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Book is in NEW condition. 0.42

Book is in NEW condition. 1.11

Buy with confidence! Book is in new, never-used condition 0.75

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.42

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Rayon : Civilisation Editeur : Phébus Date de parution : 1990 Description : In-8, 216 pages, broché, occasion, très bon état. Envois quotidiens du mardi au samedi. Les commandes sont adressées sous enveloppes bulles. Photos supplémentaires de l'ouvrage sur simple demande. Réponses aux questions dans les 12h00. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: X15993

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TEXT IN FRENCHThis book offers a meticulous study of the fighting at Fontenay-le-Pesnel and at Rauray to the west of Caen, between 25 and 29 June 1944. Both authors, Frédéric Deprun and Baptiste Flotté, wanted to give a precise account of this episode of the Battle of Normandy, starting with Operation Martlet, on the flank of Operation Epsom. Extremely detailed research concentrates on the lynchpin at Rauray and its armour confrontations. A precise chronology has been made of the destruction of the Panther tanks in front of Fontenay by the assaults by the Polar Bears and the 15th (Scottish) Infantry Division until they broke through the German defensive line held by the Panzer-Lehr-Division and the 12.SS Panzer- Division “Hitlerjugend”. By the precise localisation of unpublished photographs and an account of the operation from both sides, this three-part study pays particular attention to the relics of the fighting and the testimonies which go with each of the different acts of the battle.

Buy with confidence! Book is in new, never-used condition 0.26

TEXT IN FRENCHThis book offers a meticulous study of the fighting at Fontenay-le-Pesnel and at Rauray to the west of Caen, between 25 and 29 June 1944. Both authors, Frédéric Deprun and Baptiste Flotté, wanted to give a precise account of this episode of the Battle of Normandy, starting with Operation Martlet, on the flank of Operation Epsom. Extremely detailed research concentrates on the lynchpin at Rauray and its armour confrontations. A precise chronology has been made of the destruction of the Panther tanks in front of Fontenay by the assaults by the Polar Bears and the 15th (Scottish) Infantry Division until they broke through the German defensive line held by the Panzer-Lehr-Division and the 12.SS Panzer- Division “Hitlerjugend”. By the precise localisation of unpublished photographs and an account of the operation from both sides, this three-part study pays particular attention to the relics of the fighting and the testimonies which go with each of the different acts of the battle.

Six Feet Under collects an international array of contemporary and historical artworks, some dating back to the sixteenth century, that take on the topic of death and decay. In art, death is a universal subject. In contemporary art, two extremes can be determined: art either reclaims the rituals of death--which have strayed from organized religion to professional service providers and the media--and then re-presents or reconstructs them; or, it repositions the unwelcome corpse back into our field of vision, reminding us in a direct way that our physical existence continues after death. Gathering work across continents and centuries, but focusing mainly on contemporary art, this volume focuses on key themes like the burial of children (from Albert Anker to Teresa Margolles); cadavers (from Félix Vallotton to Andres Serrano); the death of the artist (from Ferdinand to Gianni Motti); and coffins (from Ferdinand Hodler to Joe Scanlan).

2015 repress. The less one knows about Belgian sound alchemist Pepijn Caudron (Kreng), the better. His debut release L'Autopsie Phnomnale de Dieu (MIA 010 LP) appeared seemingly out of nowhere on Miasmah in 2009, but other than that very little tangible information has surfaced. This 2011 sequel, the blackly monikered Grimoire, simply reinforces Caudron's shadowy legacy with a similarly dank concoction of cracked strings, creaking percussion, and half-heard dialogue. Thankfully, however, Caudr

Si l'histoire, selon l'origine ancienne du mot, est vision, elle ne l'est pas seulement au sens de l'autopsie, c'est-a-dire du temoignage oculaire. Car il existe une vision qui, bien qu'habituellement occultee par le mythe de l'oeil fondateur, n'est pas et n'a jamais ete une origine. C'est une vision qui au lieu d'etre le fondement de l'histoire en est l'effet: une fiction de vision creee par des recits concus et ecrits pour faire voir, pour amener les lecteurs a se representer le passe. Susceptible d'interpretations multiples et contradictoires, la fonction ostensive attribuee au recit historique devient, a partir de l'epoque hellenistique et romaine, l'objet d'un debat dont l'enjeu n'etait rien moins que le statut de l'histoire et dont la teneur fut d'emblee aussi bien historiographique que philosophique et rhetorique. Demeler les fils de ce debat ancien, c'est au fond renouer avec un questionnement qui n'a jamais cesse d'etre actuel: que voit-on quand on nous fait voir l'histoire et que fait l'historien qui nous la fait voir ?