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Set in the American West during the California Gold Rush, La fanciulla del West marked a significant departure from Giacomo Puccini's previous and best- known works. Puccini and the Girl is the first book to explore this important but often misunderstood opera that became the earliest work by a major European composer to receive an American premiere when it opened at New York's Metropolitan Opera House in 1910.Adapted from American playwright David Belasco's Broadway production, The Girl of the Golden West, Fanciulla was Puccini's most consciously modern work, and its Met debut received mixed reviews. Annie J. Randall and Rosalind Gray Davis base their account of its creation on previously unknown letters from Puccini to his main librettist, Carlo Zangarini. They mine musical materials, newspaper accounts, and rare photographs and illustrations to tell the full story of this controversial opera. Puccini and the Girl considers the production and reception of Puccini's "cowboy" opera in the light of contemporary criticism, providing both fascinating insight into its history and a look to the future as its centenary approaches. “Engrossing. . . . An eminently readable, ideally direct and information-packed book.”—William Fregosi, Opera Today

Born in rural Ohio in 1860, Annie Moses rose from poverty to become Annie Oakley, the diminutive star of Buffalo Bill's Wild West show who could outshoot any man. She comes fully to life in this rousing biography by Walter Havighurst, the respected historian of the Old Northwest. In her probing introduction to this Bison Book edition, Christine Bold considers the striking incongruities, the symbolic meanings, of Annie Oakley's life and career.

At a time when women could not vote and very few were involved in the world outside the home, Annie Montague Alexander (1867–1950) was an intrepid explorer, amateur naturalist, skilled markswoman, philanthropist, farmer, and founder and patron of two natural history museums at the University of California, Berkeley. Barbara R. Stein presents a luminous portrait of this remarkable woman, a pioneer who helped shape the world of science in California, yet whose name has been little known until now. Alexander's father founded a Hawaiian sugar empire, and his great wealth afforded his adventurous daughter the opportunity to pursue her many interests. Stein portrays Alexander as a complex, intelligent, woman who--despite her frail appearance--was determined to achieve something with her life. Along with Louise Kellogg, her partner of forty years, Alexander collected thousands of animal, plant, and fossil specimens throughout western North America. Their collections serve as an invaluable record of the flora and fauna that were beginning to disappear as the West succumbed to spiraling population growth, urbanization, and agricultural development. Today at least seventeen taxa are named for Alexander, and several others honor Kellogg, who continued to make field trips after Alexander's death. Alexander's dealings with scientists and her encouragement--and funding--of women to do field research earned her much admiration, even from those with whom she clashed. Stein's extensive use of archival material, including excerpts from correspondence and diaries, allows us to see Annie Alexander as a keen observer of human nature who loved women and believed in their capabilities. Her legacy endures in the fields of zoology and paleontology and also in the lives of women who seek to follow their own star to the fullest degree possible.

At a time when women could not vote and very few were involved in the world outside the home, Annie Montague Alexander (1867–1950) was an intrepid explorer, amateur naturalist, skilled markswoman, philanthropist, farmer, and founder and patron of two natural history museums at the University of California, Berkeley. Barbara R. Stein presents a luminous portrait of this remarkable woman, a pioneer who helped shape the world of science in California, yet whose name has been little known until now. Alexander's father founded a Hawaiian sugar empire, and his great wealth afforded his adventurous daughter the opportunity to pursue her many interests. Stein portrays Alexander as a complex, intelligent, woman who--despite her frail appearance--was determined to achieve something with her life. Along with Louise Kellogg, her partner of forty years, Alexander collected thousands of animal, plant, and fossil specimens throughout western North America. Their collections serve as an invaluable record of the flora and fauna that were beginning to disappear as the West succumbed to spiraling population growth, urbanization, and agricultural development. Today at least seventeen taxa are named for Alexander, and several others honor Kellogg, who continued to make field trips after Alexander's death. Alexander's dealings with scientists and her encouragement--and funding--of women to do field research earned her much admiration, even from those with whom she clashed. Stein's extensive use of archival material, including excerpts from correspondence and diaries, allows us to see Annie Alexander as a keen observer of human nature who loved women and believed in their capabilities. Her legacy endures in the fields of zoology and paleontology and also in the lives of women who seek to follow their own star to the fullest degree possible.

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 1.79

Notified by an anonymous caller that his father has died and to stay away from the family home in Texas, Wiley Moss promptly journeys to the teeming West, where he encounters everything from a redneck porn king to a Whitney Houston look-alike.

From the early 1800s to the end of his life in 1917, Buffalo Bill Cody was as famous as anyone could be. Annie Oakley was his most celebrated protégée, the 'slip of a girl' from Ohio who could (and did) outshoot anybody to become the most celebrated star of Buffalo Bill's Wild West Show. In this sweeping dual biography, Larry McMurtry explores the lives, the legends and above all the truth about two larger-than-life American figures. With his Wild West show, Buffalo Bill helped invent the image of the West that still exists today -- cowboys and Indians, rodeo, rough rides, sheriffs and outlaws, trick shooting, Stetsons, and buckskin. The short, slight Annie Oakley -- born Phoebe Ann Moses -- spent sixteen years with Buffalo Bill's Wild West, where she entertained Queen Victoria, Emperor Franz Joseph of Austria and Kaiser Wilhelm II, among others. Beloved by all who knew her, including Hunkpapa leader, Sitting Bull, Oakley became a legend in her own right and after her death, achieved a new lease of fame in Irving Berlin's musical Annie, Get Your Gun. To each other, they were always 'Missie' and 'Colonel'. To the rest of the world, they were cultural icons, setting the path for all that followed. Larry McMurtry -- a writer who understands the West better than any other -- recreates their astonishing careers and curious friendship in a fascinating history that reads like the very best of his fiction.

Annie Oakley was world-famous when traveling with Buffalo Bill's Wild West Show, but audiences only saw the attractive, athletic sharpshooter who performed astonishing feats of marksmanship. Annie's own niece wrote this biography, showing how a difficult childhood motivated Annie to work hard and use her skills to entertain thousands of people while helping those she could (particularly orphans). She had strong connections to her family and hometown, but never felt able to settle down after living so many years on the road. This is a very personal account of a remarkable woman who amazed crowds wherever she went.

Anne Cameron is well-known for her humourous retellings of North West Coast Indian legends - Daughters of Copper Woman and Dzelarhons. In the present collection of poetry, she enters a darker, more eerie and threatening corner of this world. "The Sickness That Has No Name" is an exploration of alienation and Indian mysticism, and of a woman's determination to live her own life.This tone of independence in the face of male dominence continues through the entire book. The section "Mother of All" names and characterizes the goddesses and women who wielded power and received worship before the rise of patriarchal societies. The litany of names, lost power, and injustice becomes an exhortation to women to regain the strength and independence they have lost. "Annie Poems," the last section of the book, celebrates a collection of friends, family, and lovers who have influenced the poet's life, culminating in a daughter's tribute of love to her mother. Cameron's humour, anger, and energy are in evidence here, as she describes everyday life and the actions people accept as 'normal.'

Annie Oakley is a work of historical fiction built around the 1897 visit of Annie, as a performer in Buffalo Bill's Wild West show, to the small rural city of Watertown in Northern New York. The device used by the author, a mystery crime writer and a Watertown native himself, is to have Annie solve a crime during her visit. The visit was real, the crime fictional, although no more than a small diversion from the body of the narrative itself. The book's real point is to give the reader a taste of the flavor of the late nineteenth century, especially in small town America, and of traveling extravaganzas of the day like "Buffalo Bill's Wild West," and also to detail Annie Oakley's highly unusual life, so different from the conventional contemporary mythology of shows like "Annie Get Your Gun," before and after her Watertown visit. It is said that "Annie Get Your Gun" star Ethel Merman was asked why Annie's real life would not have made for a much more interesting stage play, her response was "It would, but then the show would be a melodrama and I'd be a wreck."

A biography of the famous sharpshooter who toured the country in Buffalo Bill's Wild West Show.

Annie Oakley was world-famous when traveling with Buffalo Bill's Wild West Show, but audiences only saw the attractive, athletic sharpshooter who performed astonishing feats of marksmanship. Annie's own niece wrote this biography, showing how a difficult childhood motivated Annie to work hard and use her skills to entertain thousands of people while helping those she could (particularly orphans). She had strong connections to her family and hometown, but never felt able to settle down after living so many years on the road. This is a very personal account of a remarkable woman who amazed crowds wherever she went.

A survivor who refused to give up.The Amazing Life and Times of Annie Oakley."Aim at a high mark and you will hit it" is the motto the legendary sharpshooter and star of Buffalo Bill's Wild West Show, Annie Oakley, lived by. How did a young girl growing up on a hardscrabble Ohio farm become a legend in her own time?Based on her own writings and illustrated with hauntingly expressive oil paintings by one of America's foremost illustrators, this dramatic picture-book biography offers a fascinating glimpse into the life of a courageous young girl who went on to break barriers in the field of sports, becoming recognized by Will Rogers and others as "the greatest woman rifle shot the world has ever produced."

Sex goddess, Hollywood star, transgressive playwright, author, blues singer, and vaudeville brat---Mae West remains the twentieth century's greatest comedienne. She made an everlasting mark in trailblazing Broadway plays such as Sex and The Constant Sinner and in films such as She Done Him Wrong, Klondike Annie, and I'm No Angel.             Simon Louvish, biographer of W. C. Fields, the Marx Brothers, Laurel and Hardy, and Keystone's Mack Sennett, brings Mae to vibrant life in this unparalleled new biography. He charts her amazing seven decades in show business, from early years in teenage summer stock to her last reincarnation as 1960s gay icon and grande dame of Hollywood survivors.             Mae West: It Ain't No Sin is the first biography to make use of Mae's recently uncovered personal papers, offering an unprecedented view into the endless creative drive and daring wit of this legendary star.

Their faces look out across a chasm of time. Stern and often stiff, they wear the high collars and hoop skirts, buckskins and ceremonial feathers of another era. The names of some are familiar—Teddy Roosevelt, Mark Twain, Sitting Bull, Annie Oakley. The names of others may be less well known, but they played a significant role in re-creating the American West. These are all people of the West, and their portraits give us a unique glimpse into a lost time and place.Faces of the Frontier showcases more than 120 photographic portraits of leaders, statesmen, soldiers, laborers, activists, criminals, and others, all posed before the cameras that made their way to nearly every mining shanty-town and frontier outpost on the prairie. Drawing primarily on the collection of the National Portrait Gallery, this book depicts many of the people who helped transform the West between the end of the Mexican War and passage of the Indian Citizenship Act.Accompanying the portraits are an introduction and two essays that provide historical context and help frame their interpretation. Frank Goodyear explores how photography influenced Americans’ understanding of the West by giving the region a face and by shaping public responses to western issues. Richard White questions the notion that these photographs accurately represent individuals and argues that the portraits’ subjects participated in a process that idealized them as types.This handsome volume is not only a record of the people we associate with the West during a remarkably formative eighty years but also a key to understanding what Americans then saw in the West, and how they saw themselves.

used hardcover in a dust jacket. jacket is a bit worn about the edges and somewhat scuffed, but without any serious tears. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

J.M. Roberts uncovers what it was that gave European culture its confident energy for so many centuries while exposing its flaws and its irreversible impact on the rest of the world.

soft cover, as issued., no flaws or wear, clean, no markings, strong sewn binding., 112pp., illustrated throughout., contains 9 articles/essays by various contributors on boston's most notorious and extensive urban renewal project - the complete razing of an entire neighborhood against the wishes of most of its residents. a haunting and compelling episode in boston history, well researched, written and illustrated. Size: 4to - over 9¾" - 12" tall

Here We Are Offer a Vintage Basketball Sports Book. Mr. Clutch: the Jerry West Story By Jerry West with Bill Libby 1970. Book in Good Condition a Few Minor Flaws Due to Age as Pictured.

Buffalo Bill's Wild West brought an enormously successful performance spectacle to audiences throughout the United States and Europe between 1883 and 1916. Many talented and daring women performed alongside men in the Wild West shows, including tiny sharpshooter Annie Oakley. Annie and the other female performers represented the feminine side of an American tradition and brought a woman's touch to an otherwise uncivilized form of entertainment, but they also changed the way the world thought about women forever through the demonstration of their skills.