11 products were found matching your search for 1St Hager ZAL175P VTS in 2 shops:

This listing is for one (1) JAN-CHS-80 VT-80 Rectifier JAN-CRP-80 (4-pin 5Y3) Antique vacuum tube in the ST (Coke bottle) tube shape. It has a blac...

This listing is for one (1) VT52 VT-52 "45 special" Power Triode Antique vacuum tube in the ST (Coke bottle) tube shape. It has a black UX4 4-pin b...

This listing is for one (1) VT-25A Type 10 Power Triode Antique vacuum tube in the ST (Coke bottle) tube shape. It has a brown micanol UX4 4-pin ba...

This listing is for one (1) VT-25A Type 10 Power Triode Antique vacuum tube in the ST (Coke bottle) tube shape. It has a brown micanol UX4 4-pin ba...

This listing is for one (1) VT-25A Type 10 Power Triode Antique vacuum tube in the ST (Coke bottle) tube shape. It has a brown micanol UX4 4-pin ba...

This listing is for one (1) 1626 Ham Triode VT137 vacuum tube in the ST (Coke bottle) tube shape. It has a micanol low-loss octal base, black plate...

Genealogical Society of VT Special Publication Number 1. 311 pp. Printed endsheets with 1796 map of Vermont; 12,000 entry Every Name Index, plus separate Place Index. 1995 (1992). 1st Prize 1995 Connecticut Society of Genealogists Literary Award Contest

Genealogical Society of VT Special Publication Number 1. 311 pp. Printed endsheets with 1796 map of Vermont; 12,000 entry Every Name Index, plus separate Place Index. 1995 (1992). 1st Prize 1995 Connecticut Society of Genealogists Literary Award Contest

This is a softcover book published in conjunction with the exhibition held at the American Textile History Museum, 491 Dutton St., Lowell, MA, June 30-Nov. 25, 2012; New York Historical Society, New York, NY, Apr. 4-Aug. 31, 2014; Shelburne Museum, Shelburne, VT, Sept. 20-Jan. 1, 2015; and Nebraska State Historical Society, Lincoln, NE, Feb. 1-June 1, 2015. It contains black and white and color photographs of the quilts and artifacts from the Civil War. There is a Textile Glossary and Index. From the publisher, The American Textile History Museum: When civil war broke out in America, the very fabric of life was altered. ATHM showcases this pivotal period in American history through a new lens, reflecting the personal sacrifice, heroism, mourning and reconciliation that changed the course of our country. The quilt and its story are placed in a broader context through the use of textile-related artifacts, relevant images (including paintings, photographs, prints, and ephemera), and quotations from diaries and letters. Each object represents a deeply moving and insightful personal story, from the noose reportedly used to hang abolitionist John Brown to a mother's quilt stitched with the uniforms of her two sons, one who fought in Confederacy gray and the other in Union blue. Over a period of three years, guest curators Lynne Bassett and Madelyn Shaw identified and selected more than 150 artifacts and graphic reproductions to be included in the exhibition, as well as authored an accompanying book. The book earned an international Independent Publisher Book award.

2003 Top of the World Press, VT, 1st edition, 8vo, pp.142, photo frontis, 71 bw photos, 4 sketches, 2 maps, appendices, softcover

This is a softcover book published in conjunction with the exhibition held at the American Textile History Museum, 491 Dutton St., Lowell, MA, June 30-Nov. 25, 2012; New York Historical Society, New York, NY, Apr. 4-Aug. 31, 2014; Shelburne Museum, Shelburne, VT, Sept. 20-Jan. 1, 2015; and Nebraska State Historical Society, Lincoln, NE, Feb. 1-June 1, 2015. It contains black and white and color photographs of the quilts and artifacts from the Civil War. There is a Textile Glossary and Index. From the publisher, The American Textile History Museum: When civil war broke out in America, the very fabric of life was altered. ATHM showcases this pivotal period in American history through a new lens, reflecting the personal sacrifice, heroism, mourning and reconciliation that changed the course of our country. The quilt and its story are placed in a broader context through the use of textile-related artifacts, relevant images (including paintings, photographs, prints, and ephemera), and quotations from diaries and letters. Each object represents a deeply moving and insightful personal story, from the noose reportedly used to hang abolitionist John Brown to a mother's quilt stitched with the uniforms of her two sons, one who fought in Confederacy gray and the other in Union blue. Over a period of three years, guest curators Lynne Bassett and Madelyn Shaw identified and selected more than 150 artifacts and graphic reproductions to be included in the exhibition, as well as authored an accompanying book. The book earned an international Independent Publisher Book award.