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Hardcover. *Now an award-winning Apple TV+ series starring Gary Oldman, Kristin Scott Thomas and Jack Lowden*THE INSTANT #1 SUNDAY TIMES BESTSELLER'Herron is at the summit of a new golden age of spy fiction' Sunday TimesIn MI5 a scandal is brewing and there are bad actors everywhere.A key member of a Downing Street think-tank has disappeared without a trace. Claude Whelan, one-time First Desk of MI5's Regent's Park, is tasked with tracking her down. But the trail leads straight back to Regent's Park HQ itself, with its chief, Diana Taverner, as prime suspect. Meanwhile her Russian counterpart has unexpectedly shown up in London but has slipped under MI5's radar. Over at Slough House, the home for demoted and embittered spies, the slow horses are doing what they do best: adding a little bit of chaos to an already unstable situation. In a world where lying, cheating and backstabbing is the norm, bad actors are bending the rules for their own gain. If the slow horses want to change the script, they'll need to get their own act together before the final curtain.'A pitch-perfect espionage thriller' Sunday Times'This is entertainment of the highest class' Literary Review'[Bad Actors] deserves the bouquets that will come its way, and Herron is building a series with lasting resonance' The Times'One of the most consistently enjoyable literary achievements of the past decade' The Times'The man is a genius' The Spectator The eighth book in the critically acclaimed and bestselling Slough House THRILLER series by Mick Herron, who has been called 'Britain's finest living thriller writer' [Sunday Express] Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

The film noir male is an infinitely watchable being, exhibiting a wide range of emotions, behaviors, and motivations. Some of the characters from the film noir era are extremely violent, such as Neville Brand's Chester in D.O.A. (1950), whose sole pleasure in life seems to come from inflicting pain on others. Other noirs feature flawed authority figures, such as Kirk Douglas's Jim McLeod in Detective Story (1951), controlled by a rigid moral code that costs him his marriage and ultimately his life. Others present ruthless crime bosses, hapless males whose lives are turned upside down because of their ceaseless longing for a woman, and even courageous men on the right side of the law. The private and public lives of over ninety actors who starred in the films noirs of the 1940s and 1950s are presented here. Some of the actors, such as Humphrey Bogart, Kirk Douglas, Burt Lancaster, Edward G. Robinson, Robert Mitchum, Raymond Burr, Fred MacMurray, Jack Palance and Mickey Rooney, enjoyed great renown, while others, like Gene Lockhart, Moroni Olsen and Harold Vermilyea, were less familiar, particularly to modern audiences. An appendix focuses on the actors who were least known but frequently seen in minor roles.

The film noir male is an infinitely watchable being, exhibiting a wide range of emotions, behaviors, and motivations. Some of the characters from the film noir era are extremely violent, such as Neville Brand's Chester in D.O.A. (1950), whose sole pleasure in life seems to come from inflicting pain on others. Other noirs feature flawed authority figures, such as Kirk Douglas's Jim McLeod in Detective Story (1951), controlled by a rigid moral code that costs him his marriage and ultimately his life. Others present ruthless crime bosses, hapless males whose lives are turned upside down because of their ceaseless longing for a woman, and even courageous men on the right side of the law. The private and public lives of over ninety actors who starred in the films noirs of the 1940s and 1950s are presented here. Some of the actors, such as Humphrey Bogart, Kirk Douglas, Burt Lancaster, Edward G. Robinson, Robert Mitchum, Raymond Burr, Fred MacMurray, Jack Palance and Mickey Rooney, enjoyed great renown, while others, like Gene Lockhart, Moroni Olsen and Harold Vermilyea, were less familiar, particularly to modern audiences. An appendix focuses on the actors who were least known but frequently seen in minor roles.

First edition, first printing UK hardback, 2022 Baskerville. The book is in fine condition, the dustjacket is fine condition. Not price clipped.

Born and raised in Brooklyn with a street fighter's instinct and sharp Jewish wit, Mickey Knox leaves the army for the bright lights of Hollywood. But when the rise of McCarthyism puts an abrupt end to his hopes of working in American films, Knox debarks to France and Italy to work in European cinema. It turns out to be the best move of his life. This book—where every major film actor and writer of the last century appears—is a wonderful, gossipy history of European cinema as seen through the observant eye of Knox. From arguing with John Wayne, teaching Anna Magnani to articulate English, to fending off Zsa Zsa Gabor's advances and getting lost in Italy with a hungry Orson Welles, Knox was in the midst of it all, watching with a dry smile and a witty comeback. Of the colorful cast of characters who have passed through his life—Burt Lancaster, Kirk Douglas, Ava Gardner, Anthony Quinn, Henry Fonda, Burt Reynolds, Sam Fuller, Elvis Presley, Gore Vidal—one lasting friendship runs throughout the text. That friend—Norman Mailer—writes a preface to "a rare warrior of that rarely heroic world of stage and screen." Black-and-white photographs are included.

Conor Maguire and his daughter Barb planned to weather the apocalypse by keeping to themselves, hidden from the world in their compound deep in the Appalachian Mountains. Their approach failed, allowing bad men to get too close and kidnap Barb. After rescuing her in a violent bloodbath that decimated the kidnappers, Conor realized it was time to enlist his community to work together to improve their security.They had better work fast. Unknown to Conor, the kidnappers he killed had a boss and he’s none too happy about the loss of his men. He’s marching in their direction and building an army as he goes, determined to find this Mad Mick that everyone is talking about and hang his head from a stick.

Lloyd Nolan could play any character in any genre and was believable to every role. He was not acting; he was just real. He was Inspector Briggs in The House on 92nd Street and The Street With No Name. He was Dr. Swain in Peyton Place and, even as a bad guy, he was Lt. De Garmot in Lady in the Lake. Nolan's off-screen life was just as remarkable. He was devoted to his autistic son Jay and, when young Jay died in an accident 2500 miles away, Lloyd channeled his grief into action. For the rest of his life, he did everything he could to better the lives of disabled people and their families, and such people are still benefitting from the resulting legislation today. This is the story of the two lives of Lloyd Nolan--his prolific on-screen life that is so familiar to movieoers and television fans alike, and his off-screen life that has positively affected many throughout the country. His was a true Hollywood success story of a role model extraordinnaire!

Dashing heroes, dastardly villains, lovely ladies in distress and comical sidekicks-this was the formula for the westerns so popular through the fifties and sixties. This nostalgic reference work covers the heroes (90+ western stars), the sidekicks (60+ saddle pals), the cowgirls (60+ leading ladies), the bad guys (40+ villains), plus miscellaneous other players. A biographical sketch and career description with photographs and a filmography is given for each performer.

Jaw-dropping tales of the legendary excess and bad behavior of Michael Caine, Sean Connery, and more stars of the 1950s and 60s—this is Easy Riders, Raging Bulls for the BritsThe trail-blazing period of theater and film from 1956-1964 is brought alive in this history, through the vibrant exploits of a revolutionary generation of stars who bulldozed over austerity Britain and paved the way for the swinging 60s. Alan Bates, Michael Caine, Sean Connery, Tom Courtenay, Albert Finney, Richard Harris, Peter O'Toole, Robert Shaw, and Terence Stamp—they are the most formidable acting generation ever to stare into a camera, and their anti-establishment attitude changed the cultural landscape of Britain. This was a new breed, many from the working class industrial towns of Britain, and nothing like them has been seen before or since. Their raw earthy brilliance brought realism to a whole range of groundbreaking theater from John Osborne's Look Back in Anger to Joan Littlewood and Harold Pinter and the creation of the National Theatre. They ripped apart the staid, middle-class British film industry with kitchen-sink classics like Saturday Night and Sunday Morning, This Sporting Life, The Loneliness of the Long Distance Runner, A Kind of Loving, and Billy Liar before turning their sights on international stardom: Connery with James Bond, O'Toole as Lawrence of Arabia, Finney with Tom Jones, and Caine in Zulu. 

The surprising, intensely personal account of Sondra Locke's thirteen-year relationship with actor Clint Eastwood recalls his manipulation of her career and personality and her spiritual journey out of a destructive relationship. 100,000 first printing. Tour.

An award-winning journalist and co-founder of the cross-dressing band Christian Death documents the transformation of a drug-abusing, motley group of musicians, screenwriters, and wannabe actors into a competitive baseball team, an endeavor that enabled unexpected benefits. 15,000 first printing.

An award-winning journalist and co-founder of the cross-dressing band Christian Death documents the transformation of a drug-abusing, motley group of musicians, screenwriters, and wannabe actors into a competitive baseball team, an endeavor that enabled unexpected benefits. 15,000 first printing.

The sparkling memoir of a movie icon's life in the footlights and on camera, The Good, the Bad, and Me tells the extraordinary story of Eli Wallach's many years dedicated to his craft. Beginning with his early days in Brooklyn and his college years in Texas, where he dreamed of becoming an actor, this book follows his career as one of the earliest members of the famed Actors Studio and as a Tony Award winner for his work on Broadway. Wallach has worked with such stars as Marlon Brando, Paul Newman, Marilyn Monroe, Gregory Peck, and Henry Fonda, and his many movies include The Magnificent Seven, How the West Was Won, the iconic The Good, the Bad and the Ugly, and, most recently, Mystic River. For more than fifty years Eli Wallach has held a special place in film and theater, and in a tale rich with anecdotes, wit, and remarkable insight he recounts his magical life in a world unlike any other.

Edwin Booth and his younger brother John Wilkes Booth were, in many ways, two of a kind. They were among America’s finest actors, having inherited their father’s commanding stage presence along with his penchant for alcohol and impulsive behavior. In other respects, the two brothers were very different. Edwin was more introspective, while John was known for his passionate intensity. They stood at opposite poles politically, as well: Edwin voted for Abraham Lincoln; John was an ardent advocate of the Confederacy.Award-winning author James Cross Giblin draws on first-hand accounts of family members, friends, and colleagues to create vivid images of Edwin Booth and his brother John Wilkes, best known today as the man who shot Abraham Lincoln. He traces the events leading up to the assassination and describes the effects of John Wilkes’s infamous deed on himself, his family, and his country. Comprehensive and compelling, this dual portrait illuminates a dark and tragic moment in the nation’s history and explores the complex legacy of two leading men—one revered, the other abhorred. Notes, bibliography, index.

In his graphic biography Nick Cave: Mercy on Me, Reinhard Kleist paints an expressive and enthralling portrait of the musician, novelist, poet, and actor. It is, according to Nick Cave himself, “a complex, chilling and completely bizarre journey into Cave World.” Nick Cave & The Bad Seeds: An Art Book collects Kleist’s moody and expressive portraits of the musician and his band, spanning 30 years of writing, recording, and live performance. Kleist also returns readers to Cave’s imaginative world with comic book reimaginings of “Deanna,” “The Good Son,” and “Stagger Lee.” Filled with visual delights, this record-size art book is a kaleidoscopic portrait of Nick Cave’s wide-ranging career as a storyteller, musician, and cultural icon.  

Edmund Goulding’s Dark Victory: Hollywood’s Genius Bad Boy is the first biography ever written about this eccentric genius of early-twentieth-century filmmaking. Goulding (1891–1959) was by turns a writer, producer, composer, and actor, but it is as a director that he made an indelible impression. He is most remembered today as the director of Grand Hotel, the great Event Movie of the Depression. At the dawn of sound, he wrote the story for the Academy Award–winning musical The Broadway Melody and collaborated memorably with Gloria Swanson and Joseph Kennedy for The Trespasser. He excelled at anti-war drama (White Banners, The Dawn Patrol, We Are Not Alone), fantastic Bette Davis weepies (Dark Victory, The Old Maid, The Great Lie), lilting romantic dramas (The Constant Nymph, Claudia), big-budget literary adaptations (The Razor’s Edge), and even film noir (Nightmare Alley). The London-born Goulding was a complicated and contradictory man whose notorious orgies, bisexuality, drinking, and drug addictions were whispered about in Hollywood for years. Yet his well-crafted plots and compelling characters set a new standard in American cinema and had a profound influence on the future of filmmaking.

These were unique, complex, personal and professional relationships between master director John Ford and his two favorite actors, John Wayne and Ward Bond. The book provides a biography of each and a detailed exploration of Ford's work as it was intertwined with the lives and work of both Wayne and Bond (whose biography here is the first ever published). The book reveals fascinating accounts of ingenuity, creativity, toil, perseverance, bravery, debauchery, futility, abuse, masochism, mayhem, violence, warfare, open- and closed-mindedness, control and chaos, brilliance and stupidity, rationality and insanity, friendship and a testing of its limits, love and hate--all committed by a "half-genius, half-Irish" cinematic visionary and his two surrogate sons: Three Bad Men.

Now in his 80s, Gai Eaton describes how, after a strange childhood completely isolated from other children, followed by a Cambridge education and life as an actor and later as a diplomat, circumstances led him at the age of 30 to Islam.Fascinated by the vagaries of human behavior and the strangeness of human destinies, he has observed the human scene with a novelist's eye and traced the profound changes in attitudes and tastes which have taken place in a single lifetime. He recounts his youthful adventures with the clear-sight and understanding only possible for someone whom age has freed from the passions which once possessed him. What makes this work unique is the juxtaposition of hindsight with diary entries made at the time, which gives a quality of immediacy to a true story that includes reminiscences of the diplomatic life and an outline of the Sufi path.

Looks at famous casting changes, actor's missed opportunities, and famous roles that were offered to other actors first