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A helpful dictionary of liturgical terms from Aaronic Benediction to Zuchetto. (70 pp)

First came wood, then came canvas, and now we introduce our 'Framed Giclee Textured Wall Art.We start with a giclee lithograph mounted on wood, and finish it with a texturized brush stroke finish. We didn't stop there though as we fit it within a 1.5 inch thick ebony wood grain frame to add depth and dimension. Ready to hang. Color: Multi-Colored.

First came wood, then came canvas, and now we introduce our 'Framed Giclee Textured Wall Art.We start with a giclee lithograph mounted on wood, and finish it with a texturized brush stroke finish. We didn't stop there though as we fit it within a 1.5 inch thick ebony wood grain frame to add depth and dimension. Ready to hang. Color: Multi-Colored.

First came wood, then came canvas, and now we introduce our 'Framed Giclee Textured Wall Art.We start with a giclee lithograph mounted on wood, and finish it with a texturized brush stroke finish. We didn't stop there though as we fit it within a 1.5 inch thick ebony wood grain frame to add depth and dimension. Ready to hang. Color: Multi-Colored.

First came wood, then came canvas, and now we introduce our 'Framed Giclee Textured Wall Art.We start with a giclee lithograph mounted on wood, and finish it with a texturized brush stroke finish. We didn't stop there though as we fit it within a 1.5 inch thick ebony wood grain frame to add depth and dimension. Ready to hang. Color: Multi-Colored.

First came wood, then came canvas, and now we introduce our 'Framed Giclee Textured Wall Art.We start with a giclee lithograph mounted on wood, and finish it with a texturized brush stroke finish. We didn't stop there though as we fit it within a 1.5 inch thick ebony wood grain frame to add depth and dimension. Ready to hang. Color: Multi-Colored.

This book explores an Aboriginal lifestyle through its words. For many thousands of years the Yidiny language was spoken by the Aborigines of the Cairns-Atherton Tablelands region. Today the people and the words are all but extinct. Here, in tracking this sophisticated language, linguist R.M.W. (Bob) Dixon records its last speakers. The language and way of life are illustrated by twenty-four stories in both Yidiny and English translation. Aboriginal place names are listed along with their origins, and the book includes a clearly organised vocabulary of words, and Yidiny and English indexes. The vocabulary is ordered into fields of meaning (such as parts of the body, kin terms, animals, and verbs of motion) and is cross-referenced to specific words in the story section. The book provides vital information on the history of the region, dialect differences and the extraordinary "mother-in-law" language which distinguished this ancient and rich culture.

During the “golden age” of radio, from roughly the late 1920s until the late 1940s, advertising agencies were arguably the most important sources of radio entertainment. Most nationally broadcast programs on network radio were created, produced, written, and/or managed by advertising agencies: for example, J. Walter Thompson produced “Kraft Music Hall” for Kraft; Benton & Bowles oversaw “Show Boat” for Maxwell House Coffee; and Young & Rubicam managed “Town Hall Tonight” with comedian Fred Allen for Bristol-Myers. Yet this fact has disappeared from popular memory and receives little attention from media scholars and historians. By repositioning the advertising industry as a central agent in the development of broadcasting, author Cynthia B. Meyers challenges conventional views about the role of advertising in culture, the integration of media industries, and the role of commercialism in broadcasting history.Based largely on archival materials, A Word from Our Sponsor mines agency records from the J. Walter Thompson papers at Duke University, which include staff meeting transcriptions, memos, and account histories; agency records of BBDO, Benton & Bowles, Young & Rubicam, and N. W. Ayer; contemporaneous trade publications; and the voluminous correspondence between NBC and agency executives in the NBC Records at the Wisconsin Historical Society. Mediating between audiences’ desire for entertainment and advertisers’ desire for sales, admen combined “showmanship” with “salesmanship” to produce a uniquely American form of commercial culture. In recounting the history of this form, Meyers enriches and corrects our understanding not only of broadcasting history but also of advertising history, business history, and American cultural history from the 1920s to the 1940s.

In this landmark book, Seven Stories Press presents a powerful collection of literary, philosophical, and political writings of the masked Zapatista spokesperson, Subcomandante Insurgente Marcos. Introduced by Nobel Prize winner José Saramago, and illustrated with beautiful black and white photographs, Our Word Is Our Weapon crystallizes "the passion of a rebel, the poetry of a movement, and the literary genius of indigenous Mexico." Marcos first captured world attention on January 1, 1994, when he and an indigenous guerrilla group calling themselves "Zapatistas" revolted against the Mexican government and seized key towns in Mexico's southernmost state of Chiapas. In the six years that have passed since their uprising, Marcos has altered the course of Mexican politics and emerged an international symbol of grassroots movement-building, rebellion, and democracy. The prolific stream of poetic political writings, tales, and traditional myths that Marcos has penned since January 1, 1994 fill more than four volumes. Our Word Is Our Weapon presents the best of these writings, many of which have never been published before in English.Throughout this remarkable book we hear the uncompromising voice of indigenous communities living in resistance, expressing through manifestos and myths the universal human urge for dignity, democracy, and liberation. It is the voice of a people refusing to be forgotten the voice of Mexico in transition, the voice of a people struggling for democracy by using their word as their only weapon.

In this landmark book, Seven Stories Press presents a powerful collection of literary, philosophical, and political writings of the masked Zapatista spokesperson, Subcomandante Insurgente Marcos. Introduced by Nobel Prize winner José Saramago, and illustrated with beautiful black and white photographs, Our Word Is Our Weapon crystallizes "the passion of a rebel, the poetry of a movement, and the literary genius of indigenous Mexico." Marcos first captured world attention on January 1, 1994, when he and an indigenous guerrilla group calling themselves "Zapatistas" revolted against the Mexican government and seized key towns in Mexico's southernmost state of Chiapas. In the six years that have passed since their uprising, Marcos has altered the course of Mexican politics and emerged an international symbol of grassroots movement-building, rebellion, and democracy. The prolific stream of poetic political writings, tales, and traditional myths that Marcos has penned since January 1, 1994 fill more than four volumes. Our Word Is Our Weapon presents the best of these writings, many of which have never been published before in English.Throughout this remarkable book we hear the uncompromising voice of indigenous communities living in resistance, expressing through manifestos and myths the universal human urge for dignity, democracy, and liberation. It is the voice of a people refusing to be forgotten the voice of Mexico in transition, the voice of a people struggling for democracy by using their word as their only weapon.

In this landmark book, Seven Stories Press presents a powerful collection of literary, philosophical, and political writings of the masked Zapatista spokesperson, Subcomandante Insurgente Marcos. Introduced by Nobel Prize winner José Saramago, and illustrated with beautiful black and white photographs, Our Word Is Our Weapon crystallizes "the passion of a rebel, the poetry of a movement, and the literary genius of indigenous Mexico." Marcos first captured world attention on January 1, 1994, when he and an indigenous guerrilla group calling themselves "Zapatistas" revolted against the Mexican government and seized key towns in Mexico's southernmost state of Chiapas. In the six years that have passed since their uprising, Marcos has altered the course of Mexican politics and emerged an international symbol of grassroots movement-building, rebellion, and democracy. The prolific stream of poetic political writings, tales, and traditional myths that Marcos has penned since January 1, 1994 fill more than four volumes. Our Word Is Our Weapon presents the best of these writings, many of which have never been published before in English.Throughout this remarkable book we hear the uncompromising voice of indigenous communities living in resistance, expressing through manifestos and myths the universal human urge for dignity, democracy, and liberation. It is the voice of a people refusing to be forgotten the voice of Mexico in transition, the voice of a people struggling for democracy by using their word as their only weapon.

Zapatista revolution in Mexico is lead by the fair-skinned, urban, university educated poet-warrior-spokesman, Subcomandante Marcos. Marcos has created a unique fusion between 'the two Mexicos': the one white/mestizo and western, the other traditional. This book presents a collection of Marcos' writings.

In this landmark book, Seven Stories Press presents a powerful collection of literary, philosophical, and political writings of the masked Zapatista spokesperson, Subcomandante Insurgente Marcos. Introduced by Nobel Prize winner José Saramago, and illustrated with beautiful black and white photographs, Our Word Is Our Weapon crystallizes "the passion of a rebel, the poetry of a movement, and the literary genius of indigenous Mexico." Marcos first captured world attention on January 1, 1994, when he and an indigenous guerrilla group calling themselves "Zapatistas" revolted against the Mexican government and seized key towns in Mexico's southernmost state of Chiapas. In the six years that have passed since their uprising, Marcos has altered the course of Mexican politics and emerged an international symbol of grassroots movement-building, rebellion, and democracy. The prolific stream of poetic political writings, tales, and traditional myths that Marcos has penned since January 1, 1994 fill more than four volumes. Our Word Is Our Weapon presents the best of these writings, many of which have never been published before in English.Throughout this remarkable book we hear the uncompromising voice of indigenous communities living in resistance, expressing through manifestos and myths the universal human urge for dignity, democracy, and liberation. It is the voice of a people refusing to be forgotten the voice of Mexico in transition, the voice of a people struggling for democracy by using their word as their only weapon.

Written by nationally and internationally known homileticians and preachers, this book offers a fascinating survey of the significant developments in preaching, beginning with the Old Testament, moving through the history of preaching, and concluding with a look into the future, all while offering practical suggestions for meeting the challenges that lie ahead. In a unique way, it addresses both the academic issues raised during each period and the practical implications for preaching today and in the future.

Book is in NEW condition. 0.77

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 0.77

"You have kept your promise, for you are righteous." ―Nehemiah 9:8The book of Nehemiah powerfully illustrates God's faithfulness as it chronicles Israel's return from exile. In this collection of biblical expositions, nine prominent Bible teachers lead readers on a gospel-centered survey of this Old Testament book, connecting the story of Nehemiah to God's overarching story of redemption. Chapters include:Kathy Keller - Taking Action in Light of God's Word (Nehemiah 1-2)Tim Keller - Laboring for a God Who Fights for Us (Nehemiah 3-4)Paige Brown - Fearing God in a Fallen World (Nehemiah 5-6)Nancy Guthrie - Coming Together around God's Word (Nehemiah 7-8)John Piper - Responding to God according to His Word (Nehemiah 9-10)Carrie Sandom, Jenny Salt, & Kathleen Nielson - Celebrating! A Moment of Joy in Jerusalem (Nehemiah 11-12)D. A. Carson - Leaning Forward in the Dark: A Failed Reformation (Nehemiah 13)

In honor of the fiftieth anniversary of Robert Francis Kennedy’s death, an inspiring collection of his most famous speeches accompanied by commentary from notable historians and public figures.Twenty-five years after Bobby Kennedy was assassinated, RFK: His Words for Our Times, a celebration of Kennedy’s life and legacy, was published to enormous acclaim. Now, a quarter century later, this classic volume has been thoroughly edited and updated. Through his own words we get a direct and intimate perspective on Kennedy’s views on civil rights, social justice, the war in Vietnam, foreign policy, the desirability of peace, the need to eliminate poverty, and the role of hope in American politics.Here, too, is evidence of the impact of those he knew and worked with, including his brother John F. Kennedy, Lyndon Johnson, Martin Luther King, Jr., and Cesar Chavez, among others. The tightly curated collection also includes commentary about RFK’s legacy from major historians and public figures, among them Barack Obama, Bill Clinton, Eric Garcetti, William Manchester, Elie Wiesel, and Desmond Tutu. Assembled with the full cooperation of the Kennedy family, RFK: His Words for Our Times is a potent reminder of Robert Kennedy’s ability to imagine a greater America—a faith and vision we could use today.

In this follow-up book to the landmark From the Mind of God to the Mind of Man, the Text and Translation Committee discusses the historical preservation of the Word of God. The solid facts of the process by which the Bible has come to its present form are explained in detail. The book includes textual criticism of the existing manuscripts and autographs, including the Textus Receptus, the Majority, Eclectic, and Minority texts, and the Masoretic Text. It also provides needed answers to the arguments of those who adhere to extreme or exclusive positions. This book is excellent for pastors, teachers, and laypersons alike. It will prove that all conservative versions are, without a doubt, translations of the plenary verbally inspired Word of God.

Written by nationally and internationally known homileticians and preachers, this book offers a fascinating survey of the significant developments in preaching, beginning with the Old Testament, moving through the history of preaching, and concluding with a look into the future, all while offering practical suggestions for meeting the challenges that lie ahead. In a unique way, it addresses both the academic issues raised during each period and the practical implications for preaching today and in the future.