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Why did the most read work in English literature go without cinematic adaptation for so long? And why did five major film treatments appear between 1999 and 2008? This book explores the growing number of films based on the Old English epic poem Beowulf, and furthers the ongoing consideration of filmic medievalism. Will the powerful influence of cinema affect the future reception of this great cultural, linguistic and inherently visual work? The films inevitably sway away from not only the story but also from the themes and concerns of the original to those more interesting to the filmmakers--or responsive to the zeitgeist. They measure the pulse of our inherited notions of heroism and teach us more about our own times than about the epic from which they derive.

Don't waste valuable time and budget fixing your footage in post! Shoot the effects you want effectively and creatively the first time.This full-color step-by step guide to visual effects cinematography empowers you to plan out and execute visual effects shots on a budget, without falling into the common pitfall of using high-end computer graphics to "fix it in post.” Learn how to effectively photograph foreground miniatures, matte paintings, green screen set ups, miniatures, crowd replication, explosions, and so much more to create elements that will composite together flawlessly. Filming the Fantastic focuses on the art and craft of visual effects using real case scenarios from a visual effects cameraman. These lessons from the front line will give you ideas and insight so you can translate your skills into any situation, no matter what camera or software package you are using and no matter if you are using film or digital technology. Learn how to film your fantastic visual effects with this book! * Hundreds of full-color set photographs show you exactly how it's done* Includes step-by-step information on green screen setup* Real-world examples and exercises throughout

Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.

Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. Central chapters focus on Welles' Macbeth, Othello, and Chimes at Midnight; Olivier's Henry V, Hamlet, and Richard III; Brook's King Lear; and Kurosawa's Throne of Blood. Davies then discusses the dramatic problems the sources for these films pose for the film maker and he examines how these films influenced later theatrical stagings. The book concludes by exploring the demands that distinguish the work of a Shakespearean stage actor from his counterpart's in film.

On January 3, 1914, Pancho Villa became Hollywood’s first Mexican superstar. In signing an exclusive movie contract, Villa agreed to keep other film companies from his battlefield, to fight in daylight wherever possible, and to reconstruct battles if the footage needed reshooting. Through memoir and newspaper reports, Margarita De Orellana looks at the documentary film-makers who went down to cover events in Mexico. Feature film-makers in Hollywood portrayed the border as the dividing line between order and chaos, in the process developing a series of lasting Mexican stereotypes—the greaser, the bandit, the beautiful señorita, the exotic Aztec. Filming Pancho reveals how Mexico was constructed in the American imagination and how movies reinforced and justified both American expansionism and racial and social prejudice.

Life borders on fiction in thisdaring and true story of secretly videotaping Carlos Castaneda, one of the mostreclusive writers of the sixties. With over 120 previously unpublishedphotographs and other archival material, this unauthorized first-hand accountallows a rare glimpse into the controversial world of Castaneda. It adds themissing face to the man that managed to stay in the shadows for over fortyyears.?When the self-proclaimed sorcerer slips intoGaby Geuter?s life, she suddenly believes herself tobe at the gateway of knowledge. Tentatively she follows a trail of magicalbreadcrumbs that begins in private classes and public seminars, but eventuallyleads her to tracking the master to his home. In a twist of irony the teacherbecomes the subject of his own teachings and Gaby the unintentional witness tothe last years of Castaneda?s life. In the sobering months of his ingloriousend, the author discovers that all along, the answers to her lifelong searchwere inside of her.Call it a poignant memoir, asuspenseful novel, a poetic tribute to the mysterious man, or a spiritualdetective story, ultimately it is the ballad of one woman?s bold quest offinding the road home.

Don't waste valuable time and budget fixing your footage in post! Shoot the effects you want effectively and creatively the first time.This full-color step-by step guide to visual effects cinematography empowers you to plan out and execute visual effects shots on a budget, without falling into the common pitfall of using high-end computer graphics to "fix it in post.” Learn how to effectively photograph foreground miniatures, matte paintings, green screen set ups, miniatures, crowd replication, explosions, and so much more to create elements that will composite together flawlessly. Filming the Fantastic focuses on the art and craft of visual effects using real case scenarios from a visual effects cameraman. These lessons from the front line will give you ideas and insight so you can translate your skills into any situation, no matter what camera or software package you are using and no matter if you are using film or digital technology. Learn how to film your fantastic visual effects with this book! * Hundreds of full-color set photographs show you exactly how it's done* Includes step-by-step information on green screen setup* Real-world examples and exercises throughout

This book features an original attempt at drawing together postmodernist theory and film.

The complex stance toward modernity taken by 1920s avant-garde cinema, as exemplified by five major films.

Published to commemorate the centenary of Erich Maria Remarque's birth, this book tells for the first time the full story of the Academy Award winning film of Remarque's extraordinary novel. When published in 1928, All Quiet on the Western Front transformed the popular image of war; the film, directed by Lewis Milestone, was released hot on its heels the following year and was instantly acclaimed a classic. It remains the quintessential view of World War One, and of the brutality and waste of war. Like the novel, however, it suffered censorship internationally: it was banned in Italy, and in Germany following violent protests, and cut elsewhere, Hollywood included. This fascinating account covers the film's origins, production and fortunes on and after its release. Andrew Kelly's five years' research has included visits to archives around the world, viewings of all extant versions of the film and interviews with those involved in its production. The book is illustrated with scenes from All Quiet on the Western Front and uses extensive extracts from the screenplays. It will be the definitive history of this great film and is a fitting tribute to Erich Maria Remarque.

Full Text and photos. Illustrated in b&w,, 254 pages.

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Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. Central chapters focus on Welles' Macbeth, Othello, and Chimes at Midnight; Olivier's Henry V, Hamlet, and Richard III; Brook's King Lear; and Kurosawa's Throne of Blood. Davies then discusses the dramatic problems the sources for these films pose for the film maker and he examines how these films influenced later theatrical stagings. The book concludes by exploring the demands that distinguish the work of a Shakespearean stage actor from his counterpart's in film.

The complex stance toward modernity taken by 1920s avant-garde cinema, as exemplified by five major films.

A fascinating behind the scenes look at the filming of the movie SOLDIER IN THE RAIN, starring Jackie Gleason, Steve McQueen, Tuesday Weld, Tony Bill, and author CHRIS NOEL.

Forged from glaciers and sacred to Native Americans, the mountains, boulders, and rocks of the Alabama Hills mirror landscapes found all over the world. A scenic three-hour drive from the Hollywood sign, this location would prove to serve as the place to make movies. Early Hollywood studios sent location scouts to the area after hearing stories shared by travelers, and the rest is movie history. Over 500 films have completed shooting here, including silents, A movies, B Westerns, serials, sci-fi, film noir, television shows, and commercials. Tom Mix, Errol Flynn, John Wayne, William Boyd, Clayton Moore, Lucille Ball, Roy Rogers, Natalie Wood, Humphrey Bogart, Steve McQueen, Russell Crowe, Jamie Foxx, and many more have all scrambled amongst the terrain in the Alabama Hills.

Forged from glaciers and sacred to Native Americans, the mountains, boulders, and rocks of the Alabama Hills mirror landscapes found all over the world. A scenic three-hour drive from the Hollywood sign, this location would prove to serve as the place to make movies. Early Hollywood studios sent location scouts to the area after hearing stories shared by travelers, and the rest is movie history. Over 500 films have completed shooting here, including silents, A movies, B Westerns, serials, sci-fi, film noir, television shows, and commercials. Tom Mix, Errol Flynn, John Wayne, William Boyd, Clayton Moore, Lucille Ball, Roy Rogers, Natalie Wood, Humphrey Bogart, Steve McQueen, Russell Crowe, Jamie Foxx, and many more have all scrambled amongst the terrain in the Alabama Hills.

Alfred Hitchcock is a fascinating look at the life of one of the most influential filmmakers in the world -- a man known for his portly profile and distinct, leery voice almost as much as for his groundbreaking movies. From Hitchcock's first film, Blackmail -- the first British movie with sound -- to his blockbuster Hollywood successes, Psycho, The Birds, Rear Window, and Vertigo. Alfred Hitchcock chronicles the Master of Suspense's close working relationship with his wife, Alma, who was an integral part of his filmmaking process, and the struggle to gain full artistic control over his work. With illustrations throughout and sidebars showcasing Hitchcocks techniques and directing style, Alfred Hitchcock reveals how some of the greatest films ever created came to be through the life and work of one of the most admired filmmakers ever.Oxford Portraits are informative and insightful biographies of people whose lives shaped their times and continue to influence ours. Based on the most recent scholarship, they draw heavily on primary sources, including writings by and about their subjects. Each book is illustrated with a wealth of photographs, documents, memorabilia, framing the personality and achievements of its subject against the backdrop of history.

New York City during the long 1970s was a place of high crime and high glamour that still holds tremendous fascination. During this era the city careened from the hopefulness of the Lindsay years to financial default in 1975 to its reemergence, under Mayor Koch, as a center of international finance. These changes form the backdrop for a body of films in which the city itself plays a starring role. The movies picture the city's racial and ethnic populations, its elite enclaves and decaying districts, its sometimes vibrant and often violent street-life, and--by the decade's end--its emerging gentrification that would soon sweep away the vestiges of an iconic, acutely singular metropolis. The films, directed by an emerging generation of filmmakers influenced both by the Italian neo-realists and the French auteurs, sought a higher realism than that offered in conventional Hollywood productions. Martin Scorsese, Francis Coppola, Sidney Lumet, Paul Mazursky, Woody Allen, and John Schlesinger capture the excitement and volatility of the period; their films and others effectively narrate the city's changing fortunes. Starring New York examines the drama and dramas of those times, providing a reorientation to the landscape of the city, both as it was and as it is today.

A unique visual record of the making of the latest James Bond film, Bond on Set: Filming Skyfall is the perfect addition to any fan's collection. Working alongside cast and crew, photographer Greg Williams provides an inside look into the world of Skyfall, with candid shots of the stars and sequences featuring many of the movie's breathtaking sets. Timed with the release of the twenty-third Bond film and the fiftieth anniversary of the movie franchise, this intriguing book is an essential companion to what will be one of the top movie events of the year. Featuring a star studded cast including Daniel Craig, Javier Bardem, Ralph Fiennes, Bérénice Marlohe, Naomie Harris, Ben Whishaw with Albert Finney and Dame Judi Dench. 007 (Gun Logo) and related James Bond Trademarks© 1962-2012 Danjaq, LLC and United Artists Corporation. All rights reserved. 007 (Gun Logo) and related James Bond Trademarks are trademarks of Danjaq, LLC, licensed by EON Productions Limited.