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A new theory of evolution begins to emerge in the pages of The Altenberg 16: An Exposé of the Evolution Industry. Written by Suzan Mazur—a print and television journalist whose reports have appeared in the Financial Times, The Economist, Archaeology, Omni, and many other publications—the book is a front row seat to the thinking of the great evolutionary science minds of our time about the need to reformulate the neo-Darwinian theory of evolution. We hear from world renowned scientists such as Richard Lewontin, Lynn Margulis, Niles Eldredge, Richard Dawkins, the "evo-devo" revolutionaries, NASA astrobiologists, and others. The book grew out of a story Mazur broke online in March 2008—titled "Altenberg! The Woodstock of Evolution?"—about the now famous meeting at Konrad Lorenz Institute in Altenberg, Austria in July 2008, where 16 scientists discussed expanding evolutionary thinking beyond outdated hypotheses. (MIT will publish the proceedings in April 2010.) Science magazine noted that Mazur’s reporting "reverberated throughout the evolutionary biology community."  Mazur says she was punished for getting out in front of the story and banned from the symposium but realized the story was bigger than Altenberg (which covered events beginning 500 million years ago) and spoke to scientists who were not invited, including those investigating pre-biotic evolution. She came to the conclusion that evolutionary science suffers because many in the scientific establishment refuse to acknowledge that the old science has served its purpose and there is disagreement about what the new evolution paradigm is. She thinks the dam is now breaking because the public (who funds science) has become a party to the discourse via the Internet and seeks answers to fundamental questions about evolution that scientists so far can’t definitively answer.

A new theory of evolution begins to emerge in the pages of The Altenberg 16: An Exposé of the Evolution Industry. Written by Suzan Mazur—a print and television journalist whose reports have appeared in the Financial Times, The Economist, Archaeology, Omni, and many other publications—the book is a front row seat to the thinking of the great evolutionary science minds of our time about the need to reformulate the neo-Darwinian theory of evolution. We hear from world renowned scientists such as Richard Lewontin, Lynn Margulis, Niles Eldredge, Richard Dawkins, the "evo-devo" revolutionaries, NASA astrobiologists, and others. The book grew out of a story Mazur broke online in March 2008—titled "Altenberg! The Woodstock of Evolution?"—about the now famous meeting at Konrad Lorenz Institute in Altenberg, Austria in July 2008, where 16 scientists discussed expanding evolutionary thinking beyond outdated hypotheses. (MIT will publish the proceedings in April 2010.) Science magazine noted that Mazur’s reporting "reverberated throughout the evolutionary biology community."  Mazur says she was punished for getting out in front of the story and banned from the symposium but realized the story was bigger than Altenberg (which covered events beginning 500 million years ago) and spoke to scientists who were not invited, including those investigating pre-biotic evolution. She came to the conclusion that evolutionary science suffers because many in the scientific establishment refuse to acknowledge that the old science has served its purpose and there is disagreement about what the new evolution paradigm is. She thinks the dam is now breaking because the public (who funds science) has become a party to the discourse via the Internet and seeks answers to fundamental questions about evolution that scientists so far can’t definitively answer.

"If it be permitted to speak of ‘love at first sound,’ then that’s what I experienced in my first encounter with this poet of prose." So said Thomas Mann of the work of PeterAltenberg. A virtuoso Fin-de-Siècle Viennese innovator of what he called the "telegram style" of writing, Altenberg’s signature short prose straddles the line between the poetic and the prosaic, fiction and observation, harsh verity and whimsical vignette. Inspired by the prose poems of Charles Baudelaire and the Feuilleton—a light journalistic reflection of his day—Altenberg carved out a spare, strikingly modern aesthetic that speaks with an eerie prescience to our own impatient time. Peter Wortsman’s new selection and translation reads like a sly lyrical wink from the turnof-the-century of the telegram to the turn-of-the-millennium of email.