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Ambivalent Alliance convincingly defends several provocative insights into a key period in the history of French Catholicism. It investigates the strange marriage of convenience, from 1899 to 1939, between the French church and the ultra-rightist, chauvinist, monarchist, and anti-Semitic organization called the Acton Française, and raises many disturbing questions. Why did an increasingly international church find a narrowly patriotic group so appealing? How could it endorse a movement founded by an agnostic whose philosophy sanctioned violence and the persecution of Jews and othe “undesirables”? The twentieth-century French church was still feeling the shock waves of the French Revolution, assaulted from without and torn from within regarding its role in politics. Challenging the views of prominent historians of the period, Arnal shows that between 1899 and 1939 Catholic leaders pursued a consistent strategy of political and social conservatism. Whereas many regarded the church's flirtations with social democracy and its occasional attempts to rally French Catholics behind constitutional politics as proof of its progressive character, Arnal sees a fundamentally reactionary continuity in church leadership. Pius XI did not condemn the Acton Française for its fascist ideology; he feared independence among Catholics more than the radical right. Arnal's wide-ranging study brings a controversial new interpretation to the political and ecclesiastical history of the twentieth-century.

This is both a specific study of conversion in a corner of the Spanish Empire, and a work with implications for the understanding of European domination and native resistance throughout the colonial world. Dr Clendinnen explores the intensifying conflict between competing and increasingly divergent Spanish visions of Yucatan and its destructive outcomes. She seeks to penetrate the ways of thinking and feeling of the Mayan Indians in a detailed reconstruction of their assessment of the intruders.

The remarkable relationship among the six conspirators who aided John Brown in his famed 1859 raid at Harpers Ferry is dramatically exposed in this volume. Why did these six abolitionists, who were nominally pacifist, decide to subsidize an act of black violence? Jeffery Rossbach rejects the commonly held belief that Brown dominated them with his charismatic personality. Here he delves into the backgrounds and beliefs of the members of the Secret Six during their three-year involvement with the plan and gives us, for the first time, a revealing picture of the group's character.Rossbach identifies the set of racial and political assumptions at the core of the Committee's rationale. He demonstrates how the conspirators, particularly Parker and Higginson, fused their ideas about political violence with those of the Journalist James Redpath and some free black leaders in the north. Essentially, the Six believed that the condition of slavery had rendered the black man docile, pliant, and prone to collective behavior. If slaves rallied to Brown's insurrectionary banner, they reasoned, their violent acts would have a cathartic effect on the Afro-American character and social outlook. The conspirators felt that just as the willingness to fight for freedom formed the basis of the Anglo-American character, so a violent uprising to free slaves and kill white oppressors must serve as the black man's first step toward the assimilation of a new and more individualistic value system. That system would more closely match the one held by the democratic, industrial North.Surpassing previous studies by both conservative and revisionist historians, Rossbach shows how the secret committee's relationship with Brown was based upon their common social assumptions and personal aspirations. He suggests that they shared a system of beliefs that was emerging among urban professionals of the new industrial North. His work provides a fuller dimension to this key episode in American history.

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This new cultural history of Jewish life and identity in the United States after World War II focuses on the process of upward mobility. Rachel Kranson challenges the common notion that most American Jews unambivalently celebrated their generally strong growth in economic status and social acceptance during the booming postwar era. In fact, a significant number of Jewish religious, artistic, and intellectual leaders worried about the ascent of large numbers of Jews into the American middle class. Kranson reveals that many Jews were deeply concerned that their lives—affected by rapidly changing political pressures, gender roles, and religious practices—were becoming dangerously disconnected from authentic Jewish values. She uncovers how Jewish leaders delivered jeremiads that warned affluent Jews of hypocrisy and associated "good" Jews with poverty, even at times romanticizing life in America's immigrant slums and Europe's impoverished shtetls. Jewish leaders, while not trying to hinder economic development, thus cemented an ongoing identification with the Jewish heritage of poverty and marginality as a crucial element in an American Jewish ethos.

Ambivalent (IMPORT) Keyakizaka46 - CD 4547366371109

In what is both a specific study of conversion in a corner of the Spanish Empire and a work with implications for the understanding of European domination and native resistance throughout the colonial world, Inga Clendinnen explores the intensifying conflict between competing and increasingly divergent Spanish visions of Yucatan and its destructive outcomes. In Ambivalent Conquests Clendinnen penetrates the thinking and feeling of the Mayan Indians in a detailed reconstruction of their assessment of the intruders. This new edition contains a preface by the author where she reflects upon the book's contribution in the past fifteen years. Inga Clendinnen is Emeritus scholar, LaTrobe University, Australia. Her books include the acclaimed Reading the Holocaust (Cambridge, 1999), named a Best Book of the Year by the New York Times Book Review, and Aztec: An Interpretation (Cambridge, 1995), and Tiger's Eye: A Memoir (Scribner, 2001).

Over the last few decades, debates about policing in poor urban areas have turned from analyzing the state's neglect and abandonment into documenting its harsh interventions and punishing presence. Yet, we know very little about the covert world of state action that is hidden from public view. In The Ambivalent State, Javier Auyero and Katherine Sobering offer an unprecedented look into the clandestine relationships between police agents and drug dealers in Argentina. Drawing on a unique combination of ethnographic fieldwork and documentary evidence, including hundreds of pages of wiretapped phone conversations, they analyze the inner-workings of police-criminal collusion, its connections to drug markets, and how it promotes cynicism and powerlessness in daily life. They argue that an up-close examination of covert state action exposes the workings of an ambivalent state: one that both enforces the rule of law and functions as a partner in criminal behavior. The Ambivalent State develops a political sociology of violence that focuses not only on what takes place in police stations, courts, and poor neighborhoods, but also the clandestine actions and interactions of police, judges, and politicians that structure daily life at the urban margins.

Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography—and with visibility more generally—in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Authors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa.As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography into an engaging and important subject of historical investigation. Ambivalent’s contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories.Contributors: George Emeka Agbo, Isabelle de Rezende, Jung Ran Forte, Ingrid Masondo, Phindi Mnyaka, Okechukwu Nwafor, Vilho Shigwedha, Napandulwe Shiweda, Drew Thompson

Until recently, historians have defined the Commonwealth Caribbean territories by their relationship with Britian and have attributed little importance to American relations with these territories. Fraser provides a reinterpretation of U.S. policy toward the West Indies since 1940. He establishes links between Afro-West Indian groups and African Americans who successfully influenced both American and British policy in the West Indies. Thus, he explores a little-understood and little-studied aspect of American policy toward Britain's disengagement from empire after 1945 and the way decolonization in the Caribbean helped to shape the pattern and strategy of the Anglo-American relationship from Roosevelt to Kennedy. The book will force a rethinking of American policy toward the West Indies since 1940, the impact of race on American foreign policy, and the historiography of inter-American relations.

Until recently, historians have defined the Commonwealth Caribbean territories by their relationship with Britian and have attributed little importance to American relations with these territories. Fraser provides a reinterpretation of U.S. policy toward the West Indies since 1940. He establishes links between Afro-West Indian groups and African Americans who successfully influenced both American and British policy in the West Indies. Thus, he explores a little-understood and little-studied aspect of American policy toward Britain's disengagement from empire after 1945 and the way decolonization in the Caribbean helped to shape the pattern and strategy of the Anglo-American relationship from Roosevelt to Kennedy. The book will force a rethinking of American policy toward the West Indies since 1940, the impact of race on American foreign policy, and the historiography of inter-American relations.

Although Western scholars have examined many aspects of contemporary Japan, Japanese postwar intellectual history has largely been overlooked. In this book, Olson introduces readers to four prominent postwar Japanese intellectuals whose writings illustrate the principal alternative native paths through which they sought to redefine their cultural identity and arrive at the meaning of Japanese nationality after defeat in World War II. Although virtually unknown outside Japan, Takeuchi Yoshimi, Tsurumi Shunsuke, Et Jun and Yoshimoto Takaaki found a wide audience for their books and artifices in leading journals. Behind their wall of linguistic and psychological isolation, these intellectuals weigh and go on weighing endlessly the relative value of traditional Japanese culture.

Ambivalent Affinities: A Political History of Blackness and Homosexuality after World War II 1.02

This book explores the weird and mean and in-between that characterize everyday expression online, from absurdist photoshops to antagonistic Twitter hashtags to deceptive identity play. Whitney Phillips and Ryan M. Milner focus especially on the ambivalence of this expression: the fact that it is too unwieldy, too variable across cases, to be essentialized as old or new, vernacular or institutional, generative or destructive. Online expression is, instead, all of the above. This ambivalence, the authors argue, hinges on available digital tools. That said, there is nothing unexpected or surprising about even the strangest online behavior. Ours is a brave new world, and there is nothing new under the sun – a point necessary to understanding not just that online spaces are rife with oddity, mischief, and antagonism, but why these behaviors matter. The Ambivalent Internet is essential reading for students and scholars of digital media and related fields across the humanities, as well as anyone interested in mediated culture and expression.

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Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography—and with visibility more generally—in ways that engage and disrupt the easy categories and genres that have characterized the field to date. Authors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa.As the contributors show, photography is itself a historical subject: it involves arrangement, financing, posture, positioning, and other kinds of work that are otherwise invisible. By moving us outside the frame of the photograph itself, by refusing to accept the photograph as the last word, this book makes photography into an engaging and important subject of historical investigation. Ambivalent’s contributors bring photography into conversation with orality, travel writing, ritual, psychoanalysis, and politics, with new approaches to questions of race, time, and postcolonial and decolonial histories.Contributors: George Emeka Agbo, Isabelle de Rezende, Jung Ran Forte, Ingrid Masondo, Phindi Mnyaka, Okechukwu Nwafor, Vilho Shigwedha, Napandulwe Shiweda, Drew Thompson

To be a tourist in Libya during the period of Italian colonization was to experience a complex negotiation of cultures. Against a sturdy backdrop of indigenous culture and architecture, modern metropolitan culture brought its systems of transportation and accommodation, as well as new hierarchies of political and social control. Architecture and Tourism in Italian Colonial Libya shows how Italian authorities used the contradictory forces of tradition and modernity to both legitimize their colonial enterprise and construct a vital tourist industry. Although most tourists sought to escape the trappings of the metropole in favor of experiencing "difference," that difference was almost always framed, contained, and even defined by Western culture.McLaren argues that the "modern" and the "traditional" were entirely constructed by colonial authorities, who balanced their need to project an image of a modern and efficient network of travel and accommodation with the necessity of preserving the characteristic qualities of the indigenous culture. What made the tourist experience in Libya distinct from that of other tourist destinations was the constant oscillation between modernizing and preservation tendencies. The movement between these forces is reflected in the structure of the book, which proceeds from the broadest level of inquiry into the Fascist colonial project in Libya to the tourist organization itself, and finally into the architecture of the tourist environment, offering a way of viewing state-driven modernization projects and notions of modernity from a historical and geographic perspective.This is an important book for architectural historians and for those interested in colonial and postcolonial studies, as well as Italian studies, African history, literature, and cultural studies more generally.

Drug wars, NAFTA, presidential politics, and heightened attention to Mexican immigration are just some of the recent issues that are freshly interpreted in this updated survey of Mexican-U.S. relations.The fourth edition has been completely revised and offers a lively, engaging, and up-to-date analysis of historical patterns of change and continuity as well as contemporary issues. Ranging from Mexican antiquity and the arrival of the Spanish and British to the present-day administrations of Felipe Calderón and Barack Obama, historians Dirk Raat and Michael Brescia evaluate the political, economic, and cultural trends and events that have shaped the ways that Mexicans and Americans have regarded each other over the centuries. Raat and Brescia pay special attention to the factors that have subordinated Mexico not only to "the colossus of the North" but to many other players in the global economy. They also provide a unique look at the cultural dynamics of Gran Chichimeca or Mexamerica, the borderlands where the two countries share a common history. The bibliographical essay has been revised to reflect current research and scholarship.