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Emile Gou (1904-1946) was a young PhD (professeur agrg) teaching an engineering Special Mathematics class at the Lyce Montaigne of Bordeaux in 1930; but he had not abandoned music, which was his first passion. After a brief stint in Toulouse at the conservatory of music, on the advice of Canteloube and Croc-Spinelli, he began his study of theory. From his Bordeaux period, we note especially two pianistic triptychs: Pnombres (1931) and Ambiances (1935), also a Pome symphonique (1933) and t