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This book asks that we consider the practices that facilitate audience participation on equal terms with other elements of the theatre maker's art; it offers a theoretical basis for this new approach, illustrated by examples from diverse participatory performances.

This book asks that we consider the practices that facilitate audience participation on equal terms with other elements of the theatre maker's art; it offers a theoretical basis for this new approach, illustrated by examples from diverse participatory performances.

Scholarly work on the impact of an active audience on theatrical and dance performance is a relatively new phenomenon, one that until now has manifested itself largely in the form of scattered dialogue on the subject. Audience Participation: Essays on Inclusion in Performance serves as a corrective to this. While the passive audience has long been acknowledged in works on response theory and audience studies for its contribution to the performance event, performance styles that use the audience as an active contributing creative force have been appended to the studies as merely variations on a theme.This anthology brings together essays on direct audience participation in the work of fourteen widely varied theatrical and dance artists, covering performance genres of the past and present, popular entertainment and high art. Its comprehensiveness and uniqueness make it an important contribution to the literature on theater and its many forms and facets.

This work contains the histories of 17 radio audience participation shows on the air during the 1940s. They are Arthur Godfrey's Talent Scouts, Art Linkletter's House Party, Break the Bank, The Breakfast Club, Bride and Groom, Can You Top This?, Dr. Christian, Dr. I.Q., Double or Nothing, Information Please, Queen for a Day, Stop the Music!, Strike It Rich, Take It or Leave It, Truth or Consequences, Welcome Travelers, and You Bet Your Life. Included for each show are the premise it was based upon, the producers, host, announcer, vocalists, orchestra conductor, writers, sponsors, the ratings, and the air dates. Biographical sketches are provided for 177 figures who were connected to radio audience participation shows. A guide to network audience participation shows follows the text as an appendix.

Now in its fifth printing, this anthology features stories by Heather Forest, Doug Lipman, Norma Livo, Anne Pellowski, Diane Wolkstein, Bill Harley, and 12 more tellers. The stories are from African, Indian, Native American, and other cultures; some are original. Each of the 18 stories includes notes by the contributor on how to encourage the audience to participate in the telling of the story. The first in our series, this anthology provides a wealth of information on storytelling and audience participation techniques.

MacDonald's classic storytelling how-to primer returns, filled with updated resources, classic stories from around the globe, guidelines to tell them with gusto, as well as advice on finding, learning, and telling new tales. Twenty stories, complete with suggestions for chants, songs, dialects, repeating lines, and audience participation, make these multicultural tales easy to learn and tell while satisfying young audiences. A master of communicating in the story format, MacDonald engages readers just as she does her young audience members in story circles worldwide. She shares a goldmine of practical advice so that both veteran and inexperienced storytellers can: Find your unique voice to make the stories your own; Build up a sure-fire story repertoire quickly, and expand it easily using McDonald's recommended resources; Identify traditional story variants to wow audiences; Prepare and rehearse for success using techniques honed over 40+ years; Find the best tales for your style and audience; A new generation of school and children's librarians, storytellers, and folklorists can get ready to be inspired! Use this classic handbook to create maximum impact around the story circle - for tellers and listeners alike.

MacDonald's classic storytelling how-to primer returns, filled with updated resources, classic stories from around the globe, guidelines to tell them with gusto, as well as advice on finding, learning, and telling new tales. Twenty stories, complete with suggestions for chants, songs, dialects, repeating lines, and audience participation, make these multicultural tales easy to learn and tell while satisfying young audiences. A master of communicating in the story format, MacDonald engages readers just as she does her young audience members in story circles worldwide. She shares a goldmine of practical advice so that both veteran and inexperienced storytellers can: Find your unique voice to make the stories your own; Build up a sure-fire story repertoire quickly, and expand it easily using McDonald's recommended resources; Identify traditional story variants to wow audiences; Prepare and rehearse for success using techniques honed over 40+ years; Find the best tales for your style and audience; A new generation of school and children's librarians, storytellers, and folklorists can get ready to be inspired! Use this classic handbook to create maximum impact around the story circle - for tellers and listeners alike.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.9

There is no doubt, journalism faces challenging times. Since the turn of the millennium, the financial health of the news industry is failing, mainstream audiences are on the decline, and professional authority, credibility and autonomy are eroding. The outlook is bleak and it’s understandable that many are pessimistic. But this book argues that we have to rethink journalism fundamentally. Rather than just focus on the symptoms of the ‘crisis of journalism’, this collection tries to understand the structural transformation journalism is undergoing. It explores how the news media attempts to combat decreasing levels of trust, how emerging forms of news affect the established journalistic field, and how participatory culture creates new dialogues between journalists and audiences. Crucially, it does not treat these developments as distinct transformations. Instead, it considers how their interrelation accounts for both the tribulations of the news media and the need for contemporary journalism to redefine itself.

Presents a collection of folktales for adults to tell elementary-age children, with special techniques for encouraging audience participation

A Ground-breaking guide to audience participatory theatre. Interactive acting is a step-by-step handbook that teaches actors how to successfully perform in audience participatory theatre. This book includes: - Descriptions of interactive performances - Methods to draw out good audience participation - Techniques to handle the unexpected - performance tactics for off-stage environments - A concise review of improvisation skills - And much more

A Ground-breaking guide to audience participatory theatre. Interactive acting is a step-by-step handbook that teaches actors how to successfully perform in audience participatory theatre. This book includes: - Descriptions of interactive performances - Methods to draw out good audience participation - Techniques to handle the unexpected - performance tactics for off-stage environments - A concise review of improvisation skills - And much more

Add a little country twang to your holiday concert with this Christmas tune from Dolly Parton. The optional audience participation will have everyb...

Possibly the most performed audience participation anthem around the country! With a techno groove and the familiar chant (opt), this will go toget...

Helps adults emphasize why good attendance is crucial to success Includes: Each day's lesson builds off what was taught before. Missing just one class can put you behind; Class participation is often included in grading; plus 5 more Reach a wider audience with English on front and Spanish on back Pinhole at top for easy hanging Add your custom personalization to front bottom section

From the noted Marks Choral Library is this truly dynamic setting of our nation's creed. An effective audience participation number that is ideal f...

Set your beginners up for success this Christmas with this interactive work! Full of theatrics and audience participation, it's a winning combinati...

Community ... use singing to bring people together once again in your neighborhood, home, church, camp, school, club or activity. Plan now to include some audience participation at a concert or other public event. Throw in a song or two at the beginning of a meeting to melt the ice and get communication going. Restore the fun of camp singing next time you gather a group around the fire. Get out the guitar, sit down at the piano, tune up the Autoharp, add a bass, drums, or any other instruments you can lay your hands on, and have a sing-a-long.Developed in association with the Music Educators National Conference (MENe and other music organizations, this publication contains over 40 songs which represent America's vast and varied music heritage, along with an introduction by America's own Pete Seeger. A portion of the proceeds from the sale of these editions will benefit the national MENC campaign to Get America Singing ... Again!Available: Piano/Vocal/Guitar Edition, Singer's Edition, and Singer's Edition (10-pak). For all ages.

Discusses key issues in developing and delivering effective safety training, covering adult learning, designing training that meets real needs of an audience, increasing audience participation, characteristics of effective presenters, and techniques that will result in more effective safety training. Includes self-assessment exercises, checklists, and examples of tests, handouts, and visuals. The author has written numerous safety training and computer classes and has delivered technical training to over 15,000 people. Annotation c. Book News, Inc., Portland, OR (booknews.com)

In this highly informative and thought provoking conversation Liam Gillick and Lawrence Weiner address some of the most contested topics in contemporary critical debate: the role of art in the community, art institutions and artists' egos, class antagonism as a visual style, audience participation and responsibilities, collaboration, documentary practices, and art education.