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Neu -Im Jahre 1875 werden bei Ausgrabungen in Pompeji im Haus des L. Caecilius Iucundus 153 kleine Wachstafeln gefunden. Sie erweisen sich als im römischen Rechtsverkehr übliche urkundliche Quittungen, die Zahlungsvorgänge im Zuge der Tätigkeiten des Iucundus als Auktionator und Einzieher städtischer Pachten - überwiegend aus den Jahren 52 bis 62 n.Chr. - dokumentieren. Mit ihnen erhalten wir einmaligen Einblick in konkrete Geschäftsvorgänge und in das wirtschaftliche, gesellschaftliche und politische Gefüge Pompejis in der frühen Kaiserzeit. Sie stellen der Forschung das umfassendste pompejanische Personenregister, das wir haben, zur Verfügung. Arno Hüttemann legt erstmals eine vollständige zweisprachige Ausgabe dieser rechtshistorisch wie sozialwissenschaftlich aufschlussreichen Texte vor. (Text dt., lat.) 252 pp.

In this commented anthology of Latin prose, Michael von Albrecht selects texts from a span of Roman literature covering four centuries. A summary of the contents will indicate its range and variety: M. Porcius Cato (the preface to De agricultura , a passage from the speech for the Rhodians of 167 B.C., and a section from the Origines ); republican oratory (C. Gracchus, from De legibus promulgatis of 122 B.C. and Cicero from In Verrem II ); Caesar as orator and historian; two passages of Sallust; a comparison of Claudius Quadrigarius and Livy as historiographers; philosophical texts from Cicero and the Younger Seneca; and chapters on Petronius, Tacitus, Pliny the Younger, and Apuleius. The method of the book is practical, based on actual interpretation of specific texts rather than on literary theory (ancient or modern). Each text (printed first in Latin and then in English) is followed by a detailed and flexible discussion, somewhere between essay and commentary. No set pattern is imposed - rather the nature of the text governs the shape of its analysis - but Professor von Albrecht's vivid scholarly exposition covers most dimensions of the art of Latin prose-writing. The book's variety of texts and close treatment of specific Latin passages make it an ideal coursebook for the study of Latin prose. But behind its accessibility lies scholarship of the highest order: Professor von Albrecht's exemplary erudition reveals itself in the extensive annotation underpinning his main text; and researchers in any of the fields covered by Latin prose-writers - philosophy, politics, history, letters, practical handbooks, entertainment - will find this book a valuable resource. This book was originally published in German ( Meister römischer Prosa von Cato bis Apuleius , 1971). It has been accurately and sympathetically translated by Neil Adkin.

Apuleius' Metamorphoses or The Golden Ass, our only complete Latin novel, tells the story of Lucius, a young man turned into a donkey by magic because of his unfettered curiosity. After many adventures he is finally saved by the goddess Isis, whose follower he becomes.

In this commented anthology of Latin prose, Michael von Albrecht selects texts from a span of Roman literature covering four centuries. A summary of the contents will indicate its range and variety: M. Porcius Cato (the preface to De agricultura , a passage from the speech for the Rhodians of 167 B.C., and a section from the Origines ); republican oratory (C. Gracchus, from De legibus promulgatis of 122 B.C. and Cicero from In Verrem II ); Caesar as orator and historian; two passages of Sallust; a comparison of Claudius Quadrigarius and Livy as historiographers; philosophical texts from Cicero and the Younger Seneca; and chapters on Petronius, Tacitus, Pliny the Younger, and Apuleius. The method of the book is practical, based on actual interpretation of specific texts rather than on literary theory (ancient or modern). Each text (printed first in Latin and then in English) is followed by a detailed and flexible discussion, somewhere between essay and commentary. No set pattern is imposed - rather the nature of the text governs the shape of its analysis - but Professor von Albrecht's vivid scholarly exposition covers most dimensions of the art of Latin prose-writing. The book's variety of texts and close treatment of specific Latin passages make it an ideal coursebook for the study of Latin prose. But behind its accessibility lies scholarship of the highest order: Professor von Albrecht's exemplary erudition reveals itself in the extensive annotation underpinning his main text; and researchers in any of the fields covered by Latin prose-writers - philosophy, politics, history, letters, practical handbooks, entertainment - will find this book a valuable resource. This book was originally published in German ( Meister römischer Prosa von Cato bis Apuleius , 1971). It has been accurately and sympathetically translated by Neil Adkin.

In the Metamorphoses of Apuleius, also known as The Golden Ass, we have the only Latin novel which survives entire. It is truly enchanting: a delightful romance combining realism and magic.The hero, Lucius, eager to experience the sensations of a bird, resorts to witchcraft but by an unfortunate pharmaceutical error finds himself transformed into an ass. He knows he can revert to his own body by eating rose-petals, but these prove singularly elusive; and the bulk of the work describes his adventures as an animal. He also retails many stories that he overheard, the most charming being that of Cupid and Psyche (beginning, in true fairy-tale fashion, 'Erant in quadam civitate rex et regina'). Some of the stories are as indecent as they are witty, and two in the ninth book were deemed by Boccaccio worthy of inclusion in the Decameron. At last the goddess Isis takes pity on Lucius. In a surprising denouement, he is restored to human shape and, now spiritually regenerated, is initiated into her mysteries. The author's baroque Latin style nicely matches his fantastic narrative and is guaranteed to hold a reader's attention from beginning to end.The Loeb Classical Library edition of Apuleius is in three volumes.

Apuleius' Metamorphoses or The Golden Ass, our only complete Latin novel, tells the story of Lucius, a young man turned into a donkey by magic because of his unfettered curiosity. After many adventures he is finally saved by the goddess Isis, whose follower he becomes.

This new critical edition aims to provide a new standard text of Apuleius' De Deo Socratis, De Platone et eius dogmate, and De mundo, allowing readers to get closer than ever before to the philosophical writings of the renowned orator, extraordinary prose stylist, and Platonist philosopher. Knowledge of these three works is crucial to understanding the reinterpretation and transmission of Greek philosophical thought in the Latin world: based on a new collation of the ancient manuscripts and scrupulous investigation of all previous editions, the Latin text presented here relies on a safer ms. basis than its predecessors. The enforcement of the criterion of the so-called 'signal-word' in particular has enabled improved solutions for many textual problems to be found, some older emendations to be confirmed, and previously unnoticed corruptions to be located and cogently healed, while the rich and detailed apparatus criticus selectively focuses on only plausible conjectures in doubtful passages. A fluent Latin praefatio offers a neat explanation of the principles which have been adopted throughout the edition, while also ably balancing comprehensive coverage of the main manuscript sources, their histories, and their relationships with lucidity and concision, despite the intricacy of the textual tradition.

This new critical edition aims to provide a new standard text of Apuleius' De Deo Socratis, De Platone et eius dogmate, and De mundo, allowing readers to get closer than ever before to the philosophical writings of the renowned orator, extraordinary prose stylist, and Platonist philosopher. Knowledge of these three works is crucial to understanding the reinterpretation and transmission of Greek philosophical thought in the Latin world: based on a new collation of the ancient manuscripts and scrupulous investigation of all previous editions, the Latin text presented here relies on a safer ms. basis than its predecessors. The enforcement of the criterion of the so-called 'signal-word' in particular has enabled improved solutions for many textual problems to be found, some older emendations to be confirmed, and previously unnoticed corruptions to be located and cogently healed, while the rich and detailed apparatus criticus selectively focuses on only plausible conjectures in doubtful passages. A fluent Latin praefatio offers a neat explanation of the principles which have been adopted throughout the edition, while also ably balancing comprehensive coverage of the main manuscript sources, their histories, and their relationships with lucidity and concision, despite the intricacy of the textual tradition.

In the Metamorphoses of Apuleius, also known as The Golden Ass, we have the only Latin novel which survives entire. It is truly enchanting: a delightful romance combining realism and magic.The hero, Lucius, eager to experience the sensations of a bird, resorts to witchcraft but by an unfortunate pharmaceutical error finds himself transformed into an ass. He knows he can revert to his own body by eating rose-petals, but these prove singularly elusive; and the bulk of the work describes his adventures as an animal. He also retails many stories that he overheard, the most charming being that of Cupid and Psyche (beginning, in true fairy-tale fashion, 'Erant in quadam civitate rex et regina'). Some of the stories are as indecent as they are witty, and two in the ninth book were deemed by Boccaccio worthy of inclusion in the Decameron. At last the goddess Isis takes pity on Lucius. In a surprising denouement, he is restored to human shape and, now spiritually regenerated, is initiated into her mysteries. The author's baroque Latin style nicely matches his fantastic narrative and is guaranteed to hold a reader's attention from beginning to end.J. Arthur Hanson was at the time of his death in 1985 Giger Professor of Latin at Princeton University. His publications include Roman Theater-Temples.The Loeb Classical Library edition of Apuleius is in three volumes.

Read less than it deserves at the undergraduate level, Apuleius Metamorphoses tells the story of Lucius the ass-man and his encounters with sex, magic, robbers, storytellers, slaves, and finally the Goddess. From the cruel mockery of the Festival of Laughter to the sweet tale of Cupid and Psyche, from adventures that question human-animal boundaries to the profoundly spiritual conclusion, Apuleius constantly mingles the serious and comic, the bizarre and surreal with the quotidian details of ancient life. The selections in this Reader are designed both to represent the variety characteristic of the Metamorphoses and to create a coherent narrative of the life and trials of Lucius (and Psyche). Attention is also given to the cultural milieu of its author (second century CE Roman North Africa). Introduction to Apuleius life and works, and to the Metamorphoses background, interpretation, and style 660 lines of unadapted Latin text selected from Apuleius Metamorphoses, BOOK 1: 1.1.1 1.2.1 BOOK 2: 2.1.1 2.2.1; 2.6 7 BOOK 3: 3.1.1 3.2.5, 3.2.7 9, 3.8.1 4, 3.9.5 3.11.6; 3.21.1 3.22.5; 3.24 26 BOOK 4: 4.4 5; 4.28.1 4.30.3 BOOK 5: 5.11.3 4; 5.22 23 BOOK 6: 6.20 21; 6.23.5 6.24.4 BOOK 9: 9.12.2 9.13.5 BOOK 10: 10.16.7 10.17.6 BOOK 11: 11.1 2; 11.5.1; 11.5.3 4; 11.13; 11.15.1 3; 11.27.9; 11.30.3 5. Notes at the back and complete vocabulary One map and four illustrations

Columella (Lucius Iunius Moderatus) of Gades (Cadiz) lived in the reigns of the first emperors to about 70 CE. He moved early in life to Italy where he owned farms and lived near Rome. It is probable that he did military service in Syria and Cilicia and that he died at Tarentum.Columella's On Agriculture (De Re Rustica) is the most comprehensive, systematic and detailed of Roman agricultural works. Book I covers choice of farming site; water supply; buildings; staff. II: Ploughing; fertilising; care of crops. III, IV, V: Cultivation, grafting and pruning of fruit trees, vines, and olives. VI: Acquisition, breeding, and rearing of oxen, horses, and mules; veterinary medicine. VII: Sheep, goats, pigs, and dogs. VIII: Poultry; fish ponds. IX: Bee-keeping. X (in hexameter poetry): Gardening. XI: Duties of the overseer of a farm; calendar for farm work; more on gardening. XII: Duties of the overseer's wife; manufacture of wines; pickling; preserving. There is also a separate treatise, Trees (De Arboribus), on vines and olives and various trees, perhaps part of an otherwise lost work written before On Agriculture.The Loeb Classical Library edition of Columella is in three volumes.

Columella (Lucius Iunius Moderatus) of Gades (Cadiz) lived in the reigns of the first emperors to about 70 CE. He moved early in life to Italy where he owned farms and lived near Rome. It is probable that he did military service in Syria and Cilicia and that he died at Tarentum.Columella's On Agriculture (De Re Rustica) is the most comprehensive, systematic and detailed of Roman agricultural works. Book I covers choice of farming site; water supply; buildings; staff. II: Ploughing; fertilising; care of crops. III, IV, V: Cultivation, grafting and pruning of fruit trees, vines, and olives. VI: Acquisition, breeding, and rearing of oxen, horses, and mules; veterinary medicine. VII: Sheep, goats, pigs, and dogs. VIII: Poultry; fish ponds. IX: Bee-keeping. X (in hexameter poetry): Gardening. XI: Duties of the overseer of a farm; calendar for farm work; more on gardening. XII: Duties of the overseer's wife; manufacture of wines; pickling; preserving. There is also a separate treatise, Trees (De Arboribus), on vines and olives and various trees, perhaps part of an otherwise lost work written before On Agriculture.The Loeb Classical Library edition of Columella is in three volumes.

The Transformation of Lucius Otherwise Known as The Golden Ass [hardcover] Apuleius [Jan 01, 1983]

Columella (Lucius Iunius Moderatus) of Gades (Cadiz) lived in the reigns of the first emperors to about 70 CE. He moved early in life to Italy where he owned farms and lived near Rome. It is probable that he did military service in Syria and Cilicia and that he died at Tarentum.Columella's On Agriculture (De Re Rustica) is the most comprehensive, systematic and detailed of Roman agricultural works. Book I covers choice of farming site; water supply; buildings; staff. II: Ploughing; fertilising; care of crops. III, IV, V: Cultivation, grafting and pruning of fruit trees, vines, and olives. VI: Acquisition, breeding, and rearing of oxen, horses, and mules; veterinary medicine. VII: Sheep, goats, pigs, and dogs. VIII: Poultry; fish ponds. IX: Bee-keeping. X (in hexameter poetry): Gardening. XI: Duties of the overseer of a farm; calendar for farm work; more on gardening. XII: Duties of the overseer's wife; manufacture of wines; pickling; preserving. There is also a separate treatise, Trees (De Arboribus), on vines and olives and various trees, perhaps part of an otherwise lost work written before On Agriculture.The Loeb Classical Library edition of Columella is in three volumes.

Seneca, Lucius Annaeus, born at Corduba (Cordova) ca. 4 BCE, of a prominent and wealthy family, spent an ailing childhood and youth at Rome in an aunt's care. He became famous in rhetoric, philosophy, money-making, and imperial service. After some disgrace during Claudius' reign he became tutor and then, in 54 CE, advising minister to Nero, some of whose worst misdeeds he did not prevent. Involved (innocently?) in a conspiracy, he killed himself by order in 65. Wealthy, he preached indifference to wealth; evader of pain and death, he preached scorn of both; and there were other contrasts between practice and principle.We have Seneca's philosophical or moral essays (ten of them traditionally called Dialogues)—on providence, steadfastness, the happy life, anger, leisure, tranquility, the brevity of life, gift-giving, forgiveness— and treatises on natural phenomena. Also extant are 124 epistles, in which he writes in a relaxed style about moral and ethical questions, relating them to personal experiences; a skit on the official deification of Claudius, Apocolocyntosis (in Loeb number 15); and nine rhetorical tragedies on ancient Greek themes. Many epistles and all his speeches are lost.His moral essays are collected in Volumes I–III of the Loeb Classical Library's ten-volume edition of Seneca.

Apuleius, one of the great stylists of Latin literature, was born ca. 125 AD in Madauros to a politically prominent family and received an elite education in the provincial capital Carthage and at Athens, where he began a lifelong allegiance to Platonic philosophy. In the later 150s, he married Pudentilla of Oea, a wealthy widow, and seems to have enjoyed a distinguished public career in Africa and perhaps as an advocate in Rome.Although Apuleius is best known for his picaresque novel Metamorphoses or The Golden Ass (LCL 44, 453), he also wrote and declaimed on a wide variety of subjects. This edition contains the other surviving works of Apuleius that are considered genuine. Apologia is a speech in which Apuleius defends himself against in-laws who had accused him of having used sinister means, including magic, to induce Pudentilla to marry him. The Florida is a collection of twenty-three excerpts from speeches by Apuleius. De Deo Socratis (On Socrates’ God) locates Socrates’ invisible guide and protector (daimonion) within the more general concept of daimones as forces intermediary between gods and humans.This edition, new to the Loeb Classical Library, offers fresh translations and texts based on the best critical editions.

In the Metamorphoses of Apuleius, also known as The Golden Ass, we have the only Latin novel which survives entire. It is truly enchanting: a delightful romance combining realism and magic.The hero, Lucius, eager to experience the sensations of a bird, resorts to witchcraft but by an unfortunate pharmaceutical error finds himself transformed into an ass. He knows he can revert to his own body by eating rose-petals, but these prove singularly elusive; and the bulk of the work describes his adventures as an animal. He also retails many stories that he overheard, the most charming being that of Cupid and Psyche (beginning, in true fairy-tale fashion, 'Erant in quadam civitate rex et regina'). Some of the stories are as indecent as they are witty, and two in the ninth book were deemed by Boccaccio worthy of inclusion in the Decameron. At last the goddess Isis takes pity on Lucius. In a surprising denouement, he is restored to human shape and, now spiritually regenerated, is initiated into her mysteries. The author's baroque Latin style nicely matches his fantastic narrative and is guaranteed to hold a reader's attention from beginning to end.J. Arthur Hanson was at the time of his death in 1985 Giger Professor of Latin at Princeton University. His publications include Roman Theater-Temples.The Loeb Classical Library edition of Apuleius is in three volumes.

Apuleius's Golden Ass is a unique, entertaining, and thoroughly readable Latin novel--the only work of fiction in Latin to have survived from antiquity. It tells the story of the hero Lucius, whose curiosity and fascination for sex and magic results in his transformation into an ass. After suffering a series of trials and humiliations, he is ultimately transformed back into human shape by the kindness of the goddess Isis. Simultaneously a blend of romantic adventure, fable, and religious testament, The Golden Ass is one of the truly seminal works of European literature, of intrinsic interest as a novel in its own right, and one of the earliest examples of the picaresque. This new translation is at once faithful to the meaning of the Latin, while reproducing all the exuberance of the original.

With accuracy, wit, and intelligence, this remarkable new translation of The Golden Ass breathes new life into Apuleius's classic work. Sarah Ruden, a lyric poet as well as a highly respected translator, skillfully duplicates the verbal high jinks of Apuleius's ever-popular novel. It tells the story of Lucius, a curious and silly young man, who is turned into a donkey when he meddles with witchcraft. Doomed to wander from region to region and mistreated by a series of deplorable owners, Lucius at last is restored to human form with the help of the goddess Isis.The Golden Ass, the first Latin novel to survive in its entirety, is related to the Second Sophistic, a movement of learned and inventive literature. In a translation that is both the most faithful and the most entertaining to date, Ruden reveals to modern readers the vivid, farcical ingenuity of Apuleius's style.