337 products were found matching your search for 18er Set Finca Museum in 3 shops:

Art jewelry makes a unique gift for her. This timeless jewelry reinterprets an elegant gold bracelet from Cyprus in The Met collection. We've embellished the original adornment's characteristic twist motif with so-called "baroque" pearls, named after the word barroco, a Portuguese term for a pearl with an irregular shape. The Museum's bracelet belongs to the esteemed Cesnola Collection, which comprises Cypriot art and artifacts made between ca. 2500 B. C. and ca. A. D. 300, and serves as the most important and comprehensive assemblage of its kind in the Western world. Due to the natural elements in this jewelry, the color of the pearls may vary.

Unique art jewelry inspired by The Met collection. A remarkable gold-and-lapis earring (6th-5th century B. C.) in The Met's Cesnola Collection of Cypriot art bears a robust crescent or "boat-shaped" design, presented here in green jade. Cyprus's positioning as a way station for ships in the eastern Mediterranean is reflected in the diversity of the island's jewelry. The boat shape was evidently popular in the ancient world; the Museum houses a number of Cypriot, Greek, Roman, and Etruscan earrings with a similar silhouette.

Art jewelry inspired by The Met collection. This rich blue jewelry is inspired by a spectacular Spanish baldric (first half 17th century), a type of crossbody belt or chain often worn to support a sword. Much of the scholarship around jewelry fashions throughout history is informed by portraits in which the sitters wear a certain style of adornment. An enameled example very much like the one displayed in The Met's Vélez Blanco Patio, dedicated to the decorative arts of Spain between 1450 and 1700, is worn diagonally across the chest in an early 17th-century portrait of a young man. We've honored the blue detailing on the original, featuring champlevé enamel, with semiprecious lapis and enamel elements. Click

Unique, art-inspired gifts for her. Our elegant jewelry celebrates a timeless 6th-7th-century necklace found at Karavas, Cyprus, which once belonged to the Byzantine empire. In 330 CE, Constantine the Great (r. 306-337)-the first Christian ruler of the Roman empire-transferred the imperial capital from Rome to the eastern city of Byzantion, which he renamed Constantinople ("the city of Constantine") in his own honor. As the inheritors of the Roman empire, the Byzantines carried the torch of tradition and produced a wealth of wearable treasures in precious gold, silver, and gemstones, signaling their unwavering status. The Museum's adornment, with its colorful green-quartz beads, lustrous pearls, and exquisite opus interrasile craftsmanship-a pierced metalwork technique used between the 3rd and 7th centuries-exemplifies the astounding finesse of Byzantine jewelry. Model shown is also wearing the Karavas Gems Aventurine Beaded Necklace (80059731)

This striking set pays tribute to a rare gold ring in the Greek and Roman Study Collection at The Met. Produced in Cyprus in the 6th century B. C., this precious ring displays impressive aspects of the ancient goldsmith's art. The ring bears two of its three original insets: a piece of sard (quartz) and a "stone" of glass paste, which would have presented a pleasing color contrast with the third element. Our statement necklace and triple-drop earrings reimagine this ancient adornment with gray aventurine, carnelian, and lapis stones.

Art jewelry makes a unique gift for her This artful jewelry set pays tribute to the enduring magnificence of Byzantine adornments. A necklace reconstructed with beads that likely date back to the 10th century in The Met collection exemplifies the Byzantine taste for sumptuous detailing and color, and serves as the inspiration behind our eye-catching collection. Click

Art jewelry makes a unique gift for her. This timeless set reinterprets an elegant gold bracelet from Cyprus in The Met collection. We've embellished the original adornment's characteristic twist motif with so-called "baroque" pearls, named after the word barroco, a Portuguese term for a pearl with an irregular shape. The Museum's bracelet belongs to the esteemed Cesnola Collection, which comprises Cypriot art and artifacts made between ca. 2500 B. C. and ca. A. D. 300, and serves as the most important and comprehensive assemblage of its kind in the Western world.

Art jewelry inspired by The Met collection. These celestial motifs celebrate a type of print called a broadside depicting 48 allegorical figures pertaining to the sun and the moon. The original, now in The Met collection, was printed about 1860-70 by Juan Llorens (Spanish, active ca. 1855-70), an active publisher of broadsides in Barcelona. Broadsides were issued by the thousands and sold on the street or in publishers' shops beginning in 16th-century Europe. These inexpensive sheets of small images, made to entertain the buyer with depictions of current news, children's games, popular tales, and so on, were so well received that certain printing presses made them their specialty. Many early broadsides have been lost due to their ephemeral nature, but numerous others survive in The Met collection. Click

Art jewelry makes a unique gift for her. An ancient ring crafted during Greece's Classical period is transformed into contemporary carnelian jewelry. Our inspired designs adapt the original ring's fiery carnelian centerpiece, which is enveloped by a setting accented with gold filigree. This timeless adornment from the 5th century B. C. is part of The Met's celebrated Greek and Roman art collection. Click

The embedded glass stones defining this jewelry set reinterpret the red garnets and blue glass embellishments on a striking 7th-century Frankish disk brooch at The Met. Brooches were central to the evolution of Frankish fashion; between the 300s and 500s, women turned to pairs of small brooches in inventive shapes to fasten the wraps they wore around their tunics. By the 600s, single, large, and elaborately decorated disk brooches became popular functional adornments. The brooch is regarded as the most characteristic element of Frankish dress, and exemplifies the exceptional skill of Frankish metalworkers. Click here to learn more about the Museum object that inspired this design.

Art jewelry inspired by The Met collection. Butterflies are beloved subjects in Japanese art, not only for their poetic beauty but for their association with longevity and springtime. This shimmering jewelry is inspired by the mother-of-pearl butterflies decorating a marvelous Japanese box (second half of the 19th century) in The Met's holdings. Likely reserved for ceremonial tea utensils, the Museum's Meiji-period treasure-bequeathed by the visionary collector, silversmith, and Tiffany & Co. designer Edward C. Moore (American, 1827-1891)-boasts magnificent craftwork and serves as the most significant example of a Japanese lacquer technique known as maki-e (meaning "sprinkled picture") in Moore's expansive collection. We present this item in celebration of Collecting Inspiration: Edward C. Moore at Tiffany & Co. This exhibition, on view at The Met Fifth Avenue from June 9 to October 20, 2024, showcases the profound design influence of Edward C. Moore, a prodigious collector of decorative arts, a noted silversmith, and the creative force who led Tiffany & Co. to unparalleled heights of originality and success during the second half of the 19th century. Through over 180 extraordinary creations bequeathed to the Museum from Moore's collection, alongside 70 magnificent silver objects designed at Tiffany & Co. under his direction, Collecting Inspiration considers Moore's pivotal role in shaping the legendary Tiffany design aesthetic-and the evolution of The Met collection. Click

Art jewelry makes a unique gift for her. This timeless set reinterprets an elegant gold bracelet from Cyprus and now in The Met collection. So-called "baroque" pearls are named after the word barroco, a Portuguese term for a pearl with an irregular shape. The Museum's bracelet belongs to the esteemed Cesnola Collection, which comprises Cypriot art and artifacts made between ca. 2500 B. C. and ca. A. D. 300, and serves as the most important and comprehensive assemblage of its kind in the West.

Art jewelry inspired by The Met collection. Bearing the lush blues, greens, and purples of a peacock feather, the iridescent pearls defining this jewelry nod to a pair of porcelain peacocks (ca. 1755-58) produced at the Chelsea Porcelain Manufactory (British, 1745-1784). Avian figurines were made at the factory since its inception, and they accounted for an important category of its early sculptural output. These particular peacocks were made during the factory's so-called Red Anchor period (ca. 1753-58) when the popularity of their birds declined and few new models appeared. In addition to their relative rarity, these peacocks are considerably larger and more technically ambitious than their predecessors. Our luminous designs pay tribute to these whimsical creatures. Click

High tech fabric locks in color and prevents logo from fading 3.8-oz., 100% polyester long-sleeve t-shirt in royal blue Moisture-wicking and highly breathable with removable tag Classic-fit, set-in sleeves, crewneck; Sizes S-4XL Available with our exclusive appreciation design on back AND your personalization on front left chest Each shirt is individually folded and polybagged with size sticker

Our coordinating necklace and earrings set in 18K gold plate features luminous freshwater pearls. They celebrate a handsome ceramic vase in The Met collection decorated with a charming motif of willow catkins. Louis C. Tiffany was moved to produce ceramics after seeing examples of French art pottery at the 1900 Exposition Universelle in Paris. Many of his pottery vases derived their forms from common wildflowers and water plants as seen in their natural habitats-ferns, lilies, cattails, jack-in-the-pulpits, and toadstools.

Gifts for the home inspired by The Met collection. Savor a spot of tea with this set featuring Vincent van Gogh's (Dutch, 1853-1890) tranquil irises. Just before his departure from the asylum in Saint-Rémy in May of 1890, the artist created four radiant spring bouquets, including this exuberant painting in The Met collection. Van Gogh sought to achieve a "harmonious and soft" effect by placing the "violet" flowers against a "pink background," but owing to his use of fugitive red pigments, these colors have since faded.

Art jewelry inspired by The Met collection. The amethyst featuring in this set pays tribute to the unusual purple detailing on a Turkish textile fragment (ca. 1570-80) in The Met's Islamic art galleries. The Museum's woven work, probably crafted in Istanbul during the late 16th century, bears an ogival lattice design (derived from the term "ogive," which refers to a pointed arch) and serves as an outstanding example of the luxe Ottoman fabrics known as kemha. These sumptuous silk fabrics were highly valued throughout the Mediterranean and beyond, and many of them were used to make Christian vestments across Europe. The shape of this particular textile indicates that it was probably part of a chasuble, a garment worn by a member of the clergy. Click

Our stellar stud earrings evoke the celestial motifs in a stained-glass roundel (1390) at The Met Cloisters. Crafted in a large court workshop in Niederösterreich, Austria-which specialized in elongated figures positioned in profile, heavy masses of drapery, and an unusually rich range of colors-the roundel was originally installed in the castle at Ebreichsdorf near the Hungarian border. Having withstood attacks by the Mongols in the 13th century followed by the Turks in the 17th century, the castle never returned to its medieval splendor; with the exception of a surviving panel in Vienna, the windows housed at The Cloisters are all that remain of the structure's magnificent glasswork.

An art ornament set inspired by The Met collection. Our golden star and silvery snowflake ornaments celebrate two spectacular shields in The Met's Arms and Armor collection. Our 2024 star honors a spectacular German shield belonging to a small 16th-century garniture (a suit with modifiable elements) forged for the Elizabethan courtier Sir John Smythe (1534-1607). The original shield is stamped with a mark consisting of the letter "A" within a pearled circle on the interior. The exterior is wonderfully etched and gilded, with cartouches featuring allegorical figures of Fortune, Justice, and Fortitude. This year's snowflake adapts the magnificent detailing on an Indian shield, or dhál. Forged in the 19th century, the shield boasts an extraordinary example of the koftgari technique, also known as "false" or "counterfeit" damascening-a term alluding to the Syrian capital of Damascus and the apparent Eastern origins of this technique. While "true" damascening is a complex inlaying process requiring careful undercutting and hammering, the Museum's shield boasts impressive decoration achieved with greater ease: eye-catching designs in gold and silver foil or wire cover a crosshatched steel base. Our Angel Tree Ornament depicts an elegant late 18th-early 19th-century angel from The Met's celebrated Christmas Tree and Neapolitan Baroque Crèche. This popular Museum installation features an 18th-century Neapolitan Nativity scene at the base of the tree, with a host of exquisitely carved and dressed angels soaring in the branches above the Holy Family. The decoration and illumination of this majestic tree is a cherished annual event of the holiday season. This limited-edition ornament trio was produced exclusively for the 2024 holiday season.

We've translated a trio of crèche figurines-traditionally created for a Christian Nativity scene-into eye-catching resin adornments for the home. The originals, each Italian and crafted in the second half of the 18th century, include a model of the infant Jesus by Giuseppe Sanmartino (Italian, 1720-1793), as well as the Virgin Mary and Saint Joseph, both attributed to Salvatore di Franco (active 18th century). The practice of restaging religious events with figurines reached the height of its complexity in 18th-century Naples, and the Museum's group of Neapolitan crèche is one of the finest examples of the art form.