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Written by Andrew Wallace-Hadrill, one of the world's foremost scholars on Roman social and cultural history, this introduction to Rome in the Age of Augustus provides a fascinating insight into the social and physical contexts of Augustan politics and poetry, exploring in detail the impact of the new regime of government on society. Taking an interpretative approach, the ideas and environment manipulated by Augustus are explored, along with reactions to that manipulation. Emphasizing the role and impact of art and architecture of the time, and on Roman attitudes and values, Augustan Rome explains how the victory of Octavian at Actium transformed Rome and Roman life.The second edition features a new introductory section on literary figures under Augustus, a final chapter on the reception of Augustus in later periods, updated references to recent scholarship, new figures and an expanded list of further reading.This thought-provoking yet concise volume sets political changes in the context of their impact on Roman values, on the imaginative world of poetry, on the visual world of art, and on the fabric of the city of Rome.

While the monarchy established by Caesar Augustus has attracted much scholarly attention, far less has been said about the reemergence of the old nobility at that time after years of civil war. One clear reason for this has been the lack of reliable evidence from the period. This book goes backward to the early years of the 1st century B.C. and forward to the reign of Nero in search of documentation of the Augustan aristocracy. Syme draws particularly on the Annals of Tacitus to cover 150 years in the history of Roman families, chronicling their splendor and success, as well as their subsequent fall within the embrace of the dynasty.

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While the monarchy established by Caesar Augustus has attracted much scholarly attention, far less has been said about the reemergence of the old nobility at that time after years of civil war. One clear reason for this has been the lack of reliable evidence from the period. This book goes backward to the early years of the first century B.C. and forward to the reign of Nero in search of documentation of the Augustan aristocracy. Syme draws particularly on the Annals of Tacitus to cover 150 years in the history of Roman families, chronicling their splendor and success, as well as their subsequent fall within the embrace of the dynasty.

While the monarchy established by Caesar Augustus has attracted much scholarly attention, far less has been said about the reemergence of the old nobility at that time after years of civil war. One clear reason for this has been the lack of reliable evidence from the period. This book goes backward to the early years of the 1st century B.C. and forward to the reign of Nero in search of documentation of the Augustan aristocracy. Syme draws particularly on the Annals of Tacitus to cover 150 years in the history of Roman families, chronicling their splendor and success, as well as their subsequent fall within the embrace of the dynasty.

Centring on the reign of the emperor Augustus, volume four is pivotal to the series, tracing of the changing shape of the entity that was ancient Rome through its political, cultural and economic history. Within this period the Roman world was reconfigured. On a political and constitutional level the patterns of the republic, which sustained an oligarchic regime and a popularist structure, were transformed into a monarchical dictatorship in which the earlier elements continued to function. On an imperial level, the growth in Roman power reached what was virtually its apogee. In literature and the visual arts, new forms of expression, based on those of the previous generations but closely linked to the new regime, showed great achievements. In society and the economy, the effectiveness and dominance of Rome as the centre of world power became increasingly obvious.

Grand political accomplishment and artistic productivity were the hallmarks of Augustus Caesar's reign (31 B.C. to A.D. 14), which has served as a powerful model of achievement for societies throughout Western history. Although much research has been done on individual facets of Augustan culture, Karl Galinsky's book is the first in decades to present a unified overview, one that brings together political and social history, art, literature, architecture, and religion. Weaving analysis and narrative throughout a richly illustrated text, Galinsky provides not only an enjoyable account of the major ideas of the age, but also an interpretation of the creative tensions and contradictions that made for its vitality and influence. Galinsky draws on source material ranging from coins and inscriptions to the major works of poetry and art, and challenges the schematic concepts and dichotomies that have commonly been applied to Augustan culture. He demonstrates that this culture was neither monolithic nor the mere result of one man's will. Instead it was a nuanced process of evolution and experimentation. Augustan culture had many contributors, as Galinsky demonstrates, and their dynamic interactions resulted in a high point of creativity and complexity that explains the transcendence of the Augustan age. Far from being static, its sophisticated literary and artistic monuments call for the active response and involvement of the reader and viewer even today.

Grand political accomplishment and artistic productivity were the hallmarks of Augustus Caesar's reign (31 B.C. to A.D. 14), which has served as a powerful model of achievement for societies throughout Western history. Although much research has been done on individual facets of Augustan culture, Karl Galinsky's book is the first in decades to present a unified overview, one that brings together political and social history, art, literature, architecture, and religion. Weaving analysis and narrative throughout a richly illustrated text, Galinsky provides not only an enjoyable account of the major ideas of the age, but also an interpretation of the creative tensions and contradictions that made for its vitality and influence. Galinsky draws on source material ranging from coins and inscriptions to the major works of poetry and art, and challenges the schematic concepts and dichotomies that have commonly been applied to Augustan culture. He demonstrates that this culture was neither monolithic nor the mere result of one man's will. Instead it was a nuanced process of evolution and experimentation. Augustan culture had many contributors, as Galinsky demonstrates, and their dynamic interactions resulted in a high point of creativity and complexity that explains the transcendence of the Augustan age. Far from being static, its sophisticated literary and artistic monuments call for the active response and involvement of the reader and viewer even today.

Centring on the reign of the emperor Augustus, volume four is pivotal to the series, tracing of the changing shape of the entity that was ancient Rome through its political, cultural and economic history. Within this period the Roman world was reconfigured. On a political and constitutional level the patterns of the republic, which sustained an oligarchic regime and a popularist structure, were transformed into a monarchical dictatorship in which the earlier elements continued to function. On an imperial level, the growth in Roman power reached what was virtually its apogee. In literature and the visual arts, new forms of expression, based on those of the previous generations but closely linked to the new regime, showed great achievements. In society and the economy, the effectiveness and dominance of Rome as the centre of world power became increasingly obvious.

While the monarchy established by Caesar Augustus has attracted much scholarly attention, far less has been said about the reemergence of the old nobility at that time after years of civil war. One clear reason for this has been the lack of reliable evidence from the period. This book goes backward to the early years of the first century B.C. and forward to the reign of Nero in search of documentation of the Augustan aristocracy. Syme draws particularly on the Annals of Tacitus to cover 150 years in the history of Roman families, chronicling their splendor and success, as well as their subsequent fall within the embrace of the dynasty.

This item is printed on demand - it takes 3-4 days longer - Neuware -Der vorliegende Band markiert den zweitausendsten Todestag des princeps mit einer Reihe von Studien, die neue Zugänge zum römischen Herrscher Augustus und seiner Regentschaft bieten. Die thematisch weit gefächerten Beiträge fokussieren zentrale Themen der Augustusforschung aus der Sicht des 21. Jahrhunderts. Der Band bietet Studien aus archäologischer, philologischer und althistorischer Perspektive, die auf der Tagung 'XIV A.D. SAECVLVM AVGVSTVM. The Age of Augustus' im September 2014 in Lissabon präsentiert und diskutiert wurden.Mit dem Titel, Augustan Papers, wird an das 80. Jubiläum der Publikation Roman Papers (1939) von Ronald Syme erinnert. 454 pp. Englisch, Französisch, Italienisch

This item is printed on demand - it takes 3-4 days longer - Neuware -This volume marks the two-thousandth anniversary of the princeps' death with a series of studies that offer new approaches to the Roman ruler Augustus and his reign. The thematically wide-ranging contributions focus on central topics of Augustus research from the perspective of the 21st century. The volume offers studies from archaeological, philological and ancient historical perspectives, which were presented at the conference 'XIV A.D. SAECVLVM AVGVSTVM. The Age of Augustus' in Lisbon in September 2014.The title, Augustan Papers, commemorates the 80th anniversary of the publication Roman Papers (1939) by Ronald Syme. 252 pp. Englisch, Französisch, Italienisch

Grand political accomplishment and artistic productivity were the hallmarks of Augustus Caesar's reign (31 B.C. to A.D. 14), which has served as a powerful model of achievement for societies throughout Western history. Although much research has been done on individual facets of Augustan culture, Karl Galinsky's book is the first in decades to present a unified overview, one that brings together political and social history, art, literature, architecture, and religion. Weaving analysis and narrative throughout a richly illustrated text, Galinsky provides not only an enjoyable account of the major ideas of the age, but also an interpretation of the creative tensions and contradictions that made for its vitality and influence. Galinsky draws on source material ranging from coins and inscriptions to the major works of poetry and art, and challenges the schematic concepts and dichotomies that have commonly been applied to Augustan culture. He demonstrates that this culture was neither monolithic nor the mere result of one man's will. Instead it was a nuanced process of evolution and experimentation. Augustan culture had many contributors, as Galinsky demonstrates, and their dynamic interactions resulted in a high point of creativity and complexity that explains the transcendence of the Augustan age. Far from being static, its sophisticated literary and artistic monuments call for the active response and involvement of the reader and viewer even today.

Written in the author's maternal Greek, the Roman History of the third-century A.D. historian Cassius Dio is our fullest surviving historical source for the reign of the Emperor Augustus. In The Augustan Succession Peter Michael Swan provides an ample historical and historiographic commentary on Books 55-56 of the History. These books recount Augustus's last twenty-three years (9 B.C.-A.D. 14), during which the aging monarch, amid dynastic tragedies and military setbacks, orchestrated the continuation of the constitutional and imperial system developed under his leadership, which ended in his transmission of power to his son-in-law Tiberius. The Augustan Succession is the first commentary since the eighteenth century to offer full and fresh treatment of this segment of Dio's work.This commentary pays close critical attention to Dio's historical sources, methods, and assumptions as it also strives to present him as a figure in his own right. During a long life (ca. 164-after 229), Dio served as a Roman senator under seven emperors from Commodus to Severus Alexander, governed three Roman provinces, and was twice consul. An acute and interested contemporary observer of wide experience, positioned close to the seat of imperial power, he was a self-assured personality who embodied deeply conservative political and social views and prejudices. All these factors inform the pages of Dio's Augustan narrative, as does, above all, his doctrine that the best remedy for the troubles of his own age of "rust and iron" was rule on the model of Augustus. This is an historical commentary on Books 55-56 of Dio's Roman History. These books recount the last half of the reign of the Emperor Augustus, above all his orchestration of the first imperial succession. Addressed to both students and scholars, the new commentary is the first since the eighteenth century to offer full and fresh treatment of this segment of Dio's work.

This book examines the ideological reception of Virgil at specific moments in the past two millennia. It focuses on the emperor Augustus in the poetry of Virgil, detects in the poets and grammarians of antiquity pro- and anti-Augustan readings, studies Dryden's 1697 Royalist translation, and also naive American translation. It scrutinizes nineteenth-century philology's rewriting or excision of troubling readings, and covers readings by both supporters and opponents of fascism and National Socialism. Finally it examines how successive ages have made the Aeneid conform to their upbeat expectations of this poet.

This book examines the ideological reception of Virgil at specific moments in the past two millennia. It focuses on the emperor Augustus in the poetry of Virgil, detects in the poets and grammarians of antiquity pro- and anti-Augustan readings, studies Dryden's 1697 Royalist translation, and also naive American translation. It scrutinizes nineteenth-century philology's rewriting or excision of troubling readings, and covers readings by both supporters and opponents of fascism and National Socialism. Finally it examines how successive ages have made the Aeneid conform to their upbeat expectations of this poet.

Covers the years 28 to 5 BC; includes Dio's discussion of the constitutional settlement of 27 BC and the imperial system it inaugurated.

The Poetics of Power in Augustan Rome: Latin Poetic Responses to Early Imperial Iconography 0.94

In 30-15 BC Sextus Propertius composed at Rome four books of elegies which range from erotic to learned to political and exhibit an unparalleled richness of themes, concepts and language. This book investigates their sources and motives, examining Propertius' family background in Umbrian Asisium and tracing his career as he sought through poetry to restore his family's fortunes after the Civil Wars. Propertius' progress within the Roman poetic establishment depended on his patrons - Tullus, 'Gallus', Maecenas and Augustus. Initially his poetry was influenced radically by his elegiac predecessor C. Cornelius Gallus, arguably also the 'Gallus' who jointly patronised Propertius' first book. New heuristic techniques help to recover the impact on Propertius of Cornelius Gallus' (mainly lost) elegies. Propertius' subsequent move into Maecenas', and then Augustus', patronage had an equally powerful, ideological, impact; in his latter books he became (alongside Virgil and Horace) a major and committed Augustan voice.

In 30-15 BC Sextus Propertius composed at Rome four books of elegies which range from erotic to learned to political and exhibit an unparalleled richness of themes, concepts and language. This book investigates their sources and motives, examining Propertius' family background in Umbrian Asisium and tracing his career as he sought through poetry to restore his family's fortunes after the Civil Wars. Propertius' progress within the Roman poetic establishment depended on his patrons - Tullus, 'Gallus', Maecenas and Augustus. Initially his poetry was influenced radically by his elegiac predecessor C. Cornelius Gallus, arguably also the 'Gallus' who jointly patronised Propertius' first book. New heuristic techniques help to recover the impact on Propertius of Cornelius Gallus' (mainly lost) elegies. Propertius' subsequent move into Maecenas', and then Augustus', patronage had an equally powerful, ideological, impact; in his latter books he became (alongside Virgil and Horace) a major and committed Augustan voice.