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Here is the authorized, definitive biography of one of the most controversial figures of twentieth-century literature, renowned for his blistering intelligence, savage wit and belligerent fierceness of opinion: Kingsley Amis was not only the finest comic novelist of his generation–having first achieved prominence with the publication of Lucky Jim in 1954 and as one of the Angry Young Men–but also a dominant figure in post—World War II British writing as novelist, poet, critic and polemicist.In The Life of Kingsley Amis, Zachary Leader, acclaimed editor of The Letters of Kingsley Amis, draws not only on unpublished works and correspondence but also on interviews with a wide range of Amis’s friends, relatives, fellow writers, students and colleagues, many of whom have never spoken out before. The result is a compulsively readable account of Amis’s childhood, school days and life as a student at Oxford, teacher, critic, political and cultural commentator, professional author, husband, father and lover. Even as he makes the case for Amis’s cultural centrality–at his death Time magazine claimed that “the British decades between 1955 and 1995 should in fairness be called ‘the Amis era’”–Leader explores the writer’s phobias, self-doubts and ambitions; the controversies in which he was embroiled; and the role that drink played in a life bedeviled by erotic entanglements, domestic turbulence and personal disaster.Dazzling for its thoroughness, psychological acuity and elegant style, The Life of Kingsley Amis is exemplary: literary biography at its very best.

Here is the beloved, bestselling compendium of Kingsley Amis's wisdom on the cherished subject of drinking. Along with a series of well-tested recipes (including a cocktail called the Lucky Jim) the book includes Amis's musings on The Hangover, The Boozing Man's Diet, The Mean Sod's Guide, and (presumably as a matter of speculation) How Not to Get Drunk-all leavened with fun quizzes on the making and drinking of alcohol all over the world. Mixing practical know-how and hilarious opinionation, this is a delightful cocktail of wry humor and distilled knowledge, served by one of our great gimlet wits.

Making Cocoa for Kingsley Amis

In 1954, Kingsley Amis grabbed the attention of the literary world as one of the Angry Young Men with his first novel Lucky Jim. He maintained a public image of blistering intelligence, savage wit, and belligerent fierceness of opinion until his death in 1995. In his letters, he confirms the legendary aspects of his reputation, and much more. This collection contains more than eight hundred letters that divulge the secrets of the artist and the man, with an honesty and immediacy rare in any biography or memoir.Amis, so assured in his pronouncements on fellow writers, grapples privately with fears, self-doubts, ambitions, and personal disasters. He is wildly funny, indulging in mordant gossip and astonishing frankness with his intimate friends and lovers. Some letters are dashed off with signature frustration; others are written with painstaking and painful circumspection. They make vivid the triumphs and tumult of his life and his times, from post-war Britain through the Thatcher era, as well as his attractions to women, jazz, drink, and the comic possibilities of the English language.As an intellectual pugilist who took no prisoners, Kingsley Amis had few peers. These letters, at times scandalous, at times tragic, reinforce his historical relevance and literary stature.

With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

The eagerly-awaited authorized biography of Kingsley Amis.In this, the authorized biography, Zachary Leader argues that Kingsley Amis was not only the finest comic novelist of his generation, but the dominant figure of post-war British writing.Drawing not only on interviews with a range of Amis’s friends, relatives, fellow writers, students and colleagues, many of them never before consulted, but also on almost a thousand previously unpublished letters, Leader’s biography will for the first time give a full picture of Amis’s childhood, school-days, life as a teacher, critic, polemicist, professional author, husband, father and lover. He explores Amis’s fears and phobias, and the role that drink played in his life. And of course he pays due attention to Amis’s work.As the editor of Kingsley Amis’s Letters (hailed in the Sunday Telegraph as “one of the last major monuments to the epistolary art”), Leader is more than qualified to be his authorized biographer. His book will surprise, entertain and illuminate.

Book is in NEW condition. 0.85

In 1954, Kingsley Amis grabbed the attention of the literary world as one of the Angry Young Men with his first novel Lucky Jim. He maintained a public image of blistering intelligence, savage wit, and belligerent fierceness of opinion until his death in 1995. In his letters, he confirms the legendary aspects of his reputation, and much more. This collection contains more than eight hundred letters that divulge the secrets of the artist and the man, with an honesty and immediacy rare in any biography or memoir.Amis, so assured in his pronouncements on fellow writers, grapples privately with fears, self-doubts, ambitions, and personal disasters. He is wildly funny, indulging in mordant gossip and astonishing frankness with his intimate friends and lovers. Some letters are dashed off with signature frustration; others are written with painstaking and painful circumspection. They make vivid the triumphs and tumult of his life and his times, from post-war Britain through the Thatcher era, as well as his attractions to women, jazz, drink, and the comic possibilities of the English language.As an intellectual pugilist who took no prisoners, Kingsley Amis had few peers. These letters, at times scandalous, at times tragic, reinforce his historical relevance and literary stature.

Buy with confidence! Book is in new, never-used condition 0.37

This book offers a comprehensive introduction to Martin Amis's life, work and the wide range of critical responses to his work. Perhaps the best-known British novelist of his generation, he had to compete with his father, Kingsley Amis (1922-95) who was himself a leading novelist of his generation. In reacting to his father he adopted a self-conscious, ludic mode of fiction and cultivated a unique and much imitated style. The book is divided into three parts. Part 1 situates his life in the context of the literary climate and social, political and cultural gestalt of his lifetime. It constitutes the most extensive biographical narrative to appear by the date of publication. Part 2 provides a critical introduction to the eleven novels, two collections of short stories, two autobiographical works, and three collections of essays, reviews, profiles, and articles that he had published so far. Part 3 offers a more advanced examination of the major critical debates about the nature and value of his work. They range from his turn to American fiction for models, his portrayal of women (including charges of misogyny), and his unusual views on linguistic language ("Style is morality," he wrote).

Interviews with Isabel Allende, Martin Amis, John Berger, Harold Bloom, E.L. Doctorow, Amitav Ghosh, Kazuo Ishiguro, Jamaica Kincaid, Oliver Sacks, Carol Shields, Jeanette Winterson and more.

This is a collection of Ian Hamilton's critical writing, including pieces on the lives and work of Sylvia Plath, Evelyn and Auberon Waugh and Kingsley Amis, and assessments of poets such as Seamus Heaney, Roberts Frost, Robert Graves and Philip Larkin. Hamilton also journalism, magazines, key 20th-century novels, football, cricket and sex. His other books include "In Search of J.D. Salinger", "Writers in Hollywood", "Keepers of the Flame" and "Gazza Agonistes".

Near Fine original blue cloth, gilt titles, in VG DW, protected in Brodart sleeve. Rear panel jacket art by Tim White. Introduction by Kingsley Amis. ISBN 0-450-02979-4

Hailed as a major event (John Carey, Sunday Times), a major anthology: one of the best that Oxford has ever produced (James Fenton, The Times), the most important anthology in recent years (The Economist), and indispensable (Kingsley Amis), Roger Lonsdales The New Oxford Book of Eighteenth-Century Verse is now available in a stylishly redesigned reissue. No previous anthology has succeeded in illustrating so thoroughly the kinds of verse actually written in the eighteenth century. The familiar tradition is fully represented by selections from such poets as Pope, Swift, Gray, Smart, Goldsmith, Cowper, Burns, and Blake. In addition, the anthology includes verse by many forgotten writers, both men and women, from all levels of society. Although they have never figured in conventional literary history, they wrote humorous, idiosyncratic, and graphic verse about their personal experience and the world around them, in a way that should challenge received ideas about the periods restraints and inhibitions.

"There are so few genuinely entertaining novels around that we ought to cheer whenever one turns up. Continuous, fizzing energy. . . .Honey for the Bears is a triumph."―Kingsley Amis, New York Times A sharply written satire, Honey for the Bears sends an unassuming antiques dealer, Paul Hussey, to Russia to do one final deal on the black market as a favor for a dead friend's wife. Even on the ship's voyage across, the Russian sensibility begins to pervade: lots of secrets and lots of vodka. When his American wife is stricken by a painful rash and he is interrogated at his hotel by Soviet agents who know that he is trying to sell stylish synthetic dresses to the masses starved for fashion, his precarious inner balance is thrown off for good. More drink follows, discoveries of his wife's illicit affair with another woman, and his own submerged sexual feelings come breaking through the surface, bubbling up in Russian champagne and caviar.

Posthumously published, the great man's trenchant, provocative and authoritative guide to the use and abuse of the English language. Sir Kingsley Amis, who died in 1995, occupied a unique position in the world of English letters: elder statesman, former angry young man, latter-day curmudgeon and, above all, comic novelist of genius. In all his work, and throughout his life, the use and abuse of the English language was one of his principal concerns. The King's English pungently, entertainingly and concisely conveys his love and knowledge of the subject to new generations of readers and writers. Here can be found all those linguistic pitfalls ('crescendo', 'disinterested', 'enormity') which lie in wait for the ignorant or the careless. And if you've ever wondered whether it's acceptable to start a sentence with 'and', or what you risk revealing about yourself by your pronunciation of 'liqueur', or whether or not to cross your 7s in the French style, Amis has the answer. By turns reflective, acerbic, combative and controversial, The King's English will find a place on the shelves of anyone who values the English language and cares about the way in which it is used.

Henry Fairlie was one of the most colorful and trenchant journalists of the twentieth century. The British-born writer made his name on Fleet Street, where he coined the term “The Establishment,” sparred in print with the likes of Kenneth Tynan, and caroused with Kingsley Amis, among  many others. In America his writing found a home in the pages of the New Yorker and other top magazines and newspapers. When he died, he was remembered as “quite simply the best political journalist, writing in English, in the last fifty years.”Remarkable for their prescience and relevance, Fairlie’s essays celebrate Winston Churchill, old-fashioned bathtubs, and American empire; they ridicule Republicans who think they are conservatives and yuppies who want to live forever. Fairlie is caustic, controversial, and unwavering—especially when attacking his employers. With an introduction by Jeremy McCarter, Bite the Hand That Feeds You restores a compelling voice that, among its many virtues, helps Americans appreciate their country anew.

Third in a series of journals, this book includes the author's memories of Evelyn Waugh, Philip Larkin, John Betjamin, Kingsley Amis, and Marlene Dietrich.

Twenty years ago Paul Johnson published Intellectuals, biographical essays forming what Kingsley Amis described as "a valuable and entertaining Rogues’ Gallery of Adventures of the Mind." It was a bestseller in many of the score of languages into which it was translated, but also criticized for describing clever people "so as to bring out their bad behavior" (Bernard Williams, New York Review of Books).Paul Johnson now meets the charge with this companion volume of essays on outstanding and prolific creative spirits. He looks at writers from Chaucer and Shakespeare to Mark Twain and T. S. Eliot, artists like Dürer, and architects such as Pugin and Viollet-le-Duc. He explains the different ways in which Jane Austen, Madame de Stael, and George Eliot struggled to make their voices heard in the masculine hubbub. Victor Hugo allows him to ask, "Can imaginative genius coexist with low intelligence?" Johann Sebastian Bach gives him the opportunity to focus on the role of genetics in creativity and to explore the strange world of the organ loft. Louis Comfort Tiffany takes him into the technology of glass-making and the tragic vagaries of aesthetic fashion. Some essays make illuminating comparisons: of Turner with his contemporary the Japanese master Hokusai, and of the two great dress designers, Balenciaga and Dior. The final essay examines those two inventive geniuses, Picasso and Disney, and asks which had the greater influence on the visual arts of the twentieth century -- and beyond.Paul Johnson believes that creation is a mysterious business that cannot be satisfactorily analyzed. But it can be illustrated in such a way as to bring out its salient characteristics. That is the purpose of this instructive and witty book.

A thrilling adventure with “an oppressive power reminiscent of Conrad” (Kingsley Amis), considered by many to be Ballard’s finest. In the novel that catapulted him to international acclaim upon its publication in 1962, J.G. Ballard’s mesmerizing and ferociously prescient The Drowned World imagines a terrifying future in which solar radiation and global warming has melted the ice caps, and Triassic-era jungles have overrun a submerged and tropical London. Set during the year 2145, the novel follows biologist Dr. Robert Kerans and his team of scientists as they confront a surreal cityscape populated by giant iguanas, albino alligators, and endless swarms of malarial insects. Nature has swallowed all but a few remnants of human civilization, and slowly, Kearns and his companions are transformed―both physically and psychologically―by this prehistoric environment. The Drowned World is both a thrilling adventure and haunting examination of the effects of environmental collapse on the human mind.