6 products were found matching your search for Assonances in 1 shops:

Despite its status as a masterpiece of world literature, the Song of Roland has only been available in English in translations based on the Oxford manuscript whose text dates to around 1100. But the medieval corpus of the Roland consists of seven substantial manuscripts, two in assonance and five in rhyme. The only complete text among the rhymed versions is found in two manuscripts housed respectively in Châteauroux and Venice, and thus known as CV7, which has never before been translated into a modern language. CV7 dates to the end of the twelfth century. It introduces five new episodes and expands others substantially, transforming the substance and sense of the narrative. The role of Aude is recomposed, raising her standing to one of the most important characters in the poem. Students of the epic and those taking courses on medieval literature and history will experience the vitality and mutability of the genre in the course of the century in which many of the great French epics and romances were composed. The present volume contains complete translations of Oxford and CV7, plus an introduction, notes, and indices

Relihan uses alliteration and assonance, rhythm and rhyme, the occasional archaism, the rare neologism, and devices of punctuation and typography, to create a sparkling, luxurious, and readable translation that reproduces something of the linguistic and comic effects of the original Latin. The general Introduction is a masterpiece of clarity, orienting the reader in matters of authorship, narration, genre, religion, structure and style. A generous and browsable index, select bibliography, and maps are included.

Despite its status as a masterpiece of world literature, the Song of Roland has only been available in English in translations based on the Oxford manuscript whose text dates to around 1100. But the medieval corpus of the Roland consists of seven substantial manuscripts, two in assonance and five in rhyme. The only complete text among the rhymed versions is found in two manuscripts housed respectively in Châteauroux and Venice, and thus known as CV7, which has never before been translated into a modern language. CV7 dates to the end of the twelfth century. It introduces five new episodes and expands others substantially, transforming the substance and sense of the narrative. The role of Aude is recomposed, raising her standing to one of the most important characters in the poem. Students of the epic and those taking courses on medieval literature and history will experience the vitality and mutability of the genre in the course of the century in which many of the great French epics and romances were composed. The present volume contains complete translations of Oxford and CV7, plus an introduction, notes, and indices

First published in 1952, this study discusses the development of Greek prose during the fifth century and analyzes its use of abstract forms of expression, word-order, sentence structure, use of repetition, asyndeton and assonance.

A leading art critic and historian offers a new and revolutionary analysis of Flaubert’s literary style Gustave Flaubert, one of the key figures in literary modernism, is famous for his determined pursuit of stylistic perfection. This notably involved the attempt to eliminate from his prose all sorts of assonances, consonances, and repetitions, in large measure by reading his sentences in a loud voice—the test of what he called the gueuloir (from gueuler, to yell). And yet when one examines closely the prose in his first novel, Madame Bovary, one becomes aware of a host of repetitions that appear to go directly against his stylistic ideal, revealing a level of “resistance” to that ideal at the very heart of his writing process.In this book Michael Fried presents two long essays: the first on Madame Bovary, in which the problem of critical understanding posed by this discovery is explored in depth; and the second on Flaubert’s remarkable second novel, Salammbô, in which the conflict between the drive for perfection and certain automatistic tendencies in Madame Bovary is replaced by a determination to extend the rule of authorial will throughout every aspect and level of the text. Furthermore, drawing on his wide knowledge of nineteenth-century French painting and criticism, Fried suggests that there exist strong analogies between what goes on in Flaubert's writing and what can be seen to take place in the art of Courbet, Manet, and Legros.

First published in 1952, this study discusses the development of Greek prose during the fifth century and analyzes its use of abstract forms of expression, word-order, sentence structure, use of repetition, asyndeton and assonance.