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The Backstory series of unique "oral histories" chronicles the lives and careers of notable Hollywood screenwriters—in their own words. Backstory: Interviews with Screenwriters of Hollywood's Golden Age focused on the early sound era and the 1930s. Backstory 2 featured Interviews with Screenwriters of the 1940s and 1950s. Backstory 3 takes up the history of American screenwriting in the 1960s, through the experiences of fourteen key scenarists. These lively interviews, conducted by Pat McGilligan and others, feature Jay Presson Allen, George Axelrod, Walter Bernstein, Horton Foote, Walon Green, Charles B. Griffith, John Michael Hayes, Ring Lardner Jr., Wendell Mayes, Irving Ravetch and Harriet Frank Jr., Arnold Schulman, Stirling Silliphant, and Terry Southern.The series has proven useful and edifying for film students, scholars, and historians, for screenwriters and other professionals, and for film buffs in general. Applauded by reviewers and named among the "100 essential film books" by a Los Angeles Times-appointed panel, it is cited often and quoted in many film histories.

Take your photography and videography adventures to the next level with the BackStory 15 Backpack, meticulously designed to cater to the needs of professional and amateur photographers alike. This backpack is not just a storage solution but a mobile workstation that ensures your DSLR cameras, lenses, 16" laptop, and 10" tablet are securely housed and easily accessible.Crafted from premium, high-quality nylon, the BackStory 15 Backpack is both durable and stylish, offering a sleek, modern aesthetic that complements your on-the-go lifestyle. The rear-panel opening provides complete, unobstructed access to your gear, ensuring that you can grab your equipment without any hassle. The top panel is ingeniously designed for quick access, allowing you to swiftly reach your camera to capture those fleeting moments that make for the perfect shot, thereby enhancing your workflow efficiency.For the tech-savvy photographer, the deep front compartment is a treasure trove of organization. It features zippered mesh pockets that are perfect for stowing personal items and essential accessories. The dedicated compartments are sized precisely for a 10" tablet and a 16" laptop, making it an ideal backpack for photographers who need to edit on the move or back up their work in the field.Comfort is paramount when you're traversing through various terrains or navigating through bustling streets. The BackStory 15 Backpack addresses this with its plush shoulder harness and a removable waist belt, both designed to distribute weight evenly and reduce strain on your body. This thoughtful design ensures that the backpack is comfortable enough to wear throughout the day, whether you're on a remote trail or an urban assignment.The backpack's protective features are second to none, with padded compartments that safeguard your valuable equipment from bumps and jostles. The water-resistant fabric also provides an added layer of security against the elements, ensuring that your gear stays dry and protected, no matter where your journey takes you.In summary, the BackStory 15 Backpack is a spacious, protective, and comfortable carrying solution that meets the demands of photographers and videographers who require quick access and optimal protection for their gear. It's a professional-grade backpack that supports your passion for capturing the world, one image or video at a time.

Why settle for anything less than the ultimate in on-the-go convenience and comfort? The BackStory 13 Backpack is meticulously designed for photographers and multimedia professionals who demand both quick access and secure storage for their valuable equipment. The innovative rear-panel opening of this backpack unfolds to reveal a comprehensive view of your gear, ensuring that everything from DSLR cameras to lenses is within easy reach. Crafted for efficiency, the top panel of the BackStory 13 allows for swift retrieval of your camera, enhancing your workflow and allowing you to capture those fleeting moments with ease. The backpack's deep front compartment is a treasure trove of organized space, featuring zippered mesh pockets that provide secure storage for a plethora of personal items, including a 10" tablet and a 13" laptop, keeping your tech essentials protected and accessible.Comfort is paramount when you're out in the field, and the BackStory 13 doesn't disappoint. The plush shoulder harness is engineered for ergonomic support, reducing strain during extended use. Additionally, the removable waist belt offers an extra level of support, distributing the weight evenly to alleviate pressure on your shoulders and back, making it an ideal companion for all-day shoots and remote on-location assignments.Whether you're navigating urban environments or trekking through more rugged landscapes, the BackStory 13 Backpack is built to cater to the needs of creative professionals who require a reliable, versatile storage solution that keeps pace with their active lifestyle. With its robust construction and thoughtful design, this backpack is not just a carrying solution - it's an integral part of your creative toolkit.

The Backstory series of unique "oral histories" chronicles the lives and careers of notable Hollywood screenwriters—in their own words. Backstory: Interviews with Screenwriters of Hollywood's Golden Age focused on the early sound era and the 1930s. Backstory 2 featured Interviews with Screenwriters of the 1940s and 1950s. Backstory 3 takes up the history of American screenwriting in the 1960s, through the experiences of fourteen key scenarists. These lively interviews, conducted by Pat McGilligan and others, feature Jay Presson Allen, George Axelrod, Walter Bernstein, Horton Foote, Walon Green, Charles B. Griffith, John Michael Hayes, Ring Lardner Jr., Wendell Mayes, Irving Ravetch and Harriet Frank Jr., Arnold Schulman, Stirling Silliphant, and Terry Southern.The series has proven useful and edifying for film students, scholars, and historians, for screenwriters and other professionals, and for film buffs in general. Applauded by reviewers and named among the "100 essential film books" by a Los Angeles Times-appointed panel, it is cited often and quoted in many film histories.

Instead of being a dour task on the checklist, what if the process of homily prep renewed you? Instead of feeling insecure about your message, what if your skills made you confident to preach a consistently clear message of Good News, authentic to you, relevant to your listeners, holding their attention and inviting transformation? Backstory Preaching: Integrating Life, Spirituality, and Craft shows you how.By integrating your life and spirituality with the practical skills necessary for effective preaching, you can move beyond the boredom, stress, or insecurity of preaching so it is no longer you who preach but Christ who preaches in you. By connecting with God in the midst of your sermon prep, the Gospel will be spread deeper and further. God’s joy—and yours—will be made complete.

Backstory" is the screenwriter's term for what happens in a plot before the screen story begins. In this companion volume to McGilligan's widely praised Backstory: Interviews with Screenwriters of Hollywood's Golden Age, fourteen studio scribes active in later decades rail and reminisce about their fifty-plus years of inventing and scripting movies. Richard Brooks, Garson Kanin and Ruth Gordon, Arthur Laurents, Ben Maddow, Stewart Stern, Daniel Taradash, and Philip Yordan are among the distinguished figures included.The 1940s were a period of transition for the motion picture industry, from an era of hope and glory and the upheavals of World War II to a postwar era of caution and confusion. The 1950s brought a great decline in the number of films produced and led to the extinction of that peculiar creature, the contract writer.The survivors of Hollywood's most productive years remain wonderfully talkative, however. In this lively collection of interviews they contribute

The illustrious line-up in this volume includes Hitchcock collaborator Charles Bennett, the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett, the Astaire-Rogers writer Allan Scott, and many more.

"Backstory" is the screenwriter's term for what happens in a plot before the screen story begins. In this companion volume to McGilligan's widely praised Backstory: Interviews with Screenwriters of Hollywood's Golden Age, fourteen studio scribes active in later decades rail and reminisce about their fifty-plus years of inventing and scripting movies. Richard Brooks, Garson Kanin and Ruth Gordon, Arthur Laurents, Ben Maddow, Stewart Stern, Daniel Taradash, and Philip Yordan are among the distinguished figures included. The 1940s were a period of transition for the motion picture industry, from an era of hope and glory and the upheavals of World War II to a postwar era of caution and confusion. The 1950s brought a great decline in the number of films produced and led to the extinction of that peculiar creature, the contract writer. The survivors of Hollywood's most productive years remain wonderfully talkative, however. In this lively collection of interviews they contribute useful writing tips, radical correctives to screen history and industry folklore, and just plain fascinating gossip. As a whole, the interviews provide a compelling biographical close-up of an entire generation of men and women whose talent, vision, and tenacity were critical to the institution we know as "Hollywood."

Continuing Patrick McGilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfully detailed and personal stories from veteran screenwriters of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great movies, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and the business of screenwriting. The screenwriters interviewed for this volume include well-known Oscar winners as well as cult filmmakers, important writers who were also distinguished directors, and key practitioners of every commercial genre. These writers have worked with Steven Spielberg, Woody Allen, Peter Bogdanovich, George Lucas, Francis Ford Coppola, Robert Altman, Clint Eastwood, and other film giants of the so-called New Hollywood. The stories of their collaborations―some divine, some disastrous―provide some of the most fascinating material in this volume. They also discuss topics including how they got started writing screenplays, their working routines, their professional relationships, their influences, and the work of other major writers and directors. Backstory 4 features interviews with Robert Benton, Larry Cohen, Blake Edwards, Walter Hill, Ruth Prawer Jhabvala, Lawrence Kasdan, Elmore Leonard, Paul Mazursky, Nancy Meyers, John Milius, Frederic Raphael, Alvin Sargent, and Donald E. Westlake.

"Backstory" is the screenwriter's term for what happens in a plot before the screen story begins. In this companion volume to McGilligan's widely praised Backstory: Interviews with Screenwriters of Hollywood's Golden Age, fourteen studio scribes active in later decades rail and reminisce about their fifty-plus years of inventing and scripting movies. Richard Brooks, Garson Kanin and Ruth Gordon, Arthur Laurents, Ben Maddow, Stewart Stern, Daniel Taradash, and Philip Yordan are among the distinguished figures included. The 1940s were a period of transition for the motion picture industry, from an era of hope and glory and the upheavals of World War II to a postwar era of caution and confusion. The 1950s brought a great decline in the number of films produced and led to the extinction of that peculiar creature, the contract writer. The survivors of Hollywood's most productive years remain wonderfully talkative, however. In this lively collection of interviews they contribute useful writing tips, radical correctives to screen history and industry folklore, and just plain fascinating gossip. As a whole, the interviews provide a compelling biographical close-up of an entire generation of men and women whose talent, vision, and tenacity were critical to the institution we know as "Hollywood."

Backstory" is the screenwriter's term for what happens in a plot before the screen story begins. In this companion volume to McGilligan's widely praised Backstory: Interviews with Screenwriters of Hollywood's Golden Age, fourteen studio scribes active in later decades rail and reminisce about their fifty-plus years of inventing and scripting movies. Richard Brooks, Garson Kanin and Ruth Gordon, Arthur Laurents, Ben Maddow, Stewart Stern, Daniel Taradash, and Philip Yordan are among the distinguished figures included.The 1940s were a period of transition for the motion picture industry, from an era of hope and glory and the upheavals of World War II to a postwar era of caution and confusion. The 1950s brought a great decline in the number of films produced and led to the extinction of that peculiar creature, the contract writer.The survivors of Hollywood's most productive years remain wonderfully talkative, however. In this lively collection of interviews they contribute

It may be that the song most baby boomers identify from July 1956 is a simple twelve-bar blues, hyped on national television by a twenty-one-year-old Elvis Presley and his handlers. But it is a very different song, with its elongated fourteen-bar choruses of rhythm and dissonance, played on the night of July 7, 1956, by a fifty-seven-year-old Duke Ellington and his big band that got everybody on their feet and moving as one. More than fifty years later, “Diminuendo and Crescendo in Blue,” recorded at the 1956 Newport Jazz Festival, still makes a profound statement about postwar America—how we got there and where it all went.Backstory in Blue is a behind-the-scenes look at this epic moment in American cultural history. It is the story of who and what made Ellington’s composition so compelling and how one piece of music reflected the feelings and shaped the sensibilities of the postwar generation. As John Fass Morton explains, it was music expressed as much by those who performed offstage as by those who performed on.Written from the point of view of the audience, this unique account draws on interviews with fans and music professionals of all kinds who were there and whose lives were touched, and in some cases changed, by the experience. Included are profiles of George Avakian, who recorded and produced Ellington at Newport 1956; Paul Gonsalves, the tenor sax player responsible for the legendary twenty-seven choruses that enabled the rebirth of Ellington’s career; and the “Bedford Blonde,” Elaine Anderson, whose dance ignited both the band and the crowd.Duke Ellington once remarked, “I was born at Newport.” Here we learn that Newport was much more than the turning point for Ellington’s career.  It was the tipping point for a generation and a musical genre.

Patrick McGilligan continues his celebrated interviews with exceptional screenwriters in Backstory 5, focusing on the 1990s. The thirteen featured writers―Albert Brooks, Jean-Claude Carrière, Nora Ephron, Ronald Harwood, John Hughes, David Koepp, Richard LaGravenese, Barry Levinson, Eric Roth, John Sayles, Tom Stoppard, Barbara Turner, and Rudy Wurlitzer―are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan’s words, “a snapshot of a profession in motion.” Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges. Backstory 5 explores how these writers come up with their ideas, how they go about adapting a stage play or work of fiction, how they organize and structure their work, and much more.

It may be that the song most baby boomers identify from July 1956 is a simple twelve-bar blues, hyped on national television by a twenty-one-year-old Elvis Presley and his handlers. But it is a very different song, with its elongated fourteen-bar choruses of rhythm and dissonance, played on the night of July 7, 1956, by a fifty-seven-year-old Duke Ellington and his big band that got everybody on their feet and moving as one. More than fifty years later, “Diminuendo and Crescendo in Blue,” recorded at the 1956 Newport Jazz Festival, still makes a profound statement about postwar America—how we got there and where it all went.Backstory in Blue is a behind-the-scenes look at this epic moment in American cultural history. It is the story of who and what made Ellington’s composition so compelling and how one piece of music reflected the feelings and shaped the sensibilities of the postwar generation. As John Fass Morton explains, it was music expressed as much by those who performed offstage as by those who performed on.Written from the point of view of the audience, this unique account draws on interviews with fans and music professionals of all kinds who were there and whose lives were touched, and in some cases changed, by the experience. Included are profiles of George Avakian, who recorded and produced Ellington at Newport 1956; Paul Gonsalves, the tenor sax player responsible for the legendary twenty-seven choruses that enabled the rebirth of Ellington’s career; and the “Bedford Blonde,” Elaine Anderson, whose dance ignited both the band and the crowd.Duke Ellington once remarked, “I was born at Newport.” Here we learn that Newport was much more than the turning point for Ellington’s career.  It was the tipping point for a generation and a musical genre.

The illustrious line-up in this volume includes Hitchcock collaborator Charles Bennett, the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett, the Astaire-Rogers writer Allan Scott, and many more.

Patrick McGilligan continues his celebrated interviews with exceptional screenwriters in Backstory 5, focusing on the 1990s. The thirteen featured writers―Albert Brooks, Jean-Claude Carrière, Nora Ephron, Ronald Harwood, John Hughes, David Koepp, Richard LaGravenese, Barry Levinson, Eric Roth, John Sayles, Tom Stoppard, Barbara Turner, and Rudy Wurlitzer―are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan’s words, “a snapshot of a profession in motion.” Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges. Backstory 5 explores how these writers come up with their ideas, how they go about adapting a stage play or work of fiction, how they organize and structure their work, and much more.

Continuing Patrick McGilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfully detailed and personal stories from veteran screenwriters of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great movies, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and the business of screenwriting. The screenwriters interviewed for this volume include well-known Oscar winners as well as cult filmmakers, important writers who were also distinguished directors, and key practitioners of every commercial genre. These writers have worked with Steven Spielberg, Woody Allen, Peter Bogdanovich, George Lucas, Francis Ford Coppola, Robert Altman, Clint Eastwood, and other film giants of the so-called New Hollywood. The stories of their collaborations―some divine, some disastrous―provide some of the most fascinating material in this volume. They also discuss topics including how they got started writing screenplays, their working routines, their professional relationships, their influences, and the work of other major writers and directors. Backstory 4 features interviews with Robert Benton, Larry Cohen, Blake Edwards, Walter Hill, Ruth Prawer Jhabvala, Lawrence Kasdan, Elmore Leonard, Paul Mazursky, Nancy Meyers, John Milius, Frederic Raphael, Alvin Sargent, and Donald E. Westlake.

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Arkansas is a complex place—part Old South, part Old West, and part traditional hill country—that has shared an amazing array of people and products with the world. Even so, much of what makes Arkansas so special remains largely unrecognized.  Arkansas Backstories highlights the lesser-known aspects of America’s twenty-fifth state. The short essays in this handsomely illustrated book will offer surprises for even the most dedicated and devoted students of the state. How many readers, for instance, realize that the first sitting member of Congress to be assassinated was shot to death in Monroe County? Or that the CIA had secret contracts with an Arkansas organization to train animals for clandestine activities? Or that there’s good evidence that Abraham Lincoln lived for a time in northeast Arkansas, chopping wood for a plantation owner?  Few readers may be aware of the connections between Arkansas and the Texas fight for independence. Or that baseball’s spring training routine originally began in Hot Springs. Or that Arkansas is the country’s leading producer of goldfish. Or that the state’s capital city was once known as Arkopolis.  These and other captivating topics are what make Arkansas Backstories an essential addition to every coffee table in the state. The book will delight any and all interested in Arkansas—one of the nation’s most fascinating states. The companion to this book—Arkansas Backstories, Volume 2—will be published by Butler Center Books in the spring of 2019.

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