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Concluding the acclaimed and award-winning trilogy on 'Modes of Foreign Relations and Political Economy', this is a magisterial historical sociology of International Relations theory. In The Discipline of Western Supremacy Kees van der Pijl argues that, from the late European Middle Ages, Anglophone thinkers articulated an imperial world-view which was adopted by aspirant elites elsewhere. Nation-state formation under the auspices of the English-speaking West has henceforth informed thinking about international affairs. After decolonisation the study of comparative politics continued to develop under those same auspices as part of a comprehensive framework. This book, the first of its kind, aims to provide a complete overview of mainstream International Relations as a set of theories which translate Western supremacy into intellectual hegemony.

New look, a hard cover version for Der Mond!Stylish, delicate, and consistently edgy, Der Mond collects the color illustrations of Yoshiyuki Sadamoto, perhaps the most acclaimed manga and anime artist of all time. The book includes 74 pages of paintings and designs devoted to Neon Genesis Evangelion, plus another 50 pages from The Wings of Honneamise, Nadia--The Secret of Blue Water, Blue Uru, and other works--including Sadamoto's cover to Eric Clapton's 1998 album, Pilgrim.

New look, a hard cover version for Der Mond!Stylish, delicate, and consistently edgy, Der Mond collects the color illustrations of Yoshiyuki Sadamoto, perhaps the most acclaimed manga and anime artist of all time. The book includes 74 pages of paintings and designs devoted to Neon Genesis Evangelion, plus another 50 pages from The Wings of Honneamise, Nadia--The Secret of Blue Water, Blue Uru, and other works--including Sadamoto's cover to Eric Clapton's 1998 album, Pilgrim.

nach der Bestellung gedruckt Neuware - Printed after ordering - Animé par l'augmentation des flux migratoires au cours du 20e siècle, le surréalisme s'est développé en un mouvement artistique unique - et à bien des égards « pionnier » - dont l'influence fut mondiale. Cette anthologie analyse pour la première fois les rôles qu'ont joués les artistes, les marchands d'art, les collectionneurs et les musées au sein des réseaux fondateurs du surréalisme en Europe, hissant ce dernier au rang des courants avant-gardistes du 20e siècle. Cet ouvrage présente 20 essais sur les différents acteurs du marché de l'art, du surréalisme et sur leurs interactions dans l'Europe de 1924 à 1969.