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On publication Arundhati Roy's first novel The God of Small Things (1997) rapidly became an international bestseller, winning the Booker Prize and creating a new space for Indian literature and culture within the arts, even as it courted controversy and divided critical opinion. This guide to Roy’s ground-breaking novel offers: an accessible introduction to the text and contexts of The God of Small Things a critical history, surveying the many interpretations of the text from publication to the present a selection of new essays and reprinted critical essays by Padmini Mongia, Aijaz Ahmad, Brinda Bose, Anna Clarke, Émilienne Baneth-Nouailhetas and Alex Tickell on The God of Small Things, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of The God of Small Things and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Roy's text.

This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from 'The Remains of the Day' to 'White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

Twenty years, a thousand pages, and now a single beautiful edition of Arundhati Roy's complete non-fiction.My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights and freedoms in an increasingly hostile environment. Taken together, these essays trace her twenty year journey from the Booker Prize-winning The God of Small Things to the extraordinary The Ministry of Utmost Happiness: a journey marked by compassion, clarity and courage. Radical and readable, they speak always in defence of the collective, of the individual and of the land, in the face of the destructive logic of financial, social, religious, military and governmental elites.In constant conversation with the themes and settings of her novels, the essays form a near-unbroken memoir of Arundhati Roy's journey as both a writer and a citizen, of both India and the world, from 'The End of Imagination', which begins this book, to 'Azadi', with which it ends.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.98

Between 1987 and 2001, Dian Hanson, then editor of Leg Show magazine, and photographer Roy Stuart collaborated on over 100 fetish photo shoots, producing an intensely sexual, socially transgressive body of work unmatched in contemporary erotic photography. Stuart, influenced by authors Angela Carter, William S. Burroughs, and Georges Bataille, was and remains passionately opposed to commercial pornography and insisted every photo story subvert and skewer some societally imposed sexual taboo. Women are portrayed with strength and sexual agency; men are often submissive; all are adventuresome and fluid. Hanson selected the wardrobe to appeal to a range of sexual tastes, including stocking, shoe, panty, nylon, and rubber fetishes. Viewed today, the styles and attitudes speak to the liberal hedonism of 1990s America, when, under the Clinton presidency, erotic artists were afforded more creative freedom.Power Play, the first volume in the series Roy Stuart: Embrace Your Fantasies, showcases photo stories addressing sexual power dynamics. All images are from the original transparencies, rescued from the Leg Show archives before the magazine’s demise in 2012, and presented with Hanson’s original magazine text.Join us in a trip back to the prosperous, optimistic 1990s to explore your fantasies―and perhaps some you never considered―with the richly produced sexual subversion of Roy Stuart and Dian Hanson.

Between 1987 and 2001, Dian Hanson, then editor of Leg Show magazine, and photographer Roy Stuart collaborated on over 100 fetish photo shoots, producing an intensely sexual, socially transgressive body of work unmatched in contemporary erotic photography. Stuart, influenced by authors Angela Carter, William S. Burroughs, and Georges Bataille, was and remains passionately opposed to commercial pornography and insisted every photo story subvert and skewer some societally imposed sexual taboo. Women are portrayed with strength and sexual agency; men are often submissive; all are adventuresome and fluid. Hanson selected the wardrobe to appeal to a range of sexual tastes, including stocking, shoe, panty, nylon, and rubber fetishes. Viewed today, the styles and attitudes speak to the liberal hedonism of 1990s America, when, under the Clinton presidency, erotic artists were afforded more creative freedom.Power Play, the first volume in the series Roy Stuart: Embrace Your Fantasies, showcases photo stories addressing sexual power dynamics. All images are from the original transparencies, rescued from the Leg Show archives before the magazine’s demise in 2012, and presented with Hanson’s original magazine text.Join us in a trip back to the prosperous, optimistic 1990s to explore your fantasies―and perhaps some you never considered―with the richly produced sexual subversion of Roy Stuart and Dian Hanson.

Arundhati Roy, the internationally acclaimed author of The God of Small Things, explores the politics of writing and the human and environmental price of "development" in her latest work, Power Politics. In a clear and compelling voice, Roy challenges the idea that only "experts" can speak out on such urgent matters as nuclear war, the tolls of privatization of India's power supply by U.S.-based energy companies, and the construction of monumental dams in India, which promises the dislocation of hundreds of thousands of people.Roy describes the challenges she has faced in speaking out on contemporary politics after the tremendous international success of her novel The God of Small Things, winner of the prestigious Booker Prize. Here, Roy updates The Cost of Living, described by Salman Rushdie as "brilliant reportage with a passionate, no-holds-barred commentary." In Power Politics, she takes us to the frontlines of struggle for social justice and a humane, democratic future in India. In this latest work, Roy writes of "the politics of joining hands across the world and preventing certain destruction...in the present circumstances, I'd say that the only thing worth globalizing is dissent."Born in 1961 in Bengal, Arundhati Roy grew up in Kerala and trained as an architect at the Delhi School of Architecture. Writing in the New York Times, John Updike observed, "The quality of Ms. Roy's narration is so extraordinary-at once so morally strenuous and so imaginatively supple-that the reader remains enthralled all the way through." She is the author of The God of Small Things (HarperCollins) and The Cost of Living (Modern Library).

Arundhati Roy —"India’s most impassioned critic of globalization" (New York Times)—has expanded the compelling first edition of Power Politics with two new essays on the U.S. war on terrorism. A Book Sense 76 choice for November/December 2001 and Los Angeles Times "Discoveries" selection, Power Politics challenges the idea that only experts can speak out on such urgent matters as nuclear war, the privatization of India’s power supply by U.S.-based energy companies, and the construction of monumental dams in India.Arundhati Roy, the internationally acclaimed author of The God of Small Things, brings her keen novelist’s eye to her analysis of the tragic events of September 11 and the military response, starting with the U.S. bombing of Afghanistan.

Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 0.77

The Use of Force, long considered a classic in its own right, brings together enduring and influential works on the role of military power in foreign policy and international politics. Now in its seventh edition, the reader includes ten new selections to take account of key current international issues. Meticulously chosen and edited by leading scholars Robert J. Art and Kenneth N. Waltz, the selections are grouped under three headings: theories, key case studies, and contemporary issues. The first section includes essays that cover the security dilemma, terrorism, the sources of military doctrine, the nuclear revolution, and the fungibility of force. The second section includes case studies in the use of force that span the period from World War I through the war in Iraq. The final section considers issues concerning the projection of U.S. military power, the spread of biological and nuclear weapons, intervention in internal conflicts, and coping with terrorism and insurgencies. Continuing the tradition of previous editions, this fully updated reader collects the best analysis by influential thinkers on the use of force in international affairs.Contributions by: Bruce J. Allyn, Robert J. Art, James G. Blight, McGeorge Bundy, Audrey Kurth Cronin, David M. Edelstein, Benjamin H. Friedman, John Lewis Gaddis, Alexander L. George, Morton H. Halperin, Robert Jervis, Chaim Kaufmann, David Kilcullen, Gregory Koblentz, Christopher Layne, John J. Mearsheimer, Louis Morton, Michael O'Hanlon, Robert A. Pape, Paul R. Pillar, Barry R. Posen, Christopher Preble, Ehsaneh I. Sadr, Scott D. Sagan, Sir George Sansom, Harvey M. Sapolsky, Jack L. Snyder, Stephen M. Walt, Barbara F. Walter, Kenneth N. Waltz, and David Welch