284 products were found matching your search for Adorno Theodor W Negative in 4 shops:

Bring your photography to the next level with the Kodak 10x Tri-X Pan 400, TX-Pan Black & White Negative Film. This high-speed, panchromatic film, with an ISO rating of 400, is an excellent choice for capturing fast action or dimly lit subjects. Its high ISO allows for superior depth of field and fast shutter speeds, extending the distance range for flash pictures, making it a versatile tool for various shooting conditions.This professional-grade film is available in both 120 and 135 sizes, as well as 35 and 70 mm long rolls, providing flexibility for different camera types and shooting requirements. The 120-size film even offers the possibility of retouching on the emulsion side, adding another layer of creative control to your photography process.The Kodak 10x Tri-X Pan 400 film is also recommended for push-processing applications, demonstrating its reliability and adaptability in diverse photographic situations. This pack comes with a Pro Optic Cleaning Kit, ensuring your equipment stays clean and ready for your next shoot.Experience the durable, high-quality performance that Kodak is known for with the 10x Tri-X Pan 400, TX-Pan Black & White Negative Film. Whether you're a professional photographer or a passionate hobbyist, this film is designed to deliver exceptional results in black and white photography.

Explore the creative possibilities with KODAK T-MAX 400 Professional Film, a high-quality, professional-grade black and white negative film designed for 35mm cameras. This versatile and reliable film is perfect for capturing life's fleeting moments, whether you're shooting in low-light conditions, fast-paced action, or aiming for photographs with a deep depth of field and crisp shutter speeds. With its ISO 400 rating, the T-MAX 400 film ensures maximum image quality at a high film speed, making it an excellent choice for both amateur and professional photographers.The T-MAX 400 film boasts an exceptionally fine grain and high resolving power, which translates to very high sharpness in your images. This level of detail supports significant enlargements without compromising the integrity of your photographs, allowing you to bring your vision to life with clarity and precision. Its continuous-tone panchromatic properties enhance the film's versatility, making it suitable for a wide range of photographic applications, from artistic endeavors to scientific and biomedical documentation, particularly in scenarios where fluorescence photography is paramount.Photographers who demand durability and reliability will appreciate the T-MAX 400's robust performance. The film can be exposed at EI 800 with standard processing, or pushed to EI 1600 with push-processing, yielding excellent results even in challenging lighting conditions. Whether you're documenting the subtleties of a shadow-draped scene or freezing motion in a dynamic environment, the T-MAX 400 film stands as a testament to Kodak's commitment to photographic excellence.Embrace the art of black and white photography with the KODAK T-MAX 400 Professional Film, and let its 24 exposures per roll unlock the potential of each frame. This film is not just a tool for capturing images; it's a canvas for photographers who value the depth, emotion, and timeless elegance that only black and white film can convey.

Explore the creative possibilities with KODAK T-MAX 400 Professional Film, a high-quality, professional-grade black and white negative film designed for 35mm cameras. This versatile and reliable film is perfect for capturing life's fleeting moments, whether you're shooting in low-light conditions, fast-paced action, or aiming for photographs with a deep depth of field and crisp shutter speeds. With its ISO 400 rating, the T-MAX 400 film ensures maximum image quality at a high film speed, making it an excellent choice for both amateur and professional photographers.The T-MAX 400 film boasts an exceptionally fine grain and high resolving power, which translates to very high sharpness in your images. This level of detail supports significant enlargements without compromising the integrity of your photographs, allowing you to bring your vision to life with clarity and precision. Its continuous-tone panchromatic properties enhance the film's versatility, making it suitable for a wide range of photographic applications, from artistic endeavors to scientific and biomedical documentation, particularly in scenarios where fluorescence photography is paramount.Photographers who demand durability and reliability will appreciate the T-MAX 400's robust performance. The film can be exposed at EI 800 with standard processing, or pushed to EI 1600 with push-processing, yielding excellent results even in challenging lighting conditions. Whether you're documenting the subtleties of a shadow-draped scene or freezing motion in a dynamic environment, the T-MAX 400 film stands as a testament to Kodak's commitment to photographic excellence.Embrace the art of black and white photography with the KODAK T-MAX 400 Professional Film, and let its 24 exposures per roll unlock the potential of each frame. This film is not just a tool for capturing images; it's a canvas for photographers who value the depth, emotion, and timeless elegance that only black and white film can convey.

He was famously hostile to biography as a literary form. And yet this life of Adorno by one of his last students is far more than literary in its accomplishments, giving us our first clear look at how the man and his moment met to create “critical theory.” An intimate picture of the quintessential twentieth-century transatlantic intellectual, the book is also a window on the cultural ferment of Adorno’s day—and its ongoing importance in our own. The biography begins at the shining moment of the German bourgeoisie, in a world dominated by liberals willing to extend citizenship to refugees fleeing pogroms in Eastern Europe. Detlev Claussen follows Theodor Wiesengrund Adorno (1903–1969) from his privileged life as a beloved prodigy to his intellectual coming of age in Weimar Germany and Vienna; from his exile during the Nazi years, first to England, then to the United States, to his emergence as the Adorno we know now in the perhaps not-so-unlikely setting of Los Angeles. There in 1943 with his collaborator Max Horkheimer, Adorno developed critical theory, whose key insight—that to be entertained is to give one’s consent—helped define the intellectual landscape of the twentieth century. In capturing the man in his complex relationships with some of the century’s finest minds—including, among others, Arnold Schoenberg, Walter Benjamin, Thomas Mann, Siegfried Kracauer, Georg Lukács, Hannah Arendt, and Bertolt Brecht—Claussen reveals how much we have yet to learn from Theodor Adorno, and how much his life can tell us about ourselves and our time.

Make every shot count with the Kodak 5x Tri-X Pan 400 TX-Pan Black & White Negative Film. This professional-grade, high-speed panchromatic film boasts an ISO 400 rating, making it an excellent choice for capturing fast action or dimly lit subjects. With its superior depth of field and fast shutter speed capabilities, this film ensures crisp, clear images in a variety of lighting conditions. Designed for versatility, the Kodak Tri-X Pan 400 film is suitable for extending the distance range for flash photography, making it a reliable choice for both indoor and outdoor shoots. Each roll provides 36 exposures, offering ample opportunities to capture your desired shots. This pack includes five rolls of 35mm size film, perfect for standard 35mm cameras. The film is also available in 120 and 135 sizes, as well as 35 and 70mm long rolls, catering to a wide range of photography equipment. For those who value precision, the 120-size film can be retouched on the emulsion side, providing an added layer of control over your final images. The Kodak Tri-X Pan 400 film is also recommended for push-processing applications, further enhancing its versatility and making it a valuable addition to any photographer's toolkit. Invest in the Kodak 5x Tri-X Pan 400 TX-Pan Black & White Negative Film for high-quality, professional, and reliable photography results.

xx 243p hardback, grey jacket present, a fresh and clean copy with faint pencil marks to initial pages only Language: English

From capturing detailed outdoor landscapes to intricate indoor scenes, the KODAK T-MAX 100 Professional Film, product code 100TMX-402, is your go-to choice for high-quality black and white photography. This ISO 100, 35mm size, 100' roll film, made in the USA, is a continuous-tone panchromatic black-and-white negative film, designed to deliver maximum image quality for a wide range of applications.The T-MAX 100 is particularly effective for detailed subjects, making it an ideal choice for photographers seeking to capture the finest details with exceptional sharpness. Its extremely fine grain and very high resolving power contribute to its superior image quality, ensuring your photographs stand out with unparalleled clarity.This versatile film is not only perfect for general photography but also excels in specialized applications such as copying black-and-white photographs, creating black-and-white copies from color transparencies, and photomicrography. Its medium speed (ISO 100/21 Degree in most developers) ensures reliable performance across various lighting conditions.The KODAK T-MAX 100 Professional Film can also be used to produce high-quality black-and-white slides from camera-original exposures, continuous-tone photographs, drawings, artwork, and radiographs when processed with the KODAK T-MAX 100 Direct Positive Film Developing Outfit. This outfit also enables you to produce copy negatives from black-and-white or color negatives, duplicate black-and-white slides, or create black-and-white slides from color slides.Whether you're involved in general pictorial photography, photomicrography, gross specimen documentation, or copy work applications, the T-MAX 100 Professional Film is designed to meet your needs. For routine photomicrography of stained specimens, expose T-MAX 100 at EI 160 and extend development time by 30%. Using a green filter can further enhance the tonal rendition of most common stains, adding another layer of versatility to this exceptional film.

Take your photography to the next level with the Kodacolor Gold 200 35mm Color Negative Roll Film, a 10-pack set that comes with a convenient shoulder bag. This Kodak film, renowned for its superior quality, offers an optimal blend of vibrant color saturation, precise color accuracy, and exceptional sharpness, all at a 200-speed film rating. Ideal for capturing stunning images under a variety of lighting conditions, the Kodak Gold Bright Sun & Flash 200 Film stands out for its versatility. Whether you're shooting under general lighting, utilizing photo lamps with a 3400 K temperature, or employing tungsten illumination at 3200 K, this film delivers consistent results. It's designed to work seamlessly with filters, further enhancing your creative possibilities.One of the key features of the Kodak Bright Sun & Flash Film is its remarkable color accuracy and saturation. This ensures that your photos will capture the true essence of the scene, with colors that are both vivid and true to life. Moreover, the film's high sharpness and resolution contribute to producing images with crisp details and clear contrasts. Whether you're a professional photographer or a hobbyist, you'll appreciate the fine details and clarity this film can capture.Another standout feature is its wide exposure latitude, accommodating from two stops underexposure to three stops overexposure. This means you can experiment with different lighting scenarios and still achieve excellent results, giving you more creative freedom in your photography.In conclusion, the Kodacolor Gold 200 35mm Color Negative Roll Film 10-Pack with Shoulder Bag is a reliable choice for photographers seeking to enhance their work with superior color accuracy, saturation, and sharpness. Its versatility under various lighting conditions and wide exposure latitude make it a valuable addition to any photographer's toolkit.

Bringing together the findings of psychoanalysis and social science, this book grew out of an urgent commitment to study the origins of anti-Semitism in the aftermath of Hitler's Germany. First published in 1951, it was greeted as a monumental study blazing new trails in the investigation of prejudice. As offshoots of ethnocentrism, anti-semitism and fascism cast new and dark shadows on the world, the topic again demands study and social action. "The Authoritarian Personality" remains an important document for our time.

1032 S., OKart., gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Bringing together the findings of psychoanalysis and social science, this book grew out of an urgent commitment to study the origins of anti-Semitism in the aftermath of Hitler's Germany. First published in 1951, it was greeted as a monumental study blazing new trails in the investigation of prejudice. As offshoots of ethnocentrism, anti-semitism and fascism cast new and dark shadows on the world, the topic again demands study and social action. "The Authoritarian Personality" remains an important document for our time.

"The Melancholy Science" is Gillian Rose s investigation into TheodorAdorno s work and legacy. Rose uncovers the unity discernableamong the many fragments of Adorno s oeuvre, and argues that hisinfluence has been to turn Marxism into a search for style. The attempts of Adorno, Lukacs and Benjamin to develop a Marxisttheory of culture centred on the concept of reification are contrasted, and the ways in which the concept of reification has come to bemisused are exposed. Adorno s continuation for his own time ofthe Marxist critique of philosophy is traced through his writings onHegel, Kierkegaard, Husserl and Heidegger. His opposition to theseparation of philosophy and sociology is shown by examination ofhis critique of Durkheim and Weber, and of his contributions to thedispute over positivism, his critique of empirical social research andhis own empirical sociology. Gillian Rose shows Adorno s most important contribution to be hisfounding of a Marxist aesthetic that offers a sociology of culture, asdemonstrated in his essays on Kafka, Mann, Beckett, Brecht andSchonberg. Finally, Adorno s Melancholy Science is revealed tooffer a sociology of illusion that rivals both structural Marxism andphenomenological sociology as well as the subsequent work of theFrankfurt School."

He was famously hostile to biography as a literary form. And yet this life of Adorno by one of his last students is far more than literary in its accomplishments, giving us our first clear look at how the man and his moment met to create “critical theory.” An intimate picture of the quintessential twentieth-century transatlantic intellectual, the book is also a window on the cultural ferment of Adorno’s day―and its ongoing importance in our own.The biography begins at the shining moment of the German bourgeoisie, in a world dominated by liberals willing to extend citizenship to refugees fleeing pogroms in Eastern Europe. Detlev Claussen follows Theodor Wiesengrund Adorno (1903–1969) from his privileged life as a beloved prodigy to his intellectual coming of age in Weimar Germany and Vienna; from his exile during the Nazi years, first to England, then to the United States, to his emergence as the Adorno we know now in the perhaps not-so-unlikely setting of Los Angeles. There in 1943 with his collaborator Max Horkheimer, Adorno developed critical theory, whose key insight―that to be entertained is to give one’s consent―helped define the intellectual landscape of the twentieth century.In capturing the man in his complex relationships with some of the century’s finest minds―including, among others, Arnold Schoenberg, Walter Benjamin, Thomas Mann, Siegfried Kracauer, Georg Lukács, Hannah Arendt, and Bertolt Brecht―Claussen reveals how much we have yet to learn from Theodor Adorno, and how much his life can tell us about ourselves and our time.

The Melancholy Science is Gillian Rose’s investigation into Theodor Adorno’s work and legacy. Rose uncovers the unity discernable among the many fragments of Adorno’s oeuvre, and argues that his influence has been to turn Marxism into a search for style.The attempts of Adorno, Lukács and Benjamin to develop a Marxist theory of culture centred on the concept of reification are contrasted, and the ways in which the concept of reification has come to be misused are exposed. Adorno’s continuation for his own time of the Marxist critique of philosophy is traced through his writings on Hegel, Kierkegaard, Husserl and Heidegger. His opposition to the separation of philosophy and sociology is shown by examination of his critique of Durkheim and Weber, and of his contributions to the dispute over positivism, his critique of empirical social research and his own empirical sociology. Gillian Rose shows Adorno’s most important contribution to be his founding of a Marxist aesthetic that offers a sociology of culture, as demonstrated in his essays on Kafka, Mann, Beckett, Brecht and Schönberg. Finally, Adorno’s ‘Melancholy Science’ is revealed to offer a ‘sociology of illusion’ that rivals both structural Marxism and phenomenological sociology as well as the subsequent work of the Frankfurt School.

Octavo; G+/G+ Hardcover w/ Dustjacket; Black spine with White text; Dustjacket has some edgewear, some shelfwear, bending along head edge of both covers and interior flaps, wrinkling at corners; Boards strong, some edgewear, some shelfwear, rubbing to corners; Textblock has toning along edges, foxing to some pages, small closed tear along fore edge of rear endpaper; 212 pp. 1341361. FP New Rockville Stock.

The correspondence between the philosopher Theodor W. Adorno and his politically active graduate student Elisabeth Lenk offers fresh insights into both Adorno’s view of surrealism and its relation to the student uprisings of 1960s France and Germany. Written between 1962, when Lenk moved to Paris and persuaded an initially reluctant Adorno to supervise her sociology dissertation on the surrealists, and Adorno’s death in 1969, these letters reveal a surprisingly tender side of the distinguished professor. The correspondence is accompanied by a selection of documents that bring additional depth and context to the letters and their engagement with the art and politics of the period.Filling in the background of Adorno and Lenk’s lively exchange, the volume includes new translations of classic essays by Walter Benjamin (“Surrealism: Last Snapshot of the European Intelligentsia”) and Adorno (“Surrealism Reconsidered”), along with a collection of short prose readings by Adorno and the writer-scholar Carl Dreyfus and three original essays by Lenk: her afterword to Paris Peasant by Louis Aragon, her Introduction to the German edition of Charles Fourier’s The Theory of the Four Movements and the General Destinies, and her incisive essay “Critical Theory and Surreal Practice.” An Introduction by Lenk’s student, the contemporary writer and critic Rita Bischof, points to the continuing challenge of surrealist politics.This remarkable body of correspondence appears here in English for the first time, as do Adorno and Dreyfus’s surrealist readings and the essays by Lenk. Together, they provide a rich mine of critical material for reassessing the significance of the surrealist movement and its successors.

Up to the end of the nineteenth century, Germany largely perceived itself as "the nation of poets and philosophers." But with the enormous popularity of Schubert and Wagner, this began to change. Suddenly, composers also began to play a greater role in theories of national identity, and music theory became and important element of German thought. The essays in this volume reflect this, and are by a range of writers: Adorno, Bloch, Thomas Mann, Wachenroder, Herder, E. T. A. Hoffmann, Hegel, Bettina von Arnim, Nietzsche, Max Weber, Brecht, and others.

The range of Adorno's achievement, and the depth of his insights, is breathtaking and daunting. His work on literary, artistic, and musical forms, his devastating indictment of modern industrial society, and his profound grasp of Western culture from Homer to Hollywood have made him one of the most significant figures in twentieth-century thought. As one of the main philosophers of the Frankfurt School of Critical Theory, Adorno’s influence on literary theory, cultural studies, and philosophical aesthetics has been immense. His wide-ranging authorship is significant also to continental philosophy, political theory, art criticism, and musicology. Key ideas discussed in this guide include: art and aesthetics fun and free time nature and reason things, thoughts and being right This Routledge Critical Thinkers guide will equip readers with the tools required to critically interpret Adorno’s major works, whilst also introducing readers to his interpretation of classical German philosophy and his relationship to the most significant of his contemporaries.

Are you still troubled by the fact that the indoor air is too dry Give this humidifier a try. The kettle-shaped shape is not only a humidifier, but also an interior decoration. 5L capacity does not need to add water frequently. Humid air improves sleep, is good for houseplants, and improves air quality. Can be used in bedrooms, living rooms, nurseries, and even offices. Color: Black.

Discover the Nn 07 Theodor 1447 Trousers in Greige. Made with a blend of 60% Cotton, 38% Lyocell, and 2% Elastane, these trousers offer a comfortable and regular fit with tapered legs. The elasticated mid rise ensures a perfect fit every time. Crafted in Turkey, these trousers feature two side pockets on the front and two buttoned pockets on the back. With a fabric weight of 225g/m 2, they are both durable and stylish.