36 products were found matching your search for eschenbach in 2 shops:

Ebner-Eschenbach, Heyse, Raabe, Storm, Meyer, and Hauptmann

First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.

Book is in NEW condition. 1.47

Unread book in perfect condition.

Foreword by George C. Schoolfield

Symphony No 6 - Piano Quartet Christoph Eschenbach - CD 761195108451

Coll Ed: Mozart the Piano Sonatas / Piano Music Eschenbach / Frantz - CD 028947936220

Romeo & Juliet / String Serenade / Francesca Da Christoph Eschenbach - CD 761195115022

This book contains the entire collection of 582 aphorisms which the nineteenth-century Austrian writer Marie von Ebner-Eschenbach (1830-1916) published in a number of expanded editions of Aphorismen starting in 1880. While this author also wrote poems, plays, novels, and novellas, she is known today particularly for her insightful aphorisms. Stating that "An aphorism is the last link in a long chain of thought," she presents intellectually stimulating and socially engaging short texts dealing with various aspects of human nature, morality, ethics, knowledge, education, politics, youth, age, friendship, love, marriage, sexual politics, and both liberal and female emancipation.

Arthur Groos here challenges traditional approaches to Wolfram von Eschenbach's quest-romance Parzival (ca. 1210). He offers a new model for reading the text in the light of narrative theory by means of close textual analysis as well as scrupulous investigation of Wolfram's scientific sources.Taking as his starting point the assertion by the Russian narrative theorist Mikhail Bakhtin that Parzival achieved a pluralism of novelistic discourse generally associated with more recent works, Groos traces several strands of narrative - especially Arthurian and Grail. He focuses on crucial episodes in the hero's quest, ranging from his discovery of knighthood to the healing of the Fisher King, and shows how Wolfram transposes the clerical French perspective of Chretien de Troyes's Li Contes del Graal into the context of chivalric German culture. Examining the variety of language registers and genres incorporated in Parzival, Groos demonstrates that the interaction of chivalric romance, hagiography, dynastic chronicle, and scientific and medical treatise produces a decentered fictional universe in which various religious and secular viewpoints enter into dialogue. In the Grail episodes in particular, Groos finds a narrative universe that both suggests a transcendent teleology and resists ideological closure.

Hartmann von Aue (c. 1170–1215) is universally recognized as the first medieval German poet to create world-class literature. He crafted German into a language of refined literary expression that paved the way for writers such as Gottfried von Strassburg, Walther von der Vogelweide, and Wolfram von Eschenbach. This volume presents the English reader for the first time with the complete works of Hartmann in readable, idiomatic English. Hartmann's literary efforts cover all the major genres and themes of medieval courtly literature. His Arthurian romances, Erec and Iwein, which he modeled after Chrétien de Troyes, introduced the Arthurian world to German audiences and set the standard for later German writers. His lyric poetry treats many aspects of courtly love, including fine examples of the crusading song. His dialogue on love delineates the theory of courtly relationships between the sexes and the quandary the lover experiences. His verse novellas Gregorius and Poor Heinrich transcend the world of mere human dimensions and examine the place and duties of the human in the divine scheme of things. Longfellow would later use Poor Heinrich in his Golden Legend.Arthurian Romances, Tales, and Lyric Poetry is a major work destined to place Hartmann at the center of medieval courtly literature for English readers.

Wolfram von Eschenbach's Parzival expands and transforms the Arthurian tradition into a grand depiction of the medieval cosmos around 1200. Standing between clerical and chivalric cultures and articulating the interests and values of both, Wolfram produced the most popular vernacular work in medieval Germany and one of the most vibrant of the High Middle Ages. The brilliance, boldness, and astonishing originality of Parzival, along with the allure of its elusive author and his enigmatic grail, have continued to fascinate modern audiences since the nineteenth century. And in the late 20th century, as the study of literature becomes increasingly interdisciplinary, Wolfram's masterpiece continues to hold forth a seemingly inexhaustible supply of cultural knowledge and insights. The original essays in this volume provide a definitive treatment in English of significant aspects of Parzival (Wolfram's modes of narrative presentation, his relationship to his sources, his portrayal of the grail), and of some of the broader social and cultural issues it raises (the theology of the Fall, the status of chivalric self-assertion, the characterization of women, the modern reception of Parzival). These and other essays point in new directions for the future study of Parzival, and demonstrate that the poem deservedly occupies a central position in our understanding of the High Middle Ages.

For over 40 years, Tom Di Nardo has listened to the heartbeat and felt the soul of the Philadelphia Orchestra through the passionate words of great musicians. Its conductors Riccardo Muti, Wolfgang Sawallisch, Christoph Eschenbach, Charles Dutoit and Yannick Nézet-Séguin generously offered a window into their supremely challenging world, commenting from their unique perspective as interpreters of musical giants.Another aspect of performance comes from the wealth of guest pianists, violinists, instrumentalists and conductors who have collaborated on stage at the Academy of Music and the Kimmel Center. Their insights into art and dedication bring us a deep awareness of performing at such an exalted level.Perhaps the most heartfelt comments come from the Orchestra’s musicians, past and present. Many became friends, opening up with revelations and humor about their lives, background and commitment, as well as the joy of playing the vast orchestral repertoire.The political saga of the Orchestra’s eventual relocation from the Academy of Music, a move impeded for years which finally resulted in the Kimmel Center, is an adventure recounted in detail. In Philadelphia, and several times on tour, Di Nardo had the opportunity as a journalist with the Philadelphia Daily News to interview many of these renowned musicians. His intention was to bring the layman, and the Orchestra’s informed audience, closer to the spirit of the 101 diverse virtuosi on stage, a human crucible who combine into one moving experience.“Listening To Musicians” is meant for anyone who feels the power of music, told by the artists who create it, week after week. Second edition, March 2017.

6 CDs. Conductor Christoph Eschenbach began his international career as a pianist with a range of recordings on DG, including Beethoven, Mozart and chamber music. This box set highlights his zeal for Romantic repertoire and features the complete Mendelssohn "Songs without Words" cycle, recorded in 1975 and previously available only in Japan. Eschenbach will receive the world-renowned "Ernst von Siemens Music Prize" on May 31, 2015 for his merit as an exceptional pianist and conductor.

The story of the Holy Grail has gripped the imaginations of millions since it first appeared in medieval romances, among them Wolfram von Eschenbach's Middle High German Parzival (c. 1210). Strangely, the Grail is identified in Parzival not as a cup or dish, but as a stone. This oddity is usually interpreted merely as further evidence of the difficulty of discerning the true sources of the Grail legend. G. Ronald Murphy seeks to illuminate this mystery and to enable a far better appreciation of Wolfram's insight into the nature of the Grail and its relationship to the Crusades. Wolfram's "sacred stone" was in fact a consecrated altar, precious by virtue of the sacrament but also, Murphy argues, by virtue of the material from which it was made: a precious green stone associated with the rivers of Paradise. Parzival, Murphy believes, was intended as an argument against continued efforts by Latin Christians to recover the Sepulchre by force. In Wolfram's story, warring Christians and Muslims are brought together in peace by the power of the Grail - a stone Murphy believes still exists. An entirely original reading of Wolfram's famous text, this engrossing and accessible book appeals not only to scholars and students of medieval literature but to anyone who is drawn to the lasting mystery of the Holy Grail.

Parzival, an Arthurian romance completed by Wolfram von Eschenbach in the first years of the thirteenth century, is one of the foremost works of German literature and a classic that can stand with the great masterpieces of the world. The most important aspects of human existence, worldly and spiritual, are presented in strikingly modern terms against the panorama of battles and tournaments and Parzival's long search for the Grail. The world of knighthood, of love and loyalty and human endeavor despite the cruelty and suffering of life, is constantly mingling with the world of the Grail, affirming the inherent unity between man's temporal condition and his quest for something beyond human existence.

Hartmann von Aue (c. 1170–1215) is universally recognized as the first medieval German poet to create world-class literature. He crafted German into a language of refined literary expression that paved the way for writers such as Gottfried von Strassburg, Walther von der Vogelweide, and Wolfram von Eschenbach. This volume presents the English reader for the first time with the complete works of Hartmann in readable, idiomatic English. Hartmann's literary efforts cover all the major genres and themes of medieval courtly literature. His Arthurian romances, Erec and Iwein, which he modeled after Chrétien de Troyes, introduced the Arthurian world to German audiences and set the standard for later German writers. His lyric poetry treats many aspects of courtly love, including fine examples of the crusading song. His dialogue on love delineates the theory of courtly relationships between the sexes and the quandary the lover experiences. His verse novellas Gregorius and Poor Heinrich transcend the world of mere human dimensions and examine the place and duties of the human in the divine scheme of things. Longfellow would later use Poor Heinrich in his Golden Legend.Arthurian Romances, Tales, and Lyric Poetry is a major work destined to place Hartmann at the center of medieval courtly literature for English readers.

The Medieval Risk-Reward Society offers a study of adventure and love in the European Middle Ages focused on the poetry of authors such as Marie de France, Chrétien de Troyes, Wolfram von Eschenbach, and Gottfried von Strassburg—showing how a society based on sacrifice becomes a society based on wagers and investments. Will Hasty’s sociological approach to medieval courtly literature, informed by the analytic tools of game theory, reveals the blossoming of a worldview in which outcomes are uncertain, such that the very self (of a character or an authorial persona) is contingent on success or failure in possessing the things it desires—and upon which its social identity and personal happiness depend. Drawing on a diverse selection of contrasting canonical works ranging from the Iliad to the biblical book of Joshua to High Medieval German political texts to the writings of Leibniz and Mark Twain, Hasty enables an appreciation of the distinctive contributions made in antiquity and the Middle Ages to the medieval emergence of a European society based on risks and rewards.  The Medieval Risk-Reward Society: Courts, Adventure, and Love in the European Middle Ages takes a descriptive approach to the competitions in religion, politics, and poetry that are constitutive of medieval culture. Culture is considered always to be happening, and to be happening on the cultural cutting edge as competitions for rewards involving the element of chance. This study finds adventure and love­—the principal concerns of medieval European romance poetry­—to be cultural game changers, and thereby endeavors to make a humanist contribution to the development of a cultural game theory.

The story of the Holy Grail has gripped the imaginations of millions since it first appeared in medieval romances, among them Wolfram von Eschenbach's Middle High German Parzival (c. 1210). Strangely, the Grail is identified in Parzival not as a cup or dish, but as a stone. This oddity is usually interpreted merely as further evidence of the difficulty of discerning the true sources of the Grail legend. G. Ronald Murphy seeks to illuminate this mystery and to enable a far better appreciation of Wolfram's insight into the nature of the Grail and its relationship to the Crusades. Wolfram's "sacred stone" was in fact a consecrated altar, precious by virtue of the sacrament but also, Murphy argues, by virtue of the material from which it was made: a precious green stone associated with the rivers of Paradise. Parzival, Murphy believes, was intended as an argument against continued efforts by Latin Christians to recover the Sepulchre by force. In Wolfram's story, warring Christians and Muslims are brought together in peace by the power of the Grail - a stone Murphy believes still exists. An entirely original reading of Wolfram's famous text, this engrossing and accessible book appeals not only to scholars and students of medieval literature but to anyone who is drawn to the lasting mystery of the Holy Grail.

Highly regarded by professors and students alike , Engineering Economic Analysis, Eighth Edition, introduces the fundamental concepts of engineering economics. Written for standard engineering economics courses, this bestselling volume by Donald G. Newnan, Jerome P. Lavelle, and Ted G. Eschenbach covers essential time value of money principles for engineering projects and isolates the problems and decisions engineers commonly face. It also examines the tools necessary to properly analyze and solve those problems. Revised in 2000, the eighth edition focuses on the use of spreadsheets, teaching students to use the enormous capabilities of modern software, rather than relying on spreadsheet templates. The majority of the chapters conclude with sections designed to help students create spreadsheets based on the material covered in each chapter. The book's organization gives professors the flexibility to omit spreadsheet instruction without loss of continuity (accommodating shorter courses) or to require that all computations be done with spreadsheets, thus preparing students to use this essential tool for real-life problems.