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Russell Targ is currently "retired" and enjoys motorcycling in the Silcon Valley (even though he is legally blind) and studying Dzogchen Buddhism.

Assembled in Japan investigates one of the great success stories of the twentieth century: the rise of the Japanese electronics industry. Contrary to mainstream interpretation, Simon Partner discovers that behind the meteoric rise of Sony, Matsushita, Toshiba, and other electrical goods companies was neither the iron hand of Japan's Ministry of International Trade and Industry nor a government-sponsored export-led growth policy, but rather an explosion of domestic consumer demand that began in the 1950s.This powerful consumer boom differed fundamentally from the one under way at the same time in the United States in that it began from widespread poverty and comparatively miserable living conditions. Beginning with a discussion of the prewar origins of the consumer engine that was to take off under the American Occupation, Partner quickly turns his sights on the business leaders, inventors, laborers, and ordinary citizens who participated in the broadly successful effort to create new markets for expensive, unfamiliar new products.Throughout, the author relates these pressure-cooker years in Japan to the key themes of twentieth-century experience worldwide: the role of technology in promoting social change, the rise of mass consumer societies, and the construction of gender in advanced industrial economies.

For more than 100-years, Ideal electrical has had a proud history of producing the highest quality tools by marrying innovation with tradition. Its not just about making high quality tools, its about making them the right way with American steel and American labor, right here in the USA. This 14-piece tool kit includes all the basic tools and journeymans tool bag an electrician needs.

Here is the best of both worlds: New houses with old world sensibilities. In Creating a New Old House, architect Russell Versaci shows you that it is possible to design and create a new house that looks and feels like it has always been there. Versaci explores how architects, builders, and craftsmen are reinterpreting the traditional American house. Through photographs and engaging text, discussions of history and craftsmanship, and sidelong glances at the workings of real old houses, Versaci explains how traditional houses go together and what gives them their unique design appeal. Features 17 new, old-style houses -- from colonials to farmhouses -- from all over the country Versaci identifies Eight Pillars of Traditional Design that create a solid foundation for combining authentic, traditional design with livability to create homes that feel old yet work for the demands of modern family living.

In 1979 the Kansas City Chapter of the American Institute of Architects published its first guidebook to the architecture of Kansas City. In the two decades that have followed Kansas City has seen the addition of many outstanding buildings and the loss of several old ones. The Kansas City Chapter of the American Institute of Architects has joined together with the Design Center of Kansas City to publish this celebration of Kansas City architecture. The intent of this book is to give the reader a representative visual image of metropolitan Kansas City through its exceptional buildings, urban design, and contemporary environmental public art. The reader will find—arranged in 12 geographic districts—examples of the work of some of the area’s finest architects and artists, as well as a number of entries by individuals of world renown. At the beginning of each geographic area is a guide map, along with an introduction to the overall significance of the area. As it happens, the geographic divisions tend to parallel closely the patterns of growth and development in Kansas City and recognize the individual styles of Kansas City, Missouri; Independence, Missouri; Kansas City, Kansas; and Johnson County, Kansas. The content of the new guidebook was based on the 1979 edition, with the recognition that the years since then have produced an abundance of outstanding examples of architecture, most of which speak to a maturing of the art and practice of the architectural profession in Kansas City. Additionally, Kansas City’s One-Percent-for-Art Program, given new impetus in the 1980s, have provided a body of public art that enhances many of those examples of recent architecture.

No other contracts are more widely used in the construction industry than the American Institute of Architects’ standard forms. The American Institute of Architects Official Guide to the 2007 AIA Contract Documents offers unparalleled insight into the AIA’s extensive portfolio of contract documents, helping the reader understand the forms and how to implement them. This guide is divided into two parts:Part One, The AIA Standard Documents, examines the role of AIA Contract Documents, their history, and how the documents are written and updated. It also reviews the educational and supporting resources that are part of the AIA's contract documents program; Part Two, The AIA Documents Companion, describes agreements in detail, including the purpose and rationale for provisions. Separate chapters cover the owner-contractor, contractor-subcontractor, owner-architect, and architect-consultant agreements. The guide concludes with a chapter describing pivotal legal cases that have helped shape and interpret AIA contracts. Samples of the most commonly used contracts are in print in the appendix, and an accompanying CD-ROM has samples of all AIA Contract Documents (in PDF format for Mac and PC computers) that released in 2007, as well as the Integrated Project Delivery Family of documents that released in 2008. This book is invaluable for construction project owners, attorneys, contractors, subcontractors, design professionals, and others involved in the procurement, management, and delivery of building projects. It is also recommended for students and young professionals seeking a degree, certification, or licensure.

Studio executives, producers, directors, screenwriters, actors, actresses, cinematographers, composers, costume designers, agents and casting directors describe their contributions to the making of a movie

The essays in Anticipating Total War explore the discourse on war in Germany and the United States between 1871 and 1914. The concept of "total war" provides the analytical focus. The essays reveal vigorous discussions of warfare in several forums among soldiers, statesmen, women's groups, and educators on both sides of the Atlantic. Predictions of long, cataclysmic wars were not uncommon in these discussions, while the involvement of German and American soldiers in colonial warfare suggested that future combat would not spare civilians. Despite these "anticipations of total war," virtually no one realized the practical implications in planning for war in the early twentieth century.

Zustand: Sehr gut - Gepflegter, sauberer Zustand. Seiten: 674 Sprache: Englisch Produktart: Bücher

Rochester Institute of Technology's story now encompasses some 175 years of commitment to higher education. Almost uniquely among American universities, RIT has focused on educating a skilled workforce to support advancements in the industrialization and modernization of America. From its beginnings in 1829, when it harnessed the energy of a young city in upstate New York, through stunningly effective mergers and nimble responses to new technologies, RIT has evolved into a respected model in innovative higher education. In this new and enlarged edition of his original history of RIT (1982), Professor Gordon brings the university's fascinating chronicle up to date. RIT has enjoyed tremendous growth over the past 25 years, and readers will enjoy anecdotes on student life, insights into major initiatives, and an objective look at the tough decisions that have guided RIT into the company of the highest-ranking academic institutions in the United States. This book is of certain interest for urban and technological historians, college administrators nationwide, and especially RIT's own growing community of students, employees, supporters, and alumni.

The nineteenth century saw a lengthy and unusually intense conflict between religion and national politics over public space. Using case-studies of nations in both Europe and Latin America, the contirbutors to this unusual comparative volume explore the nature, background and consequences of this conflict from a revisionist and empirical viewpoint, incorporating the latest research and recasting the debate in the light of recent discussions about modernity. A substantial introduction sketches the vital issues and the major conclusions, and takes stock of the debate and where it is leading. contributors include: Margaret Lavinia Anderson, University of California, Berkeley; David Brading, University of Cambridge; Frances Lannon, University of Oxford; Patricia Londono Vega, University of Antioquia, Colombia; James F. McMillan, University of Edinburgh; Erika Maza Valenzuela, University of Oxford; J. Samuel Valenzuela, University of Notre Dame; Eric Van Young, University of California, San Diego.

In the seventeenth and eighteenth centuries, French colonists and their Native allies participated in a slave trade that spanned half of North America, carrying thousands of Native Americans into bondage in the Great Lakes, Canada, and the Caribbean. In Bonds of Alliance, Brett Rushforth reveals the dynamics of this system from its origins to the end of French colonial rule. Balancing a vast geographic and chronological scope with careful attention to the lives of enslaved individuals, this book gives voice to those who lived through the ordeal of slavery and, along the way, shaped French and Native societies.Rather than telling a simple story of colonial domination and Native victimization, Rushforth argues that Indian slavery in New France emerged at the nexus of two very different forms of slavery: one indigenous to North America and the other rooted in the Atlantic world. The alliances that bound French and Natives together forced a century-long negotiation over the nature of slavery and its place in early American society. Neither fully Indian nor entirely French, slavery in New France drew upon and transformed indigenous and Atlantic cultures in complex and surprising ways. Based on thousands of French and Algonquian-language manuscripts archived in Canada, France, the United States and the Caribbean, Bonds of Alliance bridges the divide between continental and Atlantic approaches to early American history. By discovering unexpected connections between distant peoples and places, Rushforth sheds new light on a wide range of subjects, including intercultural diplomacy, colonial law, gender and sexuality, and the history of race.

*Price HAS BEEN REDUCED by 10% until Monday, Jan. 13 (sale item)* 548 pp., Hardcover, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request.

This text is an abridgement of the Restatement of the Law Third-The Law Governing Lawyers, intended primarily for use in law school legal ethics courses as either a textbook or as supplemental reading. This restatement addresses such issues as the formation of the client-lawyer relationship, legal malpractice, and the potential liability of lawyers to third-party non-clients.

Max Ginsburg, one of the most respected and highly accomplished realist painters today, presents for the first time, a collection of his paintings from 1956 to 2010. Exquisitely presented, this book accompanies his exhibitions during 2011 at The Butler Institute of American Art, Youngstown, Ohio, as well as at the Salmagundi Club in New York City.  

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This comprehensive catalogue presents the Institute's great collection of American paintings, sculpture, and decorative art, including furniture, silver, and glass.

Book by Hayek, Friedrich A. Von

The Art Institute of Chicago, although renowned for its holdings of works by the French Impressionists, also houses a wealth of superb examples by American proponents of this distinctive style. The breadth of the museum's collection of American Impressionism is rich, with a substantial body of paintings and watercolors by Winslow Homer, who is seen today as a precursor to Impressionism, as well as impressive portfolios of work by Americans living in Europe, such as James McNeill Whistler and John Singer Sargent, and the only American who was officially part of the French group, Mary Cassatt. In addition, important paintings and watercolors by notable artists such as Cecilia Beaux, William Merritt Chase, Childe Hassam, George Inness, Mauric Prendergast, and John Twachtman are included, along with handsomely reproduced images by lesser-known artists who worked in the Impressionist vein.

This long-awaited publication, the third in a series of titles co-published with the Detroit Institute of Arts, completes the study of American paintings in the museum's outstanding collection with 129 colour images of works by artist born after 1847.The American art collection at Detroit covers a broad range of artistic endeavours, but the strength of the American holdings is the painting collection. Especially strong are those paintings from the latter part of the 19th century and the beginnings of the 20th, which are the focus of this volume.Signature works featured in this book include Sargent's Madame Paul Poirson and Mosquito Nets, Chase's Yield of the Waters, Hassam's Place Centrale and Fort Cabanas, Havana, Dewing's The Recitation, Sloan's McSorley's Bar, and Hartley's Log Jam, Penobscot Bay.