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First published in 1914, this volume was edited by the Cambridge classical scholar A. M. Adam. Intended for beginners, Adam based her text on the edition of her late husband, Dr James Adam, with revised notes and a new introduction. The text is given in the original Greek with a substantial vocabulary appended. This issue marks the twentieth printing of what is now a classic edition.

Length from bust to hem of size S: 18cm. Crop top. Not-lined. Cold hand wash only. Model is a standard S and is wearing S. True to size. Soft and lightweight lace fabric.  Back zipper.  Nylon/Cotton.  We hope you have No Apologies for always slaying this hard - style just lives in you! So time to slay even harder in this crop that features a cowl neckline with boning and an inverted triangle hemline. Style yours with cargo pants and heels. 

Proudly made our stretched canvas is created with only the highest standards. We print with high quality inks and canvas, and then hand cut and stretch it over a 1.5 in. thick wooden frame. The art comes ready to hang with no installation required. Color: Blue.

Proudly made our stretched canvas is created with only the highest standards. We print with high quality inks and canvas, and then hand cut and stretch it over a 1.5 in. thick wooden frame. The art comes ready to hang with no installation required. Color: White.

Proudly made our stretched canvas is created with only the highest standards. We print with high quality inks and canvas, and then hand cut and stretch it over a 1.5 in. thick wooden frame. The art comes ready to hang with no installation required. Color: Blue.

Proudly made our stretched canvas is created with only the highest standards. We print with high quality inks and canvas, and then hand cut and stretch it over a 1.5 in. thick wooden frame. The art comes ready to hang with no installation required. Color: Blue.

Deluxe edition three vinyl LP pressing in a tri-fold jacket with three custom dust sleeves, includes digital download. Wolf Parade's Apologies to the Queen Mary is a reissue of the group's acclaimed first album. The reissue features the original album, now as a much-better-sounding LP, along with the band's pre-Sub Pop, self-titled EPs (released in 2003 and 2004), both of which are making their vinyl debut. The package also includes the previously unreleased track "Snakes on the Ladder" from the

Elephants are among the Earth's most majestic and intelligent creatures - but for hundreds of years, they have suffered under the hands of humans. We have poached them for their tusks, chained them up in captivity, and destroyed their natural habitats. Narrated and executive produced by Oscar(R) nominated actress Lily Tomlin and directed and produced by Emmy(R) winner Amy Schatz, An Apology to Elephants is an HBO family documentary that illustrates how elephants live in the wild - from their mat

Thucydides' classic work on the history of the Peloponnesian War is the root of Western conceptions of history—including the idea that Western history is the foundation of everyone else's. Here, Marshall Sahlins takes on Thucydides and the conceptions of history he wrought with a groundbreaking new book that shows what a difference an anthropological concept of culture can make to the writing of history.Sahlins begins by confronting Thucydides' account of the Peloponnesian War with an analogous "Polynesian War," the fight for the domination of the Fiji Islands (1843-55) between a great sea power (like Athens) and a great land power (like Sparta). Sahlins draws parallels between the conflicts with an eye to their respective systems of power and sovereignty as well as to Thucydides' alternation between individual (Pericles, Themistocles) and collective (the Athenians, the Spartans) actors in the making of history. Characteristic of most histories ever written, this alternation between the agency of "Great Men" and collective entities leads Sahlins to a series of incisive analyses ranging in subject matter from Bobby Thomson's "shot heard round the world" for the 1951 Giants to the history-making of Napoleon and certain divine kings to the brouhaha over Elián Gonzalez. Finally, again departing from Thucydides, Sahlins considers the relationship between cultural order and historical contingency through the recounting of a certain royal assassination that changed the course of Fijian history, a story of fratricide and war worthy of Shakespeare.In this most convincing presentation yet of his influential theory of culture, Sahlins experiments with techniques for mixing rich narrative with cultural explication in the hope of doing justice at once to the actions of persons and the customs of people. And he demonstrates the necessity of taking culture into account in the creation of history—with apologies to Thucydides, who too often did not.

The Apology of Socrates, by Plato, is the Socratic dialogue that presents the speech of legal self-defence, which Socrates presented at his trial for impiety and corruption, in 399 BC. Specifically, the Apology of Socrates is a defence against the charges of “corrupting the young” and “not believing in the gods which the city believes in, but in other gods which are novel” to Athens. The Apology of Socrates is the dialogue that depicts the trial, written by Plato who details the final days of the philosopher Socrates. This book has been carefully adapted into modern English to allow for easy reading.

Marie de Gournay was eighteen when she read, and was overwhelmed by, the essays of the French philosopher Montaigne. She had to be revived with hellebore. When she finally met Montaigne, she stabbed herself with a hairpin until the blood ran in order to show her devotion. He made her his adopted daughter for the two months they knew each other. He died four years later, after which, though scorned by intellectuals, she became his editor. Jenny Diski engages with this passionate and confused relationship between 'father and daughter', old writer/young acolyte, possible lovers, using both their voices. Much of their story is about absence of the people they love. In Jenny Diski's hands it becomes a fascinating tale.

During her lifetime, the gifted writer Marie le Jars de Gournay (1565-1645) was celebrated as one of the "seventy most famous women of all time" in Jean de la Forge's Circle of Learned Women (1663). The adopted daughter of Montaigne, as well as his editor, Gournay was a major literary force and a pioneering feminist voice during a tumultuous period in France.This volume presents translations of four of Gournay's works that address feminist issues. Two of these appear here in English for the first time—The Promenade of Monsieur de Montaigne and The Apology for the Woman Writing. One of the first modern psychological novels, the best-selling Promenade was also the first to explore female sexual feeling. With the autobiographical Apology, Gournay defended every aspect of her life, from her moral conduct to her household management. The book also includes Gournay's last revisions (1641) of her two best-known feminist treatises, The Equality of Men and Women and The Ladies' Complaint. The editors provide a general overview of Gournay's career, as well as individual introductions and extensive annotations for each work.

Drawing from a range of materials, Martti Koskenniemi demonstrates how international law becomes vulnerable to the contrasting criticisms of being either an irrelevant moralist Utopia or a manipulable façade for State interests. He examines the conflicts inherent in international law--sources, sovereignty, 'custom' and 'world order--and shows how legal discourse about such subjects can be described in terms of a small number of argumentative rules. Originally published in English in Finland in 1989, this reissue includes a newly written Epilogue by the author.

Thucydides' classic work on the history of the Peloponnesian War is the root of Western conceptions of history—including the idea that Western history is the foundation of everyone else's. Here, Marshall Sahlins takes on Thucydides and the conceptions of history he wrought with a groundbreaking new book that shows what a difference an anthropological concept of culture can make to the writing of history.Sahlins begins by confronting Thucydides' account of the Peloponnesian War with an analogous "Polynesian War," the fight for the domination of the Fiji Islands (1843-55) between a great sea power (like Athens) and a great land power (like Sparta). Sahlins draws parallels between the conflicts with an eye to their respective systems of power and sovereignty as well as to Thucydides' alternation between individual (Pericles, Themistocles) and collective (the Athenians, the Spartans) actors in the making of history. Characteristic of most histories ever written, this alternation between the agency of "Great Men" and collective entities leads Sahlins to a series of incisive analyses ranging in subject matter from Bobby Thomson's "shot heard round the world" for the 1951 Giants to the history-making of Napoleon and certain divine kings to the brouhaha over Elián Gonzalez. Finally, again departing from Thucydides, Sahlins considers the relationship between cultural order and historical contingency through the recounting of a certain royal assassination that changed the course of Fijian history, a story of fratricide and war worthy of Shakespeare.In this most convincing presentation yet of his influential theory of culture, Sahlins experiments with techniques for mixing rich narrative with cultural explication in the hope of doing justice at once to the actions of persons and the customs of people. And he demonstrates the necessity of taking culture into account in the creation of history—with apologies to Thucydides, who too often did not.

Thucydides' classic work on the history of the Peloponnesian War is the root of Western conceptions of history—including the idea that Western history is the foundation of everyone else's. Here, Marshall Sahlins takes on Thucydides and the conceptions of history he wrought with a groundbreaking new book that shows what a difference an anthropological concept of culture can make to the writing of history.Sahlins begins by confronting Thucydides' account of the Peloponnesian War with an analogous "Polynesian War," the fight for the domination of the Fiji Islands (1843-55) between a great sea power (like Athens) and a great land power (like Sparta). Sahlins draws parallels between the conflicts with an eye to their respective systems of power and sovereignty as well as to Thucydides' alternation between individual (Pericles, Themistocles) and collective (the Athenians, the Spartans) actors in the making of history. Characteristic of most histories ever written, this alternation between the agency of "Great Men" and collective entities leads Sahlins to a series of incisive analyses ranging in subject matter from Bobby Thomson's "shot heard round the world" for the 1951 Giants to the history-making of Napoleon and certain divine kings to the brouhaha over Elián Gonzalez. Finally, again departing from Thucydides, Sahlins considers the relationship between cultural order and historical contingency through the recounting of a certain royal assassination that changed the course of Fijian history, a story of fratricide and war worthy of Shakespeare.In this most convincing presentation yet of his influential theory of culture, Sahlins experiments with techniques for mixing rich narrative with cultural explication in the hope of doing justice at once to the actions of persons and the customs of people. And he demonstrates the necessity of taking culture into account in the creation of history—with apologies to Thucydides, who too often did not.

There is a keenness in the poems of Apology for Want that one rarely encounters in a first collection, an unfailing and unflinching exactitude - of language, of metaphor, of emotion. Mary Jo Bang is a poet of unerring discernment, of uncanny perspicacity. The precision in these poems is never gratuitous; this is fine furniture where every nail is driven by necessity. Bang delineates the all-too-human condition of gazing and longing and gives us cautionary tales of what happens to those who shun restraint and yield instead to desperate attempts at satisfaction.

Cibber, Colley; Ed. By B.R.S. Fone, Apology For The Life Of Colley Cibber, A

Teens get the facts about sex in No Apologies: The Truth about Life, Love and Sex, an exciting book that highlights abstinence as the only true safe sex. With gripping testimonies from real people, teens discover how others have been affected by choices of premarital sex and abstinence.

Apology is a new magazine of art, fiction, games, humor, essays, interviews, journalism and photography. Founded and edited by former Vice magazine editor-in-chief Jesse Pearson, Apology is inspired in equal measure by the golden ages of The New Yorker and Esquire; by 1980s punk zines like Sick Teen and RE/Search; by the Encyclopedia Britannica and The People’s Almanac; and by MAD magazine. This inaugural issue includes stories by and with Tim & Eric, Lesley Arfin, John Ashbery, Arthur Bradford, Bill Callahan, Frederick Exley, Johanna Fateman, Rivka Galchen, Christy Karacas, Paul Maliszewski, Sam McPheeters, Chelsea Peretti, Gwendoline Riley, Aurel Schmidt, Ian Svenonius, Gus Visco, Jamieson Webster and more; plus photographs by Jimmy de Sana, Roe Ethridge, Jerry Hsu, Ryan McGinley and Terry Richardson, among others.Jesse Pearson was the editor-in-chief of Vice magazine for eight years (from 2002–2010). Prior to that, he was an editor at index magazine. He has curated art shows in New York, Melbourne and Tokyo; conceived, produced and directed numerous internet television series (Soft Focus, Shot By Kern, Art Talk!, Americana); and edited numerous books (including Catholic: Cats; The Vice Photo Book; News, Nudity, and Nonsense: The Best of Vice).

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