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In the seventeenth and eighteenth centuries, the cantors of the St. Thomas School and Church in Leipzig could be counted among the most significant German composers of their times. But what attracted these artists - from Seth Calvisius to J.S. Bach to Johann Adam Hiller - to the music school and choir and inspired them to explore new repertoire of the highest standing? And how did the cantors influence the musical profile of the school - a profile that often became a bone of contention between school and city hall? The success of the St. Thomas School was not a foregone conclusion; its history is replete with challenges and setbacks as well as triumphs. The school was caught between the conflicting interests of enthusiastic mayors and townspeople, who wanted to showcase the city's musical culture, and opposing parties, including jealous rectors and elitist sponsors, who argued for the traditional subordination of the cantorate to the school system. Drawing on many new, recently discovered sources, Michael Maul explores the phenomenon of the St Thomas School. He shows how cantors, local luminaries and municipal politicians overcame the School's detractors to make it a remarkable success, with a world-famous choir. Illuminating the social and political history of the cantorate and the musical life of an important German city, the book will be of interest to scholars of Baroque music and J.S. Bach, cultural historians, choral directors, and musicologists and performers studying historical performance practice. MICHAEL MAUL is Senior Scholar at the Bach-Archiv Leipzig and lecturer in musicology at the universities of Leipzig/Halle. He is also the artistic director of the annual Leipzig Bach Festival.

140 S. : Noten ; 25 cm, 515 g Geschenkqualität. Sehr schönes Exemplar - wie neu. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Deutsch Gewicht in Gramm: 518

In the seventeenth and eighteenth centuries, the cantors of the St. Thomas School and Church in Leipzig could be counted among the most significant German composers of their times. But what attracted these artists - from Seth Calvisius to J.S. Bach to Johann Adam Hiller - to the music school and choir and inspired them to explore new repertoire of the highest standing? And how did the cantors influence the musical profile of the school - a profile that often became a bone of contention between school and city hall? The success of the St. Thomas School was not a foregone conclusion; its history is replete with challenges and setbacks as well as triumphs. The school was caught between the conflicting interests of enthusiastic mayors and townspeople, who wanted to showcase the city's musical culture, and opposing parties, including jealous rectors and elitist sponsors, who argued for the traditional subordination of the cantorate to the school system. Drawing on many new, recently discovered sources, Michael Maul explores the phenomenon of the St Thomas School. He shows how cantors, local luminaries and municipal politicians overcame the School's detractors to make it a remarkable success, with a world-famous choir. Illuminating the social and political history of the cantorate and the musical life of an important German city, the book will be of interest to scholars of Baroque music and J.S. Bach, cultural historians, choral directors, and musicologists and performers studying historical performance practice. MICHAEL MAUL is Senior Scholar at the Bach-Archiv Leipzig and lecturer in musicology at the universities of Leipzig/Halle. He is also the artistic director of the annual Leipzig Bach Festival.

Thomas Demenga "Bach, J.S.: The Six Cello Suites" Swiss cellist Demenga previously recorded the cello suites for ECM juxtaposing them with contemporary composition, albums that count as milestones in the early history of the New Series. This 2-CD set however is devoted entirely to Bach and the six suites. Many years of playing and studying every aspect of them, from source manuscripts to different tempos, embellishments, fingerings and bowings, have brought Demenga to the heart of the music

Sowell, Thomas, Compassion Versus Guilt And Other Essays

Herbert Spencer (1820-1903) was an English philosopher, best known for his scientific writings. Together with Charles Darwin and Thomas Huxley he was responsible for the acceptance of the theory of evolution. His well-known essay on Education: Intellectual, Moral and Physical was considered one of the most useful and profound books written on education. He projected a vast 10-volume work, Synthetic Philosophy, in which all phenomena are interpreted according to the principle of evolutionary progress. Together with Charles Darwin and Thomas Huxley he was responsible for the acceptance of the theory of evolution. Although no longer influential in biology, his extension of his theory of evolution to psychology and sociology remains important. His "Social Darwinism" was particularly influential on early evolutionary economists such as Thorstein Veblen. As subeditor of the Economist (1843-53), Spencer was an influential exponent of laissez-faire. His early book Social Statics (1851) was strongly tinged with an individualistic outlook.

The St. Thomas Boys Choir, whose history dates back to the year 1212, is the oldest cultural establishment in the city of Leipzig. Outliving all political, municipal, religious, and educational controversy for 800 years, musica sacra has shaped the choir's past. Through the influence of the many St. Thomas Cantors, including the most famous- Johann Sebastian Bach (Thomas Cantor 1723-1750)- the city of Leipzig and the St. Thomas Church became the center of Protestant church music. The St. Thomas

J.S. Bach: Complete Concertos Bach / Belder, Pieter-Jan / Zehetmair, Thomas - CD 5028421953038

The St. Thomas Boys Choir, whose history dates back to the year 1212, is the oldest cultural establishment in the city of Leipzig. Outliving all political, municipal, religious, and educational controversy for 800 years, musica sacra has shaped the choir's past. Through the influence of the many St. Thomas Cantors, including the most famous- Johann Sebastian Bach (Thomas Cantor 1723-1750)- the city of Leipzig and the St. Thomas Church became the center of Protestant church music. The St. Thomas

Spectacularly Bach Thomas Heywood - CD 636077724626

Early Christianity faced the problem of the human word versus Christ the Word. Could language accurately describe spiritual reality? The Mirror of Language brilliantly traces the development of one prominent theory of signs from Augustine through Anselm of Canterbury, Thomas Aquinas, and Dante. Their shared epistemology validated human language as an authentic but limited index of preexistent reality, both material and spiritual. This sign theory could thereby account for the ways men receive, know, and transmit religious knowledge, always mediated through faith.Marcia L. Colish demonstrates how the three theologians used different branches of the medieval trivium to express a common sign theory: Augustine stressed rhetoric, Anselm shifted to grammar (including grammatical proofs of God's existence), and Thomas Aquinas stressed dialectic. Dante, the one poet included in this study, used the Augustinian sign theory to develop a Christian poetics that culminates in the Divine Comedy. The author points out not only the commonality but also the sharp contrasts between these writers and shows the relation between their sign theories and the intellectual ferment of the times.When first published in 1968, The Mirror of Language was recognized as a pathfinding study. This completely revised edition incorporates the scholarship of the intervening years and reflects the refinements of the author's thought. Greater prominence is given to the role of Stoicism, and sharper attention is paid to some of the thinkers and movements surrounding the major thinkers treated. Concerns of semiotics, philosophy, and literary criticism are elucidated further. The original thesis, still controversial, is now even wider ranging and more salient to current intellectual debate.

Recorded throughout 2010 and 2011 by Josh Bach, James Tulczyn and Thomas Mendelovits in various studios and living rooms around Melbourne, Zingers realizes the dreams of deep, cosmic production hinted at on earlier Milk Teddy releases (Going to Sri Lanka 7" on Knock Yr Socks Off Records and the Extra Texture cassette on Totem Tapes). at times recalling Lou Reed, the Feelies and Television Personalities, Zingers runs through the first-wave punk inflections of the title track and the blissful new

First published in 1946, Walter Thomas Jack's classic book of agricultural essays, The Furrow and Us, intensified the till versus no-till debate, called by Time magazine "the hottest farming argument since the tractor first challenged the horse." Hailed as "the answer" to Edward Faulkner's Plowman's Folly, Jack's cautionary memoir of agricultural progress between world wars treats the soil's intimate needs, its "hidden hungers," with the lyricism and love characteristic of an Iowa Quaker, schoolteacher, and conservation farmer. Released here in a sixtieth anniversary edition and updated and introduced by Walter Jack's great-grandson Zachary, this new edition serves as a timely call to steward the good soils that sustain us.

"You are being manipulated. They are the puppeteers. You are the puppet." Thomas Paine wrote Common Sense, the defining pamphlet of his time that helped revolutionize the world. Now, Janine Turner has written, Artificial Intelligentsia versus Primal Sense revolutionizing the perception of the Technological Age by exposing the crisis of the mind, personality and soul Artificial Intelligentsia are creating. We are interacting with technology as if we are robots and we are not. Today’s addiction to social media, television and the world wide web is happening in the deep recesses of our minds resulting in suicidal, depressed and drug addicted teenagers and adults, or people who are just unsettled and unhappy and don’t know why. Awareness. Acceptance. Action. Janine Turner lays out ten steps to reclaiming your life from the divisive, dangerous and insidious manipulations of the Artificial Intelligentsia. "They [Artificial Intelligentsia] bombard children with images and influences that are way beyond their ability to comprehend, cope with, or rationalize. The children absorb it then vomit it all over their peers, not even knowing what they are doing."

In his photo series German photo artist Thomas Wrede juggles with real-life content versus constructedness in photography construed as a mirror of reality. His invented spaces start out as actual views of nature, landscapes, and cities, and are then taken to the threshold of absurdist surrealism and ambiguity. By adding and staging his images with little models, Wrede disturbs our perception of reality and the image.Wrede creates in his photographic worlds room for longings and utopias located somewhere beyond time and space. This catalog covers two of the artist's outstanding photo series in recent years, Real Landscapes and Seascapes.Thomas Wrede (born 1963) is based in Muenster, Germany, and has won numerous German photography awards. Art in America named his seascape photos a highlight of the 2004 Scope art fair in New York.

First published in 1946, Walter Thomas Jack's classic book of agricultural essays, The Furrow and Us, intensified the till versus no-till debate, called by Time magazine "the hottest farming argument since the tractor first challenged the horse." Hailed as "the answer" to Edward Faulkner's Plowman's Folly, Jack's cautionary memoir of agricultural progress between world wars treats the soil's intimate needs, its "hidden hungers," with the lyricism and love characteristic of an Iowa Quaker, schoolteacher, and conservation farmer. Released here in a sixtieth anniversary edition and updated and introduced by Walter Jack's great-grandson Zachary, this new edition serves as a timely call to steward the good soils that sustain us.

Early Christianity faced the problem of the human word versus Christ the Word. Could language accurately describe spiritual reality? The Mirror of Language brilliantly traces the development of one prominent theory of signs from Augustine through Anselm of Canterbury, Thomas Aquinas, and Dante. Their shared epistemology validated human language as an authentic but limited index of preexistent reality, both material and spiritual. This sign theory could thereby account for the ways men receive, know, and transmit religious knowledge, always mediated through faith.Marcia L. Colish demonstrates how the three theologians used different branches of the medieval trivium to express a common sign theory: Augustine stressed rhetoric, Anselm shifted to grammar (including grammatical proofs of God's existence), and Thomas Aquinas stressed dialectic. Dante, the one poet included in this study, used the Augustinian sign theory to develop a Christian poetics that culminates in the Divine Comedy. The author points out not only the commonality but also the sharp contrasts between these writers and shows the relation between their sign theories and the intellectual ferment of the times.When first published in 1968, The Mirror of Language was recognized as a pathfinding study. This completely revised edition incorporates the scholarship of the intervening years and reflects the refinements of the author's thought. Greater prominence is given to the role of Stoicism, and sharper attention is paid to some of the thinkers and movements surrounding the major thinkers treated. Concerns of semiotics, philosophy, and literary criticism are elucidated further. The original thesis, still controversial, is now even wider ranging and more salient to current intellectual debate.

As the first full-length study of twentieth-century American legal academics wrestling with the problem of free will versus determinism in the context of criminal responsibility, this book deals with one of the most fundamental problems in criminal law. Thomas Andrew Green chronicles legal academic ideas from the Progressive Era critiques of free will-based (and generally retributive) theories of criminal responsibility to the midcentury acceptance of the idea of free will as necessary to a criminal law conceived of in practical moral-legal terms that need not accord with scientific fact to the late-in-century insistence on the compatibility of scientific determinism with moral and legal responsibility and with a modern version of the retributivism that the Progressives had attacked. Foregrounding scholars' language and ideas, Green invites readers to participate in reconstructing an aspect of the past that is central to attempts to work out bases for moral judgment, legal blame, and criminal punishment.

In his photo series German photo artist Thomas Wrede juggles with real-life content versus constructedness in photography construed as a mirror of reality. His invented spaces start out as actual views of nature, landscapes, and cities, and are then taken to the threshold of absurdist surrealism and ambiguity. By adding and staging his images with little models, Wrede disturbs our perception of reality and the image.Wrede creates in his photographic worlds room for longings and utopias located somewhere beyond time and space. This catalog covers two of the artist's outstanding photo series in recent years, Real Landscapes and Seascapes.Thomas Wrede (born 1963) is based in Muenster, Germany, and has won numerous German photography awards. Art in America named his seascape photos a highlight of the 2004 Scope art fair in New York.

Deuteronomy, Thomas Mann notes, is more than a relic of ancient history. It is a living document that deals with issues that have relevance for the modern-day reader, including justice and the vision of the Great Society, individual responsibility versus the importance of community, and the nature of loyalty to God and to the world. By examining these and other issues, readers will draw striking parallels between the world of Israel several millennia ago and today. This absorbing and readable book will stimulate discussion about the Deuteronomistic prescriptions for a healthy society and their applicability to contemporary life and society.Books in the Westminster Bible Companion series assist laity in their study of the Bible as a guide to Christian faith and practice. Each volume explains the biblical book in its original historical context and explores its significance for faithful living today. These books are ideal for individual study and for Bible study classes and groups.