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ACKNOWLEDGEMENTS: A Cultural Memoir and Other Essays is a collection of previously unpublished writing by National Post columnist Barbara Kay. This wide-ranging selection includes original essays – notably the title essay, a mini-memoir of the cultural and intellectual influences that shaped Kay’s worldview – as well as a discursive ramble through the bizarre subculture of the pit bull advocacy movement. In between, readers familiar with Kay’s weekly columns over the last ten years will find elaborated commentaries on her niche subjects: the negative impact of feminism on our public institutions and families, the erosion of academic integrity in the universities and our politically correct “rights” culture’s sub-version of social and civic reciprocity in Canadian communities.

In memory of John Coltrane's 80th birthday Kindred Spirits presents a compilation called for JC, Love is Supreme, a spiritual jazz odyssey in respect to John Coltrane's philosophy. Kindred Spirits.

What would life be like if no one acknowledged your existence? The question confronts one with the possibility of being isolated, marginalized, ignored, and forgotten by others. The unacknowledged find themselves in an out-of-the-way place where it is hard or human beings, given their social instinct, to feel at home. The suffering that can accompany this way of being-in-the-world is known to bring about fear, anxiety, sadness, anger, and sometimes even death in the form of suicide or retaliation against those who are rightly or wrongly accused of making one's life so lonely, miserable, and unbearable. Acknowledgment provides an opening out of such a distressful situation, for the act of acknowledging is a communicative and rhetorical behavior that grants attention to others and thereby makes room for them in our lives. With this added living space comes the opportunity for a new beginning, a second chance whereby one might improve his or her lot in life. There is hope to be found with this transformation space and time as people of conscience opt to go out of their way to make us feel wanted and needed, to praise our presence and actions, and thus to acknowledge the worthiness of our existence. Offering positive acknowledgement is a moral thing to do.

What would life be like if no one acknowledged your existence? The question confronts one with the possibility of being isolated, marginalized, ignored, and forgotten by others. The unacknowledged find themselves in an out-of-the-way place where it is hard or human beings, given their social instinct, to feel at home. The suffering that can accompany this way of being-in-the-world is known to bring about fear, anxiety, sadness, anger, and sometimes even death in the form of suicide or retaliation against those who are rightly or wrongly accused of making one's life so lonely, miserable, and unbearable. Acknowledgment provides an opening out of such a distressful situation, for the act of acknowledging is a communicative and rhetorical behavior that grants attention to others and thereby makes room for them in our lives. With this added living space comes the opportunity for a new beginning, a second chance whereby one might improve his or her lot in life. There is hope to be found with this transformation space and time as people of conscience opt to go out of their way to make us feel wanted and needed, to praise our presence and actions, and thus to acknowledge the worthiness of our existence. Offering positive acknowledgement is a moral thing to do.

Book is in NEW condition. 1.08

Acknowledgement Kane, Matt - CD 888295240383

Introducing the D-CFM IV 50th Anniversary a timeless tribute to half a century of dedication, and a special acknowledgement of the company s 35th y...

52 works transcribed exactly from the recorded solos of John Coltrane, including: Acknowledgement (Part I) * Airegin * Alabama * All Blues * All or...

This release has long been considered Thelonious Monk's acknowledgement to the flourishing youth-oriented subculture from whence the collection takes its name. Certainly the Grammy-winning cover - which depicts Monk as a World War II French revolutionary toting an automatic weapon - gave the establishment more than the brilliant swinging sounds in the grooves to consider. Underground became Monk's penultimate studio album, as well as the final release to feature the '60s quartet: Charlie Rouse,

Introducing the D-CFM IV 50th Anniversary a timeless tribute to half a century of dedication, and a special acknowledgement of the company s 35th y...

Hardbound in Good Condition with Dust Jacket, 350 Pages Includes a Foreword, Acknowledgements, Preface, Appendixes, Notes, Bibliography, Index, Picture Credits and Care of Hawaiian Future, Measures Approximately 9 ¼" X 12".

Excerpt from A Compendious Syriac Dictionary: Founded Upon the Thesaurus Syriacus of R. Payne Smith, D.DIt is a pleasure to offer grateful acknowledgement to various kind helpers; to my valued' old friend, Dr. Neubauer, for encouragement from the beginning; to M. Rubens Duval and to Dean Maclean for their extreme patience and kindness in reading all the proofs. Those of the first part were also revised by my father, and most of the latter portions by my husband.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

James F. Carr, New York,1970. First Printing. 421 pages: contents include: Part I Contents; Foreword: Acknowledgements; Introduction; History of the Brooklyn Art Association: 1st (1859-1868), 2nd, 3rd & 4th decades; Footnotes; Appendix A (Art in Brooklyn), B (Constitution and By-Laws of the Brooklyn Art Assn.)& C (List of Officers); List of Officers; Index of Exhibitions; PART II Contents: Foreword; Key to the Index of Exhibitions; Index of Exhibitions: Appendix A (List of Exhibitions of the BAA); Appendix B (Catalogues of Exhibitions; Appendix C (Breakdown of Catalogues); Appendix D (Catalogue of First Chronological Exhibition of American Art of March 1872); Index to the History of the BAA; Biographical Sketch; The Illustrations appear after page 182. (NL)

Foreword and acknowledgements / Maggie Price -- Another story : some aspects of post-1945 Japanese painting as seen through the Gibson Gallery Collection / Reiko Tomii -- Gutai 1954-1972 : breaking open the object / Ming Tiampo -- Color plates -- Biographies : artists in the exhibition -- My life as an art collector / Roland Gibson -- Index of Japanese works in the permanent collection.

This volume is a pause, an attempt to create a cartography of the ever-shifting and ever-changing process of métissagebetween Blackness, Indigeneity and Hip-Hop. In essence, the volume is an ode to Hip-Hop, a gesture of love and an acknowledgement of that beautiful circle in and around which Blackness and Indigeneity meet by the grace of Hip-Hop. In and around that circle, Hip-Hop emerges as a site of identification and investment; that is, how and why Indigenous and Black youth are investing so heavily in Hip-Hop. As forms of worlding, Hip-Hop encodes processes and practices within the spoken words, the arrangement of bodies and beats- to choreograph consent- a practice inherent in the cypher. The volume brings innovative criticality to the intersections of Hip-Hop, Blackness and Indigeneity. These intersections are rarely explored and this volume is a rare attempt to explore how and why Hip-Hop emerges as a site of identification and investment for Black and Indigenous people, especially the young, as they journey in their social, historical and political struggle. WORD!

First edition. Oblong softcover. 80 pages. Exhibition catalog for a show that ran November 13, 1983 through January 8, 1984 at Memphis Brooks Museum of Art and hten traveled to two other locations for additional dates. Features a foreword by Douglas K. S. Hyland, and acknowledgements and text by Deborah Emont-Scott. Includes numerous color illustrations, checklist, list of previous exhibitions, bibliographical information, and list of selected public collections. A near fine copy in wrappers with some very minor wear.

(Jazz Transcriptions). 52 works transcribed exactly from the recorded solos of John Coltrane, including: Acknowledgement (Part I) * Airegin * Alabama * All Blues * All or Nothing at All * Bessie's Blues * Blue Train (Blue Trane) * Body and Soul * Bye Bye Blackbird * Central Park West * Chasin' the Trane * Countdown * Cousin Mary * Crescent * Eclypso * Equinox * Giant Steps * Grand Central * Impressions * In a Sentimental Mood * Just for the Love * Lazy Bird * Like Sonny (Simple Like) * Locomotion * Lonnie's Lament * Lush Life * Mr. P.C. * Moment's Notice * My Favorite Things * My One and Only Love * Naima (Niema) * Nita * Oleo * Paul's Pal * Pursuance (Part III) * Russian Lullaby * So What * Softly As in a Morning Sunrise * Some Other Blues * Spiral * Syeeda's Song Flute * Theme for Ernie * 26-2.

Family trees, list of illustrations, acknowledgements and index. The text is illustrated with colour and black-and-white photographs, illustrations and reproductions of documents. Photographic paperback binding, with French flaps, with white and red coloured titles to the front panel and black and white coloured titles to the back strip. The story of the author's family, the sculptor Karl Dulig his wife Slawa Horowitz-Duldig and their daughter Eva, from their life in Vienna, fleeing in 1938 to eventually end up in Australia. " . Spanning three continents and three generations, it poignantly captures both the loss that families encounter when they are dislocated by war and the challenges they face when adapting to a new way of life." -- from the rear panel blurb. Rubbing of the book edges and panels. Very light age toning and some handling marks to the text block edges. Size: Trade Paperback. [12], 3 - 417, [5] pages, Please refer to accompanying picture (s). Illustrator: Photographic & Illustrations. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Biography & Autobiography; Austria / Australia; Art & Design. ISBN: 1925588041. ISBN/EAN: 9781925588040. Inventory No: 50480.

A central problem in cultural psychology is the diversity of patterns of rationality among cultures, historical periods, and stages of personal development. The distinguished contributors to this volume maintain that the acknowledgement of the inconsistency of rational patterns is not necessarily at odds with the traditional notion of the "psychological unity" of humankind. Leading psychologists, anthropologists, historians, and educational theorists explore this issue in considerable depth, citing relevant examples and problems relating to their specific areas of expertise. Scholars of social and psychological disciplines will find this text to be informative and thought-provoking.

Endpaper and edge foxing, light tone, otherwise light wear. Solid hardcover. ; "The purpose of this study is to trace the social, cultural and historical influences on the development of the Israeli feature film from its earliest beginnings up to and including the Yom Kippur War in 1973." Contents: Acknowledgements; List of Appendices; I. Introduction; II. Major Factors in the Israeli Heritage; III. Film and Stage in the Yishuv: 1905-1973; IV. The Israeli Film-Going Public; V. An Analysis of Six Representative Israeli Films; VI. Conclusion; Appendices; Bibliography. ; Dissertations On Film; 387 pages