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Comprehensive overview of the entire spectrum of works by one of twentieth-century France’s most original thinkers.Gaston Bachelard, one of twentieth-century France’s most original thinkers, is known by English-language readers primarily as the author of The Poetics of Space and several other books on the imagination, but he made significant contributions to the philosophy and history of science. In this book, Roch C. Smith provides a comprehensive introduction to Bachelard’s work, demonstrating how his writings on the literary imagination can be better understood in the context of his exploration of how knowledge works in science. After an overview of Bachelard’s writings on the scientific mind as it was transformed by relativity, quantum physics, and modern chemistry, Smith examines Bachelard’s works on the imagination in light of particular intellectual values Bachelard derived from science. His trajectory from science to a specifically literary imagination is traced by recognizing his concern with what science teaches about how we know, and his increasing preoccupation with questions of being when dealing with poetic imagery. Smith also explores the material and dynamic imagination associated with the four elements―fire, water, air, and earth―and the phenomenology of creative imagination in Bachelard’s Poetics of Space, his Poetics of Reverie, and in the fragments of Poetics of Fire.

Gaston Bachelard (1884-1962) was a seminal figure in contemporary French philosophy. Together with Michel Foucault, Georges Canguilhem and Jean Cavaillès, he shaped the 'French epistemological' school of philosophy of science.In France, Bachelard is a towering presence; in the English-speaking world, he is little known. Now, Zbigniew Kotowicz gives us the first English language, in-depth presentation of the entire spectrum of Bachelard's work: epistemology, poetic imagination and temporality. And he explores an old philosophical tradition that Bachelard's thought opens up - atomism - a doctrine that has been almost forgotten and is much misunderstood

Comprehensive overview of the entire spectrum of works by one of twentieth-century France’s most original thinkers.Gaston Bachelard, one of twentieth-century France’s most original thinkers, is known by English-language readers primarily as the author of The Poetics of Space and several other books on the imagination, but he made significant contributions to the philosophy and history of science. In this book, Roch C. Smith provides a comprehensive introduction to Bachelard’s work, demonstrating how his writings on the literary imagination can be better understood in the context of his exploration of how knowledge works in science. After an overview of Bachelard’s writings on the scientific mind as it was transformed by relativity, quantum physics, and modern chemistry, Smith examines Bachelard’s works on the imagination in light of particular intellectual values Bachelard derived from science. His trajectory from science to a specifically literary imagination is traced by recognizing his concern with what science teaches about how we know, and his increasing preoccupation with questions of being when dealing with poetic imagery. Smith also explores the material and dynamic imagination associated with the four elements―fire, water, air, and earth―and the phenomenology of creative imagination in Bachelard’s Poetics of Space, his Poetics of Reverie, and in the fragments of Poetics of Fire.

Gaston Bachelard (1884-1962) was a seminal figure in contemporary French philosophy. Together with Michel Foucault, Georges Canguilhem and Jean Cavaillès, he shaped the 'French epistemological' school of philosophy of science.In France, Bachelard is a towering presence; in the English-speaking world, he is little known. Now, Zbigniew Kotowicz gives us the first English language, in-depth presentation of the entire spectrum of Bachelard's work: epistemology, poetic imagination and temporality. And he explores an old philosophical tradition that Bachelard's thought opens up - atomism - a doctrine that has been almost forgotten and is much misunderstood

This is the first critically evaluative study of Gaston Bachelard's philosophy of science to be written in English. Bachelard's professional reputation was based on his philosophy of science, though that aspect of his thought has tended to be neglected by his English-speaking readers. Dr Tiles concentrates here on Bachelard's critique of scientific knowledge. Bachelard emphasised discontinuities in the history of science; in particular he stressed the ways of thinking about and investigating the world to be found in modern science. This, as the author shows, is paralleled by those debates among English-speaking philosophers about the rationality of science and the 'incommensurability' of different theories. To these problems Bachelard might be taken as offering an original solution: rather than see discontinuities as a threat to the objectivity of science, see them as products of the rational advancement of scientific knowledge. Dr Tiles sets out Bachelard's views and critically assesses them, reflecting also on the wider question of how one might assess potentially incommensurable positions in the philosophy of science as well as in science itself.

Air and Dreams: An Essay on the Imagination of Movement - by Gaston Bachelard Trans. Edith and Frederick Farrell. Bachelard uses his extensive knowledge of the poetry of Poe, Blake, Shelley, and Nietzsche to amplify the images of the airy elements. THE BACHELARD TRANSLATIONS are the inspiration of Joanne H. Stroud, Director of Publications for The Dallas Institute of Humanities and Culture, who in 1981 contracted with José Corti to publish in English the untranslated works of Bachelard on the imagination. Gaston Bachelard is acclaimed as one of the most significant modern French thinkers. From 1929 to 1962 he authored twenty-three books addressing his dual concerns, the philosophy of science and the analysis of the imagination of matter. The influence of his thought can be felt in all disciplines of the humanities - art, architecture, literature, language, poetics, philosophy, and depth psychology. His teaching career included posts at the College de Bar-sur-Aube, the University of Dijon, and from 1940 to 1962 the chair of history and philosophy of science at the Sorbonne. One of the amphitheaters of the Sorbonne is called "L'Amphi Gaston Bachelard," an honor Bachelard shared with Descartes and Richelieu. He received the Grand Prix National Lettres in 1961-one of only three philosophers ever to have achieved this honor. The influence of his thought can be felt in all disciplines of the humanities-art, architecture, literature, poetics, psychology, philosophy, and language.

This is the first critically evaluative study of Gaston Bachelard's philosophy of science to be written in English. Bachelard's professional reputation was based on his philosophy of science, though that aspect of his thought has tended to be neglected by his English-speaking readers. Dr Tiles concentrates here on Bachelard's critique of scientific knowledge. Bachelard emphasised discontinuities in the history of science; in particular he stressed the ways of thinking about and investigating the world to be found in modern science. This, as the author shows, is paralleled by those debates among English-speaking philosophers about the rationality of science and the 'incommensurability' of different theories. To these problems Bachelard might be taken as offering an original solution: rather than see discontinuities as a threat to the objectivity of science, see them as products of the rational advancement of scientific knowledge. Dr Tiles sets out Bachelard's views and critically assesses them, reflecting also on the wider question of how one might assess potentially incommensurable positions in the philosophy of science as well as in science itself.

Gaston Bachelard, master dreamer of the elements, animates the waters of the soul with his stirring, fluid imagination. With the subtlety of a poet, he ranges from the surface of water with its reflective narcissism to the very depths where water flows into death. Clear waters, deep water, the Charon Complex, water in combination with other elements, maternal waters, water's morality, violent water, water's voice.

In The Dialectic of Duration Gaston Bachelard addresses the nature of time in response to the writings of his great contemporary, Henri Bergson. For Bachelard, experienced time is irreducibly fractured and interrupted, as indeed are material events. At stake is an entire conception of the physical world, an entire approach to the philosophy of science. It was in this work that Bachelard first marshalled all the components of his visionary philosophy of science, with its steady insistence on the human context and subtle encompassing of the irrational within the rational.

In The Dialectic of Duration Gaston Bachelard addresses the nature of time in response to the writings of his great contemporary, Henri Bergson. For Bachelard, experienced time is irreducibly fractured and interrupted, as indeed are material events. At stake is an entire conception of the physical world, an entire approach to the philosophy of science. It was in this work that Bachelard first marshalled all the components of his visionary philosophy of science, with its steady insistence on the human context and subtle encompassing of the irrational within the rational.

Un siècle s'est écoulé depuis la fondation en 1909 d'une chaire de philosophie des sciences à la Sorbonne pour Gaston Milhaud. C'est le début d'un enseignement, relayé par Abel Rey et par Bachelard, qui se prolongera jusqu'à nos jours. Revenir sur cette inscription institutionnelle permet de saisir les causes et les motifs qui sous-tendent ce nouveau champ d'études et d'en apprécier le développement futur. À Montpellier puis à Paris, Milhaud participe à l'effort d'interdisciplinarité suscité par la rénovation de l'université républicaine. L'oeuvre de ce mathématicien venu à la philosophie interroge la science dans son évolution historique et son élaboration conceptuelle. Se dessine une conception de la rationalité scientifique qui fait une place à la création et à la liberté. On perçoit déjà ici le trait dominant de la tradition française, qu'on caractérisera d'épistémologie historique. Dix-sept chercheurs portent le regard de leur spécialité sur une oeuvre ample et riche qui inaugure un discours au carrefour des sciences, de la philosophie et de l'histoire.

Thirty years since its first publication in English, French philosopher Gaston Bachelard's The Poetics of Space one of the most appealing and lyrical explorations of home. Bachelard takes us on a journey, from cellar to attic, to show how our perceptions of houses and other shelters shape our thoughts, memories, and dreams.

Médecin, philosophe, successeur de Gaston Bachelard à la tête de l'Institut d'histoire des sciences et techniques de l'université de Paris, Georges Canguilhem est l'un des fondateurs de la tradition épistémologique française. Penseur à la postérité déjà nombreuse, il a tiré de ses études médicales la matière d'une interrogation profonde sur les sciences du vivant qui s'avère d'une extraordinaire actualité. Ce livre, fruit d'un colloque international, s'emploie pour la première fois à déployer dans toutes ses dimensions, scientifique, philosophique, éthique et politique, la complexité de l'oeuvre de Canguilhem.

First published in 1938, this ubiquitously taught French-text translation expounds on the theory of knowledge and its development—a key element of Gaston Bachelard's notion of "the epistemological obstacle"—and the unavoidable presence in the thinking individual's mind of preconceived and misleading ideas derived from the very nature of language and culture.

Gaston Bachelard, uno de los más extraordinarios filósofos modernos de Francia, procede, por confesión expresa, de la filosofía de la ciencia natural. Su rigurosa formación cientíca no impidió que en la madurez de su vida rompiera con todos sus hábitos tradicionales de investigación filosófica para abrazar unaforma personalísima de la fenomenología, la del "studio del fenómeno de la imagen poética". Pero la fenomenología de Bachelard no produce, como podría esperarse, un sustituto explicativo o simplemente descriptive de los esquemas causales de la ciencia, sino por el contrario un novedoso y eminente estilo del filosofar, el de la poética del espacio.

Gaston Bachelard (1884 -1962) is one of the most famous philosophers of the French 20th century, leaving a huge body of writing stretching from his first publication in 1928 right up to the time of his death. His subject matter was diverse - to date, the texts chosen for translation into English have reflected his 'literary critical' writing career, but there remains an impressive body of untranslated work on the philosophy of science. He held the chair of History of Philosophy of Science at La Sorbonne. Bachelard's work has and retains a profound influence in the French-speaking world. His writing career as a whole can be understood as a meditation on science in the context of human being and the creative, 'poetic' side of human nature, featuring restless reformulations of psychoanalysis and phenomenology . Dialectic of Duration addresses the nature of time, taking issue specifically with Henri Bergson's notion of duration, or 'lived' time, as found in Bergson's Duration and Simultaneity and Matter and Memory. For Bachelard, contra Bergson, the experience of lived time was fractured, interrupted, not 'single' and continuous; he argues that there is no one underlying thread - that time is multiple and discrete. This had and has crucial significance for the debate between Bergson and the physics of Relativity. This first time English translation has been undertaken by Bachelard scholar Dr Mary McAllester Jones of Strathclyde University, whose Gaston Bachelard - Subversive Humanist has done much to broaden Bachelard's English-language reputation. The introduction is by Dr Cristina Chimisso.

Air and Dreams: An Essay on the Imagination of Movement - by Gaston Bachelard Trans. Edith and Frederick Farrell. Bachelard uses his extensive knowledge of the poetry of Poe, Blake, Shelley, and Nietzsche to amplify the images of the airy elements. THE BACHELARD TRANSLATIONS are the inspiration of Joanne H. Stroud, Director of Publications for The Dallas Institute of Humanities and Culture, who in 1981 contracted with José Corti to publish in English the untranslated works of Bachelard on the imagination. Gaston Bachelard is acclaimed as one of the most significant modern French thinkers. From 1929 to 1962 he authored twenty-three books addressing his dual concerns, the philosophy of science and the analysis of the imagination of matter. The influence of his thought can be felt in all disciplines of the humanities - art, architecture, literature, language, poetics, philosophy, and depth psychology. His teaching career included posts at the College de Bar-sur-Aube, the University of Dijon, and from 1940 to 1962 the chair of history and philosophy of science at the Sorbonne. One of the amphitheaters of the Sorbonne is called "L'Amphi Gaston Bachelard," an honor Bachelard shared with Descartes and Richelieu. He received the Grand Prix National Lettres in 1961-one of only three philosophers ever to have achieved this honor. The influence of his thought can be felt in all disciplines of the humanities-art, architecture, literature, poetics, psychology, philosophy, and language.

Gaston Bachelard, master dreamer of the elements, animates the waters of the soul with his stirring, fluid imagination. With the subtlety of a poet, he ranges from the surface of water with its reflective narcissism to the very depths where water flows into death. Clear waters, deep water, the Charon Complex, water in combination with other elements, maternal waters, water's morality, violent water, water's voice.