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In this masterly, Howard Hibbard relates Michelangelo's art to his life and to the times in which he lived, relying on the earliest biographies and the latest scholarly research as well as on Michelangelo's own letters and poems. What emerges is both a perspective appraisal of his work and a revealing life history of the man who was arguably the greatest artist of all time.

When Michelangelo left Florence for Rome in 1534, the Medici tombs were unfinished, but there was never any question of another sculptor being brought in to finish them. They were already icons of artistic perfection, which it would be sacrilege for anyone else to touch. That eminence they retain to this day. The two seated Medici dukes and the reclining figures of Night, Day, Dawn, and Dusk are among the most famous sculptures in the world, endlessly copied and universally recognizable. Yet however familiar these images are, this superb collection--160 pages of exquisitely printed photographs by a master photographer--makes it a revelation to see the originals. We are able to appreciate their forms and dwell on their details in an unprecedented way. Particularly now, since the tombs have been cleaned and restored, it is possible to imagine Michelangelo's chisel at work, and to marvel afresh at the sheer physical power that for his contemporaries made him almost superhuman. Accompanying essays by Bruno Santi, Director of the Medici Chapel from 1982 to 1992, and by the art historians Antonio Paolucci and James Beck, provide the historical background to the Chapel, essentially the Medici family's mausoleum, and explain how the concept changed over the fifteen years when Michelangelo was working on it. Originally envisaged as commemorating four members of the family, including Lorenzo the Magnificent, with a huge freestanding tomb, it was eventually confined to only two--who might now be totally forgotten but for their monuments. The little building that contains them is as important in the history of Mannerist architecture as the figures are in that of sculpture: indeed, no other location, not even the Sistine Chapel, captures the essence of Michelangelo's genius so intensely. 201 duotone illustrations.

When Michelangelo left Florence for Rome in 1534, the Medici tombs were unfinished, but there was never any question of another sculptor being brought in to finish them. They were already icons of artistic perfection, which it would be sacrilege for anyone else to touch. That eminence they retain to this day. The two seated Medici dukes and the reclining figures of Night, Day, Dawn, and Dusk are among the most famous sculptures in the world, endlessly copied and universally recognizable. Yet however familiar these images are, this superb collection--160 pages of exquisitely printed photographs by a master photographer--makes it a revelation to see the originals. We are able to appreciate their forms and dwell on their details in an unprecedented way. Particularly now, since the tombs have been cleaned and restored, it is possible to imagine Michelangelo's chisel at work, and to marvel afresh at the sheer physical power that for his contemporaries made him almost superhuman. Accompanying essays by Bruno Santi, Director of the Medici Chapel from 1982 to 1992, and by the art historians Antonio Paolucci and James Beck, provide the historical background to the Chapel, essentially the Medici family's mausoleum, and explain how the concept changed over the fifteen years when Michelangelo was working on it. Originally envisaged as commemorating four members of the family, including Lorenzo the Magnificent, with a huge freestanding tomb, it was eventually confined to only two--who might now be totally forgotten but for their monuments. The little building that contains them is as important in the history of Mannerist architecture as the figures are in that of sculpture: indeed, no other location, not even the Sistine Chapel, captures the essence of Michelangelo's genius so intensely. 201 duotone illustrations.

Historical Icons: Michelangelo - DVD 631865406524

Caravaggio was one of the most important Italian painters of the 17th century. He was, in fact, the wellspring of Baroque painting. In Hibbard's words, Caravaggio's paintings "speak to us more personally and more poignantly than any others of the time". In this study, Howard Hibbard evaluates the work of Caravaggio: notorious as a painter-assassin, hailed by many as an original interpreter of the scriptures, a man whose exploration of nature has been likened to that of Galileo.

"Fragmented David Version Two" - A Modern Twist on a Classic Icon Introducing Fragmented David, a stunning reinterpretation of Michelangelo’s iconic masterpiece. This 34cm x 20cm x 20cm sculpture features the timeless white bust of David with a bold, contemporary twist—half of his face is reimagined in vibrant, geometric squares of color. Gently dust your sculpture with a soft, dry cloth or a feather duster. Perfect for art lovers and collectors, Fragmented David is designed to be a focal point in any space, from stylish living rooms to contemporary offices. This unique sculpture embodies the fusion of tradition and modernity, offering a fresh perspective on a beloved classic. polyester