50 products were found matching your search for Automaton in 4 shops:

This book presents the deterministic view of quantum mechanics developed by Nobel Laureate Gerard 't Hooft.Dissatisfied with the uncomfortable gaps in the way conventional quantum mechanics meshes with the classical world, 't Hooft has revived the old hidden variable ideas, but now in a much more systematic way than usual. In this, quantum mechanics is viewed as a tool rather than a theory.The author gives examples of models that are classical in essence, but can be analysed by the use of quantum techniques, and argues that even the Standard Model, together with gravitational interactions, might be viewed as a quantum mechanical approach to analysing a system that could be classical at its core. He shows how this approach, even though it is based on hidden variables, can be plausibly reconciled with Bell's theorem, and how the usual objections voiced against the idea of ‘superdeterminism' can be overcome, at least in principle. This framework elegantly explains - and automatically cures - the problems of the wave function collapse and the measurement problem. Even the existence of an “arrow of time" can perhaps be explained in a more elegant way than usual. As well as reviewing the author’s earlier work in the field, the book also contains many new observations and calculations. It provides stimulating reading for all physicists working on the foundations of quantum theory.

Automaton Gossamer - LP 810874020932

In great condition. Everything works as should. Ask if you have any questions.

Eugene Marshall presents an original, systematic account of Spinoza's philosophy of mind, in which the mind is presented as an affective mechanism, one that, when rational, behaves as a spiritual automaton. The central feature of the account is a novel concept of consciousness, one that identifies consciousness with affectivity, a property of an idea paradigmatically but not exhaustively instantiated by those modes of thought Spinoza calls affects. Inadequate and adequate ideas come to consciousness, and thus impact our well-being and establish or disturb our happiness, only insofar as they become affects and, thus, conscious. And ideas become affects by entering into appropriate causal relations with the other ideas that constitute a mind. Furthermore, the topic of consciousness in Spinoza provides an eminently well-placed point of entry into his system, because it flows directly out of his central metaphysical, epistemological, and psychological commitments--and it does so in a way that allows us to see Spinoza's philosophy as a systematic whole. Further, doing so provides a thoroughly consistent yet novel way of thinking about central themes in his thought. Marshall's reading provides a novel understanding of adequacy, innateness, power, activity and passivity, the affects, the conatus, bondage, freedom, the illusion of free will, akrasia, blessedness, salvation, and the eternity of the soul. In short, by explaining the affective mechanisms of consciousness in Spinoza, The Spiritual Automaton illuminates Spinoza's systematic philosophical and ethical project as a whole, as well as in its details, in a striking new way.

Eugene Marshall presents an original, systematic account of Spinoza's philosophy of mind, in which the mind is presented as an affective mechanism, one that, when rational, behaves as a spiritual automaton. The central feature of the account is a novel concept of consciousness, one that identifies consciousness with affectivity, a property of an idea paradigmatically but not exhaustively instantiated by those modes of thought Spinoza calls affects. Inadequate and adequate ideas come to consciousness, and thus impact our well-being and establish or disturb our happiness, only insofar as they become affects and, thus, conscious. And ideas become affects by entering into appropriate causal relations with the other ideas that constitute a mind. Furthermore, the topic of consciousness in Spinoza provides an eminently well-placed point of entry into his system, because it flows directly out of his central metaphysical, epistemological, and psychological commitments--and it does so in a way that allows us to see Spinoza's philosophy as a systematic whole. Further, doing so provides a thoroughly consistent yet novel way of thinking about central themes in his thought. Marshall's reading provides a novel understanding of adequacy, innateness, power, activity and passivity, the affects, the conatus, bondage, freedom, the illusion of free will, akrasia, blessedness, salvation, and the eternity of the soul. In short, by explaining the affective mechanisms of consciousness in Spinoza, The Spiritual Automaton illuminates Spinoza's systematic philosophical and ethical project as a whole, as well as in its details, in a striking new way.

This book presents the deterministic view of quantum mechanics developed by Nobel Laureate Gerard 't Hooft.Dissatisfied with the uncomfortable gaps in the way conventional quantum mechanics meshes with the classical world, 't Hooft has revived the old hidden variable ideas, but now in a much more systematic way than usual. In this, quantum mechanics is viewed as a tool rather than a theory.The author gives examples of models that are classical in essence, but can be analysed by the use of quantum techniques, and argues that even the Standard Model, together with gravitational interactions, might be viewed as a quantum mechanical approach to analysing a system that could be classical at its core. He shows how this approach, even though it is based on hidden variables, can be plausibly reconciled with Bell's theorem, and how the usual objections voiced against the idea of ‘superdeterminism' can be overcome, at least in principle. This framework elegantly explains - and automatically cures - the problems of the wave function collapse and the measurement problem. Even the existence of an “arrow of time" can perhaps be explained in a more elegant way than usual. As well as reviewing the author’s earlier work in the field, the book also contains many new observations and calculations. It provides stimulating reading for all physicists working on the foundations of quantum theory.

From the dawn of European civilization to the twentieth century, the automaton―better known today as the robot―has captured the Western imagination and provided a vital lens into the nature of humanity.Historian Minsoo Kang argues that to properly understand the human-as-machine and the human-as-fundamentally-different-from-machine, we must trace the origins of these ideas and examine how they were transformed by intellectual, cultural, and artistic appearances of the automaton throughout the history of the West. Kang tracks the first appearance of the automaton in ancient myths through the medieval and Renaissance periods, marks the proliferation of the automaton as a central intellectual concept in the Scientific Revolution and the subsequent backlash during the Enlightenment, and details appearances in Romantic literature and the introduction of the living machine in the Industrial Age. He concludes with a reflection on the destructive confrontation between humanity and machinery in the modern era and the reverberations of the humanity-machinery theme today.Sublime Dreams of Living Machines is an ambitious historical exploration and, at heart, an attempt to fully elucidate the rich and varied ways we have utilized our most uncanny creations to explore essential questions about ourselves.

With all-new research and facts unknown for two centuries, this is a richly detailed and comprehensive account of "The Turk," Baron Wolfgang von Kempelen's amazing but fraudulent Chess Automaton that held the world spellbound for 85 years beginning in 1770. In actuality, the Turk was manipulated by a man housed in a hot box, working by candlelight--but the secret was kept for decades. Besides playing a good game of chess within an hour's time, the manipulator had to keep track of the moves, work the pantograph arm apparatus, nod the head, roll the eyes, cover up sneezes and coughs, and work the sound mechanism. This work contains a detailed discussion of the literature surrounding the Turk along with an analysis of its hidden operation. The complete collection of published games played by the Turk, many, again, unknown for 200 years, is also included.

While Carlo Collodi's internationally revered Pinocchio may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny.Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces―from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bound and commercialized. Pinocchio's Progeny offers a broad overview of the uses of these figures in European drama from 1890 to 1935. It considers developments in France, Spain, Italy, Austria, Germany, Sweden, Russia, Poland and Czechoslovakia. In his introduction, Segel reviews the premodernist literary and dramatic treatment of the puppet and marionette from Cervantes' Don Quixote to the turn-of-the- century European cabaret. His epilogue considers the appearance of puppets and marionettes in postmodern European and American drama by examining works by such dramatists as Jean-Claude Van Itallie, Heiner Müller, and Tadeusz Kantor.

Unread book in perfect condition.

Details the history of musical clocks and their makers in Britain, Scandinavia, Continental Europe and the USA. It deals with the various types of musical, clocks, their styles and mechanisms, describing how they differ from chiming clocks, as well as discussing the tunes played and the composers who wrote music specially for them.

Unread book in perfect condition.

The deceptively simple cinematography evokes a time before big-budget CGI-and thus a time when theme and content were more important than empty action and special effects.

Unique art jewelry inspired by The Met collection. This charming brooch nods to a Swiss automaton (ca. 1820) in the form of a pearl-laden enamel frog with ruby eyes. A mechanism animates the original frog, now in the Museum's collection of musical instruments, allowing it to jump and croak. Automata have delighted spectators for centuries, and The Met is home to a number of outstanding examples. Click

The concept of program music is presented in this delightful and fascinating work for young band. A musical narrative tells of an automaton enginee...

In a world ravaged by a plague turning mankind into cannibalistic automatons, a British army compound houses researchers looking for an answer...and theyre seeking it through rare children like Melanie (Sennia Nanua) who--though infected--retain their capacities for thought and reason. When the base is overrun by hungries, however, Melanie joins the few survivors on a flight to haven in London...which may end prematurely if she cant keep her impulses in check. Effective thinking mans zombie

Instant Automatons were leading figures in the largely cassette-based U.K. Bad Music scene (a British DIY movement whose adherents made their music available on cassette, for free) of the late '70s. Between 1977 and 1982, using a bedroom full of homemade gear plus some conventional instrumentation, core members Protag (later of Alternative TV, Blyth Power and Zounds) and Mark Lancaster ("somewhere between Cooper Clarke and Mark E. Smith") forged a warped hybrid of traditional song craft and lo-f

Based on Gurdjieff's notion that most people are automatons controlled by mechanical habits of thought, perception and behavior.

This catalog of French-Moroccan artist Latifa Echakhch's (born 1974) exhibition at the New National Museum of Monaco presents the artist's exploration of the museum's collection of automatons and set models, through visual essays, texts and a flipbook section translating the motion of five videos to the page.

G. I. Gurdjieff taught that we are not really awake, but are entranced automatons, controlled by mechanical habits of thought, perception and behavior. Tart clearly presents the evidence for how deeply asleep we are and its consequences, and then describes methods for becoming more awake, less asleep, more spiritual, less mechanical, allowing us to realize our full potential. Problems with spiritual teachers and groups along the way are sensitively analyzed and ways given to avoid them, so we can become more intelligent and compassionate, rather than members of some cult.