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"'Amnon Had a Friend' is one of the finest messages that has ever been preached. Even from a literary standpoint, this message has it all. It is a message of intrigue, but it is also a message of eternal importance. My sons heard this message preached at a youth camp in their early teenage years and still carry a copy of it to listen to periodically. This message is timeless. It is powerful, and you will never forget the impact it leaves," declares Kevin Cox. Enjoy this powerful sermon along with many others taken from the Pentecostal Pulpit Series, Volume 1 by Jerry Jones. This book includes a CD with audio of the powerful title message.

"'Amnon Had a Friend' is one of the finest messages that has ever been preached. Even from a literary standpoint, this message has it all. It is a message of intrigue, but it is also a message of eternal importance. My sons heard this message preached at a youth camp in their early teenage years and still carry a copy of it to listen to periodically. This message is timeless. It is powerful, and you will never forget the impact it leaves," declares Kevin Cox. Enjoy this powerful sermon along with many others taken from the Pentecostal Pulpit Series, Volume 1 by Jerry Jones. This book includes a CD with audio of the powerful title message.

Human behavior often violates the predictions of rational choice theory. This realization has caused many social psychologists and experimental economists to attempt to develop an experimentally-based variant of game theory as an alternative descriptive model. The impetus for this book is the interest in the development of such a theory that combines elements from both disciplines and appeals to both. The editors have brought together leading researchers in the fields of experimental economics, behavioral game theory, and social dilemmas to engage in constructive dialogue across disciplinary boundaries. This book offers a comprehensive overview of the new insights into the motivation of human behavior under a variety of naturally or artificially induced incentive structures that are emerging from their work. Amnon Rapoport--a pioneer and leader in experimental study and quantitative modeling of human decisions in social and interactive contexts--is honored.

Paradigm Discs present a reissue of Amnon Raviv's Mirror, originally released in Israel in 1983 and only available in a handmade edition of just 50 copies. As such, this edition is the first widely available issue of this LP, giving it a chance to reach an audience beyond the 50 hardened collectors who got to hear this strange experimental record back in the '80s. There's nothing else quite like it from that era, let alone from Israel, although it does have some parallels with earlier avant-gard

Rav Amnon Bazak studied at the Netiv Meir Yeshiva High School in Jerusalem and then came to study at Yeshivat Har Etzion. In the context of the Hesder Program, he served in the military rabbinate, and has received Semicha and earned a Bachelor of Education degree from the Herzog College. Rav Bazak served as a Ram at Netiv Meir Yeshiva High School and since 1999, as a Ram in Yeshivat Har Etzion. Likewise, he teaches Tanach at the Herzog College and at the SKA Beit Midrash for Women in Migdal Oz, and edits the weekly journal Shabbat BeShabbato, as well as other books. He authored the 2 volume sefer, Nekudat Peticha - short studies in peshuto shel mikra arranged by order of parsha, based on his column in Shabbat BeShabbato, as well as Makbilot Nifgashot, highlighting literary parallels in Sefer Shmuel.

In four volumes of Blood on the Stage, Amnon Kabatchnik examined more than 400 crime-themed plays produced in the 20th century. As any theater lover knows, however, depicting acts of wrong-doing is not a recent phenomenon. The stark, violent plays of Seneca in ancient Rome were followed by liturgical dramas of the Dark Ages that drew on both the Old and New Testaments. The golden age of Elizabethan drama boasted masterful plays drenched with treachery, bloodshed, and horror.In Blood on the Stage, 480 B.C. to 1600 A.D.: Milestone Plays of Murder, Mystery, and Mayhem: An Annotated Repertoire, Kabatchnik analyzes more than fifty blood-splattered plays that have withstood the test of time. Beginning with masterpieces like Prometheus Bound by Aeschylus, Oedipus theKing by Sophocles, and Medea by Euripides, this volume spans centuries of equally compelling dramas such as The Haunted House (200 B.C.), Phaedra (c. 60 A.D.), and The Killing of Abel (mid-15th century). Later works include Thomas Kyd’s The Spanish Tragedy, as well as several plays by Christopher Marlowe and William Shakespeare, notably The Tragedy of Julius Caesar and Hamlet.The plays in this book—a “prequel” to the other four volumes of Blood on the Stage—represent ancient Greece, ancient Rome, the Middle Ages, and Elizabethan England. The entries are arranged in chronological order and include plot synopses, biographical sketches of playwrights and actors, details about productions, and critical reception, if available. From the killing of Abel by his brother Cain to Hamlet’s revenge of his father’s murder, Blood on the Stage, 480 B.C. to 1600 A.D. provides a critical overview of some of the most significant dramatizations of criminal behavior.

In Blood on the Stage, 1975-2000: Milestone Plays of Crime, Mystery, and Detection: An Annotated Repertoire, Amnon Kabatchnik provides an overview of the most important and memorable theatrical works of crime and detection of this period. Continuing the work of his previous volumes (1900-1925, 1925-1950, and 1950-1975), Kabatchnik describes more than 80 full-length plays produced in the last quarter of the 20th century, with an emphasis on New York and London performances. Arranged in chronological order, the productions are all works of enduring importance, pioneering contributions, singular innovations, or outstanding success. Many of the most notable playwrights of the era are represented, including Ariel Dorfman, Larry Gelbart, Ira Levin, David Mamet, Terence Rattigan, Reginald Rose, Sam Shepard, Stephen Sondheim, Aaron Sorkin, and Tom Stoppard. The stories involve murder, theft, chicanery, kidnapping, political intrigue, or espionage, with each entry including a plot synopsis, production data, and the opinions of well-known and respected critics and scholars.The plays in this era encompass suspenseful melodramas, psychological thrillers, baffling whodunits, and even musicals, including such memorable works as Assassins, City of Angels, Deathtrap, Death and the Maiden, A Few Good Men, The Mystery of Edwin Drood, Sweeney Todd, and The Phantom of the Opera.

Back to Masada brings Yigael Yadin's classic book on this desert palace/fortress up-to-date. Since Yadin's death in 1984, archaeologists have published eight hefty volumes of excavation reports that are now available to the many experts who contributed to this gorgeously illustrated new book. See how Professor Amnon Ben-Tor of the Hebrew University masterfully undermines the argument that Masada is only a myth.

Can Israel be both Jewish and truly democratic? How can a nation–state, which incorporates a large national minority with a distinct identity of its own be a state of all its citizens? Written by two eminent Israeli scholars, a professor of constitutional law and a historian, Alexander Yakobson and Amnon Rubinstein are the first to treat Zionism and Israeli experience in light of other states’ experiences and in particular of newly established states that have undergone constitutional changes and wrestled with issues of minorities.  Citing various European, constitutions and laws, the authors explore concept of a Jewish State and its various meanings in the light of international law, and the current norms of Human Rights as applied to other democratic societies compatible with liberal democratic norms and conclude that international reality does not accord with the concept which regards a modern, liberal democracy as a culturally "neutral" and a nationally colourless entity. In light of the new political map in Israel and the prospect of future disengagement from the West Bank, Israel and the Family of Nations is essential reading for all those who wish to understand Israel’s future challenges.

Jewish Musical Traditions is the first English-language volume to consider oral music of Jewish communities in a sociocultural context. Amnon Shiloah, the world's leading authority on the Arab and Jewish musical traditions, tells a musical story voiced the world over by men and women in synagogues and homes, mirroring the life of an ancientpeople exiled from its land. The story began in Biblical times and encompasses two thousand years, during which a widely dispersed people have tried to preserve their cultural values in complex and horrific situations.Such an excursion into the world of sounds resonating from many traditions presents problems. Shiloah faced questions concerning the impact that long-termexposure to strange local musical cultures may have had on the preservation of ancient traditions the Jews took with them as they moved from place to place. The dearth of musical documentation on which to base definitive argumentation further complicates the picture.To cope with these diverse problems, the author considers the musical heritage as only one element in the value system informing an individual's world outlook and perception of the destiny of the Jewish people. Hence, he discusses the manner in which this musical heritage meshes with the complex web of Jewish history by way of central themes such as the relation of music to religion, musicand the world of the Kabbalah, and music in communal life. Shiloah considers technical and theoretical approaches, as well as art music, folk music, and performance practices of poets, vocalists, instrumentalists, and dancers.

Friendship is a precious gift from God. It's also a sacred art. God's Word gives accounts of many friendships-unfailing ones like David and Jonathan's and ungodly ones like Amnon and Jonadab's. Studying them all, you'll learn about forgiveness, unity, jealousy, encouragement, and more. You'll observe excellent friends, like Jesus, and poor friends, like Job's three. You'll unlock the mysteries that can knit your heart with others and make you true friends.

Can Israel be both Jewish and truly democratic? How can a nation–state, which incorporates a large national minority with a distinct identity of its own be a state of all its citizens? Written by two eminent Israeli scholars, a professor of constitutional law and a historian, Alexander Yakobson and Amnon Rubinstein are the first to treat Zionism and Israeli experience in light of other states’ experiences and in particular of newly established states that have undergone constitutional changes and wrestled with issues of minorities.  Citing various European, constitutions and laws, the authors explore concept of a Jewish State and its various meanings in the light of international law, and the current norms of Human Rights as applied to other democratic societies compatible with liberal democratic norms and conclude that international reality does not accord with the concept which regards a modern, liberal democracy as a culturally "neutral" and a nationally colourless entity. In light of the new political map in Israel and the prospect of future disengagement from the West Bank, Israel and the Family of Nations is essential reading for all those who wish to understand Israel’s future challenges.

In four volumes of Blood on the Stage, Amnon Kabatchnik examined more than 400 crime-themed plays produced in the 20th century. As any theater lover knows, however, depicting acts of wrong-doing is not a recent phenomenon. The stark, violent plays of Seneca in ancient Rome were followed by liturgical dramas of the Dark Ages that drew on both the Old and New Testaments. The golden age of Elizabethan drama boasted masterful plays drenched with treachery, bloodshed, and horror.In Blood on the Stage, 480 B.C. to 1600 A.D.: Milestone Plays of Murder, Mystery, and Mayhem: An Annotated Repertoire, Kabatchnik analyzes more than fifty blood-splattered plays that have withstood the test of time. Beginning with masterpieces like Prometheus Bound by Aeschylus, Oedipus theKing by Sophocles, and Medea by Euripides, this volume spans centuries of equally compelling dramas such as The Haunted House (200 B.C.), Phaedra (c. 60 A.D.), and The Killing of Abel (mid-15th century). Later works include Thomas Kyd’s The Spanish Tragedy, as well as several plays by Christopher Marlowe and William Shakespeare, notably The Tragedy of Julius Caesar and Hamlet.The plays in this book—a “prequel” to the other four volumes of Blood on the Stage—represent ancient Greece, ancient Rome, the Middle Ages, and Elizabethan England. The entries are arranged in chronological order and include plot synopses, biographical sketches of playwrights and actors, details about productions, and critical reception, if available. From the killing of Abel by his brother Cain to Hamlet’s revenge of his father’s murder, Blood on the Stage, 480 B.C. to 1600 A.D. provides a critical overview of some of the most significant dramatizations of criminal behavior.

In From Herzl to Rabin, Amnon Rubinstein traces the history of the Israeli state and provides the reader with a fascinating study of Zionism. Moving deftly between the roles of objective historian and persuasive politician, Rubinstein uses his skills to show both the political and religious aspects of Zionism and the attacks on it by the haredim and Post- and anti-Zionists.