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Almost half a century ago, a young reporter from Germany arrived in still-glamorous Saigon to cover the Vietnam War over a period of five years.   In this memoir he now tells the story of how he fell in love with the Vietnamese people.  He praises the beauty, elegance and feistiness of their women. He describes blood-curdling Communist atrocities and fierce combat scenes he had witnessed. He introduces a striking array of characters: heroes, villains, statesmen and spooks, hilarious eccentrics, street urchins and orphans herding water buffalos.  He shows how professional malpractice by U.S. media stars such as Walter Cronkite turned the military victory of American and South Vietnamese forces during the 1968 Tet Offensive into a political defeat. He mourns the countless innocent victims of the Communist conquest of South Vietnam, which was the grim consequence of its abandonment by the United States. Thus, he argues, the wrong side won.  Finally, with the eyes on Afghanistan, he poses a harrowing question: Are democratic societies with their proclivity for self-indulgence politically and psychologically equipped to win a protracted war against a totalitarian foe?

"QUOTE" Tens of thousands of America's WWII, Korean Conflict, and Vietnam War military servicemen ended up as hostages secretly hijacked into the USSR. Today this regrettable saga is still one of America's most closely guarded secrets. As WWII ended Stalin captured all of Germany's eastern areas in which tens of thousands of captured American POWs were then being detained by Hitler's armed forces. Stalin secretly held them as hostages and denied any knowledge of them as the Cold War began. Their status unknown, Washington eventually declared them dead when in fact they were still alive in captivity. Thousands more were lost the same way when the Korean War ended: China and the USSR secretly exploited these hostages for intelligence purposes and then also disposed of them. Vietnam saw still more held back by Hanoi after that conflict ended, for the same reasons again. Today these abandoned sons, a few of whom may still be alive in captivity as you read this, are considered one of Washington's most closely guarded secrets. Now is time to expose this secret and end this unfortunate Cold War saga.

"QUOTE" Tens of thousands of America's WWII, Korean Conflict, and Vietnam War military servicemen ended up as hostages secretly hijacked into the USSR. Today this regrettable saga is still one of America's most closely guarded secrets. As WWII ended Stalin captured all of Germany's eastern areas in which tens of thousands of captured American POWs were then being detained by Hitler's armed forces. Stalin secretly held them as hostages and denied any knowledge of them as the Cold War began. Their status unknown, Washington eventually declared them dead when in fact they were still alive in captivity. Thousands more were lost the same way when the Korean War ended: China and the USSR secretly exploited these hostages for intelligence purposes and then also disposed of them. Vietnam saw still more held back by Hanoi after that conflict ended, for the same reasons again. Today these abandoned sons, a few of whom may still be alive in captivity as you read this, are considered one of Washington's most closely guarded secrets. Now is time to expose this secret and end this unfortunate Cold War saga.

The baby abandoned on the doorstep is a phenomenon that has virtually disappeared from our experience, but in the early modern world, unwanted children were a very real problem for parents, government officials, and society. The Unwanted Child skillfully recreates sixteenth-century Nuremberg to explore what befell abandoned, neglected, abused, or delinquent children in this critical period. Joel F. Harrington tackles this question by focusing on the stories of five individuals. In vivid and poignant detail, he recounts the experiences of an unmarried mother-to-be, a roaming mercenary who drifts in and out of his children’s lives, a civic leader handling the government’s response to problems arising from unwanted children, a homeless teenager turned prolific thief, and orphaned twins who enter state care at the age of nine. Braiding together these compelling portraits, Harrington uncovers and analyzes the key elements that link them, including the impact of war and the vital importance of informal networks among women. From the harrowing to the inspiring, The Unwanted Child paints a gripping picture of life on the streets five centuries ago.

Abandoned by her mother who left to pursue a career as a camp guard at Auschwitz-Birkenau, and loathed by her stepmother, Schneider endured the horrors of wartime Berlin cooped up in a cellar, starved, parched, and lonely, amidst the fetid crush of her neighbors. The grinding misery of hunger combined with the terror of air-raids, the absence of fresh water, and the constant threat of death and disease—typhus, influenza, or simply the apparently petty inflammations of bedbug bites—served not to unite the inhabitants of her block but rather to intensify the minor irritations of communal life into flashpoints of rage and violence. Even in the face of Russian victory, the survivors could not look forward to safety but rather to pillage and rape, even in their own cellar, as the victorious troops stampeded through the broken city. It was only gradually that some kind of normality resumed as Schneider's beloved father returned from the front, carrying his own scars of the war. This shocking book evokes the reality of life in a wartime city in all its brutality and deprivation, while still retaining a kernel of hope that as long as life goes on, all is not lost.

Only one generation ago, the world watched as highly trained physicians abandoned medical ethics in response to the Nazi regime. Weyers' book takes an in-depth look at the circumstances which allowed this to happen and the steps necessary to ensure such genocide never happens again.

The baby abandoned on the doorstep is a phenomenon that has virtually disappeared from our experience, but in the early modern world, unwanted children were a very real problem for parents, government officials, and society. The Unwanted Child skillfully recreates sixteenth-century Nuremberg to explore what befell abandoned, neglected, abused, or delinquent children in this critical period. Joel F. Harrington tackles this question by focusing on the stories of five individuals. In vivid and poignant detail, he recounts the experiences of an unmarried mother-to-be, a roaming mercenary who drifts in and out of his children’s lives, a civic leader handling the government’s response to problems arising from unwanted children, a homeless teenager turned prolific thief, and orphaned twins who enter state care at the age of nine. Braiding together these compelling portraits, Harrington uncovers and analyzes the key elements that link them, including the impact of war and the vital importance of informal networks among women. From the harrowing to the inspiring, The Unwanted Child paints a gripping picture of life on the streets five centuries ago.

A former coal and steel production plant in Duisburg, Germany, the Meiderich Ironworks left the area around it significantly polluted when it was abandoned in 1985. In 1991, Peter Latz’s firm was commissioned to design a public park on the site, but rather than turning the area into a classical garden with beautifying agricultural and forest patterns, Latz embraced the site’s industrial past, retaining many of its structures. Today the Landscape Park Duisburg Nord is one of the world’s most remarkable examples of dealing with the complex legacy of industry.             In Rust Red, Latz uses his firsthand knowledge of the project to present an in-depth account of the park’s development. Recounting twelve years of planning and realization, Latz describes how he focused on the multifaceted information system of urban infrastructure and industry to create the park. Essays by renowned collaborators complement his narrative, while three hundred color photographs, sketches, and plans provide additional insight. Revealing the intriguing world that follows industry, Rust Red tells the fascinating story of the park’s transformation on the occasion of its twenty-fifth anniversary.

A former coal and steel production plant in Duisburg, Germany, the Meiderich Ironworks left the area around it significantly polluted when it was abandoned in 1985. In 1991, Peter Latz’s firm was commissioned to design a public park on the site, but rather than turning the area into a classical garden with beautifying agricultural and forest patterns, Latz embraced the site’s industrial past, retaining many of its structures. Today the Landscape Park Duisburg Nord is one of the world’s most remarkable examples of dealing with the complex legacy of industry.             In Rust Red, Latz uses his firsthand knowledge of the project to present an in-depth account of the park’s development. Recounting twelve years of planning and realization, Latz describes how he focused on the multifaceted information system of urban infrastructure and industry to create the park. Essays by renowned collaborators complement his narrative, while three hundred color photographs, sketches, and plans provide additional insight. Revealing the intriguing world that follows industry, Rust Red tells the fascinating story of the park’s transformation on the occasion of its twenty-fifth anniversary.

For some people in post–World War II Germany, the battle is not over.August 1945. As Stefano, an Italian POW, heads toward home across war-ravaged Germany, he encounters a young child beside his dead mother. Unable to leave him to an unknown fate, Stefano takes the boy with him, finding refuge in a seemingly abandoned house in a secluded woodland.But the house is far from vacant. Stefano wakes at the arrival of its owner, Erich, a former German soldier, who invites the travelers to stay until they can find safe passage home. Stefano cautiously agrees, intrigued by the disarming German, his reclusive neighbor Rosalind, and her traumatized husband, Georg. Stefano is also drawn to Monique, the girl in a photograph on Rosalind’s wall, who went missing during the war.But when he discovers letters written by Monique, a darker truth emerges. This place of refuge could be one of reckoning, and the secrets of the past might prevent the travelers from ever getting home.

In 1964 the industrialist Friedrich Arnhard Scheidt invited Eva Hesse (1936–1970) and her husband, Tom Doyle, to a residency in Kettwig an der Ruhr, Germany. The following fifteen months marked a significant transformation in Hesse’s practice. The artist’s studio space was located in an abandoned textile factory that contained machine parts, tools, and materials that served as inspiration for her complex, linear mechanical drawings and paintings. In 1965 Hesse expanded on this theme and began using objects found in the factory and papier-mâché to produce a series of fourteen vibrantly colored reliefs that venture into three-dimensional space with such materials as wood, metal, and cord protruding from the picture plane.With dynamic new scholarship and previously unpublished illustrations, Eva Hesse 1965 highlights key drawings, paintings, and reliefs from this pivotal time and demonstrates how the artist was able to rethink her approach to color, materials, and dimensional space and begin moving toward sculpture, preparing herself for the momentous strides that she would take upon her return to New York.

Hadrian's reign (AD 117-138) was a watershed in the history of the Roman Empire. Hadrian abandoned his predecessor Trajan's eastern conquests - Mesopotamia and Armenia - trimmed down the lands beyond the lower Danube, and constructed new demarcation lines in Germany, North Africa, and most famously Hadrian's Wall in Britain, to delimit the empire.The emperor Hadrian, a strange and baffling figure to his contemporaries, had a many-sided personality. Insatiably ambitious, and a passionate Philhellene, he promoted the 'Greek Renaissance' extravagantly. But his attempt to Hellenize the Jews, including the outlawing of circumcision, had disastrous consequences, and his 'Greek' love of the beautiful Bithynian boy Antinous ended in tragedy.No comprehensive account of Hadrian's life and reign has been attempted for over seventy years. In Hadrian: The Restless Emperor, Anthony Birley brings together the new evidence from inscriptions and papyri, and up-to-date and in-depth examination of the work of other scholars on aspects of Hadrian's reign and policies such as the Jewish war, the coinage, Hadrian's building programme in Rome, Athens and Tivoli, and his relationship with his favourite, Antinous, to provide a thorough and fascinating account of the private and public life of a man who, though hated when he died, left an indelible mark on the Roman Empire.

Between April 22 and May 30, 1915, Western civilization was shocked. World War I was already appalling in its brutality, but it had until then been fought on the battlefield and by rules long agreed by convention. Suddenly those rules were abandoned when Germany forever altered the way war would be fought. On April 22, at Ypres, German canisters spewed poison gas at French and Canadian soldiers in their trenches; on May 7, the German submarine, U-20, without warning, torpedoed the passenger liner Lusitania, killing 1,198 civilians; and on May 31, a German zeppelin began the first aerial bombardment of London and its inhabitants. Each of these actions violated rules of war carefully agreed to at the Hague Conventions of 1898 and 1907 and were deliberately breached by Germany in an attempt to spread terror and force the Allies to surrender. While that failed, the psychological damage caused by these attacks far outweighed the casualties. The era of weapons of mass destruction had dawned.While each of these momentous events has been chronicled in histories of the war, celebrated historian Diana Preston links them for the first time, revealing the dramatic stories and the personalities behind them through the eyes of those who were there--whether making the decisions to use the weapons or experiencing their horrifying effect in the trenches, on board the Lusitania or on the streets of London. Placing the attacks in the context of the centuries-old debate over what constitutes "just war," Preston shows how, in their aftermath, the other combatants felt the necessity to develop extreme weapons of their own. In our current time of terror, when weapons of mass destruction are once again implemented and threatened and wartime atrocities abound in a very different kind of conflict, the vivid story of their birth is of great relevance.

This volume bears the imprint of the extraordinary intellectual and spiritual journey of its author, one of the most remarkable women of the twentieth century. Born in Breslau, Germany into a practicing Jewish family in 1891, Edith Stein abandoned her faith as a teenager and later became a key figure among the early disciples of Edmund Husserl, the founder of phenomenology. In 1921, she underwent a profound conversion and was baptized into the Catholic church. As a prominent German Catholic laywoman, she continue her teaching, writing, and promotion of women's rights, and began directing her attention toward a deeper encounter between the phenomenolgy she had helped to develop and the modern scholastic tradition of the church she had embraced. In 1933 she left the academic milieu and entered the Carmelite Monastery of Cologne. Yet, encouragd by her religious superiors, she soon took up her intellectual labors again, thoroughly recasting an earlier essay on Potency and Act to produce the present text, which remained unpublished at the time of her death in 1942 at the hands of the Nazis. Finite and Eternal Being is Edith Stein's master work, the culmination of her lifelong search for truth in all its philosophical, psychological, and spiritual dimensions. With her careful step-by-step analysis, she gradually shows how the being of all finite existents (especially the human I) finds its ultimate ground and destiny in the eternal Divine Being, the Creator whose trinitarian nature is reflected throughout creation.

Artist John Decker was born in Germany in 1895, but found his fame in Hollywood during the 1930s and '40s. At the age of 13, he was abandoned by his parents in London, where he found work painting scenery for the theatre circuit. Taken under the wing of a talented forger, Decker developed a remarkable ability to recreate works by the old Masters―a skill that helped land him in jail, but also brought him thousands of dollars throughout his life. After stowing away to America in 1921, Decker became a caricaturist for a New York paper. In 1928 he left for Hollywood and became friends with many of its biggest names, including John Barrymore, Errol Flynn, and W. C. Fields.Though Decker struggled to find film work as an artist and set designer, his drawings appeared in numerous publications from coast to coast. He was commissioned to do paintings of, among others, the Marx Brothers, Greta Garbo, Mickey Rooney, and Charlie Chaplin (who bought twelve of his portraits). Eventually, Decker's paintings were exhibited in Rome, New York, and Los Angeles, and his creations graced museum walls alongside many of the great artists, including Van Gogh, Rembrandt, and Daumier. Stories on Decker, his art, and his exhibitions, appeared in all the major newspapers, as well as such magazines as Esquire, Time, and Newsweek.With all of his amazing talent―and scandalous exploits―it's surprising that the name of John Decker isn't more familiar today. In Bohemian Rogue: The Life of Hollywood Artist John Decker, author Stephen C. Jordan seeks to resurrect this forgotten figure of 20th century art. Jordan delves into the mystery of a man who overcame a difficult childhood and notorious apprenticeship to become a respected artist (and outrageous party-giver) in Hollywood. Bohemian Rogue chronicles the relatively brief―but eccentric―life of this neglected painter, caricaturist, and sculptor.

Artist John Decker was born in Germany in 1895, but found his fame in Hollywood during the 1930s and '40s. At the age of 13, he was abandoned by his parents in London, where he found work painting scenery for the theatre circuit. Taken under the wing of a talented forger, Decker developed a remarkable ability to recreate works by the old Masters―a skill that helped land him in jail, but also brought him thousands of dollars throughout his life. After stowing away to America in 1921, Decker became a caricaturist for a New York paper. In 1928 he left for Hollywood and became friends with many of its biggest names, including John Barrymore, Errol Flynn, and W. C. Fields.Though Decker struggled to find film work as an artist and set designer, his drawings appeared in numerous publications from coast to coast. He was commissioned to do paintings of, among others, the Marx Brothers, Greta Garbo, Mickey Rooney, and Charlie Chaplin (who bought twelve of his portraits). Eventually, Decker's paintings were exhibited in Rome, New York, and Los Angeles, and his creations graced museum walls alongside many of the great artists, including Van Gogh, Rembrandt, and Daumier. Stories on Decker, his art, and his exhibitions, appeared in all the major newspapers, as well as such magazines as Esquire, Time, and Newsweek.With all of his amazing talent―and scandalous exploits―it's surprising that the name of John Decker isn't more familiar today. In Bohemian Rogue: The Life of Hollywood Artist John Decker, author Stephen C. Jordan seeks to resurrect this forgotten figure of 20th century art. Jordan delves into the mystery of a man who overcame a difficult childhood and notorious apprenticeship to become a respected artist (and outrageous party-giver) in Hollywood. Bohemian Rogue chronicles the relatively brief―but eccentric―life of this neglected painter, caricaturist, and sculptor.

Hadrian's reign (AD 117-138) was a watershed in the history of the Roman Empire. Hadrian abandoned his predecessor Trajan's eastern conquests - Mesopotamia and Armenia - trimmed down the lands beyond the lower Danube, and constructed new demarcation lines in Germany, North Africa, and most famously Hadrian's Wall in Britain, to delimit the empire.The emperor Hadrian, a strange and baffling figure to his contemporaries, had a many-sided personality. Insatiably ambitious, and a passionate Philhellene, he promoted the 'Greek Renaissance' extravagantly. But his attempt to Hellenize the Jews, including the outlawing of circumcision, had disastrous consequences, and his 'Greek' love of the beautiful Bithynian boy Antinous ended in tragedy.No comprehensive account of Hadrian's life and reign has been attempted for over seventy years. In Hadrian: The Restless Emperor, Anthony Birley brings together the new evidence from inscriptions and papyri, and up-to-date and in-depth examination of the work of other scholars on aspects of Hadrian's reign and policies such as the Jewish war, the coinage, Hadrian's building programme in Rome, Athens and Tivoli, and his relationship with his favourite, Antinous, to provide a thorough and fascinating account of the private and public life of a man who, though hated when he died, left an indelible mark on the Roman Empire.

The old Federal Republic of Germany is history―a fact made especially poignant by these photos of the abandoned Dresdner Bank building. The tower―the most beautiful high-rise in Frankfurt on Main―was opened in 1978 as the bank’s head office. The construction was planned by ABB Scheid und Partner architects office, the corporate design was developed by Otl Aicher. Following the bank’s acquisition by Commerzbank in 2009 the head office of Dresdner Bank was vacated. In Silver Tower, a series of pictures taken between 2009 and 2011, photographer Matthias Hoch explores the deserted building. He looks for signs and remnants of an era, for the biography of the place. Meticulously structured surfaces, signs of wear and the interplay of light and shade are probed to reveal their traces to the camera: scratches, marks, layers.

The old Federal Republic of Germany is history―a fact made especially poignant by these photos of the abandoned Dresdner Bank building. The tower―the most beautiful high-rise in Frankfurt on Main―was opened in 1978 as the bank’s head office. The construction was planned by ABB Scheid und Partner architects office, the corporate design was developed by Otl Aicher. Following the bank’s acquisition by Commerzbank in 2009 the head office of Dresdner Bank was vacated. In Silver Tower, a series of pictures taken between 2009 and 2011, photographer Matthias Hoch explores the deserted building. He looks for signs and remnants of an era, for the biography of the place. Meticulously structured surfaces, signs of wear and the interplay of light and shade are probed to reveal their traces to the camera: scratches, marks, layers.