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When you're meeting new faces for the first time, be eco-conscious with Avery® Name Badges--the labels that work for you and the environment. The label paper and package are produced with 100% recycled material. The label paper and package are Processed Chlorine Free to substantially reduce the harmful substances associated with the manufacturing process. After use, you can continue to help the environment because both the label paper and package are recyclable. The labels and package are also printed with soy- and vegetable-based inks, which come from renewable materials, rather than solvent-based inks. With our Name Badges, you can trust in the same high quality you've come to rely on from Avery® products. And with the free Avery® Wizard software, you can create and customize your name tags in a snap. Avery® Name Badges help you do your part to leave a smaller footprint.

When you're meeting new faces for the first time, be eco-conscious with Avery® Name Badges--the labels that work for you and the environment. The label paper and package are produced with 100% recycled material. The label paper and package are Processed Chlorine Free to substantially reduce the harmful substances associated with the manufacturing process. After use, you can continue to help the environment because both the label paper and package are recyclable. The labels and package are also printed with soy- and vegetable-based inks, which come from renewable materials, rather than solvent-based inks. With our Name Badges, you can trust in the same high quality you've come to rely on from Avery® products. And with the free Avery® Wizard software, you can create and customize your name tags in a snap. Avery® Name Badges help you do your part to leave a smaller footprint.

Designer rugs do not have to break the bank. Avery by Garland Rug is a classic pin stripe design that never goes out of style. Great for that first apartment, college dorm room, living room, home office, or any room needing a classic update. Avery is machine tufted low pile loop in Olefin yarn on 100% latex non skid backing. Soil and stain resistant. Rug will ship folded in a box. Fold marks will disappear after a few days. Please Note that size and color representation are subject to manufacturing variance and may not be exact. Also note that monitor settings may vary from computer to computer and may distort actual colors. Photos are as accurate as possible; however, colors may vary slightly in person due to flash photography and differences in monitor settings. Each rug/carpet is manufactured with the same colors as pictured; however they can be manufactured from slightly different dye lots. Meaning when the yarn is dyed it can vary in shade ever so slightly. Color: Navy. Pattern: Striped.

Designer rugs do not have to break the bank. Avery by Garland Rug is a classic pin stripe design that never goes out of style. Great for that first apartment, college dorm room, living room, home office, or any room needing a classic update. Avery is machine tufted low pile loop in Olefin yarn on 100% latex non skid backing. Soil and stain resistant. Rug will ship folded in a box. Fold marks will disappear after a few days. Please Note that size and color representation are subject to manufacturing variance and may not be exact. Also note that monitor settings may vary from computer to computer and may distort actual colors. Photos are as accurate as possible; however, colors may vary slightly in person due to flash photography and differences in monitor settings. Each rug/carpet is manufactured with the same colors as pictured; however they can be manufactured from slightly different dye lots. Meaning when the yarn is dyed it can vary in shade ever so slightly. Color: Black. Pattern: Striped.

Designer rugs do not have to break the bank. Avery by Garland Rug is a classic pin stripe design that never goes out of style. Great for that first apartment, college dorm room, living room, home office, or any room needing a classic update. Avery is machine tufted low pile loop in Olefin yarn on 100% latex non skid backing. Soil and stain resistant. Rug will ship folded in a box. Fold marks will disappear after a few days. Please Note that size and color representation are subject to manufacturing variance and may not be exact. Also note that monitor settings may vary from computer to computer and may distort actual colors. Photos are as accurate as possible; however, colors may vary slightly in person due to flash photography and differences in monitor settings. Each rug/carpet is manufactured with the same colors as pictured; however they can be manufactured from slightly different "dye lots". Meaning when the yarn is dyed it can vary in shade ever so slightly. Color: Navy. Pattern: Striped.

Designer rugs do not have to break the bank. Avery by Garland Rug is a classic pin stripe design that never goes out of style. Great for that first apartment, college dorm room, living room, home office, or any room needing a classic update. Avery is machine tufted low pile loop in Olefin yarn on 100% latex non skid backing. Soil and stain resistant. Rug will ship folded in a box. Fold marks will disappear after a few days. Please Note that size and color representation are subject to manufacturing variance and may not be exact. Also note that monitor settings may vary from computer to computer and may distort actual colors. Photos are as accurate as possible; however, colors may vary slightly in person due to flash photography and differences in monitor settings. Each rug/carpet is manufactured with the same colors as pictured; however they can be manufactured from slightly different dye lots. Meaning when the yarn is dyed it can vary in shade ever so slightly. Color: Navy. Pattern: Striped.

Designer rugs do not have to break the bank. Avery by Garland Rug is a classic pin stripe design that never goes out of style. Great for that first apartment, college dorm room, living room, home office, or any room needing a classic update. Avery is machine tufted low pile loop in Olefin yarn on 100% latex non skid backing. Soil and stain resistant. Rug will ship folded in a box. Fold marks will disappear after a few days. Please Note that size and color representation are subject to manufacturing variance and may not be exact. Also note that monitor settings may vary from computer to computer and may distort actual colors. Photos are as accurate as possible; however, colors may vary slightly in person due to flash photography and differences in monitor settings. Each rug/carpet is manufactured with the same colors as pictured; however they can be manufactured from slightly different "dye lots". Meaning when the yarn is dyed it can vary in shade ever so slightly. Color: Black. Pattern: Striped.

You need 25 reports by when? Better get Index Maker(R) Clear Label Dividers. Their Easy Apply(TM) label strips are the key to creating and applying perfectly aligned tab labels in a flash. First, use free templates from avery.com to design the labels. Then print with a laser or inkjet printer. Peel-and-press simplicity lets you apply all eight centered labels at once. Clear, legible labels with sharp text will keep readers on track. Your professional stock just went up. Simply print, align labels against tabs, smooth down labels and peel up strip Auto fill template feature has you enter just one row of tab titles and then completes the full sheet automatically Clear tab labels don't distract from the text Customize with free templates from avery.com Ideal for PowerPoint presentations Three-hole punched Compatible with both inkjet and laser printers

―The highly anticipated reprint of the artist's monograph that is still is considered the most comprehensive presentation of Avery's work ―Included are many unfamiliar pieces, in oversize color plates that range in date from the early 1920s to 1963 ―A detailed chronology of the artist's life is included and rounding out the volume are essays that explore Avery's career in detail, from the importance of Avery's wife Sally Michel, to the interaction-personal, artistic, and political-between him and his Abstract Expressionist colleagues Milton Avery chronicles the work of an artist who, although he did not become a serious, full-time painter until after he moved to New York at the age of 40, managed to carve out a unique position for himself in the art world over the next thirty-five years. A friend and colleague of the Abstract Expressionists who nevertheless maintained his commitment to representation, Avery was enormously important to several succeeding generations of artists and produced some of the most resonant and beloved images in American art history. Avery's work reflects the concerns he shared with the pioneer French modernists including Matisse, Dufy, and Picasso: saturated color in distinctly new combinations and an interest in retaining the two-dimensional character of the canvas. The combination allowed him to create a distinctly American brand of modernism.

In the summer of 1957, Milton Avery, Adolph Gottlieb and Mark Rothko renewed a friendship that had begun in the late 1920s. All three were in Provincetown, on Cape Cod in Massachusetts, in the light and by the sea, and over the next few extraordinary summers they interacted, and advanced and accelerated radical new ideas in their individual bodies of work. The Provincetown summers witnessed Avery's largest and most abstract paintings, such as “Sunset Sea” of 1958, and the development of new directions in Gottlieb's work, including his 1957 paintings “Blast II” and “Blue at Night.” This same time marked the darkening of Rothko's palette and, in 1958, the birth of the new forms found in the Seagram Murals and the later paintings of of the Harvard commission. Coming to Light is the first publication and exhibition to focus on the works of this period by each artist.

Fine copy in hardcover with fine jacket.

James Dean on the set of Rebel Without a Cause; Audrey Hepburn on her bike with pet dog in tow; Marlon Brando taking out the garbage; Rock Hudson emerging from the shower; Elizabeth Taylor soaking up the sun. These are just a few of the iconic images for which Sid Avery is responsible. This sumptuous volume is a long overdue tribute to his prolific talent. The renowned photographer was one of the greatest names working in Hollywood from the 1940s to the 1960s, and became known for his candid portraits of the stars. He made history as the only photographer to shoot both the original 1960 cast of Ocean’s Eleven and the 2001 remake, recreating his iconic group shot around the pool table. Avery was also responsible for establishing Mptvimages: the Motion Picture and Television Photo Archive. Run today by Avery’s son, Ron, this publication has been produced together with mptvimages with full access granted to the depths of the archive. This complete anthology of Avery’s work includes outtakes and contact sheets, with over half of the material never-before-seen.Sid Avery (1918–2002) was one of the biggest names in Hollywood portraiture in the 1950s and 1960s. He later also became one of the top names in advertising photography, as well as a successful commercial director. In the 1980s, he established the Motion Picture and Television Photo Archive. Avery’s son, Ron, has continued this legacy and under his ownership, Mptvimages is today recognized as one of the greatest archives of Hollywood imagery.

Avery Hopwood (1882-1928) was the most successful American playwright of his day, with four hits on Broadway at the same time.Jack F. Sharrar's critical biography makes use of a rich array of primary sources--including Hopwood's letters to such friends as Gertrude Stein, Carl Van Vechten, and Mary Roberts Rinehart. The book provides fresh insights on the playwright, his plays and the personalities who produced and performed in them, by surveying the commercial theater of the period. Nicholas Delbanco, director of the University of Michigan's Hopwood Awards Program in creative writing provides a foreword; an afterword by Sharrar sheds new light on the passionate, tumultuous relationship between Hopwood and John Floyd; and many rare illustrations of Hopwood and his plays are also included."The definitive biography of this fascinating, somewhat tragic man, who so often made theatergoers forget their woes but who sometimes couldn't forget his own . . . . [A] wonderful book, as deep as it is entertaining." --TheaterWeekJack F. Sharrar, Ph.D., is Director Academic Affairs, American Conservatory Theater, San Francisco, where he is also a core faculty member in the Graduate School of Acting. He is editor of Hopwood's heretofore unpublished novel, The Great Bordello, a Story of the Theater (Mondial, 2011), and adapter of Hopwood's comedy, Fair and Warmer (Playscripts, Inc.) and F. Scott Fitzgerald's, The Debutante (Playscripts, Inc.). Nicholas Delbanco is Professor of English and Director of the University of Michigan's Hopwood Awards Program. His most recent novel is Old Scores (Warner Books, 1997).

A Glossy Paperback in VERY GOOD condition. A clean and solid copy.

Milton Avery : Select Works 1933-1963 exhibition catalog Hackett-Freedman Gallery with exhibition 4 page flyer very good condition BOT

Large 4to. in colour printed thick boards, 150pp on thick art paper, colour plates, etc CONDITION: NEW unread and unmarked copy ] __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so, orders made by card will only be completed after you have approved any extra cost._ To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS

Avery Cates is a very rich man. He's probably the richest criminal in New York City. But right now, Avery Cates is pissed. Because everyone around him has just started to die - in a particularly gruesome way. With every moment bringing the human race closer to extinction, Cates finds himself in the role of both executioner and savior of the entire world.

Investigative team Blake and Avery find themselves entangled in a case involving political conflicts, personal vendettas, and England’s first celebrity chef. London, 1842. Captain William Avery is persuaded to investigate a mysterious and horrible death at the Reform, London’s newest and grandest gentleman’s club—a death the club is desperate to hush up. What he soon discovers is a web of rivalries and hatreds, both personal and political, simmering behind the club’s handsome façade. At the center is its resident genius, Alexis Soyer, “the Napoleon of food,” a chef whose culinary brilliance is matched only by his talent for self-publicity. But Avery is distracted, for where is his mentor and partner in crime Jeremiah Blake? And what if this first death is only a dress rehearsal for something far more sinister?

Accompanying a major summer 2016 exhibition at the Bennington Museum, Milton Avery's Vermont takes the first focused look at the work this great American modernist created in response to the six summers he spent in southern Vermont between 1935 and 1943. Avery's intense activity in Vermont was pivotal to the breakthrough he made to his late work, known for its free use of color, and the delicate balance he achieved between abstraction and representation. In Vermont, Avery captured summer activities with family and friends and his highly personal response to the landscape in works characterized by bold, gestural marks and bright, non-associative colors. Milton Avery's Vermont examines the artist's creative process through pencil sketches executed en plein air, watercolors based on his sketches, and major oil paintings. The extraordinary strength of the Vermont watercolors will cement his reputation as one of the great watercolorists of the 20th century. The works in the exhibition and publication are drawn from The Sally and Milton Avery Foundation; the Milton Avery Trust; National Gallery of Art, Washington, D.C.; Neuberger Museum of Art; The Peabody College Collection, Vanderbilt University Fine Arts Gallery; and private collectors, who wish to remain anonymous.

It’s time to set the record straight about Steven Avery.The Netflix series Making a Murderer was a runaway hit, with over 19 million US viewers in the first 35 days. The series left many with the opinion that Steven Avery, a man falsely imprisoned for almost 20 years on a previous, unrelated assault charge, had been framed by a corrupt police force and district attorney’s office for the murder of a young photographer. Viewers were outraged, and hundreds of thousands demanded a pardon for Avery. The chief villain of the series? Ken Kratz, the special prosecutor who headed the investigation and trial. Kratz’s later misdeeds prescription drug abuse and sexual harassment only cemented belief in his corruption.This book tells you what Making a Murderer didn’t.While indignation at the injustice of his first imprisonment makes it tempting to believe in his innocence, Avery: The Case Against Steven Avery and What Making a Murderer Gets Wrong and the evidence shared inside examined thoroughly and dispassionately prove that, in this case, the criminal justice system worked just as it should.With Avery, Ken Kratz puts doubts about Steven Avery’s guilt to rest. In this exclu- sive insider’s look into the controversial case, Kratz lets the evidence tell the story, sharing details and insights unknown to the public. He reveals the facts Making a Murderer conveniently left out and then candidly addresses the aftermath openly discussing, for the first time, his own struggle with addiction that led him to lose everything.Avery systematically erases the uncertainties introduced by the Netflix series, confirming, once and for all, that Steven Avery is guilty of the murder of Teresa Halbach.