devoted exclusively to research in America's courthouses. Full of essentials starting with preparation, interacting with the clerks, using the indexes, and what to expect to find in each courthoiuse office. But it doesn't stop there. Evaluating the records and using them to solve genealogical problems are included. For those who can't travel to the courthouse personally, use of the Internet, microfilm, and published books of abstracts are discussed. Tips galore from an author who has researched in more than 500 courthouses.

The Courthouse and Depot in Georgia is not an architectural history, but a history narrated by architecture. This is a book about small towns because the South of 1910 was small towns. It is a book about courthouses because, more than any other building of that era, courthouses symbolized the collective self-image of the townspeople. Similarly, it is a book about depots because depots symbolized the hopes for a promising future, and the neglect of these depots symbolizes the disappointment of those hopes.

The courthouses of Georgia’s 159 counties hold the keys to the history of individual families and entire communities alike. From their primary role as the temples of justice for our court system to their better-known function as the official repository of public records for significant life events, these buildings anchor many of Georgia’s town squares.In Courthouses of Georgia, internationally recognized photographer Greg Newington captures the prominence and character of these great structures. His images pay tribute to the community’s investment in preserving historic courthouses for future generations and celebrate new facilities designed to accommodate expanded county programs and services, keeping pace with the state’s tremendous growth.Courthouses of Georgia commemorates the centennial anniversary of Association County Commissioners of Georgia (ACCG), Georgia’s county government association. In his introduction to this lavishly illustrated book, former Georgia House of Representatives majority leader Larry Walker shares memories of county courthouses by legislators, authors, judges, and other notable state figures, and historian George Justice highlights the proud civic and architectural heritage of each structure to provide additional context. Organized by the nine travel regions of Georgia, the book offers the perfect starting point for touring any of Georgia’s counties and instills an appreciation for historic preservation.

Judicial architecture in California Courthouses of California is a carefully researched and superbly designed photo-documentary book chronicling 150 years of judicial architecture in California. With introductory essays by distinguished members of the fields of history, law, and architecture, and lavishly illustrated with hundreds of photographs, Courthouses of California honors and preserves the rich history of these public buildings and offers a unique window into the civic aspirations of California. Published in conjunction with the California Historical Society and the Courthouse Project.

The courthouses of Georgia’s 159 counties hold the keys to the history of individual families and entire communities alike. From their primary role as the temples of justice for our court system to their better-known function as the official repository of public records for significant life events, these buildings anchor many of Georgia’s town squares.In Courthouses of Georgia, internationally recognized photographer Greg Newington captures the prominence and character of these great structures. His images pay tribute to the community’s investment in preserving historic courthouses for future generations and celebrate new facilities designed to accommodate expanded county programs and services, keeping pace with the state’s tremendous growth.Courthouses of Georgia commemorates the centennial anniversary of Association County Commissioners of Georgia (ACCG), Georgia’s county government association. In his introduction to this lavishly illustrated book, former Georgia House of Representatives majority leader Larry Walker shares memories of county courthouses by legislators, authors, judges, and other notable state figures, and historian George Justice highlights the proud civic and architectural heritage of each structure to provide additional context. Organized by the nine travel regions of Georgia, the book offers the perfect starting point for touring any of Georgia’s counties and instills an appreciation for historic preservation.

The county courthouse has long held a central place on the Texas landscape—literally, as the center of the town in which it is located, and figuratively, as the symbol of governmental authority. As a county's most important public building, the courthouse makes an architectural statement about a community's prosperity and aspirations—or the lack of them. Thus, a study of county courthouses tells a compelling story about how society's relationships with public buildings and government have radically changed over the course of time, as well as how architectural tastes have evolved through the decades.A first of its kind, The Courthouses of Central Texas offers an in-depth, comparative architectural survey of fifty county courthouses, which serve as a representative sample of larger trends at play throughout the rest of the state. Each courthouse is represented by a description, with information about date(s) of construction and architects, along with a historical photograph, a site plan of its orientation and courthouse square, and two- and sometimes three-dimensional drawings of its facade with modifications over time. Side-by-side drawings and plans also facilitate comparisons between courthouses. These consistently scaled and formatted architectural drawings, which Brantley Hightower spent years creating, allow for direct comparisons in ways never before possible. He also explains the courthouses' formal development by placing them in their historical and social context, which illuminates the power and importance of these structures in the history of Texas, as well as their enduring relevance today.

A county courthouse stands not only as the center of government, but also as the center of civic pride. Some with stately towers and arched doors or windows, some with high brick chimneys and mansard roofs, some in modern concrete and glass, the 254 courthouses of Texas provide an invitation to public life, a testament to the ideal of justice, and an introduction to period architecture. It is no wonder, then, that many tourists each year visit these edifices. This new edition of a classic, indispensable, full-color guide—a true collector’s item for Texas history fans—will help travelers choose which courthouses they want to add to their trips and view them knowledgeably. For each county a color photograph pictures the courthouse and an account sketches the sequence of the seats of government, the location and style of the current building, and tidbits of fascinating lore about county and county seat names and history. Courthouses and the “squares” around many of them offer a bonanza for history buffs, antique collectors, genealogists, architecture enthusiasts, and photographers. Many of them house or are near local history museums, and many display historical markers that introduce the area to visitors. Especially in many smaller county seats, the courthouse square offers a genre scene of a special moment in Texas’ life. Included in this updated edition are the latest views of some of Texas’ most historic and architecturally significant courthouses, including those restored under the Texas Historical Commission’s Historic Courthouse Preservation Program. For all those who plan their travels to see courthouses, and all those who in their travels for other reasons enjoy detours into the heritage and pride of a people, this beautiful and informative book opens the way.

The Courthouse and Depot in Georgia is not an architectural history, but a history narrated by architecture. This is a book about small towns because the South of 1910 was small towns. It is a book about courthouses because, more than any other building of that era, courthouses symbolized the collective self-image of the townspeople. Similarly, it is a book about depots because depots symbolized the hopes for a promising future, and the neglect of these depots symbolizes the disappointment of those hopes.

The first court session in Ohio took place on September 2, 1788, in a blockhouse at Marietta, Washington County. Arthur St. Clair, the first governor of what was then the Northwest Territory, organized the Court of Common Pleas when he established the county by proclamation on July 16, 1788. Law and the courts have played a central role in Ohio ever since. With statehood in 1803 and the growth of communities, the settlers built log courthouses at first and then moved on to more sophisticated materials and architectural designs. The county courthouse literally became the central symbol of each community. This magnificent, lavishly illustrated book presents each of Ohio's 88 existing courthouses through a sumptuous layout of color and black-and-white images. In addition, Susan Thrane provides a brief history of each county with relevant details about the design of the courthouse and highlights of the events which occurred there. Along with discussion of the earliest building, the book presents the existing buildings in chronological order from oldest to youngest. Thus, Highland County (constructed in 1832-35) comes first, and Franklin County (1969-72) is last.This is a book to be treasured by all Ohioans.

Hailey Dean, the prosecutor who never lost a case, jets to Savannah as an expert witness on the sensational Julie Love-Adams murder trial but very quickly finds herself embroiled in a deadly mystery. As soon as she touches down, Hailey bumps into her old partner, crime investigator Garland Fincher. Leaving the Savannah airport, the two hear an APB on a murder that’s just been committed. Racing to the scene, they find Alton Turner, a courthouse sheriff known for crossing t’s and dotting i’s. The mild-mannered paperpusher is prone to extreme tidiness, but he’s a hot mess now . . . sprawled dead in a pool of blood, severed in half by a garage door. Never one to stay in the background, Hailey jump-starts Turner’s murder investigation while juggling the Julie Love-Adams trial. The timing of the trial and murder could be a coincidence, but everyone knows there are no coincidences in criminal law. And that’s just the beginning. Courthouse regulars start dropping dead one by one . . . but why? While Lt. Billings is falling hard for Hailey, she digs in to find a killer with a mysterious agenda . . . as it becomes deathly apparent the next murder victim may very well be Hailey herself. It’s crime sleuth Hailey Dean at her best!

The only part of the British Isles that can answer the question 'What was it like to be invaded and occupied in World War 2?’ are the holiday islands of Jersey, Alderney, Guernsey and Sark. Left undefended in 1940, they fell like ripe plums into German hands.Thereafter they were turned into the most heavily defended parts of the Nazi Atlantic Wall, with massive fortifications, gun emplacements and underground storage tunnels. An army of foreign 'slave workers' was brought in as well as the 27,000 German troops (known as the 'Canada Division' as it was widely assumed that they would eventually become POWs!)Amid the routine of occupation came periods of danger and action from raiding parties. After D-Day the German garrison was cut off and 'the Hunger winter' resulted. In May 1945 the Germans surrendered amid much rejoicing.

Illuminates the issues that must be addressed in designing a suitable and successful courthouse. There are almost as many ways to design a good courthouse as one that is less than satisfactory. Celebrating the Courthouse illuminates, for the diverse professionals and laypeople who plan and create courthouses, the issues that must be addressed to achieve an effective and satisfying building. This book unites the skills and experience of architects, judges, administrators, and lawyer-users to guide the design of a complex building type. No attempt is made to prescribe a particular program for any model courthouse project. We live in too diverse a design world for that: courthouse programs are specific and distinct from one another. Rather, the distinguished contributors lay out a variety of solutions that can help solve the problems confronted in particular settings. Considering historical precedent, context, functional requirements, and public and client needs, they focus on the best practices in design and also upon some design failures, addressing the pitfalls presented by courthouse programs, which are among the most complex that architects face. Finally, they look at the technological revolution and the future of courthouse design.

Hailey Dean, the prosecutor who never lost a case, jets to Savannah as an expert witness on the sensational Julie Love-Adams murder trial but very quickly finds herself embroiled in a deadly mystery. As soon as she touches down, Hailey bumps into her old partner, crime investigator Garland Fincher. Leaving the Savannah airport, the two hear an APB on a murder that’s just been committed. Racing to the scene, they find Alton Turner, a courthouse sheriff known for crossing t’s and dotting i’s. The mild-mannered paperpusher is prone to extreme tidiness, but he’s a hot mess now . . . sprawled dead in a pool of blood, severed in half by a garage door. Never one to stay in the background, Hailey jump-starts Turner’s murder investigation while juggling the Julie Love-Adams trial. The timing of the trial and murder could be a coincidence, but everyone knows there are no coincidences in criminal law. And that’s just the beginning. Courthouse regulars start dropping dead one by one . . . but why? While Lt. Billings is falling hard for Hailey, she digs in to find a killer with a mysterious agenda . . . as it becomes deathly apparent the next murder victim may very well be Hailey herself. It’s crime sleuth Hailey Dean at her best!

In shrink wrap! Looks like an interesting title!