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An English professor at Indiana University, Bender strives to paint a holistic portrait of Oates as artist, scholar, teacher and critic. Her extensive discussion of Oates's novels (presented in chronological order) traces the development of themes and motifs, explores Oates's penchant for parody, genre and "revisionism" and identifies philosophical, psychological and literary influences, among them, Nietzsche, Jung, Dostoevski, Laing, Lewis Carroll and Nabakov. There is a minimal amount of annoying academic jargon ("metafictionist," "intertextual"), but one particularly obnoxious section of the book is cluttered with run-on puns like "Dostoevski himself may well have influenced this vision of crime and punishment, these notes from the underground." Yet Bender brings great enthusiasm to her subject and provides a rewarding look at a great modern writer. Copyright 1987 Reed Business Information, Inc.

Exploring a radical combination of research, art and new media.The idea behind Xerox's interdisciplinary Palo Alto Research Center (PARC) is simple: if you put creative people in a hothouse setting, innovation will naturally emerge. PARC's Artist-in-Residence Program (PAIR) brings artists who use new media to PARC and pairs them with researchers who often use the same media, though in different contexts. This is radically different from most corporate support of the arts, where there is little intersection between the disciplines. The result is both interesting art and new scientific innovations. Art and Innovation explores the unique process that grew from this pairing of new media artists and scientists working at the frontier of developing technologies. In addition to discussing specific works created during several long-term residencies, the artists and researchers reveal the similarities and differences in their approaches and perspectives as they engage each other in a search for new methods for communication and creativity.ContributorsMarshall Bern, David Biegelsen, Michael Black, Jeanette Blomberg, John Seely Brown, Margaret Crane, Paul De Marinis, Jeanne C. Finley, Rich Gold, Craig Harris, Steve Harrison, David Levy, Constance Lewallen, Dale MacDonald, Judy Malloy, Cathy Marshall, Scott Minneman, John Muse, Susan Newman, Joel Slayton, Lucy Suchman, Randy Trigg, Stephen Wilson, Jon Winet, Pamela Z

Exploring a radical combination of research, art and new media.The idea behind Xerox's interdisciplinary Palo Alto Research Center (PARC) is simple: if you put creative people in a hothouse setting, innovation will naturally emerge. PARC's Artist-in-Residence Program (PAIR) brings artists who use new media to PARC and pairs them with researchers who often use the same media, though in different contexts. This is radically different from most corporate support of the arts, where there is little intersection between the disciplines. The result is both interesting art and new scientific innovations. Art and Innovation explores the unique process that grew from this pairing of new media artists and scientists working at the frontier of developing technologies. In addition to discussing specific works created during several long-term residencies, the artists and researchers reveal the similarities and differences in their approaches and perspectives as they engage each other in a search for new methods for communication and creativity.ContributorsMarshall Bern, David Biegelsen, Michael Black, Jeanette Blomberg, John Seely Brown, Margaret Crane, Paul De Marinis, Jeanne C. Finley, Rich Gold, Craig Harris, Steve Harrison, David Levy, Constance Lewallen, Dale MacDonald, Judy Malloy, Cathy Marshall, Scott Minneman, John Muse, Susan Newman, Joel Slayton, Lucy Suchman, Randy Trigg, Stephen Wilson, Jon Winet, Pamela Z

The work of 34 Isle Royale Artists in Residence collected and presented for the first time in a beautiful coffee table book. These paintings, drawings, photographs, poems, essays, and musical compositions reflect each artist’s attempts to deal directly with solitude, simplicity, and the wild beauty of Isle Royale and Lake Superior. In their accompanying essays, the artists tell the stories of their residencies and reflect on how their experiences have reshaped them and their art. This exquisite oversize book is the winner of the National Park Service 2002 Excellence In Interpretive Media Award.

The work of 34 Isle Royale Artists in Residence collected and presented for the first time in a beautiful coffee table book. These paintings, drawings, photographs, poems, essays, and musical compositions reflect each artist’s attempts to deal directly with solitude, simplicity, and the wild beauty of Isle Royale and Lake Superior. In their accompanying essays, the artists tell the stories of their residencies and reflect on how their experiences have re-shaped them and their art. This exquisite oversize book includes 65 full color reproductions. It was the winner of the 2002 National Park Service Excellence in Interpretive Media Award.

The work of 34 Isle Royale Artists in Residence collected and presented for the first time in a beautiful coffee table book. These paintings, drawings, photographs, poems, essays, and musical compositions reflect each artist’s attempts to deal directly with solitude, simplicity, and the wild beauty of Isle Royale and Lake Superior. In their accompanying essays, the artists tell the stories of their residencies and reflect on how their experiences have reshaped them and their art. This exquisite oversize book is the winner of the National Park Service 2002 Excellence In Interpretive Media Award.

As treasure troves of creativity, the homes of artists reflect the intellectual worlds of their creators. Starting with the Villa Stuck in Munich--the aesthetic, conceptual cosmos and life’s work of the aristocratic artist Franz von Stuck--this unique volume integrates the artist’s house as a category into the international discourse and is the first to assign these buildings the status of major works. About 20 examples bring to life the fascination that these artistic fantasies hold for art lovers, including both existing projects and some which, although they have been lost, were of unique importance in their day and still retain their charisma. Along with paintings, sculptures and photographs, plans and models convey the interrelationship between art and life as well as the harmony of the arts expressed by Richard Wagner’s historical concept of the total work of art. Among the houses featured are Sir John Soane’s Museum, London; William Morris’s Red House, Bexleyheath; Louis Comfort Tiffany’s Tiffany House, New York City; Mortimer Menpes’ flat, London; the Fernand Khnopff Villa, Brussels; Jacques Majorelle’s villa and garden, Marrakesh; Kurt Schwitters’ Merzbau, Hanover; and Max Ernst’s house, Arizona.

Art in Residence features portraits of eighty influential West Coast artists, including Ansel Adams, Cole Weston, Eleanor Antin, Jock Sturges, Robert Arneson, Judy Chicago, and more. Each portrait is accompanied by a brief statment from the artist and captures the artist in his or her work space. The photographs are more than stunning portraits - the intense intimacy of Fishback's style, as well as his personal relationships with his subjects, make each one an eloquent visual biography.

Art in Residence features portraits of eighty influential West Coast artists, including Ansel Adams, Cole Weston, Eleanor Antin, Jock Sturges, Robert Arneson, Judy Chicago, and more. Each portrait is accompanied by a brief statment from the artist and captures the artist in his or her work space. The photographs are more than stunning portraits - the intense intimacy of Fishback's style, as well as his personal relationships with his subjects, make each one an eloquent visual biography.

Written by registered landscape artists, this book provides readers with the quality fundamentals of residential site design—exploring functional and artistic elements, and focusing on appreciation of quality and updated standards for site development, maintenance techniques, and training. It clearly illustrates and discusses the actual procedures and underlying principles utilized by experienced residential site designers. Chapter topics cover the typical residential site, outdoor rooms, environmentally responsive design, design process, meeting the clients, site measuring and base map preparation, site study and design program, functional diagrams, preliminary design and design principles, form composition, spatial composition, material composition and master plan, and special project sites. For those individuals beginning design careers, as well as for those currently practicing residential design who wish to enhance their skills and knowledge.

Print on Demand. This book is a firsthand account of an artist's journey through the South Pacific, offering a unique glimpse into the culture and customs of the MÃÂori people of New Zealand. Written in the early 19th century, the authorââ â¢s adventures are infused with a sense of wonder and discovery, a reflection of the prevailing spirit of exploration that characterized the age. The narrative chronicles the author's encounters with the MÃÂori, detailing their daily life, their beliefs, and their complex relationship with European colonizers. Through vivid descriptions of tribal rituals, the author highlights the stark contrast between the MÃÂori's traditional way of life and the burgeoning European influence, shedding light on the impact of colonialism and its social implications. The book also delves into the complexities of cultural exchange, demonstrating both the admiration and apprehension the MÃÂori felt toward the Europeans, as well as the Europeansââ ⢠evolving perceptions of the MÃÂori. The authorââ â¢s observations on the beauty and ingenuity of MÃÂori art, their intricate carving traditions, and their unique way of life contribute to a deeper understanding of their cultural heritage. This absorbing narrative offers readers a rare window into a world on the cusp of profound change, providing a fascinating account of the Maori people and their evolving relationship with the outside world. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.

The Isokon building, Lawn Road Flats, in Belsize Park on Hampstead's lower slopes, is a remarkable building. The first modernist building in Britain to use reinforced concrete in domestic architecture, its construction demanded new building techniques. But the building was as remarkable for those who took up residence there as for the application of revolutionary building techniques. There were 32 Flats in all, and they became a haunt of some of the most prominent Soviet agents working against Britain in the 1930s and 40s, among them Arnold Deutsch, the controller of the group of Cambridge spies who came to be known as the "Magnificent Five" after the Western movie The Magnificent Seven; the photographer Edith Tudor-Hart; and Melita Norwood, the longest-serving Soviet spy in British espionage history. However, it wasn't only spies who were attracted to the Lawn Road Flats, the Bauhaus exiles Walter Gropius, László Moholy-Nagy and Marcel Breuer; the pre-historian V. Gordon Childe; and the poet (and Bletchley Park intelligence officer) Charles Brasch all made their way there. A number of British artists, sculptors and writers were also drawn to the Flats, among them the sculptor and painter Henry Moore; the novelist Nicholas Monsarrat; and the crime writer Agatha Christie, who wrote her only spy novel N or M? in the Flats. The Isokon building boasted its own restaurant and dining club, where many of the Flats' most famous residents rubbed shoulders with some of the most dangerous communist spies ever to operate in Britain. Agatha Christie often said that she invented her characters from what she observed going on around her. With the Kuczynskis - probably the most successful family of spies in the history of espionage - in residence, she would have had plenty of material. DAVID BURKE is a historian of intelligence and international relations and author of The Spy Who Came In From the Co-op: Melita Norwood and the Ending of Cold War Espionage (The Boydell Press, 2009).

This exclusive "El Met" cap is part of an artist project by Miguel Luciano, Civic Practice Partnership Artist in Residence at The Met, designed to expand the visibility of Latinx art at the institution. All proceeds from the sale of "El Met" merchandise will support the acquisition of Latinx art at the Museum. La colección exclusiva "El Met" es un proyecto artístico de Miguel Luciano, concebido dentro de su residencia artística en nuestro programa de alianzas para la práctica cívica (Civic Practice Partnership) con el objetivo de aumentar la visibilidad del arte latinx en la institución. El Museo destinará todas las ganancias derivadas de la venta de productos "El Met" a la adquisición de arte latinx. Artist Statement "El Met" is how we say "The Met" in Spanglish. It's how Latinx audiences throughout New York City and beyond colloquially describe the Museum as a destination. As a Civic Practice Partnership Artist in Residence, one of the first things I explored was the history of representation among Puerto Rican and Latinx artists at the Museum, asking the fundamental question: Where do we see ourselves at The Met? The groundbreaking exhibition The Art Heritage of Puerto Rico: Pre-Columbian to Present (1973), a collaboration with El Museo del Barrio, became a focal point in my research, as it remains the largest survey of Puerto Rican art in any U. S. museum to date. Unfortunately, it didn't lead to major acquisitions, future exhibition opportunities, or sustainable relationships with Latinx communities in the generations that followed. In response to the underrepresentation of Puerto Rican and Latinx artists in the collection, I remixed The Met's logo into "El Met" as a way of reimagining the Museum through the lens of Spanish-speaking audiences. I then created a limited edition of "El Met" t-shirts as a provocation to increase the visibility of Latinx art at the Museum. This collection is now exclusively available at The Met, and all proceeds from the sale of "El

This exclusive "El Met" tote is part of an artist project by Miguel Luciano, Civic Practice Partnership Artist in Residence at The Met, designed to expand the visibility of Latinx art at the institution. All proceeds from the sale of "El Met" merchandise will support the acquisition of Latinx art at the Museum. La colección exclusiva "El Met" es un proyecto artístico de Miguel Luciano, concebido dentro de su residencia artística en nuestro programa de alianzas para la práctica cívica (Civic Practice Partnership) con el objetivo de aumentar la visibilidad del arte latinx en la institución. El Museo destinará todas las ganancias derivadas de la venta de productos "El Met" a la adquisición de arte latinx. Artist Statement "El Met" is how we say "The Met" in Spanglish. It's how Latinx audiences throughout New York City and beyond colloquially describe the Museum as a destination. As a Civic Practice Partnership Artist in Residence, one of the first things I explored was the history of representation among Puerto Rican and Latinx artists at the Museum, asking the fundamental question: Where do we see ourselves at The Met? The groundbreaking exhibition The Art Heritage of Puerto Rico: Pre-Columbian to Present (1973), a collaboration with El Museo del Barrio, became a focal point in my research, as it remains the largest survey of Puerto Rican art in any U. S. museum to date. Unfortunately, it didn't lead to major acquisitions, future exhibition opportunities, or sustainable relationships with Latinx communities in the generations that followed. In response to the underrepresentation of Puerto Rican and Latinx artists in the collection, I remixed The Met's logo into "El Met" as a way of reimagining the Museum through the lens of Spanish-speaking audiences. I then created a limited edition of "El Met" t-shirts as a provocation to increase the visibility of Latinx art at the Museum. This collection is now exclusively available at The Met, and all proceeds from the sale of "E

These tote bags were commissioned by Imperial Health Charity to raise money for their patient engagement programme. Alongside a museum accredited collection of over 2, 000 works, the charity organises a wide range of arts based workshops and runs an artist in residence programme at the five hospitals of the Imperial College Healthcare NHS Trust. The illustrations by British artist David Shrigley were part of a special commission by the All-Party Parliamentary Group for Arts, Health and Wellbeing, launched in 2014. Bags of Ethics work collaboratively with cotton farming communities in India, giving them a powerful route to market for their raw materials and eco-friendly fabrics. Through their label and policy they help to support worker rights, pay and employment policies and safer factory conditions for those along the supply chain. These high-quality, sustainable canvas tote bags are produced by Bags of Ethics’ official partners. More information here. David Shrigley Creative Health Tote bag 2 designs, Imperial Health Charity logo on reverse Canvas Separate wash recommended. Iron inside out.

These tote bags were commissioned by Imperial Health Charity to raise money for their patient engagement programme. Alongside a museum accredited collection of over 2, 000 works, the charity organises a wide range of arts based workshops and runs an artist in residence programme at the five hospitals of the Imperial College Healthcare NHS Trust. The illustrations by British artist David Shrigley were part of a special commission by the All-Party Parliamentary Group for Arts, Health and Wellbeing, launched in 2014. Separate wash recommended. Iron inside out.

This exclusive "El Met" collection is an artist project by Miguel Luciano, Civic Practice Partnership Artist in Residence at The Met, designed to expand the visibility of Latinx art at the institution. All proceeds from the sale of "El Met" merchandise will support the acquisition of Latinx art at the Museum. La colección exclusiva "El Met" es un proyecto artístico de Miguel Luciano, concebido dentro de su residencia artística en nuestro programa de alianzas para la práctica cívica (Civic Practice Partnership) con el objetivo de aumentar la visibilidad del arte latinx en la institución. El Museo destinará todas las ganancias derivadas de la venta de productos "El Met" a la adquisición de arte latinx. Artist Statement "El Met" is how we say "The Met" in Spanglish. It's how Latinx audiences throughout New York City and beyond colloquially describe the Museum as a destination. As a Civic Practice Partnership Artist in Residence, one of the first things I explored was the history of representation among Puerto Rican and Latinx artists at the Museum, asking the fundamental question: Where do we see ourselves at The Met? The groundbreaking exhibition The Art Heritage of Puerto Rico: Pre-Columbian to Present (1973), a collaboration with El Museo del Barrio, became a focal point in my research, as it remains the largest survey of Puerto Rican art in any U. S. museum to date. Unfortunately, it didn't lead to major acquisitions, future exhibition opportunities, or sustainable relationships with Latinx communities in the generations that followed. In response to the underrepresentation of Puerto Rican and Latinx artists in the collection, I remixed The Met's logo into "El Met" as a way of reimagining the Museum through the lens of Spanish-speaking audiences. I then created a limited edition of "El Met" t-shirts as a provocation to increase the visibility of Latinx art at the Museum. This collection is now exclusively available at The Met, and all proceeds from the sale of "El

Steered by a trio of friends, Neuw Denim blends Nordic design with a relaxed Melbourne style, inspired by a passion for contemporary music, art and vintage. This season, the brand welcomes this breezy vacation shirt from the Artist in Residence capsule, produced in partnership with Dutch artist Joris Graaf. The shirt has a relaxed cut and features an all-over digital print of one of Graaf's pieces, a stylised mix of photography and painting. 100% Viscose, Camp Collar, Hanger Loop, Chest Patch Pocket, Button Closure, Neuw Denim. Neuw Denim Men's Graaf Art 2 Vacation Shirt in Graphite, Size Small