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Throughout his career, Leonardo Drew has been continuously engaged with the cyclical nature of existence. Made to resemble the detritus of everyday life, his formally abstract but emotionally charged compositions have a metaphorical weight that is as unique as it is symbolic. Often interpreted as a comment on the position of African-Americans in contemporary American society, his work transcends any specific historic and ethnic reference, and is deeply embedded in the theory and practice of mid-20th-century abstraction. Ranging from the intense drama of his sculptures and installations of the 1980s, to the epic sweep of his massive wall-bound tableaux in the 1990s, to the ethereal language of his paper casts of the early 2000s, his works transcend time and place. Add the poetic intimacy of his recent works on paper, and Drew’s practice can be described as a journey toward enlightenment, full of reprises and returns as well as new beginnings.

Throughout his career, Leonardo Drew has been continuously engaged with the cyclical nature of existence. Made to resemble the detritus of everyday life, his formally abstract but emotionally charged compositions have a metaphorical weight that is as unique as it is symbolic. Often interpreted as a comment on the position of African-Americans in contemporary American society, his work transcends any specific historic and ethnic reference, and is deeply embedded in the theory and practice of mid-20th-century abstraction. Ranging from the intense drama of his sculptures and installations of the 1980s, to the epic sweep of his massive wall-bound tableaux in the 1990s, to the ethereal language of his paper casts of the early 2000s, his works transcend time and place. Add the poetic intimacy of his recent works on paper, and Drew’s practice can be described as a journey toward enlightenment, full of reprises and returns as well as new beginnings.

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4°. 34 cm x 24.5 cm. 169 Seiten. Original-Leinenband mit farbig illustriertem Original-Schutzumschlag. 1. Auflage. Englischsprachige Ausgabe. Überwiegend bebildert mit meist ganz- und doppelseitigen Abbildungen in Farbe. Publikation anlässlich der gleichnamigen Ausstellung in der Galerie Max Hetzler, Berlin, vom 31. Oktober 2020 bis 23. Januar 2021. Sehr gutes Exemplar. Sprache: englisch.

Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

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Mesoamerican History: A Captivating Guide to Four Ancient Civilizations that Existed in Mexico - The Olmec, Zapotec, Maya and Aztec Civiliza 1.69

Why would anyone think Jesus never existed? Isn't it perfectly reasonable to accept that he was a real first century figure? As it turns out, no. NAILED sheds light on ten beloved Christian myths, and, with evidence gathered from historians across the theological spectrum, shows how they point to a Jesus Christ created solely through allegorical alchemy of hope and imagination; a messiah transformed from a purely literary, theological construct into the familiar figure of Jesus - in short, a purely mythic Christ.

The idea that Jesus may never have existed has been around in modern scholarship for over a century,but it has never been sufficiently proven. In this book, R. G. Price presents new research to prove beyond a reasonable doubt that the Jesus of the Gospels never existed. Intertextual analysis shows that the Gospel of Mark is a fictional allegory written in reaction to the First Jewish-Roman War. Like other recent scholars, Price shows that the scenes of Mark are constructed from Old Testament scriptures and that the character and teachings of Jesus are based on the writings of Paul the apostle. Using intertextual analysis, Price shows that every biography of Jesus is derived from the Gospel of Mark and explores the implications of this finding. Price compellingly demonstrates that prior to the writing of the Gospels Jesus was understood as a heavenly being and that it was the Gospel stories, all derived from the fictional story of Mark, that led to the belief that Jesus was a real person.

The idea that Jesus may never have existed has been around in modern scholarship for over a century,but it has never been sufficiently proven. In this book, R. G. Price presents new research to prove beyond a reasonable doubt that the Jesus of the Gospels never existed. Intertextual analysis shows that the Gospel of Mark is a fictional allegory written in reaction to the First Jewish-Roman War. Like other recent scholars, Price shows that the scenes of Mark are constructed from Old Testament scriptures and that the character and teachings of Jesus are based on the writings of Paul the apostle. Using intertextual analysis, Price shows that every biography of Jesus is derived from the Gospel of Mark and explores the implications of this finding. Price compellingly demonstrates that prior to the writing of the Gospels Jesus was understood as a heavenly being and that it was the Gospel stories, all derived from the fictional story of Mark, that led to the belief that Jesus was a real person.

Dispensational Theology is crucial to understanding the Bible. But most people to not comprehend the similar but distinct ministry and message of Jesus and the twelve apostles to the Jews, in relation to Paul, the apostle to the Gentiles, during the transitional time of the early church. Acts 1 Dispensationalism provides the solution to the great dispensational debate that has divided all of Christendom. It carefully divides the Word by using literal-grammatical-historical methods of interpretation and corrects several commonly held errors. In this book one will gain a better understanding of the mission of Jesus and the Twelve to Israel, and Paul's separate mission the the Genitle nations, and the purpose of water baptism in their ministries. In time, Acts 1 Dispensationalism may rival Acts 2, Progressive, and Mid-Acts Dispensationalism as a more viable biblical interpretation.

Nicolas Bourbaki, whose mathematical publications began to appear in the late 1930s and continued to be published through most of the twentieth century, was a direct product as well as a major force behind an important revolution that took place in the early decades of the twentieth century that completely changed Western culture.Pure mathematics, the area of Bourbaki’s work, seems on the surface to be an abstract field of human study with no direct connection with the real world. In reality, however, it is closely intertwined with the general culture that surrounds it. Major developments in mathematics have often followed important trends in popular culture; developments in mathematics have acted as harbingers of change in the surrounding human culture.The seeds of change, the beginnings of the revolution that swept the Western world in the early decades of the twentieth century — both in mathematics and in other areas — were sown late in the previous century. This is the story both of Bourbaki and the world that created him in that time. It is the story of an elaborate intellectual joke — because Bourbaki, one of the foremost mathematicians of his day — never existed.

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Like a lot of good stories, this one begins with a rumor: in 1239, Pope Gregory IX accused Frederick II, the Holy Roman Emperor, of heresy. Without disclosing evidence of any kind, Gregory announced that Frederick had written a supremely blasphemous book—De tribus impostoribus, or the Treatise of the Three Impostors—in which Frederick denounced Moses, Jesus, and Muhammad as impostors. Of course, Frederick denied the charge, and over the following centuries the story played out across Europe, with libertines, freethinkers, and other “strong minds” seeking a copy of the scandalous text. The fascination persisted until finally, in the eighteenth century, someone brought the purported work into actual existence—in not one but two versions, Latin and French. Although historians have debated the origins and influences of this nonexistent book, there has not been a comprehensive biography of the Treatise of the Three Impostors. In The Atheist’s Bible, the eminent historian Georges Minois tracks the course of the book from its origins in 1239 to its most salient episodes in the seventeenth and eighteenth centuries, introducing readers to the colorful individuals obsessed with possessing the legendary work—and the equally obsessive passion of those who wanted to punish people who sought it. Minois’s compelling account sheds much-needed light on the power of atheism, the threat of blasphemy, and the persistence of free thought during a time when the outspoken risked being burned at the stake.          

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Before LP created the LP Afuche®/Cabasa, only fragile cabasas existed. These were made from coconut shells and a lattice of seeds strung with wire. LP created the LP Traditional Cabasa to replace these frail instruments. This modern version is crafted from high strength plastic for the shell, handle and beads, with tough nylon fiber for the bead stringing. The LP Traditional Cabasa yields a bright and lively sound with greater dynamic range and durability than its predecessor, yet with the same

Vibrant, grilled vegetables scattered atop a crispy pizza. Charred zucchini and squash that complement your favorite autumn feast. Or an array of diced veggies delicately seared to bring out flavors you never knew existed. Use the Deluxe Grilling Basket to prepare sliced veggies or even small pieces of meat with absolute ease.

SABIAN 22" HHX Omni 122OMX When SABIAN introduced the AAX Omni in 2010, never had so much sonic contrast and versatility existed in just one cymbal...