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A big ol' whopping collection (issues 11-16 and selections from 1-10!) presented here as a one-stop-shop of a book. Keith Rosson's stories and art show him neck-deep in a hard-living knockaround life. This is existentialism done punk rock style with a good sense of humor to lighten up all the bloodletting. Keith has done artwork for Submission Hold, Against Me!, and HearttaCk (among many others) and the illustrations here do not disappoint. If you're into Burn Collector and Cometbus, this is essential per-zine action!

Antiblack racism avows reason is white while emotion, and thus supposedly unreason, is black. Challenging academic adherence to this notion, Lewis R. Gordon offers a portrait of Martinican-turned-Algerian revolutionary psychiatrist and philosopher Frantz Fanon as an exemplar of “living thought” against forms of reason marked by colonialism and racism. Working from his own translations of the original French texts, Gordon critically engages everything in Fanon from dialectics, ethics, existentialism, and humanism to philosophical anthropology, phenomenology, and political theory as well as psychiatry and psychoanalysis.Gordon takes into account scholars from across the Global South to address controversies around Fanon’s writings on gender and sexuality as well as political violence and the social underclass. In doing so, he confronts the replication of a colonial and racist geography of reason, allowing theorists from the Global South to emerge as interlocutors alongside northern ones in a move that exemplifies what, Gordon argues, Fanon represented in his plea to establish newer and healthier human relationships beyond colonial paradigms.

Excerpt from Anecdotes Illustrative of a Select Passage in Each Chapter of the Old TestamentDuring the Arian controversy, at a general meeting of the ministers of London, at Salters' Hall, Mr Thomas Bradbury had been contending, that those who really be lieved the doctrine of Christ's Divinity should openly avow it; when, to bring it to the test, he said, 'you who are not ashamed to own the Deity of our Lord, follow me into the gallery.' He had scarcely mounted two or three steps before the opposite party hissed him; when, turn ing round, he said, 'i have been pleading for Him who bruised the serpent's head; no wonder the seed of the serpent should hiss.'About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

“Superb....The reader walks with Chatto...through a remarkable garden.”—The New York Times. “Chatto teams with award-winning photographer Steven Wooster to dramatically chronicle many of the more than 500 plants she avows will flourish in some of nature’s darkest spots.”—Booklist. “[Chatto] is blessed with an unrivaled knowledge of plants.”—Chicago Sun-Times.

Excerpt from Who Plants a TreeWho journeys up, who journeys down, Through country ways or peopled town, Must e'er avow this truth with me.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Antiblack racism avows reason is white while emotion, and thus supposedly unreason, is black. Challenging academic adherence to this notion, Lewis R. Gordon offers a portrait of Martinican-turned-Algerian revolutionary psychiatrist and philosopher Frantz Fanon as an exemplar of “living thought” against forms of reason marked by colonialism and racism. Working from his own translations of the original French texts, Gordon critically engages everything in Fanon from dialectics, ethics, existentialism, and humanism to philosophical anthropology, phenomenology, and political theory as well as psychiatry and psychoanalysis.Gordon takes into account scholars from across the Global South to address controversies around Fanon’s writings on gender and sexuality as well as political violence and the social underclass. In doing so, he confronts the replication of a colonial and racist geography of reason, allowing theorists from the Global South to emerge as interlocutors alongside northern ones in a move that exemplifies what, Gordon argues, Fanon represented in his plea to establish newer and healthier human relationships beyond colonial paradigms.