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A collection of critical essays discuss the works of the American novelist.

Auster vuelve la mirada sobre si mismo y parte de la llegada de las primeras senales de la vejez para rememorar episodios de su vida. Y asi, se suceden las historias: un accidente infantil mientras jugaba al beisbol, el descubrimiento del sexo, las masturbaciones adolescentes, y la primera experiencia sexual con una prostituta, la rememoracion de sus padres, un accidente de coche en el que su mujer resulta herida, una presentacion en Arles acompanado por su admirado Jean-Louis Trintignant, la estancia en Paris, una larga lista comentada de las 21 habitaciones en las que ha vivido a lo largo de su vida hasta llegar a su actual residencia en Park Slope, sus ataques de panico, los viajes, los paseos, la presencia de la nieve, el paso y la herida del tiempo... En definitiva, un magistral autorretrato. / Auster places the spotlight on himself as the first signs of ageing prompt him to remember episodes of his life. A childhood accident while playing baseball, adolescent masturbation and his first sexual experience with a prostitute. Memories of his parents, a car accident that left his wife injured, a presentation in Arles accompanied by Jean-Louis Trintignant, his time in Paris, and a long annotated list of the 21 bedrooms in which he has lived throughout his life. His panic attacks, journeys, walks, the presence of snow, wounds and the passing of time. This is certainly a magisterial self portrait.

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 0.95

This is the first major publication in English on the work of French artist Sophie Calle, yet this volume is in no way an ordinary monograph. In fact, it takes the form of a "double jeu", a "double game," between the work of Sophie Calle and the fiction of Paul Auster. Representing an imaginative interplay of fact and fiction, "Double Game" creates a publication of endless intrigue and layers: part novel, part diary, part artist's book, and part jest.

Book is in NEW condition. 0.95

From the creator of the highly acclaimed, widely successful graphic novels Maus and Maus II comes Neon Lit, an innovative series of graphic crime novels. First in the series is City of Glass, universally praised as a contemporary classic upon its publication in 1985. A film based on the novel is currently in pre-production.

Paul Auster (b. 1947) is one of the most critically acclaimed and intensely studied authors in America today. His varied career as a novelist, poet, translator, and filmmaker has attracted scholarly scrutiny from a variety of critical perspectives. The steadily rising arc of his large readership has made him something of a popular culture figure with many appearances in print interviews, as well as on television, the radio, and the internet. Auster's best-known novel may be his first, City of Glass (1985), a grim and intellectually puzzling mystery that belies its surface image as a “detective novel” and goes on to become a profound meditation on transience and mortality, the inadequacies of language, and isolation. Fifteen more novels have followed since then, including The Music of Chance, Moon Palace, The Book of Illusions, and The Brooklyn Follies. He has, in the words of one critic, “given the phrase ‘experimental fiction’ a good name” by fashioning bona fide literary works with all the rigor and intellect demanded of the contemporary avant-garde. This volume―the first of its kind on Auster―will be useful to both scholars and students for the penetrating self-analysis and the wide range of biographical information and critical commentary it contains. Conversations with Paul Auster covers all of Auster's oeuvre, from The New York Trilogy―of which City of Glass is a component―to Sunset Park (2010), along with his screenplays for Smoke (1995) and Blue in the Face (1996). Within, Auster nimbly discusses his poetry, memoir, nonfiction, translations, and film directing.

Paperback. This book explores how three contemporary American artists through the mediums of film, literature and popular music have contributed to the tradition of American progressivism, and provides an invaluable companion to the understanding of complex issues such as inequality and social and economic decline that are apparent in America today.Connecting the works of these artists through a fictional country the Other America the book shows how they have refuted middle-class values and goals of success, money and social affirmation to unveil the less celebrated, dark side of contemporary America, which, despite the troubles currently faced, never loses hope for a better future. This utopic vision in the face of adversity is explored through the plots, characters and mis-en-scene of Auster and Jarmuschs work and Waitss lyrics and sound. This vision challenges the dominant narratives of America as the land of opportunity and values democracy, civic engagement, communitarianism and egalitarianism.Offering an important new perspective to literature on contemporary American culture, this book will be of interest to students and scholars of American studies, film studies, popular music, postmodern literature, cultural studies and sociology. This book explores how three contemporary American artists through the mediums of film, literature, and popular music have contributed to the tradition of American progressivism and provides an invaluable companion to understanding of complex issues such as inequality and social and economic decline that are apparent in America today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

The novels of Paul Auster—finely wrought, self-reflexive, filled with doublings, coincidences, and mysteries—have captured the imagination of readers and the admiration of many critics of contemporary literature. In Beyond the Red Notebook, the first book devoted to the works of Auster, Dennis Barone has assembled an international group of scholars who present twelve essays that provide a rich and insightful examination of Auster's writings. The authors explore connections between Auster's poetry and fiction, the philosophical underpinnings of his writing, its relation to detective fiction, and its unique embodiment of the postmodern sublime. Their essays provide the fullest analysis available of Auster's themes of solitude, chance, and paternity found in works such as The Invention of Solitude, City of Glass, Ghosts, The Locked Room, In the Country of Last Things, Moon Palace, The Music of Chance, and Leviathan.This volume includes contributions from Pascal Bruckner, Marc Chenetier, Norman Finkelstein, Derek Rubin, Madeleine Sorapure, Stephen Bernstein, Tim Woods, Steven Weisenburger, Arthur Saltzman, Eric Wirth, and Motoyuki Shibata. The extensive bibliography, prepared by William Drenttel, will greatly benefit both scholars and general readers.

Paul Auster provides the first extended analysis of Auster’s essays, poetry, fiction, films and collaborative projects. It explores his key themes of identity; language and writing; metropolitan living and community; and storytelling and illusion. By tracing how Auster's representations of New York and city life have matured from a position of urban nihilism to qualified optimism, the book shows how the variety of forms he works in influences the treatment of his central concerns. The chapters are organised around gradually extending spaces to reflect the way in which Auster’s work broadens its focus, beginning with the poet’s room and finishing with the global metropolis of New York: his home city and often his muse. The book uses Auster’s published and unpublished literary essays to explain the shifts from the dense and introspective poems of the 70s, through the metropolitan fictions of the 80s and early 90s, to the relatively optimistic and critically acclaimed films, and his return to fiction in recentyears.

Quintessential New York. A Blood Moon, distant sounds of smooth jazz. A print perhaps inspired by a Paul Auster detective story. The illustration features the city’s romantic wooden water towers, which are every bit as iconic as the Empire State building or the Chrysler Building. There are more than 10, 000 water towers around the city. Another iconic symbol, the zigzagging metal stairs that many people associate so closely with the look of New York. They're a refreshing escape. They're a terrifying safety hazard. They're an eyesore. They're a beloved part of the urban fabric. Sold Unframed Printed on premium 350gsm lightly textured thick Matte Paper. Designed in Brixton. Printed professionally in London. Posted in sturdy cardboard tubes.

Edited by Paul Auster, this four–volume hardcover set of Beckett's canon has been designed by award-winner Laura Lindgren. Available individually, as well as in a boxed set, these books are specially bound with covers featuring images central to Beckett's works. Typographical errors that remained uncorrected in the various prior editions have now been corrected in consultation with Beckett scholars C. J. Ackerley and S. E. Gontarski."[Beckett] settled on philosophical comedy as the medium for his uniquely anguished, arrogant, self-doubting, scrupulous temperament. In the popular mind his name is associated with the mysterious Godot who may or may not come but for whom we wait anyhow. In this he seemed to define the mood of an age. But his range is wider than that, and his achievement far greater. Beckett was an artist possessed by a vision of life without consolation or dignity or promise of grace, in the face of which our only duty is not to lie to ourselves. It was a vision to which he gave expression in language of a virile strength and intellectual subtlety that marks him as one of the great prose stylists of the twentieth century." — J. M. Coetzee, from his Introduction

Meet Mr. Bones, the canine hero of Paul Auster's remarkable new novel, Timbuktu. Mr. Bones is the sidekick and confidant of Willy G. Christmas, the brilliant, troubled, and altogether original poet-saint from Brooklyn. Like Don Quixote and Sancho Panza before them, they sally forth on a last great adventure, heading for Baltimore, Maryland in search of Willy's high school teacher, Bea Swanson. Years have passed since Willy last saw his beloved mentor, who knew him in his previous incarnation as William Gurevitch, the son of Polish war refugees. But is Mrs. Swanson still alive? And if she isn't, what will prevent Willy from vanishing into that other world known as Timbuktu?Mr. Bones is our witness. Although he walks on four legs and cannot speak, he can think, and out of his thoughts Auster has spun one of the richest, most compelling tales in recent American fiction. By turns comic, poignant, and tragic, Timbuktu is above all a love story. Written with a scintillating verbal energy, it takes us into the heart of a singularly pure and passionate character, an unforgettable dog who has much to teach us about our own humanity.

"One day there is life . . . and then, suddenly, it happens there is death". So begins THE INVENTION OF SOLITUDE, Paul Auster's moving and personal meditation on fatherhood. After the death of his own father, Auster discovers a 60-year-old family murder mystery that could account for the old man's elusive character. Later the book shifts from Auster's identity as son to his own role as father.

A comprehensive bilingual collection of twentieth-century French poetry Not since the publication of Paul Auster’s The Random House Book of 20th Century French Poetry (1984) has there been a significant and widely read anthology of modern French poetry in the English-speaking world. Here for the first time is a comprehensive bilingual representation of French poetic achievement in the twentieth century, from the turn-of-the-century poetry of Guillaume Apollinaire to the high modernist art of Samuel Beckett to the contemporary verse of scourge Michel Houellebecq. Many of the English translations (on facing pages) are justly celebrated, composed by eminent figures such as T.S. Eliot, Wallace Stevens, and John Ashbery; many others are new and have been commissioned for this book. Distinguished scholar and editor Mary Ann Caws has chosen work by more than 100 poets. Her deliberately extensive, international selection includes work by Francophone poets, by writers better known for accomplishments in other genres (novelists, songwriters, performance artists), and by many more female poets than have typically been represented in past anthologies of modern French poetry. The editor has opted for a chronological organization that highlights six crucial “pressure points” in modern French poetry. Accompanying the selections are a general introduction, informative essays on each period, and short biographical notes—all prepared by the editor.

As perhaps never before in its extraordinary history, New York has captured the American imagination. This major anthology brings together not only the best literary writing about New York―from O. Henry, Theodore Dreiser, F. Scott Fitzgerald, John Steinbeck, Paul Auster, and James Baldwin, among many others―but also the most revealing essays by politicians, philosophers, city planners, social critics, visitors, immigrants, journalists, and historians. The anthology begins with an account of Henry Hudson's voyage in 1609 and ends with an essay written especially for this book by John P. Avlon, former Mayor Rudolph Guiliani's speechwriter, called "The Resilient City," on the September 11th attack on the World Trade Center as observed from City Hall. The editors have chosen some familiar favorites, such as Washington Irving's A History of New York and Walt Whitman's "Crossing Brooklyn Ferry," as well as lesser-known literary and historical gems, such as Frederick Law Olmsted's plan for Central Park and Cynthia Ozick's "The Synthetic Sublime"―an updated answer to E. B. White's classic essay Here Is New York, which is also included. The variety and originality of the selections in Empire City offer a captivating account of New York's growth, and reveal often forgotten aspects of its political, literary, and social history.

This documentary from Manufactured Landscapes director Jennifer Baichwal examines the effects of lightning strikes beyond just the physical. Act of God incorporates interviews with individuals who have been struck by lightning-including writer Paul Auster and musical improviser Fred Frith-and have had their perception changed by the event.

The remarkable, acclaimed series of interconnected detective novels – from the author of 4 3 2 1:  A NovelThe New York Review of Books has called Paul Auster's work “one of the most distinctive niches in contemporary literature.” Moving at the breathless pace of a thriller, this uniquely stylized triology of detective novels begins with City of Glass, in which Quinn, a mystery writer, receives an ominous phone call in the middle of the night. He’s drawn into the streets of New York, onto an elusive case that’s more puzzling and more deeply-layered than anything he might have written himself. In Ghosts, Blue, a mentee of Brown, is hired by White to spy on Black from a window on Orange Street. Once Blue starts stalking Black, he finds his subject on a similar mission, as well. In The Locked Room, Fanshawe has disappeared, leaving behind his wife and baby and nothing but a cache of novels, plays, and poems.This Penguin Classics Deluxe Edition includes an introduction from author and professor Luc Sante, as well as a pulp novel-inspired cover from Art Spiegelman, Pulitzer Prize-winning graphic artist of Maus and In the Shadow of No Towers.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A timeless, utterly charming Christmas fable, beautifully illustrated and destined to become a classic When Paul Auster was asked by The New York Times to write a Christmas story for the Op-Ed page, the result, "Auggie Wren's Christmas Story," led to Auster's collaboration on a film adaptation, Smoke. Now the story has found yet another life in this enchanting illustrated edition.It begins with a writer's dilemma: he's been asked by The New York Times to write a story that will appear in the paper on Christmas morning. The writer agrees, but he has a problem: How to write an unsentimental Christmas story? He unburdens himself to his friend at his local cigar shop, a colorful character named Auggie Wren. "A Christmas story? Is that all?" Auggie counters. "If you buy me lunch, my friend, I'll tell you the best Christmas story you ever heard. And I guarantee every word of it is true."And an unconventional story it is, involving a lost wallet, a blind woman, and a Christmas dinner. Everything gets turned upside down. What's stealing? What's giving? What's a lie? What's the truth? It's vintage Auster, and pure pleasure: a truly unsentimental but completely affecting tale.