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Compelling oral histories from many of the most interesting and important field investigators who came into their prime in the 1950's through the 1990's, describing the role of mentors and students, field courses and field experiences in determining their careers. Backgrounds, education and scientific contributions are elucidated through interviews. Presented in chronological sequence by generation and placed in the context of broader societal influences, these oral histories are used to examine how the pendulum in modern science has swung from description to theory; from generalization to specialization; from emphasis on teaching to domination by research and administrative hierarchies. Read at one level, these vignettes portray the profound sense of fun and joy of science, both as an activity and a career. At another level, the text provides a historical tale of science and scientists that is not normally told. The scientific study of nature is an important end in itself. Further more, the field sciences are critical to the generation of significant scientific questions in many disciplines, as well as providing a context to test theory and view scientific results from larger and smaller temporal and spatial scales. Being in the field, using all ones senses to study nature, also provides inspiration and motivation. It is suggested that if we as a society want the kind of science produced by this group of scientists; if we wan to pass the art of field science to the next generation; then we must provide the same kinds of opportunities to learn these skills through the kinds of mentors, courses and field opportunities which were available to these distinguished scientists.

Expect the Agassiz 24 inch LED Chandelier to give a modern and dashing twist to your dining space. This is a transitional up chandelier designed with a textured metal ring frame measuring 24 inches in diameter and finished in polished nickel. Clear crystal towers with integrated LED chips deliver style and illumination. The cord can be adjusted with minimum hanging height of 11 inches and maximum hanging height of 123 inches.

Add movement and dimension to your walls with this abstract design. This contemporary wallpaper features large starbursts made from rectangular segments, finished in two-tone grey and imbued with rough texture. Agassiz is an unpasted, vinyl on non woven wallpaper.

Bring dark hues and rich dimension to your walls with this modern design. The abstract, geometric bursts add movement to your space, while the charcoal and black hues add moody and masculine flair. Agassiz is an unpasted, vinyl on non woven wallpaper.

Elevate your home with the abstract flair of this modern wallpaper. Geometric starbursts add movement and dimension to your walls, the two-toned greys imbued with a rough texture. Agassiz is an unpasted, vinyl on non woven wallpaper.

Bring modern movement to your walls with this contemporary wallpaper. The abstract design features geometric bursts in shades of taupe and brown, with added dimension from its rough texture. Agassiz is an unpasted, vinyl on non woven wallpaper. Color: Neutral.

By a succession of living pictures, as it were, this book shows the eminent naturalist in the very act of teaching. Sometimes he himself speaks, sometimes distinguished pupils of his reveal in their own words the process by which they were led to nature through direct and independent observation. The enthusiasm of their accounts is contagious.This collection of illustrative extracts on the ideals and practice of Louis Agassiz is probably unique in giving the actual methods of a great man of science in developing good students who could, in their turn, wisely instruct others. The book should be in the hands of all teachers, and of those who are preparing to teach.

Charismatic and controversial, Louis Agassiz is our least known revolutionary—some fifty years after American independence, he became a founding father of American science. One hundred and seventy-five years ago, a Swiss immigrant took America by storm, launching American science as we know it. The irrepressible Louis Agassiz, legendary at a young age for his work on mountain glaciers, focused his prodigious energies on the fauna of the New World. Invited to deliver a series of lectures in Boston, he never left, becoming the most famous scientist of his time. A pioneer in field research and an obsessive collector, Agassiz enlisted the American public in a vast campaign to send him natural specimens, dead or alive, for his ingeniously conceived museum of comparative zoology. As an educator of enduring impact, he trained a generation of American scientists and science teachers, men and women alike. Irmscher sheds new light on Agassiz’s fascinating partnership with his brilliant wife, Elizabeth Cary Agassiz, a science writer in her own right who would go on to become the first president of Radcliffe College.  But there’s a dark side to the story. Irmscher adds unflinching evidence of Agassiz’s racist impulses and shows how avidly Americans looked to men of science to mediate race policy. The book’s potent, original scenes include the pitched battle between Agassiz and his student Henry James Clark as well as the merciless, often amusing exchanges between Darwin and Harvard botanist Asa Gray over Agassiz’s stubborn resistance to evolution. A fascinating life story, both inspiring and cautionary, for anyone interested in the history of American ideas.

Authors: F.G. Marcham Publisher: Joanna Cotler Books Keywords: beauty, birds, singular, fuertes, agassiz, louis Pages: 220 Published: 1972-08-31 Language: English ISBN-10: 0060127759 ISBN-13: 9780060127756 Binding: Hardcover (1st) List Price: Unknown

The Flower class corvette was one of the most famous and numerous of all escort vessels, and the corvette Agassiz is the most representative of the Canadian Flowers, which were thrown into the thick of the bitter Atlantic convoy battles of 1941–2. Derived from a whalecatcher hull design, and intended as a cheap coastal escort that could be built by non-specialist yards, the Flowers were the only class available in large numbers when the submarine war flared up in earnest in 1941. As a result they were used on rigorous ocean convoy duties for which they were barely adequate, and their crews suffered greatly in one of the harshest arenas of the second world war. As part of the renowned Anatomy of the Ship series, this book provides the finest documentation of the Agassiz, with a complete set of superb line drawings, supported by technical details and a record of the ship's service history. This is a superb description of the ship and her career.

A giant of nineteenth-century natural history study, Louis Agassiz made major contributions to modern knowledge of geology, paleontology, and zoology. Agassiz's fame in America was largely as a popularizer of natural history and teacher of advanced students. Founding the Museum of Comparative Zoology at Harvard was his lasting teaching and research achievement, and the Smithsonian Institution and National Academy of Sciences benefited from his impulse to professionalize science. A life-long opponent of the theory of evolution. Agassiz affirmed the magnificence of God's plan to all who would "study nature, not books".

By a succession of living pictures, as it were, this book shows the eminent naturalist in the very act of teaching. Sometimes he himself speaks, sometimes distinguished pupils of his reveal in their own words the process by which they were led to nature through direct and independent observation. The enthusiasm of their accounts is contagious.This collection of illustrative extracts on the ideals and practice of Louis Agassiz is probably unique in giving the actual methods of a great man of science in developing good students who could, in their turn, wisely instruct others. The book should be in the hands of all teachers, and of those who are preparing to teach.

Details the life of the distinguished American artist, describes his activities as a painter, natural scientist, and explorer, and discusses his paintings of birds

Reading the Shape of Nature vividly recounts the turbulent early history of the Museum of Comparative Zoology at Harvard and the contrasting careers of its founder Louis Agassiz and his son Alexander. Through the story of this institution and the individuals who formed it, Mary P. Winsor explores the conflicting forces that shaped systematics in the second half of the nineteenth century. Debates over the philosophical foundations of classification, details of taxonomic research, the young institution's financial struggles, and the personalities of the men most deeply involved are all brought to life. In 1859, Louis Agassiz established the Museum of Comparative Zoology to house research on the ideal types that he believed were embodied in all living forms. Agassiz's vision arose from his insistence that the order inherent in the diversity of life reflected divine creation, not organic evolution. But the mortar of the new museum had scarcely dried when Darwin's Origin was published. By Louis Agassiz's death in 1873, even his former students, including his son Alexander, had defected to the evolutionist camp. Alexander, a self-made millionaire, succeeded his father as director and introduced a significantly different agenda for the museum. To trace Louis and Alexander's arguments and the style of science they established at the museum, Winsor uses many fascinating examples that even zoologists may find unfamiliar. The locus of all this activity, the museum building itself, tells its own story through a wonderful series of archival photographs.

Letters and commentary reveal how that busy and successful artist took time to aid and inspire a budding scientist

The Flower class corvette was one of the most famous and numerous of all escort vessels, and the corvette Agassiz is the most representative of the Canadian Flowers, which were thrown into the thick of the bitter Atlantic convoy battles of 1941–2. Derived from a whalecatcher hull design, and intended as a cheap coastal escort that could be built by non-specialist yards, the Flowers were the only class available in large numbers when the submarine war flared up in earnest in 1941. As a result they were used on rigorous ocean convoy duties for which they were barely adequate, and their crews suffered greatly in one of the harshest arenas of the second world war. As part of the renowned Anatomy of the Ship series, this book provides the finest documentation of the Agassiz, with a complete set of superb line drawings, supported by technical details and a record of the ship's service history. This is a superb description of the ship and her career.

Infused with a sense of adventure and zeal for discovery, Seafaring Scientist recounts the achievements of a giant in the field of marine biology. Alfred Goldsborough Mayor (1868-1922), a Harvard-trained marine biologist and close associate of Alexander Agassiz, founded and directed on behalf of the Carnegie Institution the first tropical marine biological laboratory in the Western hemisphere. Located on Loggerhead Key in the Gulf of Mexico, the Tortugas Laboratory attracted some of America's most brilliant scientists. Mayor himself achieved international prominence in the field of biology for his authoritative work on jellyfishes and coral reefs in his three-volume opus, Medusae of the World. Stephens and Calder fill the gaps in the historical record about Mayor with this first book-length account of his life and work. They detail Mayor's passion for biology, association with Harvard's Museum of Comparative Zoology, and rise to international prominence in the scientific community. Laboratory despite daunting operational problems related to the remoteness of the site and its vulnerability to hurricanes.

In 1865, twenty-three-year-old William James began his studies at the Harvard Medical School. When he learned that one of his most esteemed professors, Louis Agassiz, then director of the recently established Museum of Comparative Zoology, was preparing a research expedition to Brazil, James offered his services as a voluntary collector. Over the course of a year, James kept a diary, wrote letters to his family, and sketched the plants, animals, and people he observed. During this journey, James spent time primarily in Rio de Janeiro, Belem, and Manaus, and along the rivers and tributaries of the Amazon Basin. This volume is a critical, bilingual (English-Portuguese) edition of William James's diaries and letters and also includes reproductions of his drawings. This original material belongs to the Houghton Archives at Harvard University and is of great interest to both William James scholars and Brazilian studies experts.

Manitoba's ninety-three species of fish give the province the third most diverse fish population in Canada. The provinceís variety of geological features, with its major lakes, rivers, tributaries, and watersheds, is due in large part to its history as the basin for Glacial Lake Agassiz. This, combined with its access to the waters of Hudson Bay and large American river systems, has provided habitat for a wide diversity of freshwater fish. Species from lampreys to goldeye, catfish to perch, bigmouth bass to slimy sculpin swim in waters from arctic rivers in the north to Red River tributaries and down to the Mississippi in the south.Freshwater Fishes of Manitoba is a comprehensive, user-friendly guide. Each species is accurately depicted in detailed colour photographs and accompanying map, with descriptions of physical characteristics, spawning and feeding habits, distribution, habitat, ecological role, and economic importance. The guide also includes an extensive glossary, keys to identifying the families, species, and subspecies, and information on documentation and preservation of specimens. Freshwater Fishes of Manitoba is not only the definitive guide to these fishes of Manitoba, it is also accessible and reliable for a range of users from general fishers to professional fish biologists.

In 1850 seven South Carolina slaves were photographed at the request of the famous naturalist Louis Agassiz to provide evidence of the supposed biological inferiority of Africans. Lost for many years, the photographs were rediscovered in the attic of Harvard’s Peabody Museum in 1976. In the first narrative history of these images, Molly Rogers tells the story of the photographs, the people they depict, and the men who made and used them. Weaving together the histories of race, science, and photography in nineteenth-century America, Rogers explores the invention and uses of photography, the scientific theories the images were intended to support and how these related to the race politics of the time, the meanings that may have been found in the photographs, and the possible reasons why they were “lost” for a century or more. Each image is accompanied by a brief fictional vignette about the subject’s life as imagined by Rogers; these portraits bring the seven subjects to life, adding a fascinating human dimension to the historical material.