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Sheikh Muzaffer's works demonstrate that integral Islam is very much alive. Adornment of Hearts is a detailed handbook for practitioners of Sufism. Anyone interested in Sufism on any level will find it useful. Serious seekers from all traditions will find many examples of Islam's intimate kinship with their own paths. Scholar's will find an excellent and authoritative contemporary expression of teachings that are often relegated to dusty manuscripts.

Nail Rosalía's signature fierce look. Get your hands on the hautest nails of the season with Rosalía's one-of-a-kind adornments. Let your nails be the real star of the show with these reusable, couture adornments featuring ruby red, gold and holographic crystals. Just stick on and shine on! MAC - Nail Adornment/Aute Cuture Starring Rosalía

Intricate and elegant, the Savoy House Fairchild 2-light sconce adds ornate beauty to any room. The curlicue arms are decorated with crystal adornments, including large faux rock drops that bring an exciting hint of natural inspiration. Finished in Warm Brass. Fairchild is 19.5 in. in height, 12 in. in width and extends 5.25 in. from the wall. Uses two candelabra size bulbs of up to 60 watts per bulb. Bulbs not included. Damp area rated.

Introducing the Calvin Klein Women Quartz Watch. This stunning accessory features a silver dial adorned with stones, housed in a stainless steel case with a diameter of 32mm. With a water resistance of 3 Bar, it is suitable for handwashing. The watch is protected by a mineral glass and comes with a silver stainless steel strap and closure.

Vinyl LP pressing including digital download. Since forming in 2011, when it's band members were only in high school, the Philadelphia-based quintet- composed of vocalist Collin Walsh, guitarist/vocalist Dallas Molster, guitarist Andrew Kyne, bassist Nick Ventimiglia and drummer Nick Veno- has emerged quickly from the Philadelphia punk scene, establishing a solid fan base and sharing stages with the likes of Cute Is What We Aim For, Knuckle Puck, Neck Deep, Seaway, and others. Working with produ

Created both for everyday living and for special festivities, the extraordinary objects of adornment displayed here served at once as symbols of wealth, marks of rank and magic talismans. Fashioned from a range of precious and non-precious materials, these are pieces of high aesthetic merit. They come dramatically alive in the photographs in this book when shown adorning the body - their qualities designed to enhance both the dignity and the beauty of their wearers. Other close-up photographs demonstrate the incredible detail and workmanship of the objects. This book reveals in resplendent colours the famous collection of ethnic jewellery initiated by Joseph Mueller and expanded by two generations of his heirs. Now housed in the Barbier-Mueller Museum in Geneva, the collection first came to life in the early part of this century, when Mueller found himself captivated by African sculpture, masks, necklaces, bracelets, anklets and other ornaments he saw displayed in the Paris studios of artist friends, among them Picasso. He subsequently travelled all over the world, pursuing his new passion for these living jewels. This book reproduces the finest pieces of jewellery in the collection. Michel Butor is a poet, philosopher and critic as well as an acclaimed novelist. He is a member of the Faculty of Letters at the University of Geneva.

Sheikh Muzaffer's works demonstrate that integral Islam is very much alive. Adornment of Hearts is a detailed handbook for practitioners of Sufism. Anyone interested in Sufism on any level will find it useful. Serious seekers from all traditions will find many examples of Islam's intimate kinship with their own paths. Scholar's will find an excellent and authoritative contemporary expression of teachings that are often relegated to dusty manuscripts.

Using a combination of tapestry, and lace-making techniques- Barbara Natoli Witt?s necklaces are stunning intricate webs of ancient beads, colored threads, artifacts and gem stones from Asia, Africa, the Americas and Europe. Nartoli Witt was a pioneer in the wearable art movement that began in San Francisco and has been creating her necklaces for over 40 years.

Adorn Yourself....The beautiful and delicate projects in Adornments are the perfect finishing touches for creating a purely romantic look. Make floral-inspired necklaces, in-full-bloom fascinators, and earrings with wispy feathers and sparkling beads. At parties, galas, special events, or even on your wedding day, the accessories in Adornments are artful creations that are sure to turn heads and inspire romance.Flip through the pages and you'll find...20 accessory projects, from floral fascinators and hair pieces to necklaces, earrings and beltsA techniques section that shows you how to use a millinery iron, cut lace appliques and work with wire and beads to create stunning pieces that would rival the wares of any high-end boutiqueMaterials you'll love to work with: silk, linen and cotton fabrics, antique lace, delicate crystal beads and playful feathersUsing simple hand-sewing, jewelry and millinery techniques, these accessories are easy to make and even easier to wear. In fact, you may not be able to take them off!

Comprehensive catalogue of a rich private collection of early Chinese jewelry and other ornaments, with focus on the Liao period but including examples ranging from the Eastern Zhou to the Ming. A total of 150 items are beautifully illustrated and well described, including such objects as belt hooks, belt plaques, crowns, earrings, hair pins, pendants and combs, as well as horse ornaments, etc. Objects have been crafted in a range of materials such as jade, silver, agate, bronze etc.; the most spectactular pieces in the collection are those comprised of gold and amber. With seven essays on related topics by leading scholars in the field. 328 pp., 150 colour plates, b&w illustrations and line drawings. Size: 30 x 23 cm.

In the Madhyamakalankara, Shantarakshita synthesized the views of Madhyamaka and Yogachara, the two great streams of Mahayana Buddhism. This was the last great philosophical development of Buddhist India. In his brilliant and searching commentary, Mipham re-presented Shantarakshita to a world that had largely forgotten him, defending his position and showing how it should be understood in relation to the teaching of Chandrakirti. To do this, he subtly reassessed the Svatantrika-Prasangika distinction, thereby clarifying and rehabilitating Yogachara-Madhyamaka as a bridge whereby the highest philosophical view on the sutra level flows naturally into the view of tantra. Mipham’s commentary has with reason been described as one of the most profound examinations of Madhyamaka ever written.

In the Madhyamakalankara, Shantarakshita synthesized the views of Madhyamaka and Yogachara, the two great streams of Mahayana Buddhism. This was the last great philosophical development of Buddhist India. In his brilliant and searching commentary, Mipham re-presented Shantarakshita to a world that had largely forgotten him, defending his position and showing how it should be understood in relation to the teaching of Chandrakirti. To do this, he subtly reassessed the Svatantrika-Prasangika distinction, thereby clarifying and rehabilitating Yogachara-Madhyamaka as a bridge whereby the highest philosophical view on the sutra level flows naturally into the view of tantra. Mipham’s commentary has with reason been described as one of the most profound examinations of Madhyamaka ever written.

Madhyamaka, or the Middle Way, is accepted by all schools of Tibetan Buddhism as the most profound expression, in philosophical terms, of emptiness, the true nature of phenomena. Emptiness is the basis on which the whole of Mahayana practice is founded, from the mind-training meditations on bodhichitta to the advanced yogas of tantra and dzogchen. The Madhyamaka tradition, inaugurated by Nagarjuna and dominant in India for over a thousand years, remains a vibrant force in Tibetan Buddhism. Shantarakshita's view, quintessentially expressed in the Madhyamakalankara, effects a synthesis between the Madhyamaka of Nagarjuna, the Mind-Only teachings traced back to Asanga, and the logico-epistemological tradition of Dignaga and Dharmakirti. This great work marks the final stage in the evolution of Madhyamaka and was the last major development of Buddhist philosophy in India. Composed toward the end of the nineteenth century, Mipham's brilliant and searching commentary has been described as one of the most profound examinations of Madhyamaka ever written. In presenting and defending Shantarakshita's view, Mipham throws down the gauntlet to the philosophical establishment and calls for a major reassessment of the Madhyamaka field. This challenging but rewarding text is indispensable to a balanced understanding of Tibetan Buddhist thought. This book is a core study text for both scholars and practitioners of Mahayana and Vajrayana Buddhism.

Madhyamaka, or the Middle Way, is accepted by all schools of Tibetan Buddhism as the most profound expression, in philosophical terms, of emptiness, the true nature of phenomena. Emptiness is the basis on which the whole of Mahayana practice is founded, from the mind-training meditations on bodhichitta to the advanced yogas of tantra and dzogchen. The Madhyamaka tradition, inaugurated by Nagarjuna and dominant in India for over a thousand years, remains a vibrant force in Tibetan Buddhism. Shantarakshita's view, quintessentially expressed in the Madhyamakalankara, effects a synthesis between the Madhyamaka of Nagarjuna, the Mind-Only teachings traced back to Asanga, and the logico-epistemological tradition of Dignaga and Dharmakirti. This great work marks the final stage in the evolution of Madhyamaka and was the last major development of Buddhist philosophy in India. Composed toward the end of the nineteenth century, Mipham's brilliant and searching commentary has been described as one of the most profound examinations of Madhyamaka ever written. In presenting and defending Shantarakshita's view, Mipham throws down the gauntlet to the philosophical establishment and calls for a major reassessment of the Madhyamaka field. This challenging but rewarding text is indispensable to a balanced understanding of Tibetan Buddhist thought. This book is a core study text for both scholars and practitioners of Mahayana and Vajrayana Buddhism.

The most lucid and penetrating survey of classical Indian philosophy in the Tibetan language.Beautiful Adornment of Mount Meru by Changkya Rölpai Dorjé (1717–86) is a work of doxography, presenting the distinctive philosophical tenets of the Indian Buddhist and non-Buddhist schools in a systematic manner that ascends through increasingly more subtle views. It is a Tibetan corollary to contemporary histories of philosophy. The “Mount Meru” of the title is the Buddha’s teachings, and Changkya’s work excels in particular in its treatment of the two Mahayana Buddhist schools, the Yogacara (here called the Vijñaptimatra) and the Madhyamaka. Unlike Jamyang Shepa’s (1648–1722) much longer Great Exposition of Tenets, which was one of the key sources and inspirations for Changkya, Beautiful Adornment is often praised for the clarity of its prose and its economical use of citations from Indian texts. At the same time, like Jamyang Shepa’s work, Changkya’s text is not simply a catalog of assertions; it skillfully examines core philosophical issues, including a number of intriguing ancillary discussions. Also like Jamyang Shepa’s text, Changkya’s is very much a Geluk work, drawing heavily on the works of Tsongkhapa and his disciples.   The manageable size of Beautiful Adornment and, more importantly, its lucid literary style, made this work the classic source for the study of Indian thought, used by students the across Tibetan cultural sphere. In contemporary academic circles, it has also been a central source for studying the Tibetan interpretation of the classical Indian philosophical systems.

Has a sturdy binding with some shelf wear. May have some markings or highlighting. Used copies may not include access codes or Cd's. Slight bending may be present.

This volume contains three of Jan van Ruysbroeck's best works: The Adornment of the Spiritual Marriage, The Sparkling Stone, and The Book of Truth. These works are remarkable for their combination of lofty spiritual philosophy and robust common sense. As we read them, we feel that we are in touch with a man who, in his ecstatic ascents to God, never loses hold of the actualities of human life. In the Adornment of the Spiritual Marriage, he traces the gradual development of the soul through the active life of Christian virtue, the interior life of contemplation, and the superessential life of union with God. The Sparkling Stone further elaborates on some of the more difficult passages in The Adornment, and The Book of Truth was written as a refutation of the accusation that van Ruysbroeck's work supported a pantheistic and heretical view of the union of the soul with God. Primarily influenced by St. Paul and St. Augustine, van Ruysbroeck was driven to speak out on the mystical life in reaction to the rising of heretical sects in the lowlands of Belgium that were preaching quietism of "the most soul-destroying kind" early in the 14th century. The singular feature of his teaching is achieving a balanced career of action and contemplation as the ideal of the Christian soul.

Glitz, glamour--and beads! Jewel tones, crystals, and metallic meet in Exotic Adornments. Appropriate for the office but as fun as a night out, the cuffs, chokers, necklaces, rings, and earrings in this easy-to-use guide are sure to catch attention--and envy! Led by Beadwork Magazine's Beadwork Designer of the Year Kelly Wiese, you'll create opulent, extravagant statement pieces that take any outfit from flat to fab. For some fun, elegance, and sparkle, go big with the Soiree Ring, perfect for date night. Add a touch of drama to your look with the All That Glitters Lariat, customizing the length to suit your style. Looking for a piece that works in a professional setting? The Madison Avenue Bracelet pairs pearls with crystals for a classic, classy look. No matter which of the 18 pieces you start with, you'll want to give your entire jewelry collection a luxurious makeover with Exotic Adornments!

Presented in the style of an artist's journal, this remarkable handbook uses an informal, conversational approach to teach a wide variety of innovative mixed-media jewelry techniques. Accompanied by fairytale introductions and augmented by watercolor illustrations and design sketches, the 20 unique projects featured, ranging from the delightfully simple to the exquisitely ornate, are infused with personal meaning. Projects make use of various newly popular techniques in mixed-media jewelry, including the creation of resin pendants, PMC clasps, polymer clay beads, and more. All basic techniques are made clear by step-by-step photography.

From the very earliest manifestations of civilization in China in the late Neolithic period, a strictly organized political and social hierarchy was in place. Within such a society, the position of individuals was defined through social codes and regulations, both written and unwritten. Chinese civilization thus provides an excellent opportunity to examine how personal ornaments functioned as symbols that identified social and cultural status through the materials used and the decorative motifs chosen. The decoration is, in fact, a language to be seen, read, and interpreted. In THE LANGUAGE OF ADORNMENT, Myrna and Samuel Myers'¬?s collection of Chinese personal ornaments is presented and explored in stunning, full-color plates. A catalog of Chinese adornments from the collection of Myrna and Samuel Myers. Includes full-page color plates of all the pieces.