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What happens when the dreams of a father are not the dreams of his children? "News of the world outside seemed unreal in Ornevka, as fantastic as Reuven Werth’s story of Baron Rothschild and the Mohilev rabbi. In the world outside, if you believed the tales, tsars and Kaisers and kings rattled swords, built battleships, and committed whole nations to war or peace as easily as a cattle merchant agreed to sell a heifer. Revolutionaries were ready to topple regimes, turn workers into bosses, and elevate the lowliest to the ranks of the mighty, all the while making love to women who weren’t their wives. In the lascivious stories of the drummers, actresses made love with kings, actors made love with other actors, and women revolutionaries would make love with anyone. The politics of the world outside—treaties, wars, revolutions—was a mad whirl, seemingly out of control. New inventions like electric lights, the telegraph, and steamships were coming so fast the world would be unrecognizable in a few years."

What happens when the dreams of a father are not the dreams of his children? "News of the world outside seemed unreal in Ornevka, as fantastic as Reuven Werth’s story of Baron Rothschild and the Mohilev rabbi. In the world outside, if you believed the tales, tsars and Kaisers and kings rattled swords, built battleships, and committed whole nations to war or peace as easily as a cattle merchant agreed to sell a heifer. Revolutionaries were ready to topple regimes, turn workers into bosses, and elevate the lowliest to the ranks of the mighty, all the while making love to women who weren’t their wives. In the lascivious stories of the drummers, actresses made love with kings, actors made love with other actors, and women revolutionaries would make love with anyone. The politics of the world outside—treaties, wars, revolutions—was a mad whirl, seemingly out of control. New inventions like electric lights, the telegraph, and steamships were coming so fast the world would be unrecognizable in a few years."

In this fantastically detailed and uniquely organized reference, 2008 Olympic gold and silver medal-winner Isabell Werth demonstrates the what, the how, and€”most importantly€”the why of more than 100 dressage movements. She shows readers how each should look, explains common mistakes and how to avoid them, and then describes the benefit of the exercise and how it contributes to the dressage training scale. In addition, emphasis is placed on the horse as an individual and customizing movements and lessons to benefit any animal, with their particular physical and psychological characteristics in mind. Practical and easy-to-follow, this resource promises to take the mystery out of dressage schooling forever.

An illuminating look at the story behind the success of one of the best dressage riders in the world. German Olympian Isabell Werth has six Olympic gold medals and scores of championship titles to her name―there are few her equal on paper. But an equestrian’s success is wholly dependent on the relationship she has with her athletic partner―her horse―and Werth’s astounding accomplishments would not have been possible without her unique approach to working with the animals she’s loved since childhood. Even as a little girl, growing up on a farm on the Lower Rhine, it was clear that Werth possessed an extraordinary gift for empathizing with horses and foreseeing how they were likely to react in certain situations. This insight gave her a special ability as a rider and trainer. Here, Werth collaborates with accomplished sports journalist Evi Simeoni―someone who has witnessed and written about her career from the very beginning―to tell her life story. Readers will get the inside scoop when it comes to Werth’s accomplishments―and her failures, too. They’ll hear her personal thoughts regarding some of the biggest controversies to rock the dressage world: Rollkur and Totilas. Perhaps most importantly, they’ll learn about each of the sensitive and talented horses that has impacted Werth’s life, including Gigolo, Satchmo, and Bella Rose. There is a meme that is popular in the riding community that says, “Two legs move our body, four legs move our soul.” It is this sentiment that Werth feels perhaps best defines her.

In 1941, Russian-born British journalist Alexander Werth observed the unfolding of the Soviet-German conflict with his own eyes. What followed was the widely acclaimed book, Russia at War, first printed in 1964. At once a history of facts, a collection of interviews, and a document of the human condition, Russia at War is a stunning, modern classic that chronicles the savagery and struggles on Russian soil during the most incredible military conflict in modern history.As a behind-the-scenes eyewitness to the pivotal, shattering events as they occurred, Werth chronicles with vivid detail the hardships of everyday citizens, massive military operations, and the political movements toward diplomacy as the world tried to reckon with what they had created. Despite its sheer historical scope, Werth tells the story of a country at war in startlingly human terms, drawing from his daily interviews and conversations with generals, soldiers, peasants, and other working class civilians. The result is a unique and expansive work with immeasurable breadth and depth, built on lucid and engaging prose, that captures every aspect of a terrible moment in human history.Now newly updated with a foreword by Soviet historian Nicolas Werth, the son of Alexander Werth, this new edition of Russia at War continues to be indispensable World War II journalism and the definitive historical authority on the Soviet-German war.

DAMAGES is the riveting true story of one family's legal struggles in the world of medicine. At the urging of a friend, the Sabias filed a medical malpractice lawsuit against Dr. Humes and Norwalk Hospital. Barry Werth takes us through the seven-year lawsuit, allowing us to see the legal strategy plotted by the Sabias' attorneys, Connecticut's premier medical malpractice law firm.

Historians agree: the diary of Léon Werth (1878-1955) is one of the most precious--and readable--pieces of testimony ever written about life in France under Nazi occupation and the Vichy regime. Werth was a free-spirited and unclassifiable writer. He is the author of eleven novels, art and dance criticism, acerbic political reporting, and memorable personal essays. He was Jewish, and left Paris in June 1940 to hide out in his wife's country house in Saint-Amour, a small village in the Jura Mountains. His short memoir 33 Days recounts his struggle to get there. Deposition tells of daily life in the village, on nearby farms and towns, and finally back in Paris, where he draws the portrait of a Resistance network in his apartment and writes an eyewitness report of the insurrection that freed the city in August, 1944.From Saint-Amour, we see both the Resistance in the countryside, derailing troop trains, punishing notorious collaborators--and growing repression: arrests, torture, deportation, and executions. Above all, we see how Vichy and the Occupation affect the lives of farmers and villagers and how their often contradictory attitudes evolve from 1940-1944. Werth's ear for dialogue and novelist's gift for creating characters animate the diary: in the markets and in town, we meet real French peasants and shopkeepers, railroad men and the patronne of the café at the station, schoolteachers and gendarmes. They come off the page alive, and the countryside and villages come alive with them. With biting irony, Werth records, almost daily, what Vichy-German propaganda was saying on the radio and in the press. We follow the progress of the war as people did then, day by day. These entries make interesting, often amusing reading, a stark contrast with his gripping entries on the persecution and deportation of the Jews. Deposition is a varied and complex piece of living history, and a pleasure to read.

In this widely acclaimed history of a country at war, Alexander Werth unfolds in startling human terms the story of the Russian people and their leaders in the Soviet conflict with the Nazis from the disasters of the Second World War to the beginnings of the Cold War. Himself an eyewitness to the shattering historical drama he vividly records, Werth offers an intensely detailed chronicle of the events that exceeded in savagery and hatred any other on Russian soil. From the hardships of the citizenry to the sweep of massive military operations to the corridors of diplomacy, this modern classic captures every aspect of the grim but heroic Soviet-German war that turned Russia into the most powerful nation in the Old World.

In 31 Days, acclaimed historian Barry Werth takes readers inside the White House during the tumultuous days of August 1974, following Richard Nixon's resignation and the swearing-in of America's "accidental president," Gerald Ford. The Watergate scandal had torn the country apart. In a dramatic, day-by-day account of the new administration’s inner workings, Werth shows how Ford, caught between political expedience, the country’s demands for justice, and his own moral compass, struggled valiantly to restore the nation’s tarnished faith in its leadership. With deft and refreshing analysis Werth illuminates how this unprecedented political upheaval produced new fissures and battle lines, as well as new opportunities for political advancement for ambitious young men such as Donald Rumsfeld, who had been Nixon’s ambassador to NATO, and Dick Cheney, already coolly efficient as Rumsfeld’s former deputy. A superbly crafted presidential history with all of the twists and turns of a thriller, 31 Days  sheds new light on the key players and political dilemmas that reverberate in today’s headlines.

Neuware - Ein vergessenes Meisterwerk, das es zu entdecken gilt, ein einmaliges Zeitzeugnis: »Als die Zeit stillstand«, das bewegende Tagebuch des großen Schriftstellers und Journalisten Léon Werth aus dem besetzten Frankreich zur Zeit des Vichy-Regimes der Jahre 1940 bis 1944. Im Sommer 1940 besetzen die Deutschen Paris. Der französische Publizist und Kritiker Léon Werth, jüdischer Herkunft, Pazifist und Antikolonialist, flieht und versteckt sich in einem Dorf im Jura. Flüchtlinge und Dorfbewohner leben hier zusammen, begierig auf Nachrichten, abgekapselt und doch ganz nah am Geschehen.Frankreich ist im Innersten gespalten, Republik und Demokratie sind bedroht, Nationalisten begrüßen den deutschen Sieg. Léon Werth schildert diesen Kosmos in seinem einzigartigen Tagebuch. Eine Welt zwischen Angst und Hoffnung, in der die Menschen ihren Weg suchen, sich aufgeben, kollaborieren oder an einer Zivilisation festhalten, die zutiefst bedroht ist.Werths zeitlose Einsichten in menschliches Denken und Handeln in einer verstörenden Zeit sind ein Meisterwerk der Literatur und ein visionäres Vermächtnis.Mit einem Vorwort von Georges-Arthur Goldschmidt, der herausstreicht, wie aktuell Léon Werths Gedanken immer noch sind: Denn wie damals stellt sich auch heute wieder die Frage, wie man sich als Mensch in einem Land verhalten kann, in dem Freiheit und Demokratie gefährdet sind.»Ein bewundernswertes historisches Dokument. Ich kenne keines, das wertvoller wäre.«Lucien Febvre

A rare eyewitness account by an important author of fleeing the Nazis’ march on Paris in 1940, featuring a never-before-published introduction by Antoine de Saint-Exupéry.   In June of 1940, Leon Werth and his wife fled Paris before the advancing Nazis Army. 33 Days is his eyewitness account of that experience, one of the largest civilian dispacements in history. Encouraged to write 33 Days by his dear friend, Antoine de Saint-Exupéry, author of The Little Prince, Werth finished the manuscript while in hiding in the Jura mountains.   Saint-Exupéry smuggled the manuscript out of Nazi-occupied France, wrote an introduction to the work and arranged for its publication in the United States by Brentanos. But the publication never came to pass, and Werth’s manuscript would disappear for more than fifty years until the first French edition, in 1992. It has since become required reading in French schools.   This, the first-ever English language translation of 33 Days, includes Saint-Exupéry’s original introduction for the book, long thought to be lost. It is presented it here for the first time in any language. After more than seventy years, 33 Days appears—complete and as it was fully intended.

In 1941, Russian-born British journalist Alexander Werth observed the unfolding of the Soviet-German conflict with his own eyes. What followed was the widely acclaimed book, Russia at War, first printed in 1964. At once a history of facts, a collection of interviews, and a document of the human condition, Russia at War is a stunning, modern classic that chronicles the savagery and struggles on Russian soil during the most incredible military conflict in modern history.As a behind-the-scenes eyewitness to the pivotal, shattering events as they occurred, Werth chronicles with vivid detail the hardships of everyday citizens, massive military operations, and the political movements toward diplomacy as the world tried to reckon with what they had created. Despite its sheer historical scope, Werth tells the story of a country at war in startlingly human terms, drawing from his daily interviews and conversations with generals, soldiers, peasants, and other working class civilians. The result is a unique and expansive work with immeasurable breadth and depth, built on lucid and engaging prose, that captures every aspect of a terrible moment in human history.Now newly updated with a foreword by Soviet historian Nicolas Werth, the son of Alexander Werth, this new edition of Russia at War continues to be indispensable World War II journalism and the definitive historical authority on the Soviet-German war.