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The final volume of the Harvard edition presents the journals of Ralph Waldo Emerson’s last years. In them, he reacts to the changing America of the post–Civil War years, commenting on Reconstruction, immigration, protectionism in trade, and the dangers of huge fortunes in few hands―as well as on baseball and the possibilities of air travel. His role as a Harvard Overseer evokes his thoughts on education during crucial years of reform in American universities.His travels take him to Europe for the third time, and for the first time he encounters the new garden of California and the enigma of Egypt. He continues to lecture, and a second volume of poems and two more collections of essays, culled from his manuscripts, are published. Finally, his late journals show Emerson confronting his loss of creative vigor, husbanding his powers, and maintaining his equanimity in the face of decline.This concluding volume thus gives a complex picture of Emerson in his last sixteen years, facing old age but still the advocate of “newness” throughout the world.

Coin collectors know there's nothing more important than rarity when it comes to collecting. The 1882 Double Mint Mark Morgan Silver Dollar Coin is one of those amazing rarities, bearing mint marks from both the now-closed New Orleans Mint (O) AND the San Francisco Mint (S). This unique mark is due to the New Orleans Mint workers improperly repurposing the dies sent to them from the famed San Francisco Mint. More than 100 years old, the first U.S. coin with an "over mint mark" ever created can now be yours to own, showcased in a presentation only available from The Bradford Exchange Mint.This coveted "King of Coins" is struck in 90% silver and is a must-have for collectors and history buffs. It arrives secured in a crystal-clear, tamper-proof holder to preserve its beauty and quality for years to come. Plus, a handsome museum-quality, wooden Deluxe Display Box, with a rich mahogany finish and a gleaming title plaque magnificently showcases your rare coin. You will also receive a FREE high-quality Pocket Magnifier so you can see your coin's "S" mint mark inside the "O" in amazing detail; just look right below the eagle that adorns the reverse of the coin. It is estimated that only 17% of all Morgan Silver Dollars ever struck still survive, and of these, only a small fraction were struck from the three dies with the 1882 double mint mark rarities. Intense demand is expected for The 1882 Double Mint Mark Morgan Silver Dollar Coin, so don't wait to claim yours. Order now!

Xerox 016-1882-00 Standard Capacity Black Toner Cartridge is specifically designed for the Phaser 7700 Color Printers. It yield upto 5000 pages based on 5% coverage.

Excellent condition 1882 Martin 2 1/2-17. An absolute time capsule, and it plays beautifully. Nice and flat radius. Brazilian rosewood back and sid...

20 x 24 Grand Comet of 1882 (also known as Gran cometa de 1882) was painted by Jose Maria Velasco. These landscape paintings by Velasco are what created the foundation of the regions 19th century school of landscapes. Today the original is in the Museo Nacional de Arte but we have recreated this breathtaking image with the same brush strokes. Perfect for any art collection. Frame Description Studio Black Wood Frame. Color: Lt/Pastel Blue.

This ready to hang, gallery-wrapped art piece features flowers in a vase. Giclee (jee-clay) is an advanced printmaking process for creating high quality fine art reproductions. The attainable excellence that Giclee printmaking affords makes the reproduction virtually indistinguishable from the original piece. The result is wide acceptance of Giclee by galleries, museums, and private collectors. Gallery wrap is a method of stretching an artist's canvas so that the canvas wraps around the sides and is secured a hidden, wooden frame. This method of stretching and preparing a canvas allows for a frameless presentation of the finished painting. Color: Multi.

See Features:Features:Pages: 112Instrumentation: Organ

This has been my regular playing banjo for the past 15+ years and I've enjoyed it immensely. It's been played for dances, concerts, and lessons, re...

Seck 1882 MKII Studio/live Console with power supplyFollowing on from the Seck 122, the new 1882 mixer offers a vast range of facilities housed w...

Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; vi, 147 p. ; 22 cm. Subjects; Great Britain. Army Medals, badges, decorations, etc. War casualties Egypt Registers. Great Britain History, Military 19th century. Egypt History British occupation, 1882-1936. 1 Kg.

What are the roots of the Jewish-Arab conflict? How has it developed, and why does it still exist? In this intriguing investigation, Yosef Gorney contends that the ideological principles of Zionism were a decisive influence throughout the period when Jewish settlement began in Palestine and the foundations were laid for the re-establishment of Israeli sovereignty. He begins by identifying four basic attitudes of the Jewish settlers and Zionist leaders toward the Arab population before the First World War, and then shows how these attitudes persisted or changed in the face of subsequent political events--the Balfour declaration, the tension of the thirties, the Second World War, and the holocaust. Tracing in each period the delicate synthesis between politics and ideology, the book reveals the consistency of ideological principles in Zionist attitudes towards the Arabs, despite rapid changes in their political and historical context.

Chekhov is renowned as the greatest short story writer the world has ever known. Here is the first volume of an exciting project to print all Chekhov's stories in the order in which they were originally published in Russia. This edition should prove fascinating for the general reader, and an invaluable aid for scholars seeking to trace the development of Chekhov as a short story writer

First Edition, First Printing. Published by Museum Wiesbaden, 1998. Quarto. Supplemental catalogs laid in back. Text in English and German. Book is very good with university stamp on top and bottom page ends, rear inside cover and flyleaf. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Excerpt from Acta Mathematica, 1882, Vol. 1: Zeitschrift Un systeme de substitutions formera. Un groupe si la substitution 'inverse de toute substitution du systeme et 1e produit de deux substitutions quelconques du systeme font egalement. Partie du systeme. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This edition includes the Concert Register. About the compiler : John Hunt was born in Windsor and Graduated from University College London, in German language and literature. He has worked in personnel administration, record retailing and bibliographic research for a government agency and is on the lecture panel of the National Federation of Music Societies. In his capacity as Chairman of the Furtwängler Society UK, John Hunt has attended conventions in Rome, Paris and Zürich and has contributed to important reference works about Furtwängler by John Ardoin and Joachim Matzner. He has also translated from the German Jürgen Kesting's important monograph on Maria Callas. John Hunt has published discographies of over 80 performing artists, several of which have run into two or more editions.

What are the roots of the Jewish-Arab conflict? How has it developed, and why does it still exist? In this intriguing investigation, Yosef Gorney contends that the ideological principles of Zionism were a decisive influence throughout the period when Jewish settlement began in Palestine and the foundations were laid for the re-establishment of Israeli sovereignty. He begins by identifying four basic attitudes of the Jewish settlers and Zionist leaders toward the Arab population before the First World War, and then shows how these attitudes persisted or changed in the face of subsequent political events--the Balfour declaration, the tension of the thirties, the Second World War, and the holocaust. Tracing in each period the delicate synthesis between politics and ideology, the book reveals the consistency of ideological principles in Zionist attitudes towards the Arabs, despite rapid changes in their political and historical context.

The first significant American painter in 20th century art... Edward Hopper (1882–1967) is considered the first significant American painter in 20th-century art. Living in a secluded country house with his wife, Josephine, he depicted the loneliness of big-city people in canvas after canvas. Probably the most famous of them, Nighthawks, done in1942, shows a couple seated quietly, as if turned inwards upon themselves, in the harsh artificial light of an all-night restaurant. Many of Hopper’s pictures represent views of streets and roads, rooftops, abandoned houses, depicted inbrilliant light that strangely belies the melancholy mood of the scenes. Hopper’s paintings are marked by striking juxta-positions of color, and by the clear contours with which the figures are demarcated from their surroundings. His extremely precise focus on the theme of modern men and women in the natural and man-made environment some-times lends his pictures a mood of eerie disquiet. In House by the Railroad, a harsh interplay of light and shadow makes the abandoned building seem veritably threatening. On the other hand, Hopper’s renderings of rocky landscapes in warm brown hues, or his depictions of the seacoast, exude an unusual tranquillity that reveals another, more optimisticside of his character.