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Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication. In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer’s artistic practices. His success, she contends, was due in large part to his development of pictorial strategies—an epistolary mode of address—marked by a direct, intimate appeal to the viewer, an appeal that also acknowledged the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany’s chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address.

Add texture and personality to your space with this dimensional and versatile pattern. Abstract and raised vertical lines add depth to any paint color of your choosing. Albrecht is an unpasted, paperbacked expanded vinyl wallpaper. Color: White.

Make your fine art prints stand out with the Hahnemuhle Albrecht Durer 50% Rag Textured Matte Surface Inkjet Paper. With a weight of 210 gsm and dimensions of 17x22 inches, this high-quality, professional-grade paper is designed to handle the intricate details of your artwork. Each pack comes with 25 sheets of natural white paper, providing a neutral base that enhances the vibrancy and accuracy of your color reproduction. Crafted by Hahnemuhle, a brand renowned for its commitment to superior quality, this paper features a unique 50% rag content. This lends the paper a durable and textured matte surface, perfect for capturing the depth and texture of your artwork. Moreover, this versatile inkjet paper is compatible with a wide range of inkjet printers. Whether you're a professional artist, photographer, or hobbyist, the Hahnemuhle Albrecht Durer 50% Rag Textured Matte Surface Inkjet Paper is an affordable choice for producing stunning, gallery-worthy prints.

Because of its unique composition and texture, the Albrecht Durer 210gsm Natural White Inkjet Paper stands out as a superior choice for artists and photographers alike. This 50% rag, age-resistant paper is printable on one side and features a structured watercolor surface that adds depth and dimension to any printed work. The Albrecht Durer paper is mould-made, a process that enhances its durability and gives it a fine watercolor surface. This surface, combined with the warm white tone of the paper, lends both a classical and contemporary feel to art reproductions and photographs. Whether you're printing a black and white fine art photograph or a vibrant, color-rich painting, this paper brings your work to life with exceptional image sharpness and optimum color graduation.The textured surface of this 210 gsm paper not only mirrors the natural texture of the original artwork but also enhances the visual appeal of oil and acrylic reproductions. The specially coated printable side offers a high level of water resistance, ensuring your prints remain vibrant and undamaged over time.The Albrecht Durer Natural White Inkjet Paper is versatile, making it ideal for a range of applications. From fine art reproductions to business cards, greeting cards, postcards, menus, novelty applications, certificates, and presentation prints for display purposes, this paper adds a touch of sophistication and quality to any project. Experience the difference that the Albrecht Durer 210gsm Natural White Inkjet Paper can make in your printing needs. Its superior quality, texture, and durability make it a preferred choice for those seeking to elevate their printed works.

When it comes to professional-grade printing, the Albrecht Durer Textured Matte FineArt Inkjet Paper stands out as a superior choice. This high-quality, durable paper is crafted by Hahnemuhle, a brand renowned for its commitment to excellence in the field of fine art materials. Boasting a weight of 210gsm, this mould-made paper is characterized by its natural white hue and 50% rag content, ensuring age resistance and longevity. Designed for single-sided printing, it features a structured watercolor surface that adds a unique depth and texture to your prints, enhancing the natural texture of the original artwork or photograph. The Albrecht Durer FineArt paper is not just versatile but also imparts both a classical and modern feel to art reproductions and photographs. Its textured surface is ideal for reproducing oil and acrylic artworks, making it a favorite among artists and photographers alike. The printed side of this paper undergoes a special coating process to ensure excellent image sharpness and optimum color graduation. This coating also provides a high level of water resistance, further enhancing the durability and longevity of your prints. This 24"x39' roll of paper is not just limited to fine art reproduction. Its professional quality and unique texture make it perfect for a wide range of applications, including business cards, greeting cards, postcards, menus, novelty applications, certificates, and presentation prints for display purposes. In essence, the Albrecht Durer Textured Matte FineArt Inkjet Paper is a testament to the perfect blend of tradition and innovation, offering artists and professionals a canvas that truly brings their work to life.

Become an artist's ally with the Albrecht Durer 210 gsm inkjet paper, a canvas that brings a touch of both tradition and innovation to your fine art prints. This high-quality, natural white paper boasts a 50% cotton rag content, ensuring durability and a feel of luxury that is synonymous with age-resistant materials. The paper is tailored for single-sided printing, featuring a structured watercolor surface that adds depth and an authentic texture to your artwork.The Albrecht Durer range is renowned for its fine watercolor surface, which, along with the warm white tone, provides a perfect blend of classical elegance and contemporary sophistication to art reproductions and photographs. The 210 gsm mould-made watercolour paper comes with a distinct textured surface, designed to elevate the natural texture of the original artwork, whether it's a drawing or a painting. This makes it an ideal choice for reproducing oil and acrylic masterpieces.The printable side of this exquisite paper has undergone a special coating process to deliver exceptional image sharpness and optimal color graduation. This coating not only enhances the visual appeal of your prints but also imparts a very high level of water resistance, safeguarding your work against the elements.Artists, photographers, and professionals will find this paper versatile for a variety of applications, including fine art reproduction, creating professional business cards, heartfelt greetings cards, vibrant postcards, elegant menu and novelty applications, as well as certificates and presentation prints intended for display purposes.With the Albrecht Durer textured matte surface inkjet paper, your prints will not just be images; they will be a testament to the synergy of art and the finest printing technology, ensuring that every color and tone is faithfully represented. Embrace the blend of heritage and quality with this premium paper choice, designed to bring your artistic vision to life with precision and grace.

Discover the Albrecht Durer 210gsm Natural White Inkjet Paper, a premium product designed for artists and photographers seeking a professional, high-quality medium for their work. This 50% rag, age-resistant paper is crafted from recycled cotton fibers, making it an eco-friendly choice for your fine art printing needs.This 13x19" paper, available in a pack of 25 sheets, boasts a textured matte surface that mimics the feel of traditional watercolor paper. The warm white tone of the Albrecht Durer paper lends both a classical and contemporary touch to art reproductions and photographs, enhancing the natural texture of the original artwork.The paper is printable on one side, which has been specially coated to ensure excellent image sharpness and optimum color graduation. This coating also provides a high level of water resistance, ensuring the longevity of your prints. Ideal for a variety of applications, the Albrecht Durer 210gsm Natural White Inkjet Paper is perfect for fine art reproduction, creating unique business cards, designing personalized greeting and post cards, crafting eye-catching menus, novelty applications, and producing certificates and presentation prints for display purposes. Experience the versatility and durability of this professional-grade paper, made by the reputable brand Hahnemuhle, known for its commitment to producing high-quality fine art paper. Whether you're printing paintings, drawings, or reproducing oil and acrylic artworks, this paper delivers a subtle, natural look that enhances the beauty of your creations.

Faber-Castell Albrecht Durer Watercolor Markers are perfect for artists of all skill levels. Each dual-tip marker features a brush nib for broad strokes and a bullet nib for detailed work. Use them wet or dry for watercolor, hand lettering, mixed media, calligraphy, sketches, and more. The set includes 30 vibrant, water-soluble, and odorless colors, designed for long-lasting use. The lightfast colors ensure your artwork remains pristine for over 100 years. Caps are interchangeable and have a roll-away safety feature to prevent them from rolling off surfaces. Ideal for painting, expressive drawing, and on-the-go sketches. Since 1761, Faber-Castell has produced premium art supplies, proudly made in Germany. The Albrecht Durer Art Set features dual-tip watercolor pens in 30 vibrant, fully water-soluble colors; Simply add water to your watercolor marker drawings to transform your art into a watercolor masterpiece; Highly pigmented markers are odorless, water-based ink that does not bleed through most paper; A flexible soft brush for all-over color and dynamic sketches on one side and a sturdy fiber-tip bullet for outlines, detailed drawings and precise; The watercolor pens feature color-matched, roll-away lock-on caps for easy color identification"; faber-castell faber castell watercolor marker albrecht durer marker dual-tip marker brush marker bullet marker faber-castell faber castell watercolor marker albrecht durer marker dual-tip marker brush marker bullet marker

Germany's greatest Renaissance artist   Though he is most famous for his engravings, Albrecht Dürer (1471-1528) was also a master painter and draftsman whose work exemplifies the spirit of German art. Dürer’s importance in the German High Renaissance was such that he can be considered to embody the movement entirely. His visits to Italy (where he studied most notably with Giovanni Bellini) had a profound effect on his artistic development and enabled him to combine both German and Italian influences in his work. In his later life, Dürer’s passion for knowledge and progress led him to research and write on the subjects of art theory and mathematics, making him not only the greatest Northern European artist of his time, but also one of its leading thinkers. This overview of Dürer’s entire oeuvre—covering his oil, tempera, and watercolor paintings, copper and wood engravings, and his drawings and sketches—is the perfect introduction to his work.   About the Series: Each book in TASCHEN’s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

What do Martin Kippenberger, Mike Kelley, Paul McCarthy, John Baldessari, Wolfgang Tillmans, Isabella Rossellini, Larry Clark and Ennio Morricone have in common? They have all been candidly captured by the lens of Albrecht Fuchs. Here, published for the first time, we see the familiar subjects gazing at the viewer with open demeanor, at home in their environment. These are meticulously constructed images, both in terms of the use of light and color composition. His methodology of respectful distance and loving empathy leads to a strange tension in his photographs, underlying the quietude and equilibrium in the compositions. Photographer Albrecht Fuchs is famous for his color portraits, a field he has been working in for over ten years. His photographs have been displayed in numerous exhibitions in Germany, Switzerland and the Netherlands. Essay by Mark von Schlegell.

Albrecht Dürer (1471–1528) was hailed in his lifetime as a founder of the Northern Renaissance, and his work revolutionized the art of printmaking. Dürer was also the first artist outside Italy to leave behind a large body of writing. Contemporaries and succeeding generations added their accounts of him to this documentary legacy. Jeffrey Ashcroft’s new book provides the first English translation of the whole corpus of Dürer’s writings; the legal, financial, and administrative documentation of his life and work; and what others wrote about him during his life and in the following century. Translations of primary documents are accompanied by extensive commentary, providing Anglophone scholars access to German-language research. This unique combination of documentary evidence, current research, and exhaustive bibliography will doubtless become a definitive source for students and scholars of Dürer and his work, as well as for historians of early modern culture, language, and literature.

A polymath of the German Renaissance, Albrecht Dürer (1471–1528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form. Dürer’s woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity. His two major woodcut series on Christ’s Passion, named The Large Passion and The Small Passion after their size, are particularly remarkable for their vivid human treatment of the Christian narrative. In his copper engraving, Melancholia I, meanwhile, Dürer created a startling vision of emotional ennui, often cited as a defining early image of a depressive or melancholic state.Ever inquisitive, Dürer absorbed ideas not only from masters and fellow artists in Germany but also from Italy, while his own influence extended across Europe for generations to come. In this essential TASCHEN introduction, we explore this pioneering figure’s complex practice, his omnivorous intellect, and the key works which shaped his enduring legacy.

A brief biography of the German painter and printmaker accompanies fifteen color reproductions and critical interpretations of his works.

Rediscover the drawings of Albrecht Dürer, one of the most prominent Renaissance artists, known as an incomparable painter and draughtsman with a keen eye for the natural world.During his lifetime, Dürer found tremendous success as a painter and printmaker, taking commissions from prominent figures such as Frederick the Wise and Holy Roman Emperor Maximilian I. His drawings and studies reveal his interest in human proportions, anatomy, and perspective. Featured in this book are Dürer's drawings from the Albertina Museum's preeminent collection including family portraits, studies of animals and plants, and studies of the human body. This book showcases more than 100 of Dürer's drawings including Hare, Self Portrait at the Age of 13, and Melencolia I, along with paintings and prints. Featuring scholarly essays and beautifully reproduced works, this book shows the reader not only how important Dürer's drawings are to his own oeuvre, but also how he helped drawing become an appreciated medium in its own right.

Albrecht Dürer (1471–1528) was hailed in his lifetime as a founder of the Northern Renaissance, and his work revolutionized the art of printmaking. Dürer was also the first artist outside Italy to leave behind a large body of writing. Contemporaries and succeeding generations added their accounts of him to this documentary legacy. Jeffrey Ashcroft’s new book provides the first English translation of the whole corpus of Dürer’s writings; the legal, financial, and administrative documentation of his life and work; and what others wrote about him during his life and in the following century. Translations of primary documents are accompanied by extensive commentary, providing Anglophone scholars access to German-language research. This unique combination of documentary evidence, current research, and exhaustive bibliography will doubtless become a definitive source for students and scholars of Dürer and his work, as well as for historians of early modern culture, language, and literature.

Presented in a folder and ornamental slipcase are 32 pages of woodprints series from Durer's "Apocalypse", and an accompanying volume. This series was originally published in 1498 in German and Latin making Albert Durer (1471-1528) known in Europe almost over night. As early as 1511 a second edition followed in book form. Pictures on 15 large woodprints tell of the horror of the last days and the beginning of the kingdom of God as described in the Revelation of St John the Divine. Published shortly before the turn of the 1500s it had a special meaning to the people as the visions were thought to be prophesies of the advancing last days.

In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape,Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus—the forest interior. This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations. “Excellent illustrations . . . [and] detailed exuberant comments leave the reader in no doubt about Altdorfer’s brilliance and originality.”—Anthony Grafton, New York Review of Books “A study that is bound to become a standard work.”—Independent on Sunday “Sumptuous.”—Daily Telegraph

German Renaissance artist Albrecht Dürer (1471-1528) is held up as perhaps the most significant artist of his time, particularly for his printmaking. The son of a Nuremberg goldsmith, Dürer was introduced early to the tools in his father's trade, as he was expected, naturally, to also become a goldsmith. When he was finally allowed to train as an artist, Dürer entered an apprenticeship with Michael Wolgemut, whose workshop created woodcuts for Anton Koberger, a local publisher and also Dürer's godfather. After four years, and with this strong artistic foundation, Dürer left Wolgemut's studio and traveled throughout Europe, encountering artists whose influence would have a lasting impression on his work.By age thirty, Dürer had already begun many of the works reprinted in this coloring book. Over the next few decades, he created woodcuts and engravings that revolutionized printmaking as a form of fine art. His technical brilliance grew, resulting in works that are considered a trio of masterpieces: Knight, Death, and the Devil; Melencolia I; and Saint Jerome in His Study. Along with these three engravings, we have included numerous independent prints and selections from his series the Apocalypse, the Small Passion, the Large Passion, the Engraved Passion, and the Life of the Virgin. Each is intense and fascinating.

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Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.