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36 pages 14 illustrations in color. Oblong. Published on the occasion of the exhibition from Pace Gallery, New York NY May 6-June 17, 2017. Select Biography.

Size: 9.5"x11.5", 47pp., colour plates. Near new condition, covers bright, text clean & binding tight

Robert Mangold's gently curving, majestic paintings are among the most beautiful abstract works of the late twentieth century. Emerging in the 1960s, Mangold is often associated with Minimalism for his non-hierarchical compositions and use of simple geometric forms. His subtle colours and soft, hand-drawn figures also recall other sources, from traditional Greek pottery to the frescoes of Piero. Among the most accomplished painters working today, Mangold is collected in the world's pre-eminent museums.This first comprehensive monograph assesses Mangold's contribution to contemporary painting, with essays by some of the most distinguished writers on contemporary art. Richard Shiff, Chair in Art at the University of Texas, Austin, interprets Mangold's art in the context of its broad cultural history; Robert Storr, curator at The Museum of Modern Art, New York, analyses the work in relation to late twentieth-century painting; Arthur C Danto, Professor of Philosophy at Columbia University, New York, examines in depth the Zone Paintings series; and art critic Nancy Princenthal presents a chronological history of the concepts in the work. Also included is a conversation with the artist's wife, painter Sylvia Plimack Mangold, on the sources behind his work, and artist's statements accompanied by photographs of the artist in his studio by their son, the noted filmmaker James Mangold.

Robert Mangold's gently curving, majestic paintings are among the most beautiful abstract works of the late twentieth century. Emerging in the 1960s, Mangold is often associated with Minimalism for his non-hierarchical compositions and use of simple geometric forms. His subtle colours and soft, hand-drawn figures also recall other sources, from traditional Greek pottery to the frescoes of Piero. Among the most accomplished painters working today, Mangold is collected in the world's pre-eminent museums.This first comprehensive monograph assesses Mangold's contribution to contemporary painting, with essays by some of the most distinguished writers on contemporary art. Richard Shiff, Chair in Art at the University of Texas, Austin, interprets Mangold's art in the context of its broad cultural history; Robert Storr, curator at The Museum of Modern Art, New York, analyses the work in relation to late twentieth-century painting; Arthur C Danto, Professor of Philosophy at Columbia University, New York, examines in depth the Zone Paintings series; and art critic Nancy Princenthal presents a chronological history of the concepts in the work. Also included is a conversation with the artist's wife, painter Sylvia Plimack Mangold, on the sources behind his work, and artist's statements accompanied by photographs of the artist in his studio by their son, the noted filmmaker James Mangold.

Robert Mangold is a pre-eminent figure in post-war painting. His large, gently curving paintings are among the most majestically beautiful abstract works of the late twentieth and early twenty-first centuries. In contrast to the sober austerity of his Minimalist peers, with whom he is often associated, Mangold uses unusual, subtle colours and soft, hand-drawn geometries, endowing his large-scale paintings with a unique sensibility and presence. This is the first major monograph on one of most significant contemporary painters working today and is a timely retrospective on his work, made in close association with the artist himself. Mangold’s work is celebrated in this important book by some of contemporary art’s most prestigious writers.

Robert Mangold (b.1937) is one of the most significant American painters to have emerged in the late twentieth century. His work is collected in the world's finest museums and he has exhibited internationally since the 1960s. This is the first ever and most comprehensive of Mangold's contribution to painting, with contributions by some of the most respected writers of contemporary art. Mangold was greatly influenced by the Abstract Expressionism, and his paintings maintain the large scale and bold immediacy associated with artists such as Barnett Newman and Mark Rothko. At the same time, emerging in the 1960s alongside such artists as Richard Serra and Sol LeWitt, Mangold is often associated with Minimalism because of his straightforward and geometric compositions. In contrast to the hard-edged Minimalists, however, Mangold's gently curved paintings and subtle, evocative colours recall a variety of sources - from frescos to traditional Greek ceramics. With a beauty, tranquillity and sensitivity reminiscent of the work of Piero della Francesca, Mangold's art challenges the state of painting today, resulting in over thirty years' worth of fundamentally important avantgarde art - and some of the most majestically beautiful abstract paintings of the last half century.

Robert Mangold: Beyond the Line celebrates the vision of an artist who has earned a distinguished place in the grand tradition of abstract painting. Marking a forthcoming exhibition at the prestigious Albright-Knox Gallery in Buffalo, New York, this book tracks Mangold's artistic roots and development and documents the varied series he has made during the last eight years. It also marks his important window commission for the new Federal courthouse in Buffalo, slated for completion in 2010, and designed by Kohn Pedersen Fox as part of the U.S. General Services Administration Design Excellence Program.Insightful essays and an in-depth interview with the artist afford an intimate look into Mangold's creative process, from the austere geometric paintings of the 1970s to his recent work on windows and the vibrant Ring Images he is creating today.Luxuriously packaged, each volume contains a woodcut reproduced by offset lithography, initialed and dated by the artist in the print, suitable for framing and made especially for, and available only with, this book.

Paperback.Width: 24 cm. Height: 29cm. 48 pages. English text.

ROBERT MANGOLD Sobel, Dean and Richard Shiff / Shiff, Richard / Aspen. Aspen Art Museum ROBERT MANGOLD: Paintings, 1990-2002 Sobel, Dean and Richard Shiff. ROBERT MANGOLD: Paintings, 1990-2002. 80 pages, including 24 color plates. 4to, cloth. Aspen, Aspen Art Museum, 2003.

Robert Mangold is a pre-eminent figure in post-war painting. His large, gently curving paintings are among the most majestically beautiful abstract works of the late twentieth and early twenty-first centuries. In contrast to the sober austerity of his Minimalist peers, with whom he is often associated, Mangold uses unusual, subtle colours and soft, hand-drawn geometries, endowing his large-scale paintings with a unique sensibility and presence. This is the first major monograph on one of most significant contemporary painters working today and is a timely retrospective on his work, made in close association with the artist himself. Mangold’s work is celebrated in this important book by some of contemporary art’s most prestigious writers.

The exhibition catalogue for Mangold's 1994 retrospective at the Albright-Knox Art Gallery, Buffalo, which also toured museums in Hartford, Houston and Boston. The catalogue includes sixty full color reproductions of work in the exhibition and an essay by Albright-Knox curator Cheryl Brutvan, as well as photographed pages from Mangold's notes and numerous other b & w photos; also a chronology, index and selected bibliography. The catalogue is 10 x 10 inches in heavy card wrappers illustrated with the artist's "Winter Writings," (detail) 1984. A collectable copy.

Robert Mangold (b.1937) is one of the most significant American painters to have emerged in the late twentieth century. His work is collected in the world's finest museums and he has exhibited internationally since the 1960s. This is the first ever and most comprehensive of Mangold's contribution to painting, with contributions by some of the most respected writers of contemporary art. Mangold was greatly influenced by the Abstract Expressionism, and his paintings maintain the large scale and bold immediacy associated with artists such as Barnett Newman and Mark Rothko. At the same time, emerging in the 1960s alongside such artists as Richard Serra and Sol LeWitt, Mangold is often associated with Minimalism because of his straightforward and geometric compositions. In contrast to the hard-edged Minimalists, however, Mangold's gently curved paintings and subtle, evocative colours recall a variety of sources - from frescos to traditional Greek ceramics. With a beauty, tranquillity and sensitivity reminiscent of the work of Piero della Francesca, Mangold's art challenges the state of painting today, resulting in over thirty years' worth of fundamentally important avantgarde art - and some of the most majestically beautiful abstract paintings of the last half century.

New softcover, with no marks or flaws. No sign of handling or wear. Bright, fresh copy.

ROBERT MANGOLD Sobel, Dean and Richard Shiff / Shiff, Richard / Aspen. Aspen Art Museum ROBERT MANGOLD: Paintings, 1990-2002 Sobel, Dean and Richard Shiff. ROBERT MANGOLD: Paintings, 1990-2002. 80 pages, including 24 color plates. 4to, cloth. Aspen, Aspen Art Museum, 2003.

36 pages 14 illustrations in color. Oblong. Published on the occasion of the exhibition from Pace Gallery, New York NY May 6-June 17, 2017. Select Biography.

There is a quiet but rigorous beauty in the paintings and prints of the trees that Sylvia Plimack Mangold (born 1938) has observed in the landscape surrounding her home and studio over the last three decades. Although better known for her conceptual compositions of illusionary paintings of wooden floors and mirrors and, later, tapes and measures, Plimack Mangold acknowledges that there is no other subject that she has spent more time with than nature, which eventually led her to focus on individual trees, the subject of this publication and the exhibition it accompanies. This exceptional and varied body of work was brought together for the first time in 2012, and comprises more than 50 oil paintings, watercolors and prints from private and public collections. Landscape and Trees presents a rich survey of the artist’s 30-year engagement with the landscape.

This catalogue to accompany a traveling exhibition explores the relationship of Mangold's works on paper to her paintings, and places the much-admired artist within the context of the major art movements of the past two decades. It also includes impressions of all her relief intaglios and lithographic prints, and over 40 of her drawings in pastel, watercolor, acrylic, and gouache. 9.75x8.25". Annotation copyright Book News, Inc. Portland, Or.

Plimack Mangold's work has evolved from early renderings of floors, mirrors, and rooms to landscapes (by day and by night), skyscapes, and "portraits" of individual trees done at her outdoor Hudson River valley studio. She reinvented these traditional subjects by wrestling with the very process by which the artist creates illusion, then letting the viewer in on her secret by bordering the image with illusionary "masking tape" (meticulously recreated with paint and brush) that simultaneously acknowledges and denies the painted surface.This lavishly illustrated, full-color volume is published in conjunction with a retrospective exhibition of Plimack Mangold's paintings organized by the Albright-Knox Art Gallery in Buffalo, New York, and traveling to Hartford, Houston, and Boston. Covering more than a quarter-century of work, it includes a monographic essay by Cheryl Brutvan, Curator at the Albright-Knox, as well as full documentation of the artist's career to date: Chronology, Selected Bibliography, and Selected Exhibitions and Reviews. It also reproduces a number of pages from the artist's notebooks, providing a rare, privileged glimpse at the thoughtful intelligence and aesthetic beliefs that underlie these magical canvases, canvases that give expression to the intimate reality of the artist's existence, give form to the intangible.

White and rust wraps. 59 pp. 20+ bw ills. VG-, exlib with sticker to cover

Plimack Mangold's work has evolved from early renderings of floors, mirrors, and rooms to landscapes (by day and by night), skyscapes, and "portraits" of individual trees done at her outdoor Hudson River valley studio. She reinvented these traditional subjects by wrestling with the very process by which the artist creates illusion, then letting the viewer in on her secret by bordering the image with illusionary "masking tape" (meticulously recreated with paint and brush) that simultaneously acknowledges and denies the painted surface.This lavishly illustrated, full-color volume is published in conjunction with a retrospective exhibition of Plimack Mangold's paintings organized by the Albright-Knox Art Gallery in Buffalo, New York, and traveling to Hartford, Houston, and Boston. Covering more than a quarter-century of work, it includes a monographic essay by Cheryl Brutvan, Curator at the Albright-Knox, as well as full documentation of the artist's career to date: Chronology, Selected Bibliography, and Selected Exhibitions and Reviews. It also reproduces a number of pages from the artist's notebooks, providing a rare, privileged glimpse at the thoughtful intelligence and aesthetic beliefs that underlie these magical canvases, canvases that give expression to the intimate reality of the artist's existence, give form to the intangible.