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Historical accounts of racial discrimination in transportation have focused until now on trains, buses, and streetcars and their respective depots, terminals, stops, and other public accommodations. It is essential to add airplanes and airports to this narrative, says Anke Ortlepp. Air travel stands at the center of the twentieth century’s transportation revolution, and airports embodied the rapidly mobilizing, increasingly prosperous, and cosmopolitan character of the postwar United States. When segregationists inscribed local definitions of whiteness and blackness onto sites of interstate and even international transit, they not only brought the incongruities of racial separation into sharp relief but also obligated the federal government to intervene.Ortlepp looks at African American passengers; civil rights organizations; the federal government and judiciary; and airport planners, architects, and managers as actors in shaping aviation’s legal, cultural, and built environments. She relates the struggles of black travelers―to enjoy the same freedoms on the airport grounds that they enjoyed in the aircraft cabin―in the context of larger shifts in the postwar social, economic, and political order. Jim Crow terminals, Ortlepp shows us, were both spatial expressions of sweeping change and sites of confrontation over the renegotiation of racial identities. Hence, this new study situates itself in the scholarly debate over the multifaceted entanglements of “race” and “space.”

Elevate your western-inspired look with these Givenchy 001 Black Western Ankle Boots. Crafted with high-quality materials, these cowboy boots are a must-have for any fashion-forward woman.

Elevate your western-inspired look with these Givenchy 001 Black Western Ankle Boots. Crafted with high-quality materials, these cowboy boots are a must-have for any fashion-forward woman.

Elevate your western-inspired look with these Givenchy 001 Black Western Ankle Boots. Crafted with high-quality materials, these cowboy boots are a must-have for any fashion-forward woman.

Faux patent leather upper. Square open toe. Anke strap with pin buckle fastening. Stiletto heel. Heel height: 8cm. Size 6 is EU 37. Dress up any 'fit with the Judy Heels. Featuring a square open toe, an ankle strap with pin buckle fastening and a stiletto heel. Style with your day-to-night 'fits.

Martin Kippenberger died in 1997 at the young age of 44. Nach Kippenberger--after Kippenberger--collects together various essays which pave the way for an understanding of his work after the fact, for the next generation. Essayists include Eva Meyer-Hermann, Anke Kempkes and Manfred Hermes, and more than 250 images illustrate Kippenberger's life and work.

Topi Lehtipuu, Luca Pisaroni, Nicholas Rivenq, Miah Persson, Anke Vondung, and Ainhoa Garmendia star in this production of the Mozart opera with Orchestra of the Age of Enlightenment and the Glyndebourne Chorus conducted by Ivan Fischer.

In 1939, a small group of young Austrian refugees, together with Dr Karl König, formed a community to help children with special needs. From this small beginning the Camphill Movement developed. This is the story of Camphill’s eleven intrepid founders. Alix Roth was a photographer in Vienna; Anke Weihs a dancer; Thomas Weihs had studied medicine in Vienna and Basel; Carlo Pietzner was an artist in Vienna; and Peter Roth began medical studies and later became a priest. This book documents how these pioneers and other diverse talents came together to form a network that today includes more than a hundred homes, schools, and villages. Includes more than 100 photographs.

Everybody wishes for happy endings, but even if you`re lucky enough to have one, happy endings are hardly ever what you expect. In their newest and most irresistible book, the Actus artists -- and their special guest, the German illustrator Anke Feuchenberger -- present six graphic novellas with interesting twists on the `Happy End` theme. Packaged in a stunning full-color hardcover format, this witty and magnificently illustrated book is not to be missed.

Edited by Anke Bangma et al - // A special screening programme accompanying the launch of the publication Resonant Bodies, Voices, Memories at Piet Zwart Institute, with films and audio works by amongst others Samuel Beckett, Lina Issa & Fanni Futterknecht, Alvin Lucier, Anri Sala, Imogen Stidworthy, Katarina Zdjelar, and Artur Zmijewski. - Resonant Bodies, Memories, Voices orbits around the subjects of memory, voice and the body - more specifically around instances where our habitual abilities to sense, remember, and speak are somehow disrupted or suspended. Such shifts and ruptures may occur through experiences such as living under an oppressive regime, migration, trying to make oneself understood in a foreign language, or through physical inhibitions like aphasia or stuttering. It is exactly at moments when we struggle with memory, when language fails us or our voice breaks, when our bodies are affected by inhibitions or prohibitions, that it becomes pertinent what values we attach to memory, voice and the body, and what roles they have in shaping our subjectivity and our status as subjects. - It has become common to understand memory, voice and even bodily knowledge and sensations as something we not simply have, but something we do. But when the ability to remember, feel or speak gets disrupted, even this sense that we are engaged in doing - in interacting with and acting in the world - becomes a question. What happens to our sense of self and our relation to others when we try to relate to places where we are not, to a voice that does not seem to be our own, or to a body that we don`t seem to be in control of? - // Sprache : Englisch (Sehr gut erhalten - vermutlich ungelesen, der weisse Umschlag mit kleinen Lagerspuren / in very good condition - cover with small signs of shelve-wear) Sprache: Englisch Gewicht in Gramm: 1100 Broschur m. Schutzumschlag / Softcover with dust-jacket.

A practical guide to Sailing the Inside Passage to Alaska. Glacier Bay, Tracy Arm, Juneau, the Broughton Islands, Barranof Warm Springs,Sitka, Anke,and Anan Nature Preserve.

Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled by the surrounding scenes of splendor and squalor. Gleber examines this often elusive figure in the particular contexts of Weimar Germany and the intellectual sphere of Walter Benjamin, with whom the concept of flanerie is often associated. She sketches the European influences that produced the German flaneur and establishes the figure as a pervasive presence in Weimar culture, as well as a profound influence on modern perceptions of public space. The book begins by exploring the theory of literary flanerie and the technological changes--street lighting, public transportation, and the emergence of film--that gave a new status to the activities of seeing and walking in the modern city. Gleber then assesses the place of flanerie in works by Benjamin, Siegfried Kracauer, and other representatives of Weimar literature, arts, and theory. She draws particular attention to the works of Franz Hessel, a Berlin flaneur who argued that flanerie is a "reading" of the city that perceives passersby, streets, and fleeting impressions as the transitory signs of modernity. Gleber also examines connections between flanerie and Weimar film, and discusses female flanerie as a means of asserting female subjectivity in the public realm. The book is a deeply original and searching reassessment of the complex intersections among modernity, vision, and public space.

Historical accounts of racial discrimination in transportation have focused until now on trains, buses, and streetcars and their respective depots, terminals, stops, and other public accommodations. It is essential to add airplanes and airports to this narrative, says Anke Ortlepp. Air travel stands at the center of the twentieth century’s transportation revolution, and airports embodied the rapidly mobilizing, increasingly prosperous, and cosmopolitan character of the postwar United States. When segregationists inscribed local definitions of whiteness and blackness onto sites of interstate and even international transit, they not only brought the incongruities of racial separation into sharp relief but also obligated the federal government to intervene.Ortlepp looks at African American passengers; civil rights organizations; the federal government and judiciary; and airport planners, architects, and managers as actors in shaping aviation’s legal, cultural, and built environments. She relates the struggles of black travelers―to enjoy the same freedoms on the airport grounds that they enjoyed in the aircraft cabin―in the context of larger shifts in the postwar social, economic, and political order. Jim Crow terminals, Ortlepp shows us, were both spatial expressions of sweeping change and sites of confrontation over the renegotiation of racial identities. Hence, this new study situates itself in the scholarly debate over the multifaceted entanglements of “race” and “space.”

Read Thalia Chaltas's posts on the Penguin Blog. Anke’s father is abusive. But not to her. He attacks her brother and sister, but she’s just an invisible witness in a house of horrors, on the brink of disappearing altogether. Until she makes the volleyball team at school. At first just being exhausted after practice feels good, but as Anke becomes part of the team, her confidence builds. When she learns to yell “Mine!” to call a ball, she finds a voice she didn’t know existed. For the first time, Anke is seen and heard. Soon, she’s imagining a day that her voice will be loud enough to rescue everyone at home—including herself.

How do men become men and women become women? How does a child establish gender identity? By what processes is the human being directed toward reproductive maturity as either male or female?In Man and Woman, Boy and Girl, John Money and Anke Ehrhardt offer a comprehensive account of sexual differentiation using genetics, embryology, endocrinology and neuro-endocrinology, psychology, and anthropology. Their multidisciplinary approach to gender identity avoids the old arguments over nature versus nurture. Money and Ehrhardt focus instead on the interaction of hereditary endowment and environmental influence.Money and Ehrhardt's work will lead many readers to the conclusion that the differences between man and man, or woman and woman, can be as great as between man and woman. A new model of sexual differentiation emerges from this conclusion. It indicates that the social roles of men and women, rather than being fixed by membership in a sexual caste, should be related to individual biography, achievement, and incentives.Still the most thorough treatment of the subject, this latest printing contains a new preface by John Money.

Martin Kippenberger died in 1997 at the young age of 44. Nach Kippenberger--after Kippenberger--collects together various essays which pave the way for an understanding of his work after the fact, for the next generation. Essayists include Eva Meyer-Hermann, Anke Kempkes and Manfred Hermes, and more than 250 images illustrate Kippenberger's life and work.

Book by Rolf Michaelis, Anke-Marie Lohmeier

Neuware - In 'Das Haus' benutzt Anke Feuchtenberger den Körper als assoziativen Schlüssel zu Erinnerungen an tatsächlich existierende Gebäude in Berlin. Im extrem überstreckten Längsformat verbinden sich Worte und Zeichnungen zu einem umfangreichen poetischen Gebilde. Eine teilweise erschreckende Liebeserklärung an eine Stadt.Ursprünglich als Comic Strips in der FAZ erschienen, versammelt dieses Buch dreißig vertikale Bildstreifen, in denen Anke Feuchtenberger in ihrer einzigartigen Bilderwelt ein ganz eigenes Haus baut. Nach 'Somnambule' legen wir mit 'Das Haus' die zweite Neuausgabe eines lange vergriffenen Werkes der Zeichnerin und Professorin an der Hamburger Hochschule für Angewandte Wissenschaften vor.

Gallina has included detailed histories about many of the major Christmas pin designers of past and present, including Beatrix, Hobé, Trifari, Carolee, Monet, Stanley Hagler Anke, Bauer, and more. Over 400 new pins have been added to this edition, which now features over 700 of these glittering beauties in more than 325 detailed close-up photographs. There are Christmas trees, wreaths, Santas, sleighs and sleds, bells, reindeer, stockings, angels, candy canes, ornaments, candles, snowmen, and even a section on patriotic Christmas designs. A directory of Internet sites that specialize in Christmas pins is an added feature of the book, as well as a helpful bibliography and index. 2004 values.

Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled by the surrounding scenes of splendor and squalor. Gleber examines this often elusive figure in the particular contexts of Weimar Germany and the intellectual sphere of Walter Benjamin, with whom the concept of flanerie is often associated. She sketches the European influences that produced the German flaneur and establishes the figure as a pervasive presence in Weimar culture, as well as a profound influence on modern perceptions of public space. The book begins by exploring the theory of literary flanerie and the technological changes--street lighting, public transportation, and the emergence of film--that gave a new status to the activities of seeing and walking in the modern city. Gleber then assesses the place of flanerie in works by Benjamin, Siegfried Kracauer, and other representatives of Weimar literature, arts, and theory. She draws particular attention to the works of Franz Hessel, a Berlin flaneur who argued that flanerie is a "reading" of the city that perceives passersby, streets, and fleeting impressions as the transitory signs of modernity. Gleber also examines connections between flanerie and Weimar film, and discusses female flanerie as a means of asserting female subjectivity in the public realm. The book is a deeply original and searching reassessment of the complex intersections among modernity, vision, and public space.