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A mix of indie rock and folk music. Devotchka provides the majority of the music on the soundtrack, and also the score, which they did with Mychael Danna. Also features selections from Sufjan Stevens, Rick James, and Tony Tisdale. Limited to 500 copies.

Where have all the prophets gone? And why do preachers seem to shy away from prophetic witness? Astute preacher Leonora Tisdale considers these vexing questions while providing guidance and encouragement to pastors who want to recommit themselves to the task of prophetic witness. With a keen sensitivity to pastoral contexts, Tisdale's work is full of helpful suggestions and examples to help pastors structure and preach prophetic sermons, considered by many to be one of the most difficult tasks pastors are called to undertake.

"Gold in the Porcupine! Spectacular discoveries in Whitney and Tisdale townships!" Practically overnight, towns sprang up, railways were extended, mines were born, and men and their families headed to the newly discovered mining camp.Schumacher: Voices in the Gold Fields reveals life in the mining community that grew up in the midst of the "Big Three" gold producers, the McIntyre, the Hollinger and the Dome mines, in northern Ontario, Canada, one of North America's premier gold-producing areas. Wealthy Columbus, Ohio investor Frederick W. Schumacher gave a fledgling settlement his name and aided its growth. He was a benefactor to the community and "Santa Claus" to the school children, and his Christmas legacy has continued uninterrupted since 1923.From the hotels and back lanes, sports facilities and social centres, to the depths of the gold mines, Schumacher reveals its unique character in the voices of its multi-cultured citizens-heartwarming, humorous, and at times heartbreaking.Photographs covering the broad span of years from 1909 to 1968 complement the stories told by those who lived in Schumacher-a community you are bound to remember after the last page is read.

Book by Tisdale, Samuel L., Nelson, Werner L., Beaton, James D., Havlin, John L.

Contemporary art through the lens of African-American artists: Adrian Piper, David Hammons, Renée Green, Faith Ringgold, Senga Nengudi, Pat Ward Williams, Lorraine O’Grady, Carrie Mae Weems, Lorna Simpson, Fred Wilson, Dany Tisdale, June Clark and Gary Simmons. In Black is a Color, contemporary art historian and curator Elvan Zabunyan proposes a new approach to contemporary art and its history through the practice of Black American artists from the Harlem Renaissance to today. Combining a historical study with probing critical analysis, Black is a Color depicts an America marked indelibly by its slavery past, out of which Afro-American contemporary artists have been able to build a singular and engaged body of work to protest against the cultural and political consequences of racial discrimination. In chapters covering notions of "Black conscience," the relation of "attitude" to form, and women Afro-American artists, Zabunyan traces the emergence of artistic identity in various forms of representation (painting, sculpture, photography, video and performance). Close readings of the oeuvres of David Hammons, Adrian Piper, and others uncover the place of the body, urban space and memory in the works of Black artists, who are represented with more than 130 images.