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'Thoemmes Press and Udo Thiel have combined their talents to resurrect the important but long ignored writings of Thomas Cooper. Cooper’s writings on materialism alone merit our attention, carrying forward as they do the issues and debates which ran throughout the 18th century. Cooper’s interests are about as diverse as those of Joseph Priestley. It is time for a re-evaluation of Cooper.’ — John YoltonThomas Cooper (1759-1839) is an important but much neglected early proponent of a radical materialist metaphysics. He adopted his materialism from his friend Joseph Priestley but differed from his master on a number of philosophical issues. Like Priestley, he emigrated to America in 1794, where he first practised as a lawyer in Pennsylvania, then taught chemistry at several colleges, before becoming president of South Carolina College, Columbia in 1820. Cooper had been associated with democratic clubs in England and had spent some time in Paris with affiliated French clubs during the Revolution. In America he joined the Democrats and vehemently opposed the administration of President Adams. In 1800 he was tried for libel and sentenced to 6 months in prisonCooper's works are extremely scarce. His philosophical writings have not been reprinted since the eighteenth and early nineteenth centuries. The first two volumes of this edition include his early and most important philosophical publication, Tracts, Ethical, Theological and Political (1789) and the second edition of his early political essays (1800). The third volume contains a selection of metaphysical and political essays from the 1820s and 30s. Udo Thiel's introduction gives an explanatory overview of Cooper's philosophy, placing it in its historical and intellectual context.

'Thoemmes Press and Udo Thiel have combined their talents to resurrect the important but long ignored writings of Thomas Cooper. Cooper’s writings on materialism alone merit our attention, carrying forward as they do the issues and debates which ran throughout the 18th century. Cooper’s interests are about as diverse as those of Joseph Priestley. It is time for a re-evaluation of Cooper.’ — John YoltonThomas Cooper (1759-1839) is an important but much neglected early proponent of a radical materialist metaphysics. He adopted his materialism from his friend Joseph Priestley but differed from his master on a number of philosophical issues. Like Priestley, he emigrated to America in 1794, where he first practised as a lawyer in Pennsylvania, then taught chemistry at several colleges, before becoming president of South Carolina College, Columbia in 1820. Cooper had been associated with democratic clubs in England and had spent some time in Paris with affiliated French clubs during the Revolution. In America he joined the Democrats and vehemently opposed the administration of President Adams. In 1800 he was tried for libel and sentenced to 6 months in prisonCooper's works are extremely scarce. His philosophical writings have not been reprinted since the eighteenth and early nineteenth centuries. The first two volumes of this edition include his early and most important philosophical publication, Tracts, Ethical, Theological and Political (1789) and the second edition of his early political essays (1800). The third volume contains a selection of metaphysical and political essays from the 1820s and 30s. Udo Thiel's introduction gives an explanatory overview of Cooper's philosophy, placing it in its historical and intellectual context.

This book showcases Thomas Joshua Cooper's monumental forty-five year career as a landscape photographer.Working solely with an 1898 Agfa field camera, Thomas Joshua Cooper has established himself as one of the foremost photographers of our time. His magnificent black-and-white seascapes explore specific points on the globe--often at the most remote areas, where sea and land meet. Fans of Cooper's Atlas project, in which he has charted the Atlantic Basin, will be thrilled to find a generous selection of those images here--abstractions ranging from pitch black to clear white, and subtle gradations in between. Exquisitely reproduced, these photographs reveal the coastlines of the five continents that encircle the Atlantic Ocean. This volume also features images that deal with themes such as the earth's changing environment, historical narratives, and North America's great rivers and their sources. Enhancing this book are an essay by Michael Govan; biographies of the artist by Rebecca Morse and Anne Lyden, International Photography Curator at the National Galleries of Scotland; and a chronicle of the Atlas project by Christie Davis of the Lannan Foundation. Poems by Robinson Jeffers and Theodore Roethke round out this retrospective book of one of the most celebrated and distinctive photographers working today.Published with Los Angeles County Museum of Art

Thomas Joshua Cooper, one of the most celebrated and distinctive landscape photographers working today, explores the Eastern United States with a special focus on the East End of Long Island and the Hudson River.Throughout his career, Thomas Joshua Cooper has focused on the landscape through the lens of historical and cultural geography and cartography. Working exclusively outdoors with an 1898 AGFA field camera, Cooper has established a unique aesthetic and philosophy. This collection features twenty images that Cooper made on the East End of Long Island and Shelter Island in 2016, juxtaposed with earlier works depicting sites along the Hudson River, Cape Cod, and Maine. Each photograph is accompanied by texts that provide eloquent historical and geographic context. A special section on Cooper's unique and painstaking artistic process offers readers an understanding of how Cooper researches, experiences, and captures the essence of the locations he photographs.Copublished by the Parrish Art Museum and DelMonico Books

Published by Haunch of Venison, London on the occasion of the exhibition Thomas Joshua Cooper: True, 30th April to 30th May, 2009.

This book showcases Thomas Joshua Cooper's monumental forty-five year career as a landscape photographer.Working solely with an 1898 Agfa field camera, Thomas Joshua Cooper has established himself as one of the foremost photographers of our time. His magnificent black-and-white seascapes explore specific points on the globe--often at the most remote areas, where sea and land meet. Fans of Cooper's Atlas project, in which he has charted the Atlantic Basin, will be thrilled to find a generous selection of those images here--abstractions ranging from pitch black to clear white, and subtle gradations in between. Exquisitely reproduced, these photographs reveal the coastlines of the five continents that encircle the Atlantic Ocean. This volume also features images that deal with themes such as the earth's changing environment, historical narratives, and North America's great rivers and their sources. Enhancing this book are an essay by Michael Govan; biographies of the artist by Rebecca Morse and Anne Lyden, International Photography Curator at the National Galleries of Scotland; and a chronicle of the Atlas project by Christie Davis of the Lannan Foundation. Poems by Robinson Jeffers and Theodore Roethke round out this retrospective book of one of the most celebrated and distinctive photographers working today.Published with Los Angeles County Museum of Art

Beautiful b&w photographs of the harshness and silence of the northern lands and islands. Nr. 337/3000.

In the summer of 2003, Thomas Joshua Cooper traveled to Shoshone Falls in southern Idaho to photograph where the Snake River had tumbled across a 212-foot precipice, once one of the most sublime landscapes in the American West. Cooper's images were a response to the work of Timothy H. O'Sullivan, photographer on the late-nineteenth-century geologic and geographic surveys led by Clarence King and George M. Wheeler. Traveling to Shoshone Falls in 1868, and again in 1874, O'Sullivan made images that capture both the physical grandeur and emotional resonance of this unique landscape. Cooper's photographs simultaneously engage the work of his predecessor while expanding his own formal vocabulary in a project that generates a dialogue around history, geography and photographic process. Printed large-scale in lush tri-tone, this book reproduces 18 of Cooper's images in tandem with nine by O'Sullivan.

In the summer of 2003, Thomas Joshua Cooper traveled to Shoshone Falls in southern Idaho to photograph where the Snake River had tumbled across a 212-foot precipice, once one of the most sublime landscapes in the American West. Cooper's images were a response to the work of Timothy H. O'Sullivan, photographer on the late-nineteenth-century geologic and geographic surveys led by Clarence King and George M. Wheeler. Traveling to Shoshone Falls in 1868, and again in 1874, O'Sullivan made images that capture both the physical grandeur and emotional resonance of this unique landscape. Cooper's photographs simultaneously engage the work of his predecessor while expanding his own formal vocabulary in a project that generates a dialogue around history, geography and photographic process. Printed large-scale in lush tri-tone, this book reproduces 18 of Cooper's images in tandem with nine by O'Sullivan.

In this highly original work, Thomas D. Wilson offers surprising new insights into the origins of the political storms we witness today. Wilson connects the Ashley Cooper Plan--a seventeenth-century model for a well-ordered society imagined by Anthony Ashley Cooper (1st Earl of Shaftesbury) and his protege John Locke--to current debates about views on climate change, sustainable development, urbanism, and professional expertise in general. In doing so, he examines the ways that the city design, political culture, ideology, and governing structures of the Province of Carolina have shaped political acts and public policy even in the present. Wilson identifies one of the fundamental paradoxes of American history: although Ashley Cooper and Locke based their model of rational planning on assumptions of equality, the lure of profits to be had from slaveholding soon undermined its utopian qualities. Wilson argues that in the transition to a slave society, the "Gothic" framework of the Carolina Fundamental Constitutions was stripped of its original imperative of class reciprocity, reverberating in American politics to this day.Reflecting on contemporary culture, Wilson argues that the nation's urban-rural divide rooted in this earlier period has corrosively influenced American character, pitting one demographic segment against another. While illuminating the political philosophies of Ashley Cooper and Locke as they relate to cities, Wilson also provides those currently under attack by antiurbanists--from city planners to climate scientists--with a deeper understanding of the intellectual origins of a divided America and the long history that reinforces it.

In this highly original work, Thomas D. Wilson offers surprising new insights into the origins of the political storms we witness today. Wilson connects the Ashley Cooper Plan--a seventeenth-century model for a well-ordered society imagined by Anthony Ashley Cooper (1st Earl of Shaftesbury) and his protege John Locke--to current debates about views on climate change, sustainable development, urbanism, and professional expertise in general. In doing so, he examines the ways that the city design, political culture, ideology, and governing structures of the Province of Carolina have shaped political acts and public policy even in the present. Wilson identifies one of the fundamental paradoxes of American history: although Ashley Cooper and Locke based their model of rational planning on assumptions of equality, the lure of profits to be had from slaveholding soon undermined its utopian qualities. Wilson argues that in the transition to a slave society, the "Gothic" framework of the Carolina Fundamental Constitutions was stripped of its original imperative of class reciprocity, reverberating in American politics to this day.Reflecting on contemporary culture, Wilson argues that the nation's urban-rural divide rooted in this earlier period has corrosively influenced American character, pitting one demographic segment against another. While illuminating the political philosophies of Ashley Cooper and Locke as they relate to cities, Wilson also provides those currently under attack by antiurbanists--from city planners to climate scientists--with a deeper understanding of the intellectual origins of a divided America and the long history that reinforces it.

In Cross Examinations of Law and Literature Brook Thomas uses legal thought and legal practice as a lens through which to read some of the important fictions of antebellum America. The lens reflects both ways, and we learn as much about the literature in the context of contemporary legal concerns as we do about the legal ideologies that the fiction subverts or reveals. Successive chapters deal with Cooper's Pioneers and Hawthorne's The House of Seven Gables (property law and the image of the judiciary), Melville's "Benito Cereno" and Stowe's Uncle Tom's Cabin (slavery), Melville's White Jacket, Pierre and "Bartleby" (worker exploitation or wage slavery), The Confidence-Man (contracts), and finally, "Billy Budd," which examines a number of issues illustrative of the triumph of legal formalism after the Civil War.

America has produced two important groups of post-war novelists, the 'neo-realists', who inherit the traditions of realism and naturalism, and the 'counter-realists', who consciously react against those traditions. Thomas Pynchon has a net affinity for the latter kind of fiction, yet, as Peter Cooper shows, he is unique among the counter-realists. Cooper examines Pynchon's novels first against the backdrop of contemporary fiction. While sharing the general interest of the counter-realists in labyrinthine plots, intricate fantasies, and self-made realities, Pynchon differs from them in his great concern about political and sociological problems. Cooper then explores Pynchon's view of the modern world, both its apparent ills and available remedies. Contending that Pynchon criticism has focused too narrowly on the author's treatment of the problems of the modern world rather than the possibilities it offers, Cooper aligns himself with a more recent and persuasive trend in Pynchon studies that stresses the author's ambivalence--his despair countered by hope. This ambivalence is present in all forms of Pynchon's thought and expression. Pynchon's authorial practices, especially his prose style, have received surprisingly little attention. ...Pynchon's commentators typically neglect his craft in favor of his themes and materials. ...Cooper examines the author's literary methods, from the structure of sentences to the structure of whole books.

The companion book to the Cooper-Hewitt National Design Museum's exhibition of the same name of America's scenic wonders captured by three of the greatest artists of the 19th century.

Vinyl LP Pressing. BLACK MOON SPELL is the new album from Los Angeles-based rock outfit, King Tuff, who are long-adored for their tight, anthemic songs and enigmatic leader, King Tuff (aka Kyle Thomas). BLACK MOON SPELL recalls rock heroes such as Thin Lizzy, T-Rex and Alice Cooper, along with the inimitable blend of punk and power-pop that defined King Tuff's previous two albums.

In The American South, Fourth Edition, William J. Cooper, Jr. and Thomas E. Terrill demonstrate their belief that it is impossible to divorce the history of the south from the history of the United States. The authors' analysis underscores the complex interaction between the South as a distinct region and the South as an inescapable part of America. Cooper and Terrill show how the resulting tension has often propelled section and nation toward collision. In supporting their thesis, the authors draw on the tremendous amount of profoundly new scholarship in Southern history. Each volume includes a substantial biographical essay—completely updated for this edition—which provides the reader with a guide to literature on the history of the South. Coverage now includes the devastation of Hurricane Katrina in 2005, up-to-date analysis of the persistent racial divisions in the region, and the South's unanticipated role in the 2008 presidential primaries.

"Linda Broday's books always take me back to a west that feels true. Her love stories run deep with emotion. A delightful read." ―Jodi Thomas, New York Times bestselling author of Promise Me TexasNorth Central Texas, 1875: When Delta Dandridge shows up claiming to be Cooper Thorne's mail-order bride, he scrambles to set her straight. The tempestuous woman makes him see red and at the same time, challenges all his vows to remain a bachelor.Rancher Cooper Thorne thinks his life is finally on an even keel-until Delta Dandridge steps off the stagecoach and claims she's his mail order bride. Brash and quick-witted, the meddling Southern Belle is everything Cooper thought he never wanted...and everything his heart is telling him he needs. But Cooper swore long ago that he'd never marry, and he aims to keep his word, especially now that the demons from his past have returned to threaten everything-and everyone-he holds dear...Bachelors of Battle Creek series:Texas Mail Order Bride (Book 1)Twice a Texas Bride (Book 2)Forever His Texas Bride (Book 3)

Chart your company's course. Reinventing the CFO is the groundbreaking guide by financial veterans Henry Johanson, Thomas Walther, John Dunleavy and Elizabeth Hjelm that offers a proven blueprint for professionals making the enormous shift from ``number cruncher'' to strategist and business partner. Based on Coopers & Lybrand's pioneering Office of the CFO frameworks, it leads you through the live critical steps that will define how you can face today's challenges: partnering and integration; redefining the role of finance and retraining staff to understand business operations and market drivers; strategy; applying traditional analytical skills and business judgment to the question; where shoudl our company apply its capital resources? management control; producing a new set of strategic measures that business managers can use to anticipate problems and monitor progress; cost management; creating an aggressive, long-term least-cost program that replaces ``cost accounting'' and continuously drives costs down from within; processes and systems-classifying each financial process as ``core,'' ``support,'' or ``no added value,'' and determining the real drivers that affect the company's profitability.

Dialogue with Photography / Interviews Conducted by Paul Hill Thomas Cooper

The electrifying sequel to the national bestseller Smoke - bringing back readers to a world that Entertainment Weekly called "Part Dickens, part dystopia, and totally immersive."The year is 1909. It has been ten years since Thomas Argyle, Charlie Cooper and Livia Naylor set off a revolution by releasing Smoke upon the world. They were raised to think Smoke was a sign of sin manifested, but learned its suppression was really a means of controlling society. Smoke allowed people to mingle their emotions, to truly connect, and the trio thought that freeing the Smoke would bring down the oppressive power structure and create a fair and open society. But the consequences were far greater than they had imagined, and the world has fractured. Erasmus Renfrew, the avowed enemy of Smoke, is now Lord Protector of what remains of the English state. Charlie and Livia live in Minetowns, an egalitarian workers' community in the north of England which lives by Smoke. Thomas Argyle is in India on a clandestine mission to find out the origins of Smoke, and why the still-powerful Company is mounting an expedition in the Himalayas.Mowgli, the native whose body was used to trigger the tempest that unleashed the Smoke, now calls himself Nils and is a chameleon-like thief living in New York. And Eleanor Renfrew, Erasmus' niece who was the subject of his cruel experiments in suppressing Smoke, is in hiding from her uncle in provincial Canada. What she endured has given her a strange power over Smoke, which she fears as much as her uncle.Believing her uncle's agents have found her, she flees to New York with a theater troupe led by Balthazar Black, an impresario with secrets of his own. There they encounter Nils and a Machiavellian Company man named Smith. All these people seek to discover the true nature of Smoke, and thereby control its power. As their destinies entwine, a cataclysmic confrontation looms, and the Smoke will either bind them together or rend the world.